Occident and the Orient: Gods, Myths and Conversations
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The Ogham-Runes and El-Mushajjar
c L ite atu e Vo l x a t n t r n o . o R So . u P R e i t ed m he T a s . 1 1 87 " p r f ro y f r r , , r , THE OGHAM - RUNES AND EL - MUSHAJJAR A D STU Y . BY RICH A R D B URTO N F . , e ad J an uar 22 (R y , PART I . The O ham-Run es g . e n u IN tr ating this first portio of my s bj ect, the - I of i Ogham Runes , have made free use the mater als r John collected by Dr . Cha les Graves , Prof. Rhys , and other students, ending it with my own work in the Orkney Islands . i The Ogham character, the fair wr ting of ' Babel - loth ancient Irish literature , is called the , ’ Bethluis Bethlm snion e or , from its initial lett rs, like “ ” Gree co- oe Al hab e t a an d the Ph nician p , the Arabo “ ” Ab ad fl d H ebrew j . It may brie y be describe as f b ormed y straight or curved strokes , of various lengths , disposed either perpendicularly or obliquely to an angle of the substa nce upon which the letters n . were i cised , punched, or rubbed In monuments supposed to be more modern , the letters were traced , b T - N E E - A HE OGHAM RU S AND L M USH JJ A R . n not on the edge , but upon the face of the recipie t f n l o t sur ace ; the latter was origi al y wo d , s aves and tablets ; then stone, rude or worked ; and , lastly, metal , Th . -
Modern Rune Carving in Northern Scotland. Futhark 8
Modern Rune Carving in Northern Scotland Andrea Freund and Ragnhild Ljosland (University of the Highlands and Islands) Abstract This article discusses modern runic inscriptions from Orkney and Caithness. It presents various examples, some of which were previously considered “genuine”, and reveals that OR 13 Skara Brae is of modern provenance. Other examples from the region can be found both on boulders or in bedrock and in particular on ancient monuments ranging in date from the Neolithic to the Iron Age. The terminology applied to modern rune carving, in particular the term “forgery”, is examined, and the phenomenon is considered in relation to the Ken sington runestone. Comparisons with modern rune carving in Sweden are made and suggestions are presented as to why there is such an abundance of recently carved inscriptions in Northern Scotland. Keywords: Scotland, Orkney, Caithness, modern runic inscriptions, modern rune carving, OR 13 Skara Brae, Kensington runestone Introduction his article concerns runic inscriptions from Orkney and Caithness Tthat were, either demonstrably or arguably, made in the modern period. The objective is twofold: firstly, the authors aim to present an inventory of modern inscriptions currently known to exist in Orkney and Caith ness. Secondly, they intend to discuss the concept of runic “forgery”. The question is when terms such as “fake” or “forgery” are helpful in de scribing a modern runic inscription, and when they are not. Included in the inventory are only those inscriptions which may, at least to an untrained eye, be mistaken for premodern. Runes occurring for example on jewellery, souvenirs, articles of clothing, in logos and the Freund, Andrea, and Ragnhild Ljosland. -
Language and Runes
Language andRunes Extracts of Swarkestone runic verse These dialects were spoken across what are from The now Denmark, Norway, and Sweden, and were in Ransome of Egill the Scald taken to Iceland when the Vikings settled there. Derbyshire and The Dying Ode of Regner Modern Icelandic is the closest surviving form combines Lodbrog on the title page of this medieval tongue; many Icelanders today the Old of their first English can still easily enjoy the medieval Icelandic Norse translation. Thomas sagas of the 12th-14th centuries in their original personal Percy, Five written form. name Pieces of Runic Poetry Swerkir with the Old English Translated from Anglo-Saxons spoke Old English, the ancestor Pp 1-2 from Magnús Ólafsson’s the Islandic element -tun (meaning ‘farm’ Old Icelandic dictionary with runic Language to our modern language. Old English was headwords and Latin definitions. (London or ‘homestead’), suggesting Magnús Ólafsson, Specimen lexici 1763). another Germanic language, with close kinship runici, obscuriorum qvarundam vocum, Eiríkur perhaps that a Viking took qvae in priscis occurrunt historiis & Benedikz to Old Norse, so it is plausible that Old poëtis danicis (Copenhagen 1650) Icelandic over an Anglo-Saxon farm. Special Collection Oversize PD2093.W6 Collection English and Old Norse speakers could, to a PT7245.E5 certain extent, understand one another. Early The Scandinavians also brought their system medieval Scandinavians had a notable effect on of writing with them: runes. The runic the development of modern English: words alphabet the Viking settlers employed is such as skirt, sky, window, and egg are all derived known as the Younger Futhark and consists from Old Norse. -
5892 Cisco Category: Standards Track August 2010 ISSN: 2070-1721
Internet Engineering Task Force (IETF) P. Faltstrom, Ed. Request for Comments: 5892 Cisco Category: Standards Track August 2010 ISSN: 2070-1721 The Unicode Code Points and Internationalized Domain Names for Applications (IDNA) Abstract This document specifies rules for deciding whether a code point, considered in isolation or in context, is a candidate for inclusion in an Internationalized Domain Name (IDN). It is part of the specification of Internationalizing Domain Names in Applications 2008 (IDNA2008). Status of This Memo This is an Internet Standards Track document. This document is a product of the Internet Engineering Task Force (IETF). It represents the consensus of the IETF community. It has received public review and has been approved for publication by the Internet Engineering Steering Group (IESG). Further information on Internet Standards is available in Section 2 of RFC 5741. Information about the current status of this document, any errata, and how to provide feedback on it may be obtained at http://www.rfc-editor.org/info/rfc5892. Copyright Notice Copyright (c) 2010 IETF Trust and the persons identified as the document authors. All rights reserved. This document is subject to BCP 78 and the IETF Trust's Legal Provisions Relating to IETF Documents (http://trustee.ietf.org/license-info) in effect on the date of publication of this document. Please review these documents carefully, as they describe your rights and restrictions with respect to this document. Code Components extracted from this document must include Simplified BSD License text as described in Section 4.e of the Trust Legal Provisions and are provided without warranty as described in the Simplified BSD License. -
Elder Futhark Runes (1/2) (9 Points)
Ozclo2015 Round 1 1/15 <1> Elder Futhark Runes (1/2) (9 points) Old Norse was the language of the Vikings, the language spoken in Scandinavia and in the Scandinavian settlements found throughout the Northern Hemisphere from the 700’s through the 1300’s. Much as Latin was the forerunner of the Romance languages, among them Italian, Spanish, and French, Old Norse was the ancestor of the North Germanic languages: Icelandic, Faroese, Norwegian, Danish, and Swedish. Old Norse was written first in runic alphabets, then later in the Roman alphabet. The first runic alphabet, found on inscriptions dating from throughout the first millennium CE, is known as “Elder Futhark” and was used for both proto- Norse and early Old Norse. Below are nine Anglicized names of Old Norse gods and the nine Elder Futhark names to which they correspond. Listed below are also two other runic names for gods. The names given below are either based on the gods’ original Old Norse names, or on their roles in nature; for instance, the god of the dawn might be listed either as ‘Dawn’ or as Delling (his original name). Remember that the modern version of the name may not be quite the same as the original Old Norse name – think what happened to their names in our days of the week! Anglicized names: Old Norse Runes: 1 Baldur A 2 Dallinger B 3 Day C 4 Earth 5 Freya D 6 Freyr E 7 Ithun F 8 Night G 9 Sun H I J K Task 1: Match the runes to the correct names, by placing the appropriate letter (from A to K) for the runic word corresponding in meaning to the anglicized name in the first table. -
ERILAZ a Ritual for Baritone, Violoncello and Percussion
Jeffrey Holmes ERILAZ a ritual for baritone, violoncello and percussion Score 2018 ce-jh1e1-dl-s JEFFREY HOLMES :ERILAZ: eRilay:ayt:alu A Ritual... for Baritone, Violoncello, and Percussion Text from the Lindholm amulet (DR 261, Rundata) ca. 3rd century, Skåne Full Score ii iii PERFORMANCE NOTES General 1. All tempi are approximate, but the relationships between tempi should be proportionally exact. 2. All accidentals apply through the measure and within one octave, and many cautionary accidentals are provided. 3. The following microtonal accidentals are used: B Quarter tone flat µ Quarter tone sharp J 1/6 tone lower than flat j 1/6 tone higher than flat K 1/6 tone lower than natural k 1/6 tone higher than natural L 1/6 tone lower than sharp l 1/6 tone higher than sharp 4. Pitches based on the harmonic series are labeled above the staff by their hypothetical fundamental and partial number. For example, G(7) indicates the seventh partial in the overtone series of G. (The fundamental is partial number 1.) These precise tunings are notationally approximated to the nearest quarter or sixth tone. Performers may either produce the notated quarter or sixth tone or, if accustomed to performing in just intonation, may produce the exact pitches of the indicated partials. Baritone In addition to singing, the baritone is asked to perform on three instruments: an Uruz horn (a primitive cowhorn) tuned to Eb, a lyre (or psaltery), and a drum, preferably a very large skinned tom-tom. Notation is as follows: iv Violoncello 1. The abbreviation s.t. -
MUFI Character Recommendation V. 3.0: Alphabetical Order
MUFI character recommendation Characters in the official Unicode Standard and in the Private Use Area for Medieval texts written in the Latin alphabet ⁋ ※ ð ƿ ᵹ ᴆ ※ ¶ ※ Part 1: Alphabetical order ※ Version 3.0 (5 July 2009) ※ Compliant with the Unicode Standard version 5.1 ____________________________________________________________________________________________________________________ ※ Medieval Unicode Font Initiative (MUFI) ※ www.mufi.info ISBN 978-82-8088-402-2 ※ Characters on shaded background belong to the Private Use Area. Please read the introduction p. 11 carefully before using any of these characters. MUFI character recommendation ※ Part 1: alphabetical order version 3.0 p. 2 / 165 Editor Odd Einar Haugen, University of Bergen, Norway. Background Version 1.0 of the MUFI recommendation was published electronically and in hard copy on 8 December 2003. It was the result of an almost two-year-long electronic discussion within the Medieval Unicode Font Initiative (http://www.mufi.info), which was established in July 2001 at the International Medi- eval Congress in Leeds. Version 1.0 contained a total of 828 characters, of which 473 characters were selected from various charts in the official part of the Unicode Standard and 355 were located in the Private Use Area. Version 1.0 of the recommendation is compliant with the Unicode Standard version 4.0. Version 2.0 is a major update, published electronically on 22 December 2006. It contains a few corrections of misprints in version 1.0 and 516 additional char- acters (of which 123 are from charts in the official part of the Unicode Standard and 393 are additions to the Private Use Area). -
A STUDY of WRITING Oi.Uchicago.Edu Oi.Uchicago.Edu /MAAM^MA
oi.uchicago.edu A STUDY OF WRITING oi.uchicago.edu oi.uchicago.edu /MAAM^MA. A STUDY OF "*?• ,fii WRITING REVISED EDITION I. J. GELB Phoenix Books THE UNIVERSITY OF CHICAGO PRESS oi.uchicago.edu This book is also available in a clothbound edition from THE UNIVERSITY OF CHICAGO PRESS TO THE MOKSTADS THE UNIVERSITY OF CHICAGO PRESS, CHICAGO & LONDON The University of Toronto Press, Toronto 5, Canada Copyright 1952 in the International Copyright Union. All rights reserved. Published 1952. Second Edition 1963. First Phoenix Impression 1963. Printed in the United States of America oi.uchicago.edu PREFACE HE book contains twelve chapters, but it can be broken up structurally into five parts. First, the place of writing among the various systems of human inter communication is discussed. This is followed by four Tchapters devoted to the descriptive and comparative treatment of the various types of writing in the world. The sixth chapter deals with the evolution of writing from the earliest stages of picture writing to a full alphabet. The next four chapters deal with general problems, such as the future of writing and the relationship of writing to speech, art, and religion. Of the two final chapters, one contains the first attempt to establish a full terminology of writing, the other an extensive bibliography. The aim of this study is to lay a foundation for a new science of writing which might be called grammatology. While the general histories of writing treat individual writings mainly from a descriptive-historical point of view, the new science attempts to establish general principles governing the use and evolution of writing on a comparative-typological basis. -
Anglo-Saxon Runes
Runes Each rune can mean something in divination (fortune telling) but they also act as a phonetic alphabet. This means that they can sound out words. When writing your name or whatever in runes, don’t pay attention to the letters we use, but rather the sounds we use to make up the words. Then finds the runes with the closest sounds and put them together. Anglo- Swedo- Roman Germanic Danish Saxon Norwegian A ansuz ac ar or god oak-tree (?) AE aesch ash-tree A/O or B berkanan bercon or birch-twig (?) C cen torch D dagaz day E ehwaz horse EA ear earth, grave(?) F fehu feoh fe fe money, cattle, money, money, money, wealth property property property gyfu / G gebo geofu gift gift (?) G gar spear H hagalaz hail hagol (?) I isa is iss ice ice ice Ï The sound of this character was something ihwaz / close to, but not exactly eihwaz like I or IE. yew-tree J jera year, fruitful part of the year K kenaz calc torch, flame (?) (?) K name unknown L laguz / laukaz water / fertility M mannaz man N naudiz need, necessity, nou (?) extremity ing NG ingwaz the god the god "Ing" "Ing" O othala- hereditary land, oethil possession OE P perth-(?) peorth meaning unclear (?) R raidho reth (?) riding, carriage S sowilo sun or sol (?) or sun tiwaz / teiwaz T the god Tiw (whose name survives in Tyr "Tuesday") TH thurisaz thorn thurs giant, monster (?) thorn giant, monster U uruz ur wild ox (?) wild ox W wunjo joy X Y yr bow (?) Z agiz(?) meaning unclear Now write your name: _________________________________________________________________ Rune table borrowed from: www.cratchit.org/dleigh/alpha/runes/runes.htm . -
Ancient and Other Scripts
The Unicode® Standard Version 13.0 – Core Specification To learn about the latest version of the Unicode Standard, see http://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2020 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at http://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see http://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 13.0. Includes index. ISBN 978-1-936213-26-9 (http://www.unicode.org/versions/Unicode13.0.0/) 1. -
Rituals for the Northern Tradition
Horn and Banner Horn and Banner Rituals for the Northern Tradition Compiled by Raven Kaldera Hubbardston, Massachusetts Asphodel Press 12 Simond Hill Road Hubbardston, MA 01452 Horn and Banner: Rituals for the Northern Tradition © 2012 Raven Kaldera ISBN: 978-0-9825798-9-3 Cover Photo © 2011 Thorskegga Thorn All rights reserved. Unless otherwise specified, no part of this book may be reproduced in any form or by any means without the permission of the author. Printed in cooperation with Lulu Enterprises, Inc. 860 Aviation Parkway, Suite 300 Morrisville, NC 27560 To all the good folk of Iron Wood Kindred, past and present, and especially for Jon Norman whose innocence and enthusiasm we will miss forever. Rest in Hela’s arms, Jon, And may you find peace. Contents Beginnings Creating Sacred Space: Opening Rites ................................... 1 World Creation Opening ....................................................... 3 Jormundgand Opening Ritual ................................................ 4 Four Directions and Nine Worlds: ........................................ 5 Cosmological Opening Rite .................................................... 5 Warding Rite of the Four Directions ..................................... 7 Divide And Conquer: Advanced Group Liturgical Design. 11 Rites of Passage Ritual to Bless a Newborn .................................................... 25 Seven-Year Rite ..................................................................... 28 A Note On Coming-Of-Age Rites ....................................... -
Tracing Confucianism in Contemporary China
TRACING CONFUCIANISM IN CONTEMPORARY CHINA Ruichang Wang and Ruiping Fan Abstract: With the reform and opening policy implemented by the Chinese government since the late 1970s, mainland China has witnessed a sustained resurgence of Confucianism first in academic studies and then in social practices. This essay traces the development of this resurgence and demonstrates how the essential elements and authentic moral and intellectual resources of long-standing Confucian culture have been recovered in scholarly concerns, ordinary ideas, and everyday life activities. We first introduce how the Modern New Confucianism reappeared in mainland China in the three groups of the Chinese scholars in the Confucian studies in the 1980s and early 1990s. Then we describe how a group of innovative mainland Confucian thinkers has since the mid-1990s come of age launching new versions of Confucian thought differing from that of the overseas New Confucians and their forefathers, followed by our summary of public Confucian pursuits and activities in the mainland society in the recent decade. Finally, we provide a few concluding remarks about the difficulties encountered in the Confucian development and our general expectations for future. 1 Introduction Confucianism is not just a philosophical doctrine constructed by Confucius (551- 479BCE) and developed by his followers. It is more like a religion in the general sense. In fact, Confucius took himself as a cultural transmitter rather than a creator (cf. Analects 7.1, 7.20), inheriting the Sinic culture that had long existed before him.2 Dr. RUICHANG WANG, Professor, School of Culture & Communications, Capital university of Economics and Business. Emai: [email protected].