Tenseness, Vowel Shift, and the Phonology of the Back Vowels in Modern English Author(s): Morris Halle Source: Linguistic Inquiry, Vol. 8, No. 4 (Autumn, 1977), pp. 611-625 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/4178010 Accessed: 14-04-2018 02:08 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to Linguistic Inquiry This content downloaded from 18.9.61.111 on Sat, 14 Apr 2018 02:08:42 UTC All use subject to http://about.jstor.org/terms Linguistic Inquiry Volume 8 Number 4 (Fall, 1977) 611-625 Morris Halle Tenseness, Vowel Shift, and the Phonology of the Back Vowels in Modern English* 1. Tenseness The feature of tenseness has had a long and complicated career in phonetics. Tenseness was first recognized as a distinct phonetic feature by A. M. Bell, the founder of modern phonetics, in his Visible Speech (1867). Bell used this feature to distinguish vowels such as those in German Biene 'bee', See 'sea', gut 'good', and Sohn 'son' from those in bitte 'please', fest 'firm', Hund 'dog', and Sonne 'sun'.