China's National Centre for the Performing Arts Orchestra
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Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Accessing to Chinese Rock Music Wave from 1980S Through 1990S
2020-3929-AJHA 1 Accessing to Chinese Rock Music Wave from 1980s Through 2 1990s 3 4 Chinese rock music wave was a controversial cultural phenomenon from 1980s 5 through 1990s, which could be regarded as a prism of social changes in 6 contemporary China. It was usually regarded as a subversive subculture and 7 opposite to mainstream culture. This thesis tries to rethink the cliches of Chinese 8 rock music wave from an external sociological perspective as well as musical and 9 textual analysis. The emergence of Chinese rock music was deeply rooted in the 10 background of reform and opening up, in which the ideology and social structure 11 was undergoing a holistic change. By involving in the process of globalization, 12 cultural imports impacted Chinese contemporary cultural pattern. In the matter 13 artistic feature, contemporary culture in China was stratified into dominant 14 culture, elite culture, popular culture and folk culture. Chinese rock music makers 15 adopted and responded all the cultural patterns initiatively, rather than make a 16 voice of dissent on behalf of a certain minority. In the matter of participating 17 groups, many individuals lost or give up their original posts during the social 18 transformation and spill out of the social structure. They had different social 19 status and habitus (Bourdieu) previously, and, by entering into rock music circle, 20 facilitated the genesis of a social subfield. Conversely, as an emergent subfield, 21 Chinese rock music wave accommodated many scattered individual during the 22 social change. This thesis hereto conclude that the subversive figure is only a 23 superficially commercial tag. -
JIAO, WEI, D.M.A. Chinese and Western Elements in Contemporary
JIAO, WEI, D.M.A. Chinese and Western Elements in Contemporary Chinese Composer Zhou Long’s Works for Solo Piano Mongolian Folk-Tune Variations, Wu Kui, and Pianogongs. (2014) Directed by Dr. Andrew Willis. 136 pp. Zhou Long is a Chinese American composer who strives to combine traditional Chinese musical techniques with modern Western compositional ideas. His three piano pieces, Mongolian Folk Tune Variations, Wu Kui, and Pianogongs each display his synthesis of Eastern and Western techniques. A brief cultural, social and political review of China throughout Zhou Long’s upbringing will provide readers with a historical perspective on the influence of Chinese culture on his works. Study of Mongolian Folk Tune Variations will reveal the composers early attempts at Western structure and harmonic ideas. Wu Kui provides evidence of the composer’s desire to integrate Chinese cultural ideas with modern and dissonant harmony. Finally, the analysis of Pianogongs will provide historical context to the use of traditional Chinese percussion instruments and his integration of these instruments with the piano. Zhou Long comes from an important generation of Chinese composers including, Chen Yi and Tan Dun, that were able to leave China achieve great success with the combination of Eastern and Western ideas. This study will deepen the readers’ understanding of the Chinese cultural influences in Zhou Long’s piano compositions. CHINESE AND WESTERN ELEMENTS IN CONTEMPORARY CHINESE COMPOSER ZHOU LONG’S WORKS FOR SOLO PIANO MONGOLIAN FOLK-TUNE VARIATIONS, WU KUI, AND PIANOGONGS by Wei Jiao A Dissertation Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2014 Approved by _________________________________ Committee Chair © 2014 Wei Jiao APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
OHBM 2021 Abstract Book
Abstract Book of the 27th annual meeting of the Organization for Human Brain Mapping Including links to abstracts, poster PDFs, standby times, and poster locations, as well as Author and Category indexes, and Poster Highlights 9 June 2021 — v2.0 [email protected] OHBM 2021 Abstracts 1042 Cortical Thickness, Surface Area and Volume in the Reading 1069 Heterogeneous age dependency in the human superior Network of Children with Dyslexia longitudinal fasciculus Rita Barakat1, Jason Zevin1, Kristi Clark1 Kaoru Amemiya1,2, Eiichi Naito1,2, Hiromasa Takemura1,2 1University of Southern California, Los Angeles, CA 1Center for Information and Neural Networks (CiNet), NICT, Suita-shi, Japan, Abstract | Poster PDF | Standby Times | Visit poster 2Graduate School of Frontier Biosciences, Osaka University, Suita-shi, Japan Abstract | Poster PDF | Standby Times | Visit poster 1050 The Effect of Scan Length on Reliability of Resting-State fMRI in Awake and under Anesthesia 1087 Enhanced activity in DMN (Precuneus) on Resting state fMRI, Faezeh Vedaei1, Mahdi Alizadeh1, Sara Thalheimer1, Victor Romo1, Feroze with Spiritual Practice Mohamed1, Chengyuan Wu1 Dr Santosh GUPTA1, Dr Rose Dawn2 1Thomas Jefferson University, Philadelphia, PA 1P.D. Hinduja Hospital & Medical Research Center, Mumbai, Maharashtra, Abstract | Poster PDF | Standby Times | Visit poster 2NIMHANS, Bangalore, Karnataka Abstract | Poster PDF | Standby Times | Visit poster 1051 Divergence of cortical asymmetry and atrophy in temporal lobe epilepsy: A worldwide ENIGMA study 1088 -
Global Media Flows and the Beijing Youth Tang, T
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Creating Mediated Cosmopolitanism? Global Media Flows and the Beijing Youth Tang, T. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Miss Tiankai Tang, 2018. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Creating Mediated Cosmopolitanism? Global Media Flows and the Beijing Youth TIANKAI TANG A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy January 2018 Abstract This thesis aims to explore how the Chinese urban young generation experience different forms of cultural cosmopolitanism through the consumption of growing flows of de- territorialized media products – mainly, but not solely, US-led Western media products, including films and television programmes. It also examines how this generation is negotiating hybrid identities from the perspective of cultural cosmopolitanism, given their strong Chinese cultural influences and constant exposure and consumption of Western media products. Adopting an interdisciplinary approach, the research is designed to be an exploratory, though pioneering work, which also seeks a possible explanation as to what contributes to cultural cosmopolitanism. Drawing on a range of historical sources, the thesis throws light on the causes of cosmopolitanism within the Chinese context and relates it to stability and change in the social environment in China. -
1. a Quantitative Risk Assessment Method for Oil and Gas Pipelines
www.engineeringvillage.com Detailed results: 215 Downloaded: 7/13/2019 1. A quantitative risk assessment method for oil and gas pipelines based on failure data Accession number: 20185206284687 Title of translation: Authors: Shuai, Jian (1); Shan, Ke (1) Author affiliation: (1) College of Mechanical and Transportation Engineering, China University of Petroleum, Beijing; 102249, China Source title: Natural Gas Industry Abbreviated source title: Natur. Gas Ind. Volume: 38 Issue: 9 Issue date: September 25, 2018 Publication year: 2018 Pages: 129-138 Language: Chinese ISSN: 10000976 CODEN: TIGOE3 Document type: Journal article (JA) Publisher: Natural Gas Industry Journal Agency Abstract: The risk assessment of oil and gas pipeline, one of the current hotspot issues, has gradually evolved from qualitative evaluation to quantitative evaluation. In order to reduce the effects of subjective factors in the process of quantitative risk assessment of oil and gas pipeline, we established a quantitative risk assessment model of oil and gas pipeline based on the historical data of pipeline failure. The index system of basic failure probability and modification factors for oil and gas pipeline was determined by analyzing the failure data of different types of pipelines in the database, such as Pipeline and Hazardous Materials Safety Administration (PHMSA). The modification factors are divided into three groups (i.e., quantitative index, semi-quantitative index and qualitative index) according to the degrees of difficulty in quantifying the modification factors. The first two groups of them can be quantified or quantitatively classified, and only the last one depends on the experience of experts. Thus, the subjective dependence of risk assessment is reduced greatly. -
2010 COMMEMORATIONS of the THEATRICAL CAREERS of CAO YU and LI YURU LI RURU University of Leeds
2010 COMMEMORATIONS OF THE THEATRICAL CAREERS OF CAO YU AND LI YURU LI RURU1 University of Leeds Baoyu 寶玉, “Precious Jade,” is the name of the protagonist in the novel The Dream of the Red Chamber (Honglou meng 紅樓夢). Coincidently, these two characters can also stand as an abbreviation of the names of a theatrical couple: playwright Wan Jiabao 萬家寶 (better known under his penname Cao Yu 曹禺) and Jingju 京劇 (also known as Beijing opera or Peking opera) actress Li Yuru 李玉茹. During the autumn and winter of 2010, China’s theatrical realm commemorated their respective contributions to Chinese theatre. Cao Yu (1910-1996), a penname whose two characters represent the radical and phonetic, respectively, of his family name, is recognised as “the most significant figure in the development of modern drama in China” (Rimmington 1997). Often compared to Shakespeare, Ibsen, Chekhov, and O’Neill, Cao Yu is credited with helping the non-indigenous “spoken drama” (huaju 話劇) reach a degree of maturity in both form and audience reception in the mid 1930s, and declares that his early plays gained canonical status due to their artistry and skilful fusion of contemporary political themes (Noble 2007, 78-80). The Cao Yu Centenary was marked by a series of events sponsored by the nation’s Ministry of Culture (Wenhua bu 文化部), the Federation of Chinese Literature and Arts (Zhongguo wenlian 中國文聯), and the municipal government of Beijing. Activities included symposia, lectures, two international conferences (one held in Tianjin 天津 and Beijing 北京, 1 I should disclose that Li Yuru is my mother and Cao Yu is my stepfather. -
China AI-Brain Research BRAIN-INSPIRED AI, CONNECTOMICS, BRAIN- COMPUTER INTERFACES 類 AUTHORS Wm
China AI-Brain Research BRAIN-INSPIRED AI, CONNECTOMICS, BRAIN- COMPUTER INTERFACES 類 AUTHORS Wm. C. Hannas Huey-Meei Chang Jennifer Wang Catherine Aiken Daniel Chou 腦 智 SEPTEMBER 2020 能 Established in January 2019, the Center for Security and Emerging Technology (CSET) at Georgetown’s Walsh School of Foreign Service is a research organization fo- cused on studying the security impacts of emerging tech- nologies, supporting academic work in security and tech- nology studies, and delivering nonpartisan analysis to the policy community. CSET aims to prepare a generation of policymakers, analysts, and diplomats to address the chal- lenges and opportunities of emerging technologies. During its first two years, CSET will focus on the effects of progress in artificial intelligence and advanced computing. CSET.GEORGETOWN.EDU | [email protected] 2 Center for Security and Emerging Technology SEPTEMBER 2020 China AI-Brain Research BRAIN-INSPIRED AI, CONNECTOMICS, BRAIN-COMPUTER INTERFACES AUTHORS Wm. C. Hannas Huey-Meei Chang Jennifer Wang Catherine Aiken Daniel Chou PRINT AND ELECTRONIC DISTRIBUTION RIGHTS © 2020 by the Center for Security and Emerging Technology. This work is licensed under a Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit: https://creativecommons.org/licenses/by-nc/4.0/. Document Identifier: doi: 10.51593/20190033 Cover illustration: "Brain-inspired AI" in Chinese. Contents EXECUTIVE SUMMARY III INTRODUCTION V 1| BI-AI, CONNECTOMICS, AND BCI 1 2| AI-BRAIN BENCHMARKS -
One-Sided Version
TODAY'S STAGE I I II I TODAY'S STAGE No.2 October 2020 EDITORS-IN-CHIEF Tobias BIANCONE, GONG Baorong EDITORIAL BOARD MEMBERS (in alphabetical order by Pinyin of last name) Tobias BIANCONE, Georges BANU, Marvin CARLSON, CHEN Jun, CHEN Shixiong, DING Luonan, Erika FISCHER-LICHTE, FU Qiumin, GONG Baorong, HE Chengzhou, HUANG Changyong, Hans-Georg KNOPP, HU Zhiyi, LI Ruru, LI Wei, LIU Qing, LIU Siyuan, Patrice PAVIS, Richard SCHECHNER, SHEN Lin, Kalina STEFANOVA, SUN Huizhu, WANG Yun, XIE Wei, YANG Yang, YE Changhai, YU Jiancun, Jean-Pierre WURTZ. EDITORS WU Aili, CHEN Zhongwen, CHEN Ying, CAI Yan CHINESE TO ENGLISH TRANSLATORS HE Xuehan, YANG Zhen, ZHANG Kun ENGLISH CORRECTORS Thomas JONHSON, Jake Dylan MCLVOR PROOFREADERS ZHANG Qing DESIGNER SHAO Min CONTACT TA The Center of International Theater Studies-S CAI Yan: [email protected] CHEN Ying: [email protected] CONTENTS I 1 No.2 CONTENTS October 2020 INTRODUCTION 2 The Development of Modern Chinese Drama / Gong Baorong STUDIES OF CAO YU 10 Cao Yu: Pioneer of Modern Chinese Drama /Li Ruru 25 A Discussion on Ideology and Methodology of Cao Yu’s Playwrighting /Chen Jun 39 The 40-Year Global Spread of Cao Yu’s Classics during Reform and Opening-up Era /Cao Shujun 48 Cruelty: A Modern Analysis of Cao Yu's Drama /Song Baozhen 66 Classical Drama Thunderstorm, Being Reinterpreted /Zhu Donglin HISTORY 78 Wenmingxi (Civilized Theatre) : The Early Form of Modern Chinese drama /Zhong Junfang CHINESE EXPERIMENTAL THEATER 84 The Overview of Chinese Experimental Theater /Sun Yunfeng 90 Analysis on Experimental Theater Art in China /Li Yigeng THEATRE AND ARTIST 95 Beijing People’s Art Theatre /Han Shuang 99 The Evergreen Tree on Chinese Drama Stage—Pu Cunxin /Zhang Qing INTRODUCTION OF CLASSICS 104 Introduction to Classical Xiqu Plays (II) /Huang Jingfeng TODAY’S STAGE 111 An Inventory of Chinese Theatre in 2019 /Zou Shengtan 2 I INTRODUCTION The Development of Modern Chinese Drama GONG BAORONG The art of Chinese theatre can be traced back to the Han and Tang dynasties. -
Ieee Icma 2020
Conference Digest 2020 IEEE International Conference on Mechatronics and Automation IEEE ICMA 2020 Beijing, China October 13-16, 2020 Cosponsored by IEEE Robotics and Automation Society Beijing Institute of Technology, China Kagawa University, Japan Technically cosponsored by National Natural Science Foundation of China, China Chinese Mechanical Engineering Society Chinese Association of Automation State Key Laboratory of Robotics and System (HIT) The Institute of Advanced Biomedical Engineering System, BIT Key Laboratory of Convergence Medical Engineering System and Healthcare Technology, the Ministry of Industry and Information Technology, Beijing Institute of Technology, China Guangxi University of Science and Technology Tianjin Key Laboratory for Control Theory & Applications in Complicated Systems; Tianjin Key Laboratory for Advanced Mechatronics System Design and Intelligent Control; Tianjin University of Technology, China Tianjin International Joint Research and Development Center, Tianjin University of Technology, China Harbin Engineering University The Robotics Society of Japan The Japan Society of Mechanical Engineers Japan Society for Precision Engineering The Society of Instrument and Control Engineers University of Electro-Communications University of Electronic Science and Technology of China Optics and Precision Engineering IEEE ICMA 2020 PROCEEDINGS Additional copies may be ordered from: IEEE Service Center 445 Hoes Lane Piscataway, NJ 08854 U.S.A. IEEE Catalog Number: CFP20839-PRT ISBN 978-1-7281-6415-1 IEEE Catalog Number (CD-ROM): CFP20839-CDR ISBN (CD-ROM): 978-1-7281-6414-4 Copyright and Reprint Permission: Copyright and Reprint Permission: Abstracting is permitted with credit to the source. Libraries are permitted to photocopy beyond the limit of U.S. copyright law for private use of patrons those articles in this volume that carry a code at the bottom of the first page, provided the per-copy fee indicated in the code is paid through Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, Mphil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Negotiation and Instrumentalisation – The Reception of “the Tragic” in Modern Chinese Literary Discourse, 1917-1949 by Gu Tian A Thesis Submitted in Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Subject of Chinese Studies The University of Edinburgh September 2017 DECLARITION This is to certify that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. Signed: ACKNOWLEDGEMENTS I would like to express my sincere gratitude to all the people who have contributed to make this thesis possible. First of all, I am deeply indebted to my supervisor, Professor Natascha Gentz, for the instructive suggestions on the organisation of materials, and the technical advice on writing and argumentation. -
Literati Discourse of Justice in Late Qing and Modern Chinese Fiction Yoojin Soh Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 6-29-2012 Revenge and Its Implications: Literati Discourse of Justice in Late Qing and Modern Chinese Fiction Yoojin Soh Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Soh, Yoojin, "Revenge and Its Implications: Literati Discourse of Justice in Late Qing and Modern Chinese Fiction" (2012). All Theses and Dissertations (ETDs). 980. https://openscholarship.wustl.edu/etd/980 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Program in Comparative Literature Dissertation Examination Committee: Lingchei Letty Chen, Co-Chair Robert E. Hegel, Co-Chair Beata Grant Emma Kafalenos Zhao Ma Marvin Marcus Steven B. Miles Revenge and Its Implications: Literati Discourse of Justice in Late Qing and Modern Chinese Fiction by Yoojin Soh A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2012 Saint Louis, Missouri copyright by Yoojin Soh 2012 Abstract Revenge and Its Implications: Literati Discourse of Justice in Late Qing and Modern Chinese Fiction by Yoojin Soh Doctor of Philosophy in Chinese and Comparative Literature Washington University in St. Louis, 2012 Professor Lingchei Letty Chen, Co-Chair Professor Robert E.