The Legend Inspires. the Promise Continues
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book reviews 159 References Bickerton, Derek, and William H. Wilson. 1987. “Pidgin Hawaiian.” In Pidgin and Creole Lan- guages: Essays in Memory of John E. Reinecke, edited by Glenn G. Gilbert. Honolulu: Uni- versity of Hawai‘i Press. Drechsel, Emanuel J. 2014. Language Contact in the Early Colonial Pacific: Maritime Polynesian Pidgin before Pidgin English. Cambridge: Cambridge University Press. Massam, Diane. 2000. “VSO and VOS: Aspects of Niuean Word Order.” In The Syntax of Verb Initial Languages, 97–117. Edited by Andrew Carnie and Eithne Guilfoyle. Oxford: Oxford University Press. Roberts, [S.] J. M. 1995. “Pidgin Hawaiian: A Sociohistorical Study.” Journal of Pidgin and Creole Languages 10: 1–56. Amsterdam: John Benjamins Publishing. Romaine, Suzanne. 1988. Pidgin and Creole Languages. London: Longman. Hawaiian Music and Musicians (Ka Mele Hawai‘i A Me Ka Po‘e Mele): An Encyclopedic History, Second Edition. Edited by Dr. George S. Kanahele, revised and updated by John Berger. Honolulu: Mutual Publishing, 2012. xlix + 926 pp. Illus- trated. Appendix. Addendum. Index. $35.00 paper ‘Ōlelo Hō‘ulu‘ulu / Summary Ua puka maila ke pa‘i mua ‘ana o Hawaiian Music and Musicians ma ka MH 1979. ‘O ka hua ia o ka noi‘i lō‘ihi ma nā makahiki he nui na ke Kauka George S. Kanahele, ko The Hawaiian Music Foundation, a me nā kānaka ‘ē a‘e ho‘i he lehulehu. Ma ia puke nō i noelo piha mua ‘ia ai ka puolo Hawai‘i, me ka mana‘o, na ia puke nō e ho‘olako mai i ka nele o ka ‘ike pa‘a e pili ana i ka puolo Hawai‘i, kona mo‘olelo, kona mohala ‘ana a‘e, nā mea ho‘okani a pu‘ukani kaulana, a me nā kānaka kāko‘o pa‘a ma hope ona. -
S Aloha Spirit Begins on Oahu Island Hawaii Honolulu and Island of Oahu – Images by Lee Foster by Lee Foster
Hawaii’s Aloha Spirit Begins on Oahu Island Hawaii Honolulu and Island of Oahu – Images by Lee Foster by Lee Foster When the plane touches down in Hawaii, the magic of the eight major Islands in the Hawaiian group begins to infuse the sensibility of a traveler. First of all, a traveler from North America has just made a long voyage, 2,000 miles and fully five hours from western U.S. cities, or longer from Chicago and New York. After traversing long stretches of ocean, the islands suddenly appear, as improbable as they must have seemed to the first Polynesians who sailed and paddled their canoes from the South Seas to this site about 750 A.D. or possibly earlier. From out of nowhere the modern visitor alights into a fully-realized dream, Hawaii. When you leave the airplane, a lei may be put around your neck, if you are on a tour. If not, you may want to buy a lei at the airport, just to get into the spirit. Leis are sometimes made of vanda orchids or of plumeria. The perfume of the lei and the warm tropical air of Hawaii immediately bathe a visitor. A range of bright flowers can be seen everywhere, starting with bougainvillea or hibiscus, the state flower, giving a technicolor aura to Hawaii. Brightly floral aloha shirts, which appear so ostentatious on the mainland, seem immediately appropriate here. Then you begin observing people in this airport. The most striking aspect of the people is that their racial origins are diverse and are primarily from the Orient. -
State of Aloha Neil Hannahs
AUGUST 2009 PRESENTS State of Aloha Neil Hannahs FormerA Sense Chair, PBS ofHawaii Gratitude Board of Directors and Accomplishment Longtime PBS Hawaii Board Chairman Neil Hannahs recently passed the baton to a new Chair, Robbie Alm. In the following essay, Neil shares recollections and reflections about leading Hawaii’s only public television station into new territory, from State agency to proud private nonprofit organization. The vital change took place just nine years ago…. - Leslie Wilcox, President and CEO On June 30, I was among several long-serving individuals who retired from the board in compliance with term limit provisions of our by- Dearlaws. Mahalo PBS to Hawaii Bob Ozaki, ‘Ohana, David Leonard, Tom Wellman, Cheryl Hetherington, Rick Tsujimura and Susan Eichor for joining this or- ganization during its infancy and guiding our transition from State agency to private foundation. I wish to take this opportunity to express my gratitude for the privi- lege of serving as board chairman since the founding of the Hawaii Public Television Foundation (HPTF) in 1997. Retiring board members (from left) Rick Tsujimura, Susan Eichor, Cheryl Hetherington and Neil Hannahs. My association with this organization began in 1986 upon my appointment to the Hawaii Public Broad- casting Authority (HPBA). My children, who are now 31, 27 and 26, were 8, 4 and 3 at the time. My wife, Mariane, was young then…as she is today. I am indebted to them for their support of my service. In the late 1980s, the “Japanese bubble” fueled a booming economy and rapid growth of our budget, staff and local productions. -
George Kuo Aloha No Na Kupuna - "Love for the Elders"
LINER NOTES George Kuo Aloha No Na Kupuna - "Love for the Elders" George Kuo was born November 17, 1955 but his beautiful slack key guitar style dates back a generation or two earlier. "My feeling is in the older way of playing from the 1940s," he says. "For me, the old tunings with real loose strings and a real prominent bass have a lot of chicken skin (goose bumps)." George's feeling for the older style extends beyond technique to the more subtle area of attitude. "I like to play a nice relaxed, easy style," he says. "Not too much fancy stuff, keep it within the melody. Simplicity is really my style. I try to keep it simple but blend in the right notes. It's more delivering a message than playing runs." George first took up guitar in elementary school and ki ho'alu in high school. He learned by being around friends such as Richard Rathburn and Antone Gabriel, who liked to get together and jam. Antone played in the style of his grand uncle, Albert Kawelo, who had taught slack key legend Raymond Kane in the early 1930s. "When I heard Antone," George says, "I said to myself that's how I want to play...the old style." George's family was very supportive of his music. "My granduncle and aunt liked to hear that style too," he says, "and they really encouraged me." For a young person attracted to old style ki ho'alu, the 1970s were heaven in Hawai'i. A wide– ranging revival of traditional culture was in full bloom. -
The Making of a Short Film About George Helm
‘Apelila (April) 2020 | Vol. 37, No. 04 Hawaiian Soul The Making of a Short Film About George Helm Kolea Fukumitsu portrays George Helm in ‘Äina Paikai's new film, Hawaiian Soul. - Photo: Courtesy - - Ha‘awina ‘olelo ‘oiwi: Learn Hawaiian Ho‘olako ‘ia e Ha‘alilio Solomon - Kaha Ki‘i ‘ia e Dannii Yarbrough - When talking about actions in ‘o lelo Hawai‘i, think about if the action is complete, ongoing, or - reoccuring frequently. We will discuss how Verb Markers are used in ‘o lelo hawai‘i to illustrate the completeness of actions. E (verb) ana - actions that are incomplete and not occurring now Ke (verb) nei - actions that are incomplete and occurring now no verb markers - actions that are habitual and recurring Ua (verb) - actions that are complete and no longer occurring Use the information above to decide which verb markers are appropriate to complete each pepeke painu (verb sentence) below. Depending on which verb marker you use, both blanks, one blanks, or neither blank will be filled. - - - - - - - - - I ka la i nehinei I keia manawa ‘a no I ka la ‘apo po I na la a pau Yesterday At this moment Tomorrow Everyday - - - - - - - I ka la i nehinei, I kEia manawa ‘a no, I ka la ‘apo po, lele - - I na la a pau, inu ‘ai ka ‘amakihi i ka mele ka ‘amakihi i ka ka ‘amakihi i ke ka ‘amakihi i ka wai. mai‘a. nahele. awakea. - E ho‘i hou mai i ke-ia mahina a‘e! Be sure to visit us again next month for a new ha‘awina ‘o-lelo Hawai‘i (Hawaiian language lesson)! Follow us: /kawaiolanews | /kawaiolanews | Fan us: /kawaiolanews ‘O¯LELO A KA POUHANA ‘apelila2020 3 MESSAGE FROM THE CEO WE ARE STORYTELLERS mo‘olelo n. -
1984 “Na Makua Mahalo Ia (The Most Honored)” Award Concert
(Na Makua Mahalo Ia Award Concert—1984—broken into 2 videos on Vimeo.com) 1984 “NA MAKUA MAHALO IA (THE MOST HONORED)” AWARD CONCERT Enclosed are notes that correspond to the following three videos in the Na Makua Mahalo Ia Collection on HPSʻs Vimeo Channel. (http://vimeo.com/hulapreservationsociety) Ø 1984 Pt 1 of 2 Ø 1984 Pt 2 of 2 BACKGROUND: In the 1980s, a series of 5 concerts were held to honor elders of that time who persevered in the 20th century & planted seeds for the Hawaiian Renaissance that began in the 1970s. Over five concerts, 67 kūpuna were recognized, & their names are the ones we recall hearing stories about, for their contributions have deeply enriched the sentience of Hawaiians & the people of Hawaiʻi. “Na Makua” was created & led by Dr. Ishmael Stagner, who was a professor at Brigham Young University-Hawaiʻi at the time. To download a scan of BYUʻs actual program from this year, visit https://www.papakilodatabase.com & search the Hula Preservation Society Collection. You will also find short audio clips & comprehensive descriptions of select honorees there. 1984 Pt 1 of 2 Na Makua AwarD Concert MC, Host & Event Coordinator: Ishmael Stagner (1939-2014) (2:40) Opening prayer: Wylie W. Swapp (1919-2007) Tribute performances by: Ka Pa Hula Hawaii, Kumu Hula Kahai Topolinski Ka Pa Hula Hawaii under the direction of Kumu Hula Kahai Topolinski present the following performances as hoʻokupu to all of the recipients being honored at the 1984 Na Makua Mahalo Ia Awards: (3:31) - (Hula kahiko) “Pua Ai Lehua Ka Makani,” honoring -
Shipment Day Playbill.Indd
MANOA VALLEY THEATRE PRESENTS A World Premiere by Lorenzo DeStefano November 8 – 25, 2018 #innovators #artists #individuals Hawai‘i’s arts education leader for more than 25 years Preschool to Grade 12 | midpac.edu | (808) 973-5005 A poignant Hawaii story graces our stage Manoa Valley Theatre’s 50th Anniversary continues with a very special presentation that is a highlight in this auspicious season. Lorenzo DeStefano’s poignant drama, Shipment Day, shines light on a troublesome period of Hawaii’s history and the amazing fortitude of one of its citizens, Olivia Robello Breitha, who was his cousin. The play dramatizes her early years in Honolulu when she was first disagnosed with Hansen’s Disease, and the resulting fear and hostilities she faced with this life changing condition. The play’s mirror on history is insightful, and its parallel to more recent epidemics and contemporary society’s response underscores the importance for education, understanding and compassion. We are grateful to Mr. DeStefano for inviting MVT to stage the World Premiere of his play. It is befitting to include this Hawaii based story in our first half-century celebration as we’re reflecting on our community, our mission, our past and our future. Thank you for engaging with us. Four more exciting productions are coming up this season, plus a music and comedy filled Studio Series lineup, so we hope to see you back at MVT often. We are grateful for your patronage and your support. Our partnership with you ensures robust and stimulating theatrical fare for our community. Thank you most kindly. -
No. 24 Mormon Pacific Historical Society
Mormon Pacific Historical Society Proceedings 24th Annual Conference October 17-18th 2003 (Held at ‘Auwaiolimu Chapel in Honolulu) ‘Auwaiolimu Chapel (circa 1890’s) Built by Elder Matthew Noall Dedicated April 29, 1888 (attended by King Kalakaua and Queen Kapi’olani) 1 Mormon Pacific Historical Society 2003 Conference Proceedings October 17-18, 2003 Auwaiolimu (Honolulu) Chapel Significant LDS Historical Sites on Windward Oahu……………………………….1 Lukewarm in Paradise: A Mormon Poi Dog Political Journalist’s Journey ……..11 into Hawaii Politics Alf Pratte Musings of an Old “Pol” ………………………………………………………………32 Cecil Heftel World War Two in Hawaii: A watershed ……………………………………………36 Mark James It all Started with Basketball ………………………………………………………….60 Adney Komatsu Mormon Influences on the Waikiki entertainment Scene …………………………..62 Ishmael Stagner My Life in Music ……………………………………………………………………….72 James “Jimmy” Mo’ikeha King’s Falls (afternoon fieldtrip) ……………………………………………………….75 LDS Historical Sites (Windward Oahu) 2 Pounders Beach, Laie (narration by Wylie Swapp) Pier Pilings at Pounders Beach (Courtesy Mark James) Aloha …… there are so many notable historians in this group, but let me tell you a bit about this area that I know about, things that I’ve heard and read about. The pilings that are out there, that you have seen every time you have come here to this beach, are left over from the original pier that was built when the plantation was organized. They were out here in this remote area and they needed to get the sugar to market, and so that was built in order to get the sugar, and whatever else they were growing, to Honolulu to the markets. These (pilings) have been here ever since. -
A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild
ESSAYS IN HONOUR OF STEPHEN A. WILD Stephen A. Wild Source: Kim Woo, 2015 ESSAYS IN HONOUR OF STEPHEN A. WILD EDITED BY KIRSTY GILLESPIE, SALLY TRELOYN AND DON NILES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: A distinctive voice in the antipodes : essays in honour of Stephen A. Wild / editors: Kirsty Gillespie ; Sally Treloyn ; Don Niles. ISBN: 9781760461119 (paperback) 9781760461126 (ebook) Subjects: Wild, Stephen. Essays. Festschriften. Music--Oceania. Dance--Oceania. Aboriginal Australian--Songs and music. Other Creators/Contributors: Gillespie, Kirsty, editor. Treloyn, Sally, editor. Niles, Don, editor. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover photograph: ‘Stephen making a presentation to Anbarra people at a rom ceremony in Canberra, 1995’ (Australian Institute of Aboriginal and Torres Strait Islander Studies). This edition © 2017 ANU Press A publication of the International Council for Traditional Music Study Group on Music and Dance of Oceania. Aboriginal and Torres Strait Islander people are advised that this book contains images and names of deceased persons. Care should be taken while reading and viewing. Contents Acknowledgements . vii Foreword . xi Svanibor Pettan Preface . xv Brian Diettrich Stephen A . Wild: A Distinctive Voice in the Antipodes . 1 Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles Festschrift Background and Contents . -
Docking at the Benedum Center August 5-14
FOR IMMEDIATE RELEASE Contact: Aja Jones 412-281-3973 ext. 224 [email protected] Images: Press Room User: pressroom Pswd: pittstadium 10-TIME TONY AWARD®-WINNING MUSICAL THEATER MASTERPIECE DOCKING AT THE BENEDUM CENTER AUGUST 5-14 Pittsburgh, PA ∙ July 26, 2016 – Travel to Bali Ha’i with Billis and his crew in Rodgers & Hammerstein’s SOUTH PACIFIC, starring Broadway’s Ben Davis, James Snyder and Erika Henningsen August 5-14 at the Benedum Center. Tickets are now available and can be purchased online, by visiting the Theater Square Box Office or calling 412-456- 6666. Love transcends the harsh realities of war and prejudice in this sweeping Pulitzer Prize-winning tale centered around two unlikely love affairs. Set on a tropical island during World War II, this timeless Rodgers & Hammerstein classic features some of the most beautiful music ever composed woven into an inspiring story cherished the world over. The beloved score’s songs include “Some Enchanted Evening,” “I’m Gonna Wash That Man Right Outa My Hair,” and “There is Nothin’ Like a Dame” amidst big, Broadway performances and a chorus of American sailors and Navy nurses ready to take you to Bali Ha’i. ABOUT THE CAST Loretta Ables Sayre (Bloody Mary) had her NYC and Broadway debut as Bloody Mary in Lincoln Center Theater’s revival of South Pacific (Tony Award® nomination and Theatre World Award) and London debut at Barbican Theatre and U.K. tour. Other theatre credits include: Bloody Mary in South Pacific (The MUNY and Paper Mill Playhouse), Wrestling Ernest Hemingway (Hawaii Theatre), You Somebody (Diamond Head Theater), Dreamgirls (Hawaii Theatre), Song of the Navigator (Honolulu Theater for Youth - U.S. -
022706 Tv Land Celebrates the Life of Film and Tv Icon Don
Contacts: Jennifer Zaldivar Vanessa Reyes TV Land TV Land 212/846-8964 310/752-8081 TV LAND CELEBRATES THE LIFE OF FILM AND TV ICON DON KNOTTS Santa Monica, CA – February 27, 2006 – TV Land will honor the life and work of veteran actor Don Knotts, who passed away on Friday, February 24, with two separate on-air tributes. The network will showcase a six episode presentation of Knotts’ memorable work on The Andy Griffith Show as the lovable, bumbling small town deputy, Barney Fife on Tuesday, February 28 from 8 p.m. to 11 p.m. ET/PT . Additionally, beginning Saturday March 4 at 6 a.m. ET/PT , TV Land will air a 48-hour marathon of both The Andy Griffith Show and Three’s Company , the latter of which he played the eccentric landlord Mr. Furley. “Don Knotts was a superb talent and great friend to the entire staff at TV Land and we will all miss him tremendously,” explains Larry W. Jones, President, TV Land and Nick at Nite. “We are so honored to have known him and enjoy his amazing contributions to the entertainment world, and we will remember him fondly forever.” The Andy Griffith Show episodes in TV Land’s tribute to Don Knotts on Tuesday, February 28 will include: 8 p.m. The Pickle Story Rather than eat Aunt Bee's indigestible home-made pickles, Andy and Barney secretly substitute store-bought pickles in her preserving jars. 8:30 p.m. Barney and the Choir Andy's diplomacy and modern engineering techniques are required to upgrade the music of the Mayberry choir. -
Experiential Learning Adventures Adding Substance to Incentives Page 24 by Christine Loomis
A COASTAL COMMUNICATIONS CORPORATION PUBLICATION MARCH/APRIL 2015 VOL. 22 NO. 2 $10.00 GEL: Group Experiential Learning programs help participants apply skills learned in sailboat racing directly to Experiential the corporate environment. Learning Adventures Adding Substance to Incentives Credit: Group Experiential Learning Page 18 Golf & Spa Resorts Page 24 Building Teams Page 32 Las Vegas & Reno Page 38 FOR US, BUSINESS WILL ALWAYS BE PERSONAL. 866.770.7268 wynnmeetings.com ISSN 1095-9726 .........................................USPS 012-991 A COASTAL COMMUNICATIONS CORPORATION PUBLICATION MARCH/APRIL 2015 Vol. 22 No. 2 FEATURES 18 Experiential Learning Adventures Adding Substance to Incentives Page 24 By Christine Loomis 24 Golf & Spa DEPARTMENTS Resorts 4 PUBLISHER’S MESSAGE The Right Combo for 6 INDUSTRY NEWS Incentive Travel Programs 9 SNAPSHOTS By John Buchanan 10 INCENTIVE PROGRAMS The Power of Choice — Designing Effective Individual Travel Rewards 32 Building Teams Page 18 By Mary MacGregor Find the Best Blueprint Lorski Photography Credit: An insurance group became farmers for a 12 SITE SELECTION to Engage, Energize and day at The Simple Farm where they harvested Inspiring Global Encourage Your Group vegetables, milked goats and made goat cheese. Destinations — From By Derek Reveron Emerging to Tried-and-True By Susan Adams, CPIM, CEP 16 RISK MANAGEMENT Business Travel DESTINATION Safety for Women By Yelena Kashina 50 CORPORATE LADDER 38 A Perfect Fit 50 READER SERVICES in Las Vegas How Mega-hotels Are Making Room for Smaller Meetings By Christine Loomis The Gallery at Mandarin Oriental, Las Vegas is ideal for 80-person seated dinners and receptions for 200. Page 38 Insurance & Financial Meetings Management is published bi-monthly by Coastal Communications Corporation, 2700 N.