The Mass of the Five Wounds
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Votive Mass of Blessed Michael Mcgivney Diocesan Priest And
Votive Mass of Blessed Michael McGivney Diocesan Priest and Founder of the Knights of Columbus Blessed Michael McGivney, Priest He was born on August 12, 1852, in Waterbury (Connecticut) of Irish immigrant parents and baptized there on August 19 in St. Peter’s Church (predecessor to what is today the Basilica of the Immaculate Conception). Ordained priest on December 22, 1877, he was assigned to St. Mary’s Church, New Haven, where his remarkable ability to relate to all people of every social, economic and religious background became apparent. In 1882, he founded the Knights of Columbus, a fraternal benevolent association that offered spiritual and apostolic direction to Catholic men. He died of tuberculosis on August 14, 1890, while Pastor of St. Thomas’ Church in Thomaston (Connecticut) and was beatified on October 31, 2020, in Hartford (Connecticut). Father Michael McGivney was beatified on October 31, 2020, during a Mass at the Cathedral of Saint Joseph in the Archdiocese of Hartford, Conn., where an apostolic letter from Pope Francis was proclaimed, declaring that Father McGivney “henceforth be given the title of Blessed and that his liturgical memorial be kept each year on 13 August, in those places laid down by the norm of law.” A step in the process of canonization, beatification is meant primarily for devotion and veneration of the blessed within a local diocese — in this case, the Archdiocese of Hartford, in which Michael McGivney was born, served as a priest, founded the Knights of Columbus, and died. Not until a candidate for sainthood is canonized are devotion and veneration extended to the entire Church. -
For OCKEGHEM
ss CORO hilliard live CORO hilliard live 2 Producer: Antony Pitts Recording: Susan Thomas Editors: Susan Thomas and Marvin Ware Post-production: Chris Ekers and Dave Hunt New re-mastering: Raphael Mouterde (Floating Earth) Translations of Busnois, Compère and Lupi by Selene Mills Cover image: from an intitial to The Nun's Priest's Tale (reversed) by Eric Gill, with thanks to the Goldmark Gallery, Uppingham: www.goldmarkart.com Design: Andrew Giles The Hilliard Ensemble David James countertenor Recorded by BBC Radio 3 in St Jude-on-the-Hill, Rogers Covey-Crump tenor Hampstead Garden Suburb and first broadcast on John Potter tenor 5 February 1997, the eve of the 500th anniversary Gordon Jones baritone of the death of Johannes Ockeghem. Previously released as Hilliard Live HL 1002 Bob Peck reader For Also available on coro: hilliard live 1 PÉROTIN and the ARS ANTIQUA cor16046 OCKEGHEM 2007 The Sixteen Productions Ltd © 2007 The Sixteen Productions Ltd N the hilliard ensemble To find out more about CORO and to buy CDs, visit www.thesixteen.com cor16048 The hilliard live series of recordings came about for various reasons. 1 Kyrie and Gloria (Missa Mi mi) Ockeghem 7:10 At the time self-published recordings were a fairly new and increasingly 2 Cruel death.... Crétin 2:34 common phenomenon in popular music and we were keen to see if 3 In hydraulis Busnois 7:50 we could make the process work for us in the context of a series of public concerts. Perhaps the most important motive for this experiment 4 After this sweet harmony... -
Votive Mass of Our Lord Jesus Christ, Supreme And
THE COMMON PREFACE Proper Prayers of the Mass in the Extraordinary Form IT IS TRULY meet and just, right and for VERE DIGNUM et justum est, Votive Mass of ǽquum et salutáre, nos tibi our salvation, that we should at all times and semper, et ubíque grátias Our Lord Jesus Christ, Supreme and Eternal Priest in all places give thanks to Thee, holy Lord, ágere: Dómine sancte, Pater omnípotens, ætérne Deus: per Father almighty, eternal God, through Christ Christum Dóminum nostrum. our Lord: through Whom Angels praise Thy Per quem majestátem tuam laudant Ángeli, adórant Do- Majesty, Dominations worship, Powers minatiónes, tremunt Potes- stand in awe. The Heavens and the hosts of tátes. Cœli, cœlorúmque Virtútes ac beáta Séraphim heaven with blessed Seraphim unite, exult, sócia exsultatióne concele- and celebrate; and we entreat that Thou brant. Cum quibus et nostras voces, ut admítti júbeas, wouldst bid our voices too be heard with deprecámur, súpplici con- theirs, singing with lowly praise: — Sanctus. fessióne dicéntes:—Sanctus. COMMUNION (I Cor. 11. 24-25) THIS BODY, which shall be delivered for HOC CORPUS, quod pro vobis INTROIT (Psalm 109. 4) tradétur: hic calix novi testa- you; this chalice is the new testament in my ménti est in meo sánguine, JURÁVIT Dóminus, et non pœn- THE LORD hath sworn, and He will not dicit Dóminus: hoc fácite, itébit eum: Tu es sacérdos in repent: Thou art a priest for ever according blood, saith the Lord: this do for the com- ætérnum secúndum órdinem quotiescúmque súmitis, in to the order of Melchisedech. Ps. ibid. 1. memoration of me. -
Votive Mass of the Most Precious Blood of Our Lord (Between Septuagesima and Easter) Red
Votive Mass of the Most Precious Blood of Our Lord (between Septuagesima and Easter) Red INTROIT: Apoc. 5:9-10 Redemisti nos, Domine, in sanguine tuo, ex Thou hast redeemed us, O Lord, in thy blood, out of omni tribu et lingua et populo et natione : et every tribe, and tongue, and people, and nation, and fecisti nos Deo nostro regnum. Ps. 88:2: hast made us to our God a kingdom. Ps. 88:2: The Misericordias Domini in æternum cantabo : in mercies of the Lord I will sing for ever : I will show generationem et generationem annuntiabo forth thy truth with my mouth to generation and veritatem tuam in ore meo. = Gloria. generation. = Glory. COLLECT Omnipotens sempiterne Deus, qui unigenitum Almighty and eternal God, who didst ordain thine Filium tuum mundi Redemptorem constituisti, only-begotten Son to be the Redeemer of the world, ac ejus Sanguine placari voluisti : concede, quæ- and didst will to be appeased by his blood : grant, we sumus, salutis nostræ pretium ita venerari, beseech thee, that we may so honour this the price of atque a præsentis vitæ malis ejus virtute defendi our redemption, and by its virtue be so defended from in terris; ut fructu perpetuo lætemur in cælis. the evils of our present life on earth, that we may Per eundem Dominum. enjoy its fruit in heaven for evermore. Through the same Lord. EPISTLE: Hebr. 9:11-15 Lectio Epistolæ beati Pauli Apostoli ad A lesson from the Epistle of St Paul the Apostle to Hebræos. the Hebrews. Fratres : Christus assistens Pontifex futurorum Brethren: Christ being come, an High Priest of the bonorum, per amplius et perfectius tabernacu- good things to come, by a greater and more perfect lum non manufactum, id est, non hujus creati- tabernacle, not made with hands, that is not of this onis; neque per sanguinem hircorum aut vitulo- creation, neither by the blood of goats or of calves, but rum, sed per proprium sanguinem introivit by his own blood, entered once into the Holies, having semel in Sancta, æterna redemptione inventa. -
Liber Collegii Nostre Domine. Registrum Ecclesie B.V. Marie Et S
!>*"•<* ' '?iOO^ iU&er Collegtt Jlosrre Bomtne REGISTRUM ECCLESIE B. V. MARIE ET S. ANNE INFRA MUROS CIVITATIS GLASGUENSIS MDXLIX , ACCEDUNT jftlummmta jfratjum ||retucatojum fce <£la*gu DOMUS DOMINICANE APUD GLASGUENSES CARTE QUE SUPERSUNT MCCXLIV-MDLIX GLASGUE MDCCCXLVI VOCA^- PRESENTED THE MAITLAND CLUB THE MARQUIS OF BUTE. THE MAITLAND CLUB. M.DCCC.XLVI. THE MOST HONOURABLE THE MARQUIS OF BUTE, K. T. PRESIDENT. HIS GRACE THE DUKE OF ARGYLL. JOHN BAIN, ESQ. DAVID BALFOUR, ESQ. SIR DAVID HUNTER BLAIR, BART. JAMES BOGLE, ESQ. BERIAH BOTFIELD, ESQ. M.P. THE MOST HONOURABLE THE MARQUIS OF BREADALBANE, K. T. SIR THOMAS MAKDOUGALL BRISBANE, BART. G.C.B. 10 HIS GRACE THE DUKE OF BUCCLEUCH AND QUEENSBERRY, K. G. ANDREW BUCHANAN, ESQ. WALTER BUCHANAN, ESQ. ALEXANDER CAMPBELL, ESQ. SIR ARCHIBALD CAMPBELL, BART. HUMPHRY WALTER CAMPBELL, ESQ. THE HONOURABLE HENRY COCKBURN, LORD COCKBURN. THE MAITLAND CLUB. JAMES T. GIBSON-CRAIG, ESQ. JAMES DENNISTOUN, ESQ. JAMES DOBIE, ESQ. 20 THE MOST HONOURABLE THE MARQUIS OF DOUGLAS AND CLYDESDALE. RICHARD DUNCAN, ESQ. TREASURER. WILLIAM JAMES DUNCAN, ESQ. WILLIAM EUING, ESQ. JAMES EWING, ESQ. LL.D. JOSEPH WALTER KING EYTON, ESQ. JAMES OGILVIE FAIRLIE, ESQ. ALEXANDER S. FINLAY, ESQ. THE REVEREND WILLIAM FLEMING, D.D. WILLIAM MALCOLM FLEMING, ESQ 30 JOHN FULLARTON, ESQ. JOHN GORDON, ESQ. THE RIGHT HONOURABLE THOMAS GRENVILLE. JAMES HAMILTON, ESQ, LAURENCE HILL, ESQ. LL.B. JAMES HUNTER, ESQ. THE HONOURABLE JAMES IVORY, LORD IVORY. JOHN CLARK KENNEDY, ESQ. JOHN KERR, ESQ. ROBERT ALEXANDER KIDSTON, ESQ. 40 GEORGE RITCHIE KINLOCH, ESQ. JOHN GARDINER KINNEAR, ESQ. JOHN LEADBETTER, ESQ. THE VERY REVEREND PRINCIPAL LEE, FOR THE LIBRARY OF THE UNIVERSITY OF EDINBURGH. -
The Man of Sorrows and Christ Blessing the Chalice As
193 The Man of Sorrows and Christ Blessing the Chalice: The Pre-Reformation and the Utraquist Viewpoints Zuzana Všetečková (Prague) At the start I wish to thank Dr. Milena Bartlová, who has made available for my examination her lecture, prepared for the Conference on Jan Hus, as well the recent article of the Hungarian scholar, Dóra Sallay, dealing with eucharistic Man of Sorrows, the development of the iconography of his depiction, its function and interpretation.1 Miri Rubin’s book Corpus Christi undoubtedly also belongs among these works.2 These researchers stressed, above all, the iconographic type of the Man of Sorrows, which derived from the Eastern depictions, and from the mosaic in the Church of Santa Croce in Jerusalem in Rome. The topos of the Man of Sorrows was often interpreted in connection with the Good Friday hymns and with the text of Isaiah 53:3-5, which describes the suffering of a man who has taken on all human sorrows. The text is usually read at the liturgy on Good Friday. The above-mentioned researchers further noted that within the ambiance of Western Christendom this topos served as a visual image of Corpus Christi, and its theological content emphasized the real presence and transubstantiation. In addition, I am glad to thank Dr. Hana Vlhová for letting me study her article, dealing with mass chants for the feast of Corpus Christi in late medieval Bohemia.3 The study supports, from the viewpoint of liturgical song, my explanatory hypothesis of the Man of Sorrows from the late fourteenth through the fifteenth centuries. -
Franciscan Proper Saints
Franciscan Proper of the Saints 1 FRANCISCAN PROPER OF THE SAINTS OCTOBER 2 Franciscan Proper of the Saints 1. The rank of the celebration (solemnity, feast or memorial) is indicated for each day. If there is no indication, it is an optional memorial. 2. For each solemnity and feast a proper Mass is provided in its entirety. This is therefore used as given. 3. For memorials: a) Proper texts, given on some days, must always be used; b) When there is a reference to a particular common, the most appropriate texts should be chosen according to the principles at the beginning of the commons. The page reference in each case indicates only the beginning of the common to which reference is made. c) If the rederence is to more than one common, one or the other may be used, according to pastoral need. It is always permissible to interchange texts from several Masses within the same common. For example, if a saint is both a martyr and a bishop, either the common of martyrs or the common of pastor (bishops) may be used. d) In addition to the commons which express a special characteristic holiness (e.g., of martyrs, virgins, or pastors), the texts from the common of saints, referring to holiness in general may always be used. For example, in the case of a saint who is both a virgin and a martyr, texts from the common of saints in general may be used, in addition to texts from the common of martyrs or the common of virgins. e) The prayers over the gifts and after communion, unless there are proper prayers, may be taken either from the common or from the current liturgical season. -
YEAR of ST. JOSEPH—CONSIDERATIONS for PARISHES December 8, 2020 – December 8, 2021
YEAR OF ST. JOSEPH—CONSIDERATIONS FOR PARISHES December 8, 2020 – December 8, 2021 There are several considerations for parishes in celebrating the Year of St. Joseph (Dec. 8, 2020-Dec. 8, 2021)—proclaimed by Pope Francis on December 8, 2020 in his apostolic letter Patris corde (“A Father’s Heart”). In Patris Corde, Pope Francis describes St. Joseph in the following ways: a beloved father, a tender and loving father, an obedient father, an accepting father, a creatively courageous father, a working father, and a father in the shadows. Votive Mass of St. Joseph • According to the decree from the Apostolic Penitentiary, Wednesday is “a day dedicated to the memory of the Saint according to the Latin tradition.” When not impeded by an obligatory memorial or feast, priests are encouraged to celebrate a Votive Mass of St. Joseph (Roman Missal, Votive Masses, n. 13) on Wednesdays while using the daily readings or choosing appropriate readings according to the General Instruction of the Roman Lectionary. These Wednesday celebrations are an opportune time to develop a catechesis on the saintly figure of St. Joseph and expound upon the virtues of Christian manhood and family life. Special Feast Days • March 19: Solemnity of St. Joseph, Spouse of Blessed Virgin Mary • May 1: Joseph the Worker (optional memorial) Sample General Intercessions1 • St. Joseph was chosen to care for Jesus in childhood and youth. May God teach us to care for Christ’s body by caring for our brothers and sisters through St. Joseph’s example. Let us pray to the Lord. • St. Joseph worked in the shadows, not seeking any glory for himself. -
'A Man of Sorrows, and Acquainted with Grief'
‘A Man of Sorrows, and Acquainted with Grief’ Imagery of the Suffering Christ in the Art of the Late Medieval Low Countries and Counter-Reformation Spain Candidate Number: R2203 MA Art History, Curatorship and Renaissance Culture The Warburg Institute, School of Advanced Study 30/09/2015 Word Count: 14,854 Table of Contents Introduction 3 Chapter 1: The Man of Sorrows – A Reassessment 6 Chapter 2: Early Netherlandish Images of the Suffering Christ 14 Chapter 3: Counter-Reformation Spanish Polychrome Sculptures 21 Chapter 4: Comparison and Analysis: Netherlandish Influences on Spanish Polychrome Sculpture 27 Conclusion 35 Figures 37 Table of Figures 56 Bibliography 58 2 Introduction During the later Middle Ages in Europe, there was a great increase in private devotion: a rise in the production of Books of Hours, the increase of mendicant orders and the new development of private chapels in churches and cathedrals all contributed towards religion being much more personal and intimate than ever before.1 Especially in Northern Europe, where the Imitatio Christi of Thomas à Kempis2 gained previously unknown popularity, private devotion was encouraged. The Devotio Moderna, which took hold especially in the Low Countries and Germany, emphasised a systematic and personal approach to prayer.3 Devotional images, which could engage with believers on a one-on-one, personal level, were majorly important features of way of practising religion, and the use of images as foci for devotion was encouraged by many writers, not only Thomas à Kempis, but also -
Pdf • an American Requiem
An American Requiem Our nation’s first cathedral in Baltimore An American Expression of our Roman Rite A Funeral Guide for helping Catholic pastors, choirmasters and families in America honor our beloved dead An American Requiem: AN American expression of our Roman Rite Eternal rest grant unto them, O Lord, And let perpetual light shine upon them. And may the souls of all the faithful departed, through the mercy of God, Rest in Peace. Amen. Grave of Father Thomas Merton at Gethsemane, Kentucky "This is what I think about the Latin and the chant: they are masterpieces, which offer us an irreplaceable monastic and Christian experience. They have a force, an energy, a depth without equal … As you know, I have many friends in the world who are artists, poets, authors, editors, etc. Now they are well able to appre- ciate our chant and even our Latin. But they are all, without exception, scandalized and grieved when I tell them that probably this Office, this Mass will no longer be here in ten years. And that is the worst. The monks cannot understand this treasure they possess, and they throw it out to look for something else, when seculars, who for the most part are not even Christians, are able to love this incomparable art." — Thomas Merton wrote this in a letter to Dom Ignace Gillet, who was the Abbot General of the Cistercians of the Strict Observance (1964) An American Requiem: AN American expression of our Roman Rite Requiescat in Pace Praying for the Dead The Carrols were among the early founders of Maryland, but as Catholic subjects to the Eng- lish Crown they were unable to participate in the political life of the colony. -
LACHLAN TURNBULL the Man of Sorrows and the King of Glory in Italy, C
Lachlan Turnbull, The Man of Sorrows and the King of Glory in Italy, c. 1250-c. 1350 LACHLAN TURNBULL The Man of Sorrows and the King of Glory in Italy, c. 1250- c. 1350 ABSTRACT The Man of Sorrows – an iconographic type of Jesus Christ following his Crucifixion – has received extensive analytical treatment in the art-historical literature. Following a model that draws scholarly attention to the dynamics of cross-cultural artistic exchange in the central Middle Ages, this article reconsiders recent advances in the scholarly literature and refocusses analysis upon the Man of Sorrows within the context of its ‘shared’ intercultural heritage, suspended between Byzantium and the West, as an image ultimately transformed from liturgical icon to iconographic device. Introduction The image of Jesus’ Crucifixion was originally believed to be either so scandalous, or considered so absurd, that the iconographic means by which to depict it constituted an almost reluctantly-developed theme in Christian art.1 Recent research indicates that Christian Crucifixion iconography emerged in the fourth century and emphasised the salvific – which is to imply, triumphal – aspect of Jesus’ death.2 ‘The Passion’, commencing with the betrayal of Jesus by his disciple Judas Iscariot, culminating in Jesus’ redemptive sacrifice by his Crucifixion and ending with his Resurrection, is a critical narrative in Christian faith.3 The reality of the Crucifixion, including the penetration of Jesus’ side and the issuing of blood and water,4 are pivotal mystic concepts linked to the key Christian doctrines of transubstantiation and sacrificial resurrection, and thus to the efficacy of the Eucharistic Mystery and Christian communion.5 The twinned natures of Jesus, his humanity and divinity, underpin the salvific significance of his death, and the image of his crucified body reinforces the memory of, identification with, and sympathy for Jesus whilst reinforcing the message of his ultimate return. -
English Translation of Mozart's Requiem
English Translation of Mozart's Requiem I. Introit: Requiem Requiem aeternam dona eis, Grant them eternal rest, Lord, Domine, and let perpetual light shine on et lux perpetua luceat eis. them. Te decet hymnus, Deus, in Sion, You are praised, God, in Zion, et tibi reddetur votum in and homage will be paid to You in Jerusalem. Jerusalem. Exaudi orationem meam, Hear my prayer, ad te omnis care veniet. to You all flesh will come. Requiem aeternam dona eis, Grant them eternal rest, Lord, Domine, and let perpetual light shine on et lux perpetua luceat eis. them. II. Kyrie Kyrie, eleison. Lord, have mercy on us. Christe, eleison. Christ, have mercy on us. Kyrie, eleison. Lord, have mercy on us. III. Sequence 1. Dies irae Day of wrath, day of anger Dies irae, dies illa will dissolve the world in ashes, Solvet saeclum in favilla, as foretold by David and the Sibyl. teste David cum Sibylla. Great trembling there will be Quantus tremor est futurus, when the Judge descends from quando judex est venturus, heaven cuncta stricte discussurus! to examine all things closely. 2. Tuba mirum The trumpet will send its wondrous Tuba mirum spargens sonum sound per sepulcra regionum, throughout earth's sepulchres coget omnes ante thronum. and gather all before the throne. Mors stupebit et natura, Death and nature will be cum resurget creatura, astounded, judicanti responsura. when all creation rises again, Liber scriptus proferetur, to answer the judgement. in quo totum continetur, A book will be brought forth, unde mundus judicetur. in which all will be written, by which the world will be judged.