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The British Journal for the History of Science Mechanical Experiments As Moral Exercise in the Education of George
The British Journal for the History of Science http://journals.cambridge.org/BJH Additional services for The British Journal for the History of Science: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Mechanical experiments as moral exercise in the education of George III FLORENCE GRANT The British Journal for the History of Science / Volume 48 / Issue 02 / June 2015, pp 195 - 212 DOI: 10.1017/S0007087414000582, Published online: 01 August 2014 Link to this article: http://journals.cambridge.org/abstract_S0007087414000582 How to cite this article: FLORENCE GRANT (2015). Mechanical experiments as moral exercise in the education of George III. The British Journal for the History of Science, 48, pp 195-212 doi:10.1017/ S0007087414000582 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BJH, IP address: 130.132.173.207 on 07 Jul 2015 BJHS 48(2): 195–212, June 2015. © British Society for the History of Science 2014 doi:10.1017/S0007087414000582 First published online 1 August 2014 Mechanical experiments as moral exercise in the education of George III FLORENCE GRANT* Abstract. In 1761, George III commissioned a large group of philosophical instruments from the London instrument-maker George Adams. The purchase sprang from a complex plan of moral education devised for Prince George in the late 1750s by the third Earl of Bute. Bute’s plan applied the philosophy of Frances Hutcheson, who placed ‘the culture of the heart’ at the foundation of moral education. To complement this affective development, Bute also acted on seventeenth-century arguments for the value of experimental philosophy and geometry as exercises that habituated the student to recognizing truth, and to pursuing it through long and difficult chains of reasoning. -
The Dictionary of Printers and Printing
A DICTIONARY OF PRINTERS AND PRINTING WITH THE Progress of Literature, ANCIENT AND MODERN; BIBLIOGRAPHICAL ILLUSTRATIONS, ETC. ETC. BY C. H. TIMPERLEY. “If asked, why Printers and Booksellers in particular?—I answer, they are a valuable class of the community—the friendly assistants, at least, if not the patrons of literature—and I myself one of the fraternity—let the members of other professions, if they approve of the suggestion, in like manner record the meritorious actions of their brethren.”—JOHN NICHOLS. LONDON: H. JOHNSON, 49, PATERNOSTER ROW; FRASER & CO. EDINBURGH; SYMINGTON & CO. GLASGOW; CURRY & CO. DUBLIN; AND BANCKS & CO. MANCHESTER. MDCCCXXXIX. EIGHTEENTH CENTURY 671 1744, Jan. The Meddler, No. 1. 1744, April 1. The Female Spectator, monthly. This periodical was the production of Mrs. Eliza Heywood,* and was carried on till March, 1746. As soon as completed, they were immediately collected into four volumes 12mo., and have gone through several impressions. The seventh and last was printed in 1771. 1745. The Biographia Britannica commenced. This work was undertaken by John Campbell, and published in weekly numbers. It was completed in seven volumes folio. In 1777 a new edition was begun under the superintendence of Dr. Andrew Kippis; it is a work of considerable magnitude, and still holds a respectable station in our national literature. 1745, Oct. 19. Died, JONATHAN SWIFT, the celebrated dean of St. Patrick’s, Dublin. Of a life so various, and so full of business as Swift’s we know not what part we could select consistent with the limits of this work, that would not rather excite curiosity than gratify it. -
The Economic Aspects of Copyright in Books Author(S): Arnold Plant Reviewed Work(S): Source: Economica, New Series, Vol
The Suntory and Toyota International Centres for Economics and Related Disciplines The Economic Aspects of Copyright in Books Author(s): Arnold Plant Reviewed work(s): Source: Economica, New Series, Vol. 1, No. 2 (May, 1934), pp. 167-195 Published by: Wiley-Blackwell on behalf of The London School of Economics and Political Science and The Suntory and Toyota International Centres for Economics and Related Disciplines Stable URL: http://www.jstor.org/stable/2548748 . Accessed: 21/10/2012 20:09 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Wiley-Blackwell, The London School of Economics and Political Science, The Suntory and Toyota International Centres for Economics and Related Disciplines are collaborating with JSTOR to digitize, preserve and extend access to Economica. http://www.jstor.org 1 934] The Economic Aspects of Copyright in Books' By ARNOLD PLANT (Sir Ernest Cassel Professor of Commercein the University of London) I. IF an economist needed encouragement or justification for devoting time to the consideration of the effects of copy- right legislation on the output of literature, he might find it in the stimulating introduction which Professor Frank H. Knight has contributed to the reissue of his Risk, Uncertainty and Profit. -
Furbish'd Remnants
UNIVERSITY OF CALIFORNIA Los Angeles “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Angelina Marie Del Balzo 2019 Ó Copyright by Angelina Marie Del Balzo 2019 ABSTRACT OF THE DISSERTATION “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 by Angelina Marie Del Balzo Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Felicity A. Nussbaum, Chair Furbish’d Remnants argues that eighteenth-century theatrical adaptations set in the Orient destabilize categories of difference, introducing Oriental characters as subjects of sympathy while at the same time defamiliarizing the people and space of London. Applying contemporary theories of emotion, I contend that in eighteenth-century theater, the actor and the character become distinct subjects for the affective transfer of sympathy, increasing the emotional potential of performance beyond the narrative onstage. Adaptation as a form heightens this alienation effect, by drawing attention to narrative’s properties as an artistic construction. A paradox at the heart of eighteenth-century theater is that while the term “adaptation” did not have a specific literary or theatrical definition until near the end of the period, in practice adaptations and translations proliferated on the English stage. Anticipating Linda Hutcheon’s postmodernist theory of adaptation, eighteenth-century playwrights and performers conceptualized adaptation as both process and product. Adaptation created a narrative mode that emphasized the process and labor of performance for audiences in order to create a higher level of engagement with ii audiences. -
Literature in Context: a Chronology, C16601825
Literature in Context: A Chronology, c16601825 Entries referring directly to Thomas Gray appear in bold typeface. 1660 Restoration of Charles II. Patents granted to reopen London theatres. Actresses admitted onto the English and German stage. Samuel Pepys begins his diary (1660 1669). Birth of Sir Hans Sloane (16601753), virtuoso and collector. Vauxhall Gardens opened. Death of Velàzquez (15591660), artist. 1661 Birth of Daniel Defoe (c16611731), writer. Birth of Anne Finch, Countess of Winchilsea (16611720), writer. Birth of Sir Samuel Garth (16611719). Louis XIV crowned in France (reigns 16611715). 1662 Publication of Butler’s “Hudibras” begins. The Royal Society is chartered. Death of Blaise Pascal (16231662), mathematician and philosopher. Charles II marries Catherine of Braganza and receives Tangier and Bombay as part of the dowry. Peter Lely appointed Court Painter. Louis XIV commences building at Versailles with Charles Le Brun as chief adviser. 1663 Milton finishes “Paradise Lost”. Publication of the Third Folio edition of Shakespeare. The Theatre Royal, Bridges Street, opened on the Drury Lane site with a revival of Fletcher’s “The Humorous Lieutenant”. Birth of Cotton Mather (16631728), American preacher and writer. 1664 Birth of Sir John Vanbrugh (16641726), dramatist and architect. Birth of Matthew Prior (16641721), poet. Lully composes for Molière’s ballets. “Le Tartuffe” receives its first performance. English forces take New Amsterdam and rename it New York. Newton works on Theory of Gravity (16641666). 1665 The Great Plague breaks out in London. Newton invents differential calculus. The “Journal des Savants”, the first literary periodical, is published in Paris. -
Choking the Channel of Public Information: Re-Examination of an Eighteenth-Century Warning About Copyright and Free Speech
CHOKING THE CHANNEL OF PUBLIC INFORMATION: RE-EXAMINATION OF AN EIGHTEENTH-CENTURY WARNING ABOUT COPYRIGHT AND FREE SPEECH EDWARD L. CARTER* The U.S. Supreme Court in Eldred v. Ashcroft gave First Amendment importance to the topic of copyright history. In measuring whether Congress has altered the “traditional contours” of copyright such that First Amendment scrutiny must be applied, federal courts—including the Supreme Court in its 2011 Term case Golan v. Holder—must carefully examine the intertwined history of copyright and freedom of the press. The famous but misunderstood case of Donaldson v. Beckett in the British House of Lords in 1774 is an important piece of this history. In Donaldson, several lawyers, litigants, judges, and lords recognized the danger posed by copyright to untrammeled public communication. Eighteenth-century newspaper accounts shed new light on the free press implications of this important period in copyright law history. INTRODUCTION ..........................................................................................................80 I. SCHOLARLY VIEWS ON DONALDSON V. BECKETT .......................................84 II. ALEXANDER DONALDSON AND THE CRUSADE AGAINST SPEECH MONOPOLY ................................................................................................91 III. DONALDSON V. BECKETT RE-EXAMINED ....................................................97 A. Day 1: Friday, February 4, 1774 ...................................................99 B. Day 2: Monday, February 7, 1774 ..............................................103 -
Robert Dodsley, Poet, Publisher & Playwright
NIVERSITY OF CALIFORNIA SAN D EGO 3 1822 01602 ( I UNIVERSITY OF CALIFORNIA. SAN DIEGO 3 1822016020117 Central University Library University of California, San Diego Note: This item is subject to recall after two weeks. Date Due UCT 14 SEP 2? Cl 39 (1/91) UCSDLib. ROBERT DODSLEY BY THE SAME AUTHOR JOHN BASKERVILLE : A MEMOIR (With ROBERT K. DENT) THE MAN APART THE LITTLE GOD'S DRUM THE SCANDALOUS MR WALDO THE DUST WHICH IS GOD <?rf?* ROBERT DODSLEY POET, PUBLISHER & PLAYWRIGHT BY RALPH STRAUS <& & WITH A PHOTOGRAVURE PORTRAIT AND TWELVE OTHER ILLUSTRATIONS LONDON JOHN LANE THE BODLEY HEAD NEW YORK JOHN LANE COMPANY MCMX Turnbull & Spears, Printers, Edinburgh TO AUSTIN DOBSON WHO OF ALL WRITERS HAS MOST SURELY TOUCHED THE ATMOSPHERE OF DODSLEY'S TIMES I AM PERMITTED TO DEDICATE THIS BOOK PREFACE of eighteenth century wor- thies multiply exceedingly at the present BIOGRAPHIESday, and it might seem that the appearance of a life of Robert Dodsley should be heralded by an apology. Instead I prefer to quote a sentence from Isaac Reed's eulogy of the publisher- poet, which explains the attractiveness of such a ' ' subject. It was his happiness,' he says, to pass the greater part of his life with those whose names will be revered by posterity.' Dodsley, indeed, seems most unjustly to have escaped the historian's notice. Beyond Mr Tedder's article in the Dictionary of National Biography, Mr Austin Dobson's entertaining ' vignette At Tully's Head,' and scattered, though useful, notes in various volumes of Notes and Queries, little if anything has of late been written about him. -
British Society for Eighteenth-Century Studies Annual Conference 10:00
British Society for Eighteenth-Century Studies Annual Conference 10:00 - 13:45 Tuesday 6 January 2015 Location 10:00-13:45 Registration Maplethorpe Lobby 12:30 - 13:45 Opening Plenary 'Conduits of Treason: Objects, Weapons, Conflict and Memory in the State, 1688-1760' Maplethorpe Hall Professor Murray Pittock 13:45 - 15:30 Tuesday Session 1 Panel Panel Title Chair Location Tuesday Panel Gender, race, TBA TBA TBA 1 power Chi Sum Reading Doris Lessing’s The Grass is Singing (1950): Garfield Lau Reinvention of Eighteenth-Century Gender Norms under African Colonialism Suzanne Ayah, Caregiver for Anglo-Indian Children seen in 18th Conway Century British Painting Regulus Allen Mutinous Slave Mothers in Aphra Behn's Oroonoko Tuesday Panel Education and TBA TBA TBA 2 Epistemologies Paul D. Tonks Education, Empire and Enlightenment in a Revolutionary Age: Patrick Colquhoun and the 'Free School' Model Jill Gage James Boswell the younger and the 1791 Westminster School Rebellion Haroldo A. The Perfectibility of Character: The qualities of Émulation Guizar and Heuristic Pedagogy in Eighteenth-century French Military Education Tuesday Panel Music and Martin Clarke TBA 3 Influence Douglas The Small Flute Concerto in early Eighteenth-Century MacMillan London Olga A. Baird Ignaz Pleyel and Ludwig-Wilhelm Tepper de Ferguson: the Mystery of the 'Twelve German Songs' Mita Commemorative Theatricality Choudhury Tuesday Panel Ossian in the Sebastian TBA 4 twenty-first Mitchell century Dafydd Moore Gerald Bär Juliet Sheilds Murdo Macdonald Victoria Henshaw Tuesday -
Microfilms Internationa! 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
George and William Strahan in Samuel Johnson's
GEORGE AND WILLIAM STRAHAN IN SAMUEL JOHNSON'S CAREER AND IMAGE By GEORGIA PRICE HENSLEY /I Bachelor of Arts East Central State College Ada, Oklahoma 1965 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 1970 / ·' GEORGE AND WILLIAM STRAHAN IN SAMUEL JOHNSON ' S ·, ,. '···, CAREER AND IMAGE '",,, " Thesis Approved : --- §~6/.Adviser ~- ~~ Dean of the Graduate College ii PREFACE In this thesis I have avoided as much as possible two almost irresistible paths that tempt many write,rs inquiring into the life and works of Samuel Johnson. The "literary gossip" surrounding and pene trating every aspect of the personalities, social lives, and works of Johnson and his circle is fascinating reading; moreover, the relation ship of Johnson to his household, the Thrales, the Burneys, and James Boswell, to name only a few may draw the attention indefinitely. Another equally tempting avenue for many is the founding of the print ing trade in eighteenth-century London, but bibliography is a special ized, lifetime study. I mention Johnson's circle and publishing concerns only as they illustrate the friendship and professional association of the Strahans and Johnson. Although I offer evidence to explain James Boswell's apparent slighting of the Strahans, this paper does not join the recent attacks upon Boswell's great biography. I shall demonstrate through a study of biographies, diaries, letters, and other papers of Johnson and his contemporaries that William Strahan and later his son, George, were of major importance in Johnson's life and works during the author's life time and extended their influence beyond his death in the publications of his works and biographies that they commissioned, I express gratitude to my professor and adviser, Dr, Loyd Douglas, for introducing me to Samuel Johnson, the author, and for encouragement and advice in continuing the research and the writing of this paper. -
Studies in Burke and His Time, Volume 23
STUDIES IN BURKE AND HIS TIME AND HIS STUDIES IN BURKE I N THE N EXT I SS UE ... S TEVEN P. M ILLIE S STUDIES IN The Inner Light of Edmund Burke A N D REA R A D A S ANU Edmund Burke’s Anti-Rational Conservatism R O B ERT H . B ELL The Sentimental Romances of Lawrence Sterne AND HIS TIME J.D. C . C LARK A Rejoinder to Reviews of Clark’s Edition of Burke’s Reflections R EVIEW S O F M ICHAEL B ROWN The Meal at the Saracen’s Head: Edmund Burke F . P. L OCK Edmund Burke Volume II: 1784 – 1797 , andSamuel the Scottish Burgess Literati S EAN P ATRICK D ONLAN , Edmund Burke’s Irish Identities Edmund Burke, the Common Lawyers, M ICHAEL F UNK D ECKAR D and the Natural Law N EIL M C A RTHUR , David Hume’s Political Theory Wonder and Beauty in Burke’s Philosophical Enquiry E LIZA B ETH L A MB ERT , Edmund Burke of Beaconsfield NobuhikoR O B ERT HNakazawa. B ELL FoolReviewing for Love: EdmundThe Sentimental Burke’s Romances Concept of ofLaurence ‘Revolution’: Sterne An Overlooked AspectS TEVEN of theP. MBurke-PaineILLIE S Controversy The Inner Light of Edmund Burke: A Biographical Approach to Burke’s Religious Faith and Epistemology STUDIES IN Pawel Hanczewski ‘When Liberty and Order Kiss’: Edmund Burke VOLUME 22 2011 and the History Articles in the Annual Register REVIEWreviewsS OofF AND HIS TIME SamuelF.P. Burgess,LOCK, Edmund Edmund Burke: Burke’s Vol. Battle II, 1784–1797; with Liberalism: DANIEL I. -
Manuscripts Collected by Thomas Birch (B. 1705, D. 1766)
British Library: Western Manuscripts Manuscripts collected by Thomas Birch (b. 1705, d. 1766), D.D., and bequeathed by him to the British Museum, of which he was a Trustee from 1753 until his death ([1200-1799]) (Add MS 4101-4478) Table of Contents Manuscripts collected by Thomas Birch (b. 1705, d. 1766), D.D., and bequeathed by him to the British Museum, of which he was a Trustee from 1753 until his death ([1200–1799]) Key Details........................................................................................................................................ 1 Provenance........................................................................................................................................ 1 Add MS 4106–4107 TRANSCRIPTS OF STATE PAPERS and letters from public and private collections, made by or for Birch, together with.................................................................................... 8 Add MS 4109–4124 ANTHONY BACON TRANSCRIPTS.Transcripts and extracts of the correspondence of Anthony Bacon (d. 1601), chiefly in..................................................................................................... 19 Add MS 4128–4130 ESSEX (DEVEREUX) PAPERSTranscripts of original letters and papers in the British Museum, Lambeth Palace Library,............................................................................................. 32 Add MS 4133–4146 FORBES PAPERS. Vols. II–XV.4133–4146. Collections of Dr. Patrick Forbes, consisting of lists, copies, etc., of.......................................................................................................