Speculative Realism and Other Heresies Ject-Independent Objects.1
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Ray Brassier: Nihil Unbound: Enlightenment and Extinction Palgrave Macmillan, Basingstoke, UK, 2007, 296 Pp, ISBN 9780230522046, US $84.95 (Cloth)
Cont Philos Rev (2010) 42:583–589 DOI 10.1007/s11007-009-9127-8 Ray Brassier: Nihil unbound: enlightenment and extinction Palgrave MacMillan, Basingstoke, UK, 2007, 296 pp, ISBN 9780230522046, US $84.95 (cloth) Knox Peden Published online: 12 January 2010 Ó Springer Science+Business Media B.V. 2010 Punctuated by paeans to ‘‘the coruscating potency of reason’’ and the ‘‘dissociative virulence of…non-dialectical negativity,’’ Ray Brassier’s Nihil Unbound: Enlight- enment and Extinction is a work of philosophy committed to the ‘‘labor of disenchantment initiated by Galileo in the physical realm, continued by Darwin in the biological sphere, and currently being extended by cognitive science to the domain of mind’’ (xi, 45, 40). The defacement of the ‘‘book of the world’’ accomplished during the Enlightenment beckons ‘‘an invigorating vector of intellectual discovery, rather than a calamitous diminishment’’ (xi). This is because ‘‘[t]hinking has interests that do not coincide with those of living; indeed, they can and have been pitted against the latter’’ (xi). Pursuing these interests, Brassier develops a concept of the ‘‘will to know’’ congruent with a ‘‘will to nothingness’’ impervious to the countervailing force of the ‘‘will to live.’’ It is not the least of the ironies of Nihil Unbound that a work committed to marshalling the rigorous stringency of reason against the affective finesse of interpretation often produces claims that connect with the gut as much as the mind. Committed though he is to the notion that words are categorically weak objects for philosophical thought, Brassier nonetheless gets a lot of mileage out of them. -
Realism and Representation: on the Ontological Turn
DANIEL SACILOTTO that is, which unquestioningly privileges a certain temporal modality in its understanding of being. EALISM AND EPRESENTATION R R The existential analytic of Dasein carried forth by ON THE ONTOLOGICAL TURN phenomenology is thereby supposed to supplant the representational account of reason advanced by critique, suspending the equation of being and §1 - THE TWO MEANINGS OF THE “ONTOLOGICAL TURN” substance to which Kant would have remained be- holden to.4 This investigation is said to be ontological The views associated with the title “speculative then not in overcoming the question of access or realism” are often coordinated with a so-called in having resolved the quandaries concerning the “ontological turn” that is said to have taken place relation between man and the world. Rather, it purg- in recent Continental philosophy.1 Yet it is rather es this problematic from philosophical centrality unclear what exactly such a turn is supposed to by showing how the question about the disclosure entail. If, as Meillassoux argues, it is Kant’s name of being is necessarily propadeutic to the question that sets the horizon for the anti-realist denouement about the knowing of being. But since Dasein’s own that presumably characterizes both correlationism being is defined by being the agent of this disclosure, and idealism, then something like the overcoming phenomenology is nothing but fundamental ontology. of the critical turn in philosophy would seem to be At the end of this vector of radicalization, we see the centrally at stake.2 The turn towards ontology pro- repeated operation of a “hermeneutics of suspicion,” posed by the new realists would then be the obverse progressively revealing further prejudices in the of a turning away from Kantian epistemology and philosophical text, pushing critique towards the its implications. -
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/110900 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications THE BRITISH LIBRARY BRITISH THESIS SERVICE COPYRIGHT Reproduction of this thesis, other than as permitted under the United Kingdom Copyright Designs and Patents Act 1988, or under specific agreement with the copyright holder, is prohibited. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. REPRODUCTION QUALITY NOTICE Th e quality of this reproduction is dependent upon the quality of the original thesis. Whilst every effort has been made to ensure the highest quality of reproduction, some pages which contain small or poor printing may not reproduce well. Previously copyrighted material (journal articles, published texts etc.) is not reproduced. THIS THESIS HAS BEEN REPRODUCED EXACTLY AS RECEIVED FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY-FICTION Mark Fisher Presented for the degree of Doctor of Philosophy Department of Philosophy University of Warwick July 1999 Numerous Originals in Colour Abstract FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY- FICTION Cyberpunk fiction has been called “the supreme literary expression, if not of postmodernism then of late capitalism itself.” (Jameson) This thesis aims to analyse and question this claim by rethinking cyberpunk Action, postmodernism and late capitalism in terms of three - interlocking - themes: cybernetics, the Gothic and fiction. -
Is There a Future for Accelerationism?
Is there a Future for Accelerationism? Abstract Accelerationism emerged from the insatiable market of ideas, a market that it attempts to intensify and ultimately repurpose in its own image. It is, however, an idea with consequences. The logic of accelerationism is not simply to exacerbate an inherent crisis of capitalism, either in order to provide a remedy in a more speedy fashion or consign it to its doom as a merciful gesture – putting it out of its misery, as it were. The process of acceleration underpinning the theory, of speeding up or intensification, is instead an active component of a re-imagined (post-)capitalism. This re-imagining is hyperstitional – a performative fiction invoked to overturn many seldom-questioned assumptions held across the academic spectrum. In attempting to foment the approach it both craves and envisages renders accelerationism almost unrecognisable as a serious contribution to academic debates on organisations and their management, even from critical perspectives. This article is not an attempt to accelerate nor to exemplify accelerationism, but instead contributes to the debate by identifying, examining and connecting core features of the conceptual framework underpinning the different approaches to accelerationism. It will focus in particular on Deleuze and Guattari’s contribution to this framework (desiring production; deterritorialisation; Body Without Organs, etc.) and examine their version of assemblage (agencement) as a way of conceptualising both the transformation of the machinery of capitalism -
Against 'Flat Ontologies'
64 Ray Brassier Deleveling: Against ‘Flat Ontologies’ Ray Brassier is associate professor of philosophy at the American University of Beirut. What I am going to present today is a critical discussion of the 65 tenets of so-called ‘flat ontology’. The expression ‘flat onto- logy’ has a complicated genealogy. It was originally coined as a pejorative term for empiricist philosophies of science by Roy Bhaskar in his 1975 book, A Realist Theory of Science. By the late 1990s, it had begun to acquire a positive sense in discus- sions of the work of Deleuze and Guattari. But it only achieved widespread currency in the wake of Manual De Landa’s 2002 book about Deleuze, Intensive Science and Virtual Philosophy. More recently, it has been championed by proponents of ‘ob- ject-oriented ontology’ and ‘new materialism’. It is its use by these theorists that I will be discussing today. I will begin by explaining the ‘four theses’ of flat onto- logy, as formulated by Levi Bryant. Bryant is a proponent of ‘object-oriented ontology’, a school of thought founded by Graham Harman. In his 2010 work The Democracy of Objects, Bryant encapsulates flat ontology in the following four theses: Thesis 1: “First, due to the split characteristic of all ob- jects, flat ontology rejects any ontology of transcendence or presence that privileges one sort of entity as the origin of all others and as fully present to itself.” Thesis 2: “Second, […] the world or the universe does not exist. […] [T]here is no super-object that gathers all other ob- jects together in a single, harmonious -
Dr. Christine Daigle (Brock University) Books 8. Rethinking the Human
LIST OF PUBLICATIONS – Dr. Christine Daigle (Brock University) Books 8. Rethinking the Human: Posthuman Vulnerability and its Ethical Potential. (in preparation). 7. Nietzsche as Phenomenologist. (submitted and under review at Edinburgh University Press). 6. Posthumanisms Through Deleuze. Christine Daigle and Terrance McDonald (eds.) (submitted and under review at Indiana University Press). 5. Nietzsche and Phenomenology: Power, Life, Subjectivity. Élodie Boublil and Christine Daigle (eds.), Studies in Continental Thought Series, Indiana University Press, 2013. 4. Jean-Paul Sartre. London: Routledge. Critical Thinkers Series, 2009. 3. Beauvoir and Sartre: The Riddle of Influence. Christine Daigle and Jacob Golomb (eds.). Bloomington: Indiana University Press, 2009. 2. Existentialist Thinkers and Ethics. Christine Daigle (ed.). Kingston and Montreal: McGill/Queen’s University Press, 2006. 1. Le nihilisme est-il un humanisme? Étude sur Nietzsche et Sartre. Sainte-Foy: Presses de L’Université Laval, 2005. Chapters in books 21. “Fascism and the Entangled Subject, or How to Resist Fascist Toxicity.” In Rosi Braidotti, Simone Bignall, Christine Daigle, Rick Dolphijn, Zeynep Gambetti, Woosung Kang, John Protevi, and Gregory J. Seigworth. How to Live the Anti- Fascist Life and Endure the Pain. New York: Columbia University Press (forthcoming 2020). 20. “Simone de Beauvoir.” Handbook of Phenomenology. Burt C. Hopkins and Claudio Majolino (eds.), London: Routledge (forthcoming 2020). 19. “Unweaving the Threads of Influence: Beauvoir and Sartre.” A Companion to Simone de Beauvoir. Nancy Bauer and Laura Hengehold (eds.), Oxford: Wiley- Blackwell, 2017, 260-270. 18. “Trans-subjectivity/Trans-objectivity.” Feminist Phenomenology Futures. Helen Fielding and Dorothea Olkowski (eds.), Bloomington: Indiana University Press, 2017, 183-199. 17. “Beauvoir and the Meaning of Life: Literature and Philosophy as Human Engagement in the World.” Feminist Philosophies of Life. -
King's Research Portal
King’s Research Portal DOI: 10.1080/21693293.2019.1609199 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Michelsen, N., & de Orellana, P. G. (2019). Discourses of Resilience in the US Alt Right. Resilience, International Policies, Practices and Discourses, 7(3), 271-287. https://doi.org/10.1080/21693293.2019.1609199 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Language After Philosophy of Nature: Schelling’S Geology of Divine Names
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Liverpool Repository LANGUAGE AFTER PHILOSOPHY OF NATURE: SCHELLING’S GEOLOGY OF DIVINE NAMES DANIEL WHISTLER Each mineral is a real philological problem.1 Future commentary on Dante belongs to the natural sciences… No one has yet approached Dante with a geologist’s hammer, in order to ascertain the crystalline structure of his rock, in order to study the particles of other minerals in it, to study its smoky colour, its garish patterning, to judge it as a mineral crystal which has been subjected to the most varied series of accidents.2 What happens to language after the post-linguistic turn? In what does a speculative approach to religion consist? Such are the two questions around which this essay is structured. It is not my purpose to give a comprehensive answer to either question; rather, I am concerned with one very specific approach that could be taken, and this is the approach of F.W.J. Schelling. Schelling has never been so relevant, and this is in no small part thanks to Iain Hamilton Grant’s Philosophies of Nature after Schelling. Grant’s work–part of the recent resurgence in speculative philosophies—has been instrumental in presenting Schelling’s Naturphilosophie as a viable pursuit for philosophy in the wake of Deleuze. This chapter is intended as a “regional application” of Grant’s presentation of Schelling onto philosophy of language and religion. It is important to stress straight-off that, while language and the numinous may well be two of the deconstructionist’s favourite tools for undermining theoretical discourse, this chapter has no such aim. -
Anti-Fascism/Art/Theory an Introduction to What Hurts Us
Anti-fascism/Art/Theory An Introduction to What Hurts Us Angela Dimitrakaki and Harry Weeks Three Narratives We will begin by stating the obvious. For reasons explained by many but averted by none, the consolidation of global capitalism executed by neoliberalism has generated such levels of polarisation and discontent as to have apparently raised fascism from the dead, given it – besides electoral purchase – an internet connection and a clickbait farm guaranteeing followers in the millions. That’s how one narrative goes. According to another narrative, it is not spectral, or even zombie, fascism that has entered the political room of the Global North while sweeping very large territories of the Global South, but a new configuration of authoritarianism and social hatred: Enzo Traverso, author of The New Faces of Fascism (2019), speaks of ‘post-fascism’, arguing that many of the authoritarian parties and rulers of the radical right do not claim a connection with fascism: On the one hand, the new far right is no longer fascist; on the other hand, we cannot define it without comparing it with fascism. The new right is a hybrid thing that might return to fascism, or it could turn into a new form of conservative, authoritarian, populist democracy. The concept of post-fascism tries to capture this.1 But at the same time, Traverso admits, ‘the new right is nationalist, racist, and xenophobic’, to which, we would add, that it also tends to be attached to strongman-type, ‘charismatic’ leadership.2 These are pretty solid attributes of fascism, especially when they congeal into a violent discourse identifying as a core cause ‘external’ and ‘internal’ enemies that must be 1 Nicolas Allen and Martín Cortés, ‘Fascisms Old and New: An Interview with Enzo Traverso’, Jacobin, 4 February 2019, https://jacobinmag.com/2019/02/enzo-traverso-post-fascism-ideology-conservatism, accessed 10 January 2019. -
Review Article Spirit in the Crypt Negarestani Vs Land
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 15, no. 1, 2019 REVIEW ARTICLE SPIRIT IN THE CRYPT NEGARESTANI VS LAND Vincent Le ABSTRACT: Iranian philosopher Reza Negarestani’s first 2008 book Cyclonopedia was written under the influence of Nick Land’s nihilistic and antihumanist philosophy which seeks to critique anthropomorphism by confronting us with our coming extinction beyond which our concepts of reason cannot reach. Since Cyclonopedia’s publication, however, Negarestani has left behind Landian nihilism to develop in his 2018 book Intelligence and Spirit a neorationalist philosophy of mind whose primary influences are Sellars, Brandom, and Hegel. At 579 clearly written yet dense pages, it is difficult even for a review article to encapsulate the book in its entirety. The first half of this article instead aims to provide a sense of the book’s overall project by focusing on how Negarestani outlines and develops his neorationalist philosophy through a critique of Land’s antihumanism. Never one to remain silent whilst others seek to resurrect Hegel from the dead, since December 2018, Land has been releasing a draft on his blog Urban Futures 2.1 of his new monograph Crypto- Current: Bitcoin and Philosophy, which proffers the most up to date articulation of his main antihumanist tenets. Having organized Intelligence and Spirit around Negarestani’s objections to Land, this article’s second half turns to Crypto-Current to see how Land is able to provide convincing responses to each of Negarestani’s objections, showing some to be based on strawman characterizations, others to stem from misunderstandings of Land’s position, and still others to lack traction at all. -
Friendship on Fascism, Consensus & the Politics of Philosophy
FRIENDSHIP ON FASCISM, CONSENSUS & THE POLITICS OF PHILOSOPHY 0. When the political right declares the political left to be the “true fascists” in the midst of our contemporary culture wars, they are perhaps recognising their own aptitude for producing an internal consensus in contrast to the left’s inability to agree & its readiness to eject everything which does not wholly coincide with itself. This is, of course, to suggest that fascists can’t agree. The truth is that they must. Here, already, the fi rst of our paradoxes emerges. This essay will attempt to grapple with many. 1. What defi nes the popular conception of fascism today is itself largely in contention. Generally speaking, fascism seems to be defi ned by an indeterminate intolerance & the forced suppression of any opposition. Whilst this is indeed a central tendency at the heart of any fascism, the nature of the suppression at hand – which underpins all such accusations, knocked back & forth across the political divide – is often vague & underdefi ned. At the very least, we can say that perceptions of power are central. The left’s ability to set the cultural agenda, arguably underappreciated within its own ranks, is seen as tyrannical by a right which nonetheless has a fi rmer grip on state power than it often likes to admit. Nonetheless, the ground from which both accusations of fascism are thrown is worth taking note of. Holding these two perspectives together – with no comment made on the validity of the arguments which constitute them – we begin to see a picture of two opposing forces which give shape to our contemporary status quo; of two opposing sides which constitute the internal borders of that which is, warring over how far they can shift the Overton Window which frames our present moment. -
Introduction Christoph Cox, Jenny Jaskey, and Suhail Malik
Introduction Christoph Cox, Jenny Jaskey, and Suhail Malik Realism and materialism have become important watchwords in intellectual and cultural discourse today. Despite their di!erences, these philosophical stances propose that thought can think outside itself, that reality can be known without its being shaped by and for human comprehension. This position sharply contrasts with the philosophical and cultural view dominant over the last half century, a view that a"rms the indispensability of interpretation, discourse, textuality, signi#cation, ideology, and power. Diverse as they are, the theoretical pro- grams that constitute this latter orthodoxy (notably phenomenology, hermeneu- tics, post- structuralism, deconstruction, and psychoanalysis) maintain that our apprehension of the natural and social worlds is either constituted or mediated by a discursive #eld or a cognitive subject, and that nothing—or nothing mean- ingful—exists outside of discourse or its socially- organized construction. In short, this orthodoxy has been staunchly anti-realist. Today’s realism and materialism explicitly challenge many of these now prevalent assumptions of cultural practice and theoretical inquiry. Realism Materialism Art (RMA) presents a snapshot of the emerging and rapidly changing set of ideas, practices, and challenges proposed by contemporary realisms and materialisms, re$ecting their nascent reworking of art, philosophy, culture, theory, and science, among other #elds. Further, RMA strives to expand the hori- zons and terms of engagement with