Wayne State University 1961 Commencement Programs
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A Global Measure of Perceived Stress Author(S): Sheldon Cohen, Tom Kamarck and Robin Mermelstein Reviewed Work(S): Source: Journal of Health and Social Behavior, Vol
A Global Measure of Perceived Stress Author(s): Sheldon Cohen, Tom Kamarck and Robin Mermelstein Reviewed work(s): Source: Journal of Health and Social Behavior, Vol. 24, No. 4 (Dec., 1983), pp. 385-396 Published by: American Sociological Association Stable URL: http://www.jstor.org/stable/2136404 . Accessed: 24/10/2012 13:12 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Sociological Association is collaborating with JSTOR to digitize, preserve and extend access to Journal of Health and Social Behavior. http://www.jstor.org A GLOBAL MEASURE OF PERCEIVED STRESS 385 Richardson,Jean, and JulieSolis Wiggins,Jerry S. 1982 "Place ofdeath of Hispanic cancer patients 1973 Personalityand Prediction:Principles of in Los Angeles County." Unpublished PersonalityAssessment. Reading, MA: manuscript. Addison-WesleyPublishing Co. Stoddard,Sandol WilderFoundation 1978 The HospiceMovement. Briarcliff Manor, 1981 Carefor the Dying: A Studyof the Need for New York: Steinand Publishers. Hospice in RamseyCounty, Minnesota. A Valle, R., and L. Mendoza reportto the NorthwestArea Foundation 1978 The Elder Latino. San Diego, CA: Cam- fromthe AmherstH. WilderFoundation, panilePress. 355 WashingtonSt., St. Paul, MN. A GlobalMeasure of PerceivedStress SHELDON COHEN Carnegie-Mellon University TOM KAMARCK Universityof Oregon ROBIN MERMELSTEIN Universityof Oregon Journalof Healthand Social Behavior1983, Vol. -
LETTER from the PRESIDENT, SANDY GOLDSTEIN Alive@Five As an Economic Engine for the Downtown
61080_SD_NL.qxp:0 11/9/11 2:19 PM Page 1 N UMBER 43 • FALL 2011 LETTER FROM THE PRESIDENT, SANDY GOLDSTEIN Alive@Five as an Economic Engine for the Downtown Now that we are several months removed from our summer events, it’s According to Todd Kosakowski whose illuminating to evaluate them through the very important prism of company owns Black Bear Saloon, Downtown economic development; after all, economic development is Hula Hanks Island Bar & Grille and what Downtown event production is all about. 84 Park and Mike Marchetti, the owner The value of the performing arts in spurring the economy has long been of Columbus Park Trattoria, most known. According to the national research organization, Americans for Columbus Park area restaurants do the Arts, movie, theatre and concert-goers spend an average of $23 for an average of seven times the amount every dollar spent on tickets. This is a national average, which is much of business on Alive@Five Thursdays lower than what is spent in Fairfield County. However, using the research than done on other Thursday nights. This amounts to a 600% jump in organization’s conservative formula, the 75,000 patrons who attended the The streets & outdoor patios alike seven Alive@Five concerts this season, spent an estimated $1,725,000 to dine somewhere in the city. business! Let’s look at these numbers another way. If a restaurant does were packed all season at Alive@Five The latter number tells only part of the story. Delving deeper into the facts of producing the $4,000 on a normal Thursday, then on Alive@Five series, a compelling picture of economic development success emerges. -
Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless. -
Steve Smith Steve Smith
• SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades. -
AJ Muste's Theology
! A.J. Muste’s Theology: Tracing the Ideas that Shaped the Man Jeffrey D. Meyers M.A. Thesis Earlham School of Religion April 16, 2012 ! Table of Contents Introduction 1 Chapter 1: A Short Biography 4 Chapter 2: The Theological Task 14 Chapter 3: Mysticism and the Inner Life 22 Chapter 4: The Social Gospel 34 Chapter 5: The Way of Love, the Way of the Cross 43 Chapter 6: Theological Anthropology 61 Chapter 7: Ecclesiology 81 Chapter 8: Eschatology: The Kingdom of God 101 Conclusions 115 Annotated Bibliography 121 Appendix 1a: Books Owned By Muste 150 Appendix 1b: Books Owned By Muste 158 Appendix 2: Authors Cited By Muste 176 Appendix 3: Books Assigned By Muste 191 Introduction Historians study the Reverend Abraham Johannes Muste primarily for his shaping of the labor movement of the 1920s and 1930s, his work for peace from the mid 1930s through the 1960s, and his involvement in laying the foundations of the Civil Rights Movement.1 His leadership in these movements often gained him national attention––Time Magazine once labeled him “the No. 1 U.S. Pacifist.”2 Although most attempts at understanding this complex man have noted the influence of his Christian faith, few scholars have explored its true depth. The religious foundations of his life, thought, and work were often an embarrassment to those he worked with and those who admired him. In avoiding Muste’s faith, his contemporaries and scholars alike have missed the ways his theology undergirded and motivated his life and work. At heart, Muste was a theologian. -
February 2012 Percussion News
percussion news The newsletter of the PERCUSSIVE ARTS SOCIETY FEBRUARY 2012 IN THIS ISSUE: SocIETy UpdaTE 3 New Rhythm! Programs Draw Visitors pEoplE aNd placES 4 IN MEMorIaM: hythm! Discovery Center is quickly becoming MINorU MIkI 4 Ra destination within the Central Indiana com- rEcENT doNaTIoNS 6 munity for music appreciation and education initia- IN MEMorIaM: tives while fulfilling the PAS mission of promoting pHIl kraUS 8 percussion education, research, performance, and IN MEMorIaM: appreciation. National publications and newspapers ralpH MacdoNald 10 recently wrote about the Center and the great offer- Jazz EdUcaTIoN NETwork ings for tourists coming to Indianapolis for weekend coNfErENcE 12 trips. Two new programs have brought new patrons INdustry NEwS 14 and excited children to Rhythm! with great results ScHolarSHIpS & and placed the Center as a leading, standards-based assistantshipS 18 music education facility in Indianapolis. SUMMEr workSHopS 20 claSSIfIEdS 22 Find Your Rhythm! Outreach Program Through a generous grant from the NAMM Foun- dation and the Arts Council of Indianapolis, Rhythm! Discovery Center and PAS enacted the Find Your Rhythm! Outreach Program. Through this initiative, PAS partnered with Indianapolis Public Schools to engage 4,000 elementary students in the school district to raise awareness about rhythm and PONTIAC IL music and ultimately increase enrollment in music education programs throughout the Indianapolis Public Schools system. PERMIT NO. 19 NON PROFIT ORG. U.S. POSTAGE PAID U.S. POSTAGE Students come to the Center for a free 60-minute guided tour of the interactive museum. During the tour, they learn basic principles of sound production for percussion instruments and how those sounds are manipulated to create music; innova- tions within the percussion world; and the role of percussion in radio, film, and television throughout the 20th Century and beyond. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Jimmy Douglass, Steven Dowd, Tommy Dowd, Bobby Edwards, Tunc Erim, Ahmet Ertegun, Nesuhi Ertegun, Ruth Gorochod, Marsha Green, J
Jesse Jackson, Norman Gimbel, Charles Fox, Ewan McCall, Ray Lucas, Henry Jaffe, Louis Powers, Chris Albertson, Talking With A Giant, David Frost, Billy Taylor, Lena Horne, Cicely Tyson, Omar Lainni, Jan Plummer, Sherry Winston, Jeffrey Kemmel, Jim Webb, Andrew White, Bill Salter. Arthur Jenkins, Antisia Music, Inc., Charlotte McCann, Ken Barboza, Buck Clarke, Elaine Basquin-Bey, Jeannie Clarke, McCoy Tyner, Bill Cosby, George Schlatter, John Levy, Nat Adderly, Jr., Bobby Schiffman, Bessie Smith, Gladys Knight, William Dubois, Donald Byrd, Ray Charles, Mery Griffin, Johnny Carson, Altovise Davis, Louis Johnson, Claude Brown, Carl Byrd, Ed Cambridge, Bobby Hooks, Tiny Alice, Little Ugly Dog, Tway, Sergei, Graulen, Princess, Duchess, Tony Pig, Snoopy, Puki, Lisa, Quentin, Benjie, Li -lu, Lu -tu, Flower Tail, Cutie Pie, Dr. Benson, Dr. Fenton, Louise Perez, Sunny Fairfax, Richard Tee, Eric Gayle, Cornell Dupree, Charles Collins, Bernard Purdie, Wayne Davis, Howard Johnson, Al Brown, Merrill Roberts, Edward Duncan, Carrie Cole, Washington, D.C., Irene Flack, Laron Flack, LaVina King, Della Baird, Arleen Conraid, Mateian Hightower, Lillian Thompson, Rev. Jackson Brown, Alma Blackmon, Vivian Scott, Hazel Harrison, Ron Carter, Bernard Sweetney, Nathan Page, Marshall Hawkins, Terryl Plumeri, Mike Smith, Tony Taylor, Dorothy Jones, Bette Braxton, Sancho Panza, Sugarfoot, Steve Novosel, Roland Kirk, Jimmy Hopps, Joe Zawinul, Denise Lucas, Vantile Whitfield, Charlene Williams, Bill Cosby, Henry Mancini, Flip Wilson, Stevie Wonder, Carol High, David Franklin, Al Dale, Mike Davenport, Jack Dawson, Kirk Fancher, Ingrid Flack, Leroy Flack, LaRene Flack Haley, Samuel Herman, Mavis Hines, Carol Kirkendall, Alvin Talley, David Woodrow, Maceo Leathwood, Ray Brown, Quincy Jones, Donny Hathaway, Arthur Fiedler, Warner Lawson, Evelyn White, Leroy Dorsey, Avery Morrison, Clyde Parker, Aaron Brown, Henry Hecht, Charles Winston, Chuck Winslow, Henry Yaffe, Bob Parsons, Edna Polk Guest, John F. -
1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so. -
October 6, 1984 Game Day Grizzly Football Program
Meet the 1984 Grizzlies 51 Craig Mosier 54 Rick Rasmussen 55 Chuck Hamilton 56 Scott Hartman OL OT OLB OC 57 Dave Seaman 58 Bill Venard 59 Dave McKenzie 60 Eric Dawald 61 Rusty Lohof 62 Rick Sullivan DT OL NG OG OG DL JCPenney Supports the GRIZZLIES Seafood Steaks • Ribs Sunday Brunch Buffet Baked Fresh Daily Breads and Desserts Breakfast • Lunch • Dinner Live 6ntertainment Of course you can charge it BREAKFAST 9-11 vrsA ' LUNCH 11-4 DINNER 4-10 Rooking Horse Restaurant JCPenneySOUTHGATE MALL Southgate Mall * 721-7444 45 Meet the 1984 Grizzlies 63 Shawn Landry 64 Mark Smith 65 Scott Moore 66 Tom Rutt 67 George Naughton 68 Dave Schmidt OT OL NG OT OG OG 70 Martin Kurtzahn 71 Larry Clarkson 72 Scott Poole 73 Emmett Daugherty 74 Walt Muralt OT DT OG OG 76 Rick Linderholm 77 Ward Crawford 78 Darrin Reid 79 David Kluting 80 Kelly Weston OT DT OT DT OLB 81 Chris Murray 82 Tony Coe WR WR 86 Chuck Brown WR Meet the 1984 Grizzlies 87 Lee Brown 88 Bob McCauley 89 J. C. Campbell TE WR OLB w w 94 Greg Fells 95 Paul Lamb 96 Pat Foster 97 Larry Oliver DT TE, P DT DT GO 99 Greg Giannini LB GRIZ! ^r MONTANA’S LARGEST & FINEST NIGHT CLUB DYNAMITE TOP 40 MUSIC LOUNGE • 2200 STEPHENS • 543*7500 EVERY TUESDAY THRU SATURDAY QUALITY FRESHNESS FOR Meadow FINE DAIRY PRODUCTS MEADOW Gold GOLD Phone 543-3173 47 1985 Grizzly Football Camp 1982 BIG SKY CHAMPIONS Camp Features PERSONAL INSTRUCTION REGISTRATION The Grizzly Football Camp will emphasize the The camp is open for all boys of the ages nine through development of physical skills carefully adjusted to the high school. -
Repertoire.Pdf
Elegante ausdrucksstarke Klänge werden Ihrer Veranstaltung einen unverwechsel- baren Charakter verleihen und diese zu einem unvergesslichen Erlebnis machen. Inhaltsverzeichnis Repertoire für besondere Atmosphäre 3 Repertoire für die romantische Trauung 8 Repertoire für die weihnachtliche Stimmung 10 Ingo Herzmaier Fasanturmweg 27g A-8055 Graz 0676-4134939 [email protected] www.saxsolo.at 2 A Whiter Shade Of Pale Gary Brooker / Keith Reid 04:08 Adagio T. Albinoni 03:12 Adelita Traditional 03:23 Against All Odds Phil Collins 02:50 All By Myself Eric Carmen / Serge Rachmaninoff 03:04 Amazing Grace Traditional 03:06 American Patrol Traditional 02:50 Angels Robbie Willams / Guy Chambers 02:21 Another Day In Paradise Phil Collins 02:58 Aquarius James Rado / Gerome Ragni / Galt MacDermot 03:08 As Time Goes By Herman Hupfeld 01:58 Aura Lee Traditional 01:43 Aus Böhmen kommt die Musik Christian Bruhn / Robert Jung 03:51 Autumn Impressions Martin Pfeifer 03:06 Autumn Leaves Jacques Prevert / Johnny Mercer / Joseph Kosma 02:43 Ave Maria J.S. Bach / Charles Gounod 03:53 Ave Maria Franz Schubert 02:26 Bad, Bad Leroy Brown Jim Croce 03:25 Baker Street Gerry Rafferty 02:59 Beauty And The Beast Alan Menken / H. Ashman / T. Rice 03:22 Besame Mucho Consuelo Velazquez 02:55 Blue Eyes Elton John / Gary Osborne 02:24 Blue Moon Richard Rodgers 03:39 Blueberry Hill Al Lewis / Larry Stock / Vincent Rose 03:31 C'est Si Bon Henri Betti / Andre Hornez 04:32 Can You Feel The Love Tonight Elton John 03:16 Can't Help Falling In Love With You George Davis Weiss / Hugo Peretti / Luigi Creatore 03:35 Cherish Robert Bell / James Taylor & Kool & The Gang 02:44 Cielito Lindo Traditional 02:41 Colours Martin Pfeifer 03:52 Colours Of The Wind Alan Menken / Stephen Schwartz 04:50 Copacabana J. -
Emotional Style and Susceptibility to the Common Cold
Emotional Style and Susceptibility to the Common Cold SHELDON COHEN,PHD, WILLIAM J. DOYLE,PHD, RONALD B. TURNER, MD, CUNEYT M. ALPER,MD,AND DAVID P. SKONER,MD Objective: It has been hypothesized that people who typically report experiencing negative emotions are at greater risk for disease and those who typically report positive emotions are at less risk. We tested these hypotheses for host resistance to the common cold. Methods: Three hundred thirty-four healthy volunteers aged 18 to 54 years were assessed for their tendency to experience positive emotions such as happy, pleased, and relaxed; and for negative emotions such as anxious, hostile, and depressed. Subsequently, they were given nasal drops containing one of two rhinoviruses and monitored in quarantine for the development of a common cold (illness in the presence of verified infection). Results: For both viruses, increased positive emotional style (PES) was associated (in a dose-response manner) with lower risk of developing a cold. This relationship was maintained after controlling for prechallenge virus-specific antibody, virus-type, age, sex, education, race, body mass, and season (adjusted relative risk comparing lowest-to-highest tertile ϭ 2.9). Negative emotional style (NES) was not associated with colds and the association of positive style and colds was independent of negative style. Although PES was associated with lower levels of endocrine hormones and better health practices, these differences could not account for different risks for illness. In separate analyses, NES was associated with reporting more unfounded (independent of objective markers of disease) symptoms, and PES with reporting fewer. Conclusions: The tendency to experience positive emotions was associated with greater resistance to objectively verifiable colds.