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Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
Shakespeare in Geneva
Shakespeare in Geneva SHAKESPEARE IN GENEVA Early Modern English Books (1475-1700) at the Martin Bodmer Foundation Lukas Erne & Devani Singh isbn 978-2-916120-90-4 Dépôt légal, 1re édition : janvier 2018 Les Éditions d’Ithaque © 2018 the bodmer Lab/université de Genève Faculté des lettres - rue De-Candolle 5 - 1211 Genève 4 bodmerlab.unige.ch TABLE OF CONTENts Acknowledgements 7 List of Abbreviations 8 List of Illustrations 9 Preface 11 INTRODUctION 15 1. The Martin Bodmer Foundation: History and Scope of Its Collection 17 2. The Bodmer Collection of Early Modern English Books (1475-1700): A List 31 3. The History of Bodmer’s Shakespeare(s) 43 The Early Shakespeare Collection 43 The Acquisition of the Rosenbach Collection (1951-52) 46 Bodmer on Shakespeare 51 The Kraus Sales (1970-71) and Beyond 57 4. The Makeup of the Shakespeare Collection 61 The Folios 62 The First Folio (1623) 62 The Second Folio (1632) 68 The Third Folio (1663/4) 69 The Fourth Folio (1685) 71 The Quarto Playbooks 72 An Overview 72 Copies of Substantive and Partly Substantive Editions 76 Copies of Reprint Editions 95 Other Books: Shakespeare and His Contemporaries 102 The Poetry Books 102 Pseudo-Shakespeare 105 Restoration Quarto Editions of Shakespeare’s Plays 106 Restoration Adaptations of Plays by Shakespeare 110 Shakespeare’s Contemporaries 111 5. Other Early Modern English Books 117 NOTE ON THE CATALOGUE 129 THE CATALOGUE 135 APPENDIX BOOKS AND MANUscRIPts NOT INCLUDED IN THE CATALOGUE 275 Works Cited 283 Acknowledgements We have received precious help in the course of our labours, and it is a pleasure to acknowl- edge it. -
Night Thoughts on Man and Nature in the Poetry Oj Eighteenth-Century America
Mental Nocturnes: Night Thoughts on Man and Nature in the Poetry oj Eighteenth-Century America IGHT BECAME A LITERARY TOPIC of the acutest interest during the early decades of the eighteenth century. Only at night did Nthe stars' lucent argument on behalf of a universal, providential order stand fully revealed. Yet night, too, was the period when imagination—sponsor of dreams, delusions, and fantasies—held sway. When the sun set the question arose as to whether reason or imagi- nation possessed the greater power. Would Newton's glorious truth be seen arrayed across the heavens? Or would the clouds of fancy obscure that glory with a melancholic gloom? British and British-American writers tested their mental dispositions in nocturnal verse to discover whether lucid reason or the more troublesome imagination would prevail. Some British writers— Thomas Parnell, Robert Blair, Bishop Porteus, Charles Emily—em- ployed the "night piece" to complain about man's inability to tran- scend his situation in "this world of sin and death."1 Others—James Thomson, John Gay, and David Mallet—sought to redeem night by viewing it as an essential component in nature's harmony.2 In America the "night piece" became a particularly important vehicle for ex- pressing a pessimistic view of the relation of man to nature. Four of the more ambitious works of colonial American belles lettres—James Ralph's Night (1728), Richard Lewis's "A Journey from Patapsco in Maryland to Annapolis, April 4, 1730," Thomas Godfrey, Jr.'s The The author wishes to thank the Citadel Development Foundation for its generous support of the research for this study. -
Cambridge University Press 978-1-108-83944-0 — Swift in Print Valerie Rumbold Index More Information
Cambridge University Press 978-1-108-83944-0 — Swift in Print Valerie Rumbold Index More Information Index This index focuses on four areas: Swift’s attitudes, actions and engagements with print and publication; his published writings and relevant collections; general topics relating to print; and individuals variously connected with Swift and his published work. For works attributable to individuals other than Swift, see references under their names; for Swift’s correspondence, see addressee. For a more general overview of the book’s contents, see chapter summaries in the Preface; and, for modern scholarship and editions, see the listing in Works Cited. Acheson, Sir Arthur and Lady Anne, 205, 206–7, Baudrier, Sieur de, 121–2 215, 286 Beckingham, Charles, 255 Addison, Joseph, 94, 107, 108, 132 Bentley, Richard, 110, 130–1, 240 Allen, Joshua, second Viscount Allen, 214 Berkeley, Charles, second Earl of Berkeley, 35, 41, All Fools’ Day, 69 48, 91, 126–7 almanacs and astrological writing, 4, 10, 28, 67–8, Berkeley, Elizabeth, Countess of Berkeley, 91, 95 72, 74, 78, 83–4, 159 Berkeley, Lady Elizabeth, see Lady Betty Germain Amy, Robert, 254 Best in Christendom, The, 198–9 Anderson, Andrew, 92 Bettenham, James, 188 Anne, Queen, 79, 89, 102, 114–15, 120, 123, 124, Bettesworth, Arthur, 254 129, 131, 195, 240–1 Bible, 4, 165 Answer to the Proposal for the Universal Use of Irish Bickerstaff, Isaac (librettist), 72 Manufactures, An, 151 Bickerstaff, Isaac (fictitious author), 28, 66, 67, Arbuthnot, John, 130–1, 185–6, 191, 195, 196, 68, 71, 72–3, -
Teaching Eighteenth-Century French Literature: the Good, the Bad and the Ugly
Eighteenth-Century Modernities: Present Contributions and Potential Future Projects from EC/ASECS (The 2014 EC/ASECS Presidential Address) by Christine Clark-Evans It never occurred to me in my research, writing, and musings that there would be two hit, cable television programs centered in space, time, and mythic cultural metanarrative about 18th-century America, focusing on the 1760s through the 1770s, before the U.S. became the U.S. One program, Sleepy Hollow on the FOX channel (not the 1999 Johnny Depp film) represents a pre- Revolutionary supernatural war drama in which the characters have 21st-century social, moral, and family crises. Added for good measure to several threads very similar to Washington Irving’s “Legend of Sleepy Hollow” story are a ferocious headless horseman, representing all that is evil in the form of a grotesque decapitated man-demon, who is determined to destroy the tall, handsome, newly reawakened Rip-Van-Winkle-like Ichabod Crane and the lethal, FBI-trained, diminutive beauty Lt. Abigail Mills. These last two are soldiers for the politically and spiritually righteous in both worlds, who themselves are fatefully inseparable as the only witnesses/defenders against apocalyptic doom. While the main characters in Sleepy Hollow on television act out their protracted, violent conflict against natural and supernatural forces, they also have their own high production-level, R & B-laced, online music video entitled “Ghost.” The throaty feminine voice rocks back and forth to accompany the deft montage of dramatic and frightening scenes of these talented, beautiful men and these talented, beautiful women, who use as their weapons American patriotism, religious faith, science, and wizardry. -
A Modest Proposal and Other Writings
J O NAT HA N SWIFT A Modest Proposal and Other Writings Edited with an Introduction by • CAROLE FABRICANT Contents Acknowledgements ix Chronology xi Abbreviations - xvi Introduction xxi Further Reading xxxix Note on the Text xlvi List of Illustrations xlix A MODEST PROPOSAL AND OTHER WRITINGS When I come to be old (1699) 3 A Meditation upon a Broom-Stick (?i7O3) 5 The Story of the Injured Lady. In a Letter to her Friend, with his Answer (1707) 7 from The Bickerstaff Papers (1708-1709): 15 Predictions for the Year 1708 15 The Accomplishment of the First of Mr. Bickerstaff's Predictions 24 A Vindication of Isaac Bickerstaff, Esq. 27 A Famous Prediction of Merlin, the British Wizard 3 2 An Argument against the Abolishing of Christianity in England (1708) 38 The Tatler, Number CCXXX ['the continual Corruption of our English Tongue'] (28 September 1710) 51 VI CONTENTS from The Examiner (1710-11): 56 Number 13 (2 November 1710) 56 Number 14 (9 November 1710) 61 Number 20 (21 December 1710) 66 from the Journal toStella(i7io-i7i3): 72 Letter V (30 September-10 October 1710) 72 Letter XVII (24 February-10 March 1711) 79 A Hue and Cry after Dismal (1712) 89 Letter from Swift to the Earl of Oxford (3 July 1714) 92 A Modest Defence of Punning (1716) 94 Sermon, On False Witness (c. 1717) 100 A Letter to a Young Gentleman, Lately entered into Holy Orders (1720) 109 Letter from Swift to Charles Ford (4 April 1720) 128 A Proposal for the Universal Use of Irish Manufacture (1720) 130 A Letter from Dr. -
The Many Panics of 1837 People, Politics, and the Creation of a Transatlantic Financial Crisis
The Many Panics of 1837 People, Politics, and the Creation of a Transatlantic Financial Crisis In the spring of 1837, people panicked as financial and economic uncer- tainty spread within and between New York, New Orleans, and London. Although the period of panic would dramatically influence political, cultural, and social history, those who panicked sought to erase from history their experiences of one of America’s worst early financial crises. The Many Panics of 1837 reconstructs the period between March and May 1837 in order to make arguments about the national boundaries of history, the role of information in the economy, the personal and local nature of national and international events, the origins and dissemination of economic ideas, and most importantly, what actually happened in 1837. This riveting transatlantic cultural history, based on archival research on two continents, reveals how people transformed their experiences of financial crisis into the “Panic of 1837,” a single event that would serve as a turning point in American history and an early inspiration for business cycle theory. Jessica M. Lepler is an assistant professor of history at the University of New Hampshire. The Society of American Historians awarded her Brandeis University doctoral dissertation, “1837: Anatomy of a Panic,” the 2008 Allan Nevins Prize. She has been the recipient of a Hench Post-Dissertation Fellowship from the American Antiquarian Society, a Dissertation Fellowship from the Library Company of Philadelphia’s Program in Early American Economy and Society, a John E. Rovensky Dissertation Fellowship in Business History, and a Jacob K. Javits Fellowship from the U.S. -
Moral Intent in the Plays and Dramatic Criticism of Richard Steele
Moral intent in the plays and dramatic criticism of Richard Steele Item Type text; Thesis-Reproduction (electronic) Authors Feldman, Donna Rose, 1925- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 01:14:15 Link to Item http://hdl.handle.net/10150/318914 MORAL INTENT IN THE PLAYS AND DRAMATIC CRITICISM OF RICHARD STEELE by Donna Feldman A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 19^8 Approved» - Director of Thesis mm SiVsoO- TABLE OF COUTEiTS CHAPTER,: ' ■ : . ■ ; : : ; ' PAGE ' lo. IITRQDHCTIOI . , . = . = . o'-.o . 1 : II. EIGLISH DRAMA TO THE TIME OP STEELE, 8 III. STEELE'S EARLY PLAYS o o o o o o o o o 31 Introduction to the Study 31 The Funeral o o o o o o 0 o o d „o/ e 32 : Plot synopsis.' , o o o o <y o o o 32 Theme,o » o o o o o o o o o o o o o 3% Moral intent . » . .. N-0 o o o o o hh General effectiveness.>0.0 P o o O hS The Lying Lover' O O 0,00 O O 6 46 Plot synopsis. O .O 9 0 o o o o > ? Tlfe^ie. -
FACULTE DES ETUDES SUPERIEURES L== L FACULTY OF
mn u Ottawa l.'Univcrsitc canndicnnc Canada's university FACULTE DES ETUDES SUPERIEURES l==l FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'Universittf canadienne Canada's university Amy Frances Larin AUTEUR DE LA THESE / AUTHOR OF THESIS M.A. (Histoire) GRADE/DEGREE Department of History TACUlTlTfCOLETDl^ A Novel Idea: British Booksellers and the Transformation of the Literary Marketplace, 1745-1775 TITRE DE LA THESE / TITLE OF THESIS Dr. Richard Connors WE'CTEURWECTRTC^^^^ EXAMINATEURS (EXAMINATRICES) DE LA THESE / THESIS EXAMINERS Dr. Sylvie Perrier Dr. Beatrice Craig Gary W. Slater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies A NOVEL IDEA BRITISH BOOKSELLERS AND THE TRANSFORMATION OF THE LITERARY MARKETPLACE, 1745-1775 By Amy Frances Larin Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the M.A. degree in History Universite d'Ottawa/University of Ottawa © Amy Frances Larin, Ottawa, Canada, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-50897-8 Our file Notre reference ISBN: 978-0-494-50897-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Furbish'd Remnants": Theatrical Adaptation and the Orient, 1660-1815 Permalink https://escholarship.org/uc/item/0998z0zz Author Del Balzo, Angelina Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Angelina Marie Del Balzo 2019 Ó Copyright by Angelina Marie Del Balzo 2019 ABSTRACT OF THE DISSERTATION “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 by Angelina Marie Del Balzo Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Felicity A. Nussbaum, Chair Furbish’d Remnants argues that eighteenth-century theatrical adaptations set in the Orient destabilize categories of difference, introducing Oriental characters as subjects of sympathy while at the same time defamiliarizing the people and space of London. Applying contemporary theories of emotion, I contend that in eighteenth-century theater, the actor and the character become distinct subjects for the affective transfer of sympathy, increasing the emotional potential of performance beyond the narrative onstage. Adaptation as a form heightens this alienation effect, by drawing attention to narrative’s properties as an artistic construction. A paradox at the heart of eighteenth-century theater is that while the term “adaptation” did not have a specific literary or theatrical definition until near the end of the period, in practice adaptations and translations proliferated on the English stage. -
Pdf\Preparatory\Charles Wesley Book Catalogue Pub.Wpd
Proceedings of the Charles Wesley Society 14 (2010): 73–103. (This .pdf version reproduces pagination of printed form) Charles Wesley’s Personal Library, ca. 1765 Randy L. Maddox John Wesley made a regular practice of recording in his diary the books that he was reading, which has been a significant resource for scholars in considering influences on his thought.1 If Charles Wesley kept such diary records, they have been lost to us. However, he provides another resource among his surviving manuscript materials that helps significantly in this regard. On at least four occasions Charles compiled manuscript catalogues of books that he owned, providing a fairly complete sense of his personal library around the year 1765. Indeed, these lists give us better records for Charles Wesley’s personal library than we have for the library of brother John.2 The earliest of Charles Wesley’s catalogues is found in MS Richmond Tracts.3 While this list is undated, several of the manuscript hymns that Wesley included in the volume focus on 1746, providing a likely time that he started compiling the list. Changes in the color of ink and size of pen make clear that this was a “growing” list, with additions being made into the early 1750s. The other three catalogues are grouped together in an untitled manuscript notebook containing an assortment of financial records and other materials related to Charles Wesley and his family.4 The first of these three lists is titled “Catalogue of Books, 1 Jan 1757.”5 Like the earlier list, this date indicates when the initial entries were made; both the publication date of some books on the list and Wesley’s inscriptions in surviving volumes make clear that he continued to add to the list over the next few years. -
Horace Walpole's Letters
The Letters of Horace Walpole, Volume 1 by Horace Walpole The Letters of Horace Walpole, Volume 1 by Horace Walpole editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep eBooks in compliance with any particular paper edition. The "legal small print" and other information about this book may now be found at the end of this file. Please read this important information, as it gives you specific rights and tells you about restrictions in how the file may be used. *** This etext was produced by Marjorie Fulton. For easier searching, letters have been numbered. Only the page numbers that appear in the table of contents have been retained in the text of letters. Footnotes have been regrouped as endnotes following the letter to which they relate. THE LETTERS of HORACE WALPOLE, EARL OF ORFORD: page 1 / 793 INCLUDING NUMEROUS LETTERS NOW FIRST PUBLISHED FROM THE ORIGINAL MANUSCRIPTS. IN FOUR VOLUMES VOL. 1. 1735-1748. CONTENTS OF VOL. 1. PREFACE--25 Advertisement--33 Second advertisement--40 Sir Charles Grey's Letter connecting Walpole with Junius--41 Sketch of the Life of Horace Walpole, Earl of Orford, by Lord Dover--47 REMINISCENCES OF THE COURTS OF GEORGE THE FIRST AND SECOND. CHAPTer 1.--67 page 2 / 793 Motives to the Undertaking-Precedents-George the First's Reign-a Proem to the History of the Reigning House of Brunswick-The Reminiscent introduced to that Monarch-His Person and Dress-The Duchess of Kendal-her Jealousy of Sir Robert Walpole's Credit with the King-the