Vol. XII No. 11
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
09 1Bkrv.Donaghy.Pdf
book reviews 159 References Bickerton, Derek, and William H. Wilson. 1987. “Pidgin Hawaiian.” In Pidgin and Creole Lan- guages: Essays in Memory of John E. Reinecke, edited by Glenn G. Gilbert. Honolulu: Uni- versity of Hawai‘i Press. Drechsel, Emanuel J. 2014. Language Contact in the Early Colonial Pacific: Maritime Polynesian Pidgin before Pidgin English. Cambridge: Cambridge University Press. Massam, Diane. 2000. “VSO and VOS: Aspects of Niuean Word Order.” In The Syntax of Verb Initial Languages, 97–117. Edited by Andrew Carnie and Eithne Guilfoyle. Oxford: Oxford University Press. Roberts, [S.] J. M. 1995. “Pidgin Hawaiian: A Sociohistorical Study.” Journal of Pidgin and Creole Languages 10: 1–56. Amsterdam: John Benjamins Publishing. Romaine, Suzanne. 1988. Pidgin and Creole Languages. London: Longman. Hawaiian Music and Musicians (Ka Mele Hawai‘i A Me Ka Po‘e Mele): An Encyclopedic History, Second Edition. Edited by Dr. George S. Kanahele, revised and updated by John Berger. Honolulu: Mutual Publishing, 2012. xlix + 926 pp. Illus- trated. Appendix. Addendum. Index. $35.00 paper ‘Ōlelo Hō‘ulu‘ulu / Summary Ua puka maila ke pa‘i mua ‘ana o Hawaiian Music and Musicians ma ka MH 1979. ‘O ka hua ia o ka noi‘i lō‘ihi ma nā makahiki he nui na ke Kauka George S. Kanahele, ko The Hawaiian Music Foundation, a me nā kānaka ‘ē a‘e ho‘i he lehulehu. Ma ia puke nō i noelo piha mua ‘ia ai ka puolo Hawai‘i, me ka mana‘o, na ia puke nō e ho‘olako mai i ka nele o ka ‘ike pa‘a e pili ana i ka puolo Hawai‘i, kona mo‘olelo, kona mohala ‘ana a‘e, nā mea ho‘okani a pu‘ukani kaulana, a me nā kānaka kāko‘o pa‘a ma hope ona. -
Na Makua Mahalo Ia. Mormon Influences on Hawaiian Music and Dance
2 john kamealoha almeida called the dean of hawaiian composers for of hawaiian compositions although he Is pure portuguese na makua mahalo laia hormonmormon influences on hawaiian music and dance his thousands many of his songs are now classics probably the mostroostmoost popular being 6 sk 11 bt T lesu heme ke kanakakekanakaKe waiwai has been blind since the age of ten but was very helpful in raising money for the church through luaus and hula when the na makua mahalo laia awards were first envisioned it was intended shows throughout the 1930s and 1940s he is presently eightsixeight six years that their scope would remain limited to basically LDSLOS people who had disting- 190s old uished themselves in the performing arts for various reasons it has not been possible to retain this earlier restricted focus of the awards As a alice namakelua aunty is 90 years young and is remarkably spry and result even though recipients tend to be mainly drawn from LDSLOS ranks church active in her days she was a singer dancer translator composer membership is not the prime criterion for selection rather recipients are lecturer genealogist and slackstacksiacksiecksleckslackkeystackkeykey guitar artist she had a best- judged on the depth and quality of the contributions they have made to the selling album when she was eightytwoeighty two years old and still attends hawaiian cultural community an examination of the two sets of recipients church functions as best as she can she studledstudiedstudded hawaiian music for might better illustrate the criteria -
The Making of a Short Film About George Helm
‘Apelila (April) 2020 | Vol. 37, No. 04 Hawaiian Soul The Making of a Short Film About George Helm Kolea Fukumitsu portrays George Helm in ‘Äina Paikai's new film, Hawaiian Soul. - Photo: Courtesy - - Ha‘awina ‘olelo ‘oiwi: Learn Hawaiian Ho‘olako ‘ia e Ha‘alilio Solomon - Kaha Ki‘i ‘ia e Dannii Yarbrough - When talking about actions in ‘o lelo Hawai‘i, think about if the action is complete, ongoing, or - reoccuring frequently. We will discuss how Verb Markers are used in ‘o lelo hawai‘i to illustrate the completeness of actions. E (verb) ana - actions that are incomplete and not occurring now Ke (verb) nei - actions that are incomplete and occurring now no verb markers - actions that are habitual and recurring Ua (verb) - actions that are complete and no longer occurring Use the information above to decide which verb markers are appropriate to complete each pepeke painu (verb sentence) below. Depending on which verb marker you use, both blanks, one blanks, or neither blank will be filled. - - - - - - - - - I ka la i nehinei I keia manawa ‘a no I ka la ‘apo po I na la a pau Yesterday At this moment Tomorrow Everyday - - - - - - - I ka la i nehinei, I kEia manawa ‘a no, I ka la ‘apo po, lele - - I na la a pau, inu ‘ai ka ‘amakihi i ka mele ka ‘amakihi i ka ka ‘amakihi i ke ka ‘amakihi i ka wai. mai‘a. nahele. awakea. - E ho‘i hou mai i ke-ia mahina a‘e! Be sure to visit us again next month for a new ha‘awina ‘o-lelo Hawai‘i (Hawaiian language lesson)! Follow us: /kawaiolanews | /kawaiolanews | Fan us: /kawaiolanews ‘O¯LELO A KA POUHANA ‘apelila2020 3 MESSAGE FROM THE CEO WE ARE STORYTELLERS mo‘olelo n. -
Irene Haar, 86, of Honolulu, a Retired Restaurateur, Kamehameha Schools Dining Hall Manager, and Ceramic Artist, Died Wednesday Sep 1, 1999
H Irene Haar, 86, of Honolulu, a retired restaurateur, Kamehameha Schools dining hall manager, and ceramic artist, died Wednesday Sep 1, 1999. She was born in Vac, Hungary. She is survived by sons Tom and Andrew; daughter Vera, three grandchildren and two great-grandchildren. Private services. Mariano Habon Haber, 71, of Waianae, died Feb. 4, 1999 at St. Francis Medical Center West. He was born in the Philippines. He is survived by wife Felipa; sons Ricardo, Rolando, Wilfredo and Fernando; daughters Elizabeth, Milagros and Violeta; sisters Leonarda, Rufina and Perpetua, and 18 grandchildren. Services: 7 p.m. Wednesday at Nuuanu Mortuary. Call: 6 to 9 p.m. Casual attire. No flowers. Burial in the Philippines. KO HADAMA, 86, of Honolulu, died Oct. 29, 1999. Born in Koloa, Kauai. Retired as a painting foreman. Survived by wife, Yuriko; son, Alan. Private service held. Arrangements by Nuuanu Mortuary. Sheri Hadgi,43, of Honolulu died last Thursday Feb 4, 1999 in Honolulu. She was born in Clark Las Vegas, Nev. She is survived by fiance George H. Wong and sisters Kate Mead and Ann Davis. Services: 10:30 a.m. tomorrow at Castle Hospital auditorium. Casual attire. Stanley F. Haedrich Jr.,75, of Detroit Lakes, Minn., formerly of Honolulu, a retired chief estimator for Hawaiian Dredging, died Jan. 10, 1999 in Fargo, N.D. He was born in Minneapolis. He is survived by wife Marilyn and longtime friend Dorothy Brockhausen. Services on the mainland. Emma A.P. Haena, 94, of Hilo, died Saturday Aug 21, 1999 at home. Born in Waimea, she is survived by daughters Jane Kakelaka, Minerva Naehu, Emmeline Santiago Foster, Blossom Kelii and Lydia Haena; son Thomas Nahiwa; grandchildren; great- grandchildren; and great-great-grandchildren. -
Statement of JOHN DE FRIES Hawai'i Tourism Authority Before the SENATE COMMITTEE on ENERGY, ECONOMIC DEVELOPMENT, and TOURISM
Statement of JOHN DE FRIES Hawai‘i Tourism Authority before the SENATE COMMITTEE ON ENERGY, ECONOMIC DEVELOPMENT, AND TOURISM Monday, February 8, 2021 3:00 PM State Capitol, Conference Room #224 In consideration of SENATE BILL NO. 916 RELATING TO TAXATION Chair Wakai, Vice Chair Misalucha, and members of the Committee on Energy, Economic Development, and Tourism: the Hawai‘i Tourism Authority (HTA) supports Senate Bill 916, which specifies that the $1,000,000 of Transient Accommodations Tax revenues currently allocated to operate a Hawaiian center and the Museum of Hawaiian Music and Dance may also be used to plan, design, and construct these facilities at an unspecified location. SB 916 is needed as we move forward to create the new Museum of Hawaiian Music and Dance. This measure will allow the funds to be utilized both for operations and development of the center. Currently, the law does not provide clear guidance as to how the funds may be utilized. The term “operations,” as found in the current statute, appears to restrict the use of the funds to the day-to- day activities of a center. Since this will be a new endeavor, we believe that allowing the funds to also be used for the planning, design, and construction will encourage more interest as we move forward in the Request for Proposal (RFP) process. It is for these reasons that HTA supports SB 916. We appreciate this opportunity to provide testimony. Managed by the Festival Companies 2201 Kalākaua Avenue, Suite A500 Honolulu, Hawaiʽi 96815 • (808) 931-3100 • RoyalHawaiianCenter.com TO: Hon. -
Haʻina ʻia Mai Ana Ka Puana: the Vowels of ʻōlelo Hawaiʻi (Pdf)
HAʻINA ʻIA MAI ANA KA PUANA: THE VOWELS OF ʻŌLELO HAWAIʻI A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN LINGUISTICS May 2021 By Thomas T. Kettig Dissertation committee: Rory Turnbull, chairperson Victoria Anderson Katie Drager Larry Kauanoe Kimura K. Laiana Wong Alexander Mawyer Keywords: Hawaiian, phonetics, vowels, pronunciation Acknowledgements My PhD at UHM has been supported financially by awards and Graduate Assistantships from the UH Linguistics Department, Mānoa Opportunity Grants, the Dai Ho Chun Fund for Graduate Fellowships, and the Samuel H. Elbert Graduate Fund in Hawaiian and Polynesian Languages. Thank you particularly to the Bilinski Educational Foundation for providing summer fieldwork grants as well as the dissertation fellowship that supported the completion of this project. I am grateful to my committee members, each of whom I was so lucky to have on board. Mahalo to Rory, an incredible mentor and advisor throughout this dissertation journey. Mahalo to Katie, whose work led me here to Hawaiʻi, and whose collaboration, wisdom, and kindness I am forever grateful for. Mahalo to Victoria, who never wavered in her confidence in me, and who has always been there for advice on life and phonetics. Mahalo to Alex, who went above and beyond his role as university representative, providing key advice on Pacific cultures and (pre)history. Mahalo iā Laiana, he hoa kūkā waiwai. Akamai loa kona naʻauao no ka holomua ‘ana i ka ʻōlelo ma o ka nānā pono ʻana i ke kuanaʻike Hawaiʻi. -
Legislative Testimony Senate Bill No. 1005 RELATING to PUBLICITY
Legislative Testimony Senate Bill No. 1005 RELATING TO PUBLICITY RIGHTS Committee on Economic Development and Technology February 9, 2009 1:15 p.m. Room 016 Aloha Chair Fukunaga, Vice Chair Baker, and Members. OHA strongly supports Senate Bill No. 1005 Relating to Publicity Rights. The purpose of this bill is to help protect in Hawaii the music of Hawaii, and all other works of authorship, by establishing a property right in the commercial use of a person’s name, voice, signature, photograph, or likeness. This right is generally called a “right of publicity” and has often been appropriated by promoters and marketers of the music of Hawaii, without the permission of the artists and their heirs, to sell products that are objectionable to the artists and heirs, yet feature the artist’s name, voice, signature, photograph, or likeness. The bill is detailed, including provisions relating to transfer of the right, injunctions and damages for infringement of the right, and exemptions for situations where the law would not apply. We believe the bill strikes a reasonable balance between protecting the right and recognizing that the right is not absolute. Mahalo for the opportunity to testify. fukunaga4 - Michelle From: Sen. Carol Fukunaga Sent: Friday, February 06, 2009 3:50 PM To: fukunaga4 - Michelle; Jared Yamanuha Subject: FW: Publicity Rights Bill SN-1005 Attachments: SB1005_.pdf For 2/9/09 hearing testimony ------ Forwarded Message From: Eric Keawe <[email protected]> Date: Thu, 5 Feb 2009 18:47:15 -1000 To: <[email protected]> Cc: Carol Fukunaga <[email protected]>, Rosalyn Baker <[email protected]>, Clayton Hee <[email protected]>, David Ige <[email protected]>, Sam Slom <[email protected]> Subject: Publicity Rights Bill SN-1005 Dear Friends, I would like to share with you information about a “Publicity Rights” Bill now pending in the Legislature. -
Testimony of Mufi Hannemann President & CEO Hawai'i Lodging & Tourism Association House Committee on Veteran, Military
HAWAl‘l LODGING & TOURISM ASSOCIATION Testimony of Mufi Hannemann President & CEO Hawai‘i Lodging & Tourism Association House Committee on Veteran, Military, & International Affairs, & Culture and the Arts House Concurrent Resolution 70 Requesting the United States Postal Service to issue a commemorative postage stamp in honor of Alfred Apaka. Aloha Chair Ito, Vice Chair Tokioka and members of the committee, on behalf of the Hawai‘i Lodging & Tourism Association and its 700-plus members we offer strong support for HCR 70 which would request of the US Postal Service to issue a commemorative postage stamp in honor of Alfred Apaka, legendary Hawaiian entertainer and showman. As a state we pride ourselves on our Native Hawaiian culture and our Aloha spirit, two very unique features that help set us apart from the rest of the world. One very important aspect of our culture is and has been our islands’ music, a genre that has helped set the stage for Hawai‘i as a global destination. We have seen the pioneers of our state’s music from Don Ho to Israel Kamakawiwo'ole and others who have made a name for themselves locally, nationally, and internationally. But before these gentlemen hit the scene there was another musical legend, Alfred Apaka, the pioneer who first introduced the world to Hawai‘i’s music. Alfred Apaka, frequently known as the Golden Voice of Hawai‘i, has created a legacy for himself as he headlined venues such as the Royal Hawaiian Hotel, the Moana Surfrider, Don at the Beachcomber, and Kaiser’s Hawaiian Village where he entertained thousands of visitors and locals alike. -
Dorms Protested Winning Murakami Kicks Off
Inside News 2 Features 3, 5, 7 Tuesday Commentary 4 April 24, 2007 Comics 6 Sports 8 VOL. 101 | ISSUE 128 Serving the students of the University of Hawai‘i at Mānoa since 1922 WWW.KALEO.ORG Passion for fashion ‘Bows take key glows at weekend series Centenial Seven against Bulldogs Features | Page 7 Sports | Page 8 MATT TUOHY • Ka Leo o Hawai‘i Award- Dorms protested winning Murakami kicks off Bylit Patricia fest Wilson Ka Leo Staff Reporter Haruki Murakami, a popular contemporary writer and translator, Removal of will be kicking off the 10th Annual Literary Festival on April 26. He tree causes received the Kafka Award in 2006, an award that has been the precur- sor to the Nobel Prize in Literature a big stink for Kafka Award winners in 2004 By Justin Hahn and 2005. He will be doing a Ka Leo Staff Reporter reading and a question-and-answer session at 7:30 p.m. in the Campus That stinky tree by Hamilton JUSTIN HEDANI • Ka Leo o Hawai‘i Center Ballroom. Library might be moved much to Students were allowed to sign white banners expressing their the delight of some – and dismay History concerns and ideas about student housing. of others. Murakami was born in 1949 in The Baker’s cassia may be Kyoto, Japan, though he spent most facing an untimely demise, or at By Justin Hedani run,” said Michael Bischoff, another of his childhood in Kobe. He went least an undignified upheaval. Ka Leo News Editor student involved in the protest group. Housing Priority Order on to attend Waseda University in The university is planning renova- “I’m from Chicago,” he said arguing that Tokyo, where he studied film. -
Mormon Influences on the Waikiki Entertainment Scene
Mormon Influences on the Waikīkī Entertainment Scene by Ishmael W. Stagner, II Before we can discuss the influence of Mormon Hawaiians on the Waikīkī music scene, we need to understand a few things about the development of Hawaiian music and its relationship to things developing in Waikīkī. It is normally thought that the apex of Hawaiian entertaining is being able to entertain on a steady basis in a Waikīkī showroom, or venue. However, this has not always been the case, especially as this relates to the Waikīkī experience. In fact, we need to go back only to the post World War II period to see that entertaining in Waikīkī, especially on a steady basis, was both rare and limited to a very few selected entertainers, most of whom, surprisingly, were not Hawaiian. There were a number of reasons for this, but the main reason for the scarcity of Hawaiian, or Polynesian entertainers in Waikīkī in any great number, goes back to the history of Waikīkī itself. At the turn of the 20th century, Waikīkī was still mostly a swamp, filled with taro patches, rice paddies and fish ponds. We have only to look at the pictures of Ray Jerome Baker, the great photographer of early 20th century Honolulu, to see that Waikīkī was, first and foremost, a bread basket area whose lowlands were the delta areas for the run-off waters of Mānoa, Pauoa, and Pālolo streams. As such, Waikīkī fed much of what we call East Oahu, and rivaled the food production and water-storage capacities of better-known farming areas such as Kāne‘ohe, Kahalu‘u and Waiāhole. -
Honoring the Best of Traditional Hawaiian Music and Hula!
MEDIA RELEASE FOR IMMEDIATE RELEASE Thursday, April 9, 2015 Honoring the best of traditional Hawaiian music and hula! Contact: Ann Shinsato 808-392-3649 (HMHF Admin. Assistant) WHO: The Hawaiian Music Hall of Fame (HMHF) WHAT: Lei of Stars 2015, a gala event honoring our 2014 class of inductees: , Sonny Chillingworth, Edith McKinzie, Puakea Nogelmeier, Beverly Noa, Lani Custino and the Hawaii Calls radio program. Includes dinner, induction ceremony and tribute performances. WHERE: Pomaika’i Ballrooms (in the Hökülei Ballroom) at Dole Cannery (735 Iwilei Rd.) WHEN: May 1, 2015, Friday. Doors open at 4 pm; dinner served at 5 pm; concert begins at 5:45 pm. TICKETS: Tickets are $125/person for dinner and concert. For more info, call Admin. Assistant Ann Shinsato at 392-3649. Also see website at www.hmhof.org. ENTERTAINERS: Beverly Noa, Nina Kealiÿiwahamana, Haunani Apoliona, Kuÿuipo Kumukahi, Auntie Edith’s hula girls, Natalie Ai Kamauu, Aaron Sala, John Rodrigues, Ian Custino, and much more! Emcee: Kimo Kahoano. SPECIAL MÖÿÏ SPONSOR: Princess Abigail Kinoiki Kekaulike Kawänanakoa. SUSTAINING SPONSOR: ‘Ölelo Community Media will broadcast Lei of Stars live on ‘Ölelo Channel 53. Inductee Background Information: Sonny Chillingworth: A master slack key guitarist whose first hit recording was in 1964 playing “Waimea Cowboy.” In the 1970’s with the Hawaiian Renaissance, Sonny became part of the Gabby Pahinui Hawaiian Band for both album recordings and live performances. During this time, Sonny also began to share his knowledge with the next generation such as George Kuo and Ozzie Kotani and many more who were influenced by his recordings. -
Imua P()Lenisia
IMUA P()LENISIA THE YOICE OF THE POLYNESIAN CULTURAL CENTER PnrsidENT's Mrssnqr Lester W.B. Moore "YEAR OF THE MANAGER' his pst year has b€en an imponant learning f They mer the majority oftheir objectivs period for PCC's Manegement Tearn. thrcugh undcrstanding arrd gaining matragemcnt The synery of rheir experiences has produced competency skills. positive dwelopment oftheir leadership skills rnd g. They managed wage and compensation programs penonal growth. Specifi cally: and met 900,6 ofthe Center's 1992-93 financial a. They were inrimatcly involvcd in the strategic The Managcmcnt Tlam of3l indi,idLals plonning process which resulted in wrhten mission consists ofsenior officers, division head: and srcrcmena for rheir divisions and deprnmenrs. depanment managers. h has been grati$ing ro b. Vriting asumptions for thek organiz.ztions of observe their growth, courage in implementing responsibiliry; identifring objcctives with spccifi c changa. and discovery oftheir crarive and Ie;rning action steps to address and climinatc weakncssa; abilities. cxploiting opponunities and addressing threats. tu our 30th Anniversarv year unfolds, we musr c. They organized and stmctur€d divisions and continue to emphasize the mission goals ofrhe depanments along funaional lines, according to C-enter. By following rhem, PCCwill tulfil1irs role as the d. They wrore up opcming expense budger ro rie premier cu.ltunl center in theworld where thc in wirh rheir plars and worked on capital expendkure per:ple ofthe world can visir ro experience r u-:quc budgets. spirit ofpeacc and harmony. e. They learncd to rcad and adjust their financial -As challenging and daunting as rhese usls have variance repons each month; monitored the been, never have I worked whh a group ofpcople performance oftheir objectives and strategies and who have responded to the challenge as oLrr made appropriate adjustmena.