Legislative Testimony Senate Bill No. 1005 RELATING to PUBLICITY
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Music and Identity Ofthe Cultural Renaissance of Hawai·I A
-022.\ CONNECT BACK TO DIS PIACE: Music and Identity ofthe Cultural Renaissance ofHawai·i A '!HESIS SUBMITTED TO '!HE GRADUATE DIVISION OF '!HE UNIVERSI1Y OF HAWAI·I IN PARTIAL FULFILLMENT OF '!HE REQUIREMENTS FOR '!HE DEGREE OF MASTER OF ARTS IN PACIFIC ISLAND STUDIES MAY 2005 By Andrea A Suzuki Thesis Conunittee: Kater1na Teaiwa. Chairperson George Teny Kanalu Young Jonathan K. 050110 Acknowledgements First and foremost I have to thank my parents. especIally Daddy MIke for the opJX>rtun1ties that they have gtven me and their sUpJX>rt gtven to my endeavors. I have to also thank Daddy Mitch for hIs sUPJX>rt and h1s stortes about "h1s days". I want to especIally thank my mom, an AM.A 1n her own rtght, for all ofher devoted time and sUPJX>rt. Secondly, I would l1ke to gIve my deepest thanks to Mel1nda Caroll wIthout whom th1s jOurney would have been a lot more d1ff1cult. Thankyou for your suggestions, your help, and your encouragement. I would also l1ke to thank my comm11tee, Katertna Tea1Wa, Kanalu Young, and John Osorto for their sUpJX>rt and theIr efforts 1n the completion ofth1s project. I'd l1ke to thank all ofthose that gave their time to me, tell1ng me their stortes. and allowtng me to share those stortes: Jeny Santos, Owana Salazar, Aunty CookIe, Uncle Cyr11. Hemy KapollO, John Demello. Gaylord Holomal1a, Keaum1k1 Akut. Peter Moon, and Joe Atpa. I'd l1ke to gIve my appreciation to the Pac1ftc Island StudIes Program that guIded me every' step ofthe way. F1nallly. I'd 11ke to thank all my frIends for their encouragement and tolerance ofmy 1nsan1ty, espec1ally Kamuela Andrade, for gJ.1nn1ng and beartng It and Kau1 for beIng my personal cheering section. -
09 1Bkrv.Donaghy.Pdf
book reviews 159 References Bickerton, Derek, and William H. Wilson. 1987. “Pidgin Hawaiian.” In Pidgin and Creole Lan- guages: Essays in Memory of John E. Reinecke, edited by Glenn G. Gilbert. Honolulu: Uni- versity of Hawai‘i Press. Drechsel, Emanuel J. 2014. Language Contact in the Early Colonial Pacific: Maritime Polynesian Pidgin before Pidgin English. Cambridge: Cambridge University Press. Massam, Diane. 2000. “VSO and VOS: Aspects of Niuean Word Order.” In The Syntax of Verb Initial Languages, 97–117. Edited by Andrew Carnie and Eithne Guilfoyle. Oxford: Oxford University Press. Roberts, [S.] J. M. 1995. “Pidgin Hawaiian: A Sociohistorical Study.” Journal of Pidgin and Creole Languages 10: 1–56. Amsterdam: John Benjamins Publishing. Romaine, Suzanne. 1988. Pidgin and Creole Languages. London: Longman. Hawaiian Music and Musicians (Ka Mele Hawai‘i A Me Ka Po‘e Mele): An Encyclopedic History, Second Edition. Edited by Dr. George S. Kanahele, revised and updated by John Berger. Honolulu: Mutual Publishing, 2012. xlix + 926 pp. Illus- trated. Appendix. Addendum. Index. $35.00 paper ‘Ōlelo Hō‘ulu‘ulu / Summary Ua puka maila ke pa‘i mua ‘ana o Hawaiian Music and Musicians ma ka MH 1979. ‘O ka hua ia o ka noi‘i lō‘ihi ma nā makahiki he nui na ke Kauka George S. Kanahele, ko The Hawaiian Music Foundation, a me nā kānaka ‘ē a‘e ho‘i he lehulehu. Ma ia puke nō i noelo piha mua ‘ia ai ka puolo Hawai‘i, me ka mana‘o, na ia puke nō e ho‘olako mai i ka nele o ka ‘ike pa‘a e pili ana i ka puolo Hawai‘i, kona mo‘olelo, kona mohala ‘ana a‘e, nā mea ho‘okani a pu‘ukani kaulana, a me nā kānaka kāko‘o pa‘a ma hope ona. -
The Hawai'i Tourism Authority
)~ ‘-1 I Hawai'i Convention Center David v. lge ,=';'7" ‘ " I “M 1801 Kalékaua Avenue, Honolulu, Hawaii 96815 Governor ‘N ' ‘ kelepona tel 808 973 2255 7' A U T H O R I T Y kalepa'i fax 808 973 2253 Chris Tatum kahua pa'a web hawaiitourismauthurityorg President and Chief Executive Officer Statement of CHRIS TATUM Hawai‘i Tourism Authority before the SENATE COMMITTEE ON WAYS AND MEANS Wednesday, April 3, 2019 10:20AM State Capitol, Conference Room #211 In consideration of HOUSE BILL NO 420 HD1 SD1 RELATING TO HAWAIIAN CULTURE. Chair Dela Cruz, Vice Chair Keith-Agaran, and members of the Senate Committee on Ways and Means: The Hawai‘i Tourism Authority (HTA) strongly supports House Bill 420 HD1 SD1, which removes the provision designating the Hawai‘i Convention Center (HCC) as the location for the operation of a Hawaiian center and museum of Hawaiian music and dance. The concept of developing a Hawaiian Center and Museum of Hawaiian Music and Dance is one that we fully support; however, the challenge has been the requirement of locating the center at the Hawai‘i Convention Center. By removing this requirement, we will then be allowed to work with the community to identify the best location for this very important facility. We humbly request your support of this measure. Thank you for the opportunity to offer testimony in support of House Bill 420 HD1 SD1. HB-420-SD-1 Submitted on: 3/29/2019 8:08:03 PM Testimony for WAM on 4/3/2019 10:20:00 AM Testifier Present at Submitted By Organization Position Hearing Kirstin Kahaloa Individual Support No Comments: April 2, 2019 Senator Donovan Dela Cruz, Chair Senator Gilbert Keith-Agaran, Vice Chair Committee on Ways and Means Conference Room 211 Hawai‘i State Capitol Honolulu, HI 96813 RE: Testimony on HB420 HD1 SD1, Relating to Hawaiian Culture Chair Dela Cruz, Vice Chair Keith-Agaran, and Committee Members: My name is Melanie Ide and I am the President and CEO of the Bishop Museum, Hawai‘i’s State Museum of Natural and Cultural History. -
The Making of a Short Film About George Helm
‘Apelila (April) 2020 | Vol. 37, No. 04 Hawaiian Soul The Making of a Short Film About George Helm Kolea Fukumitsu portrays George Helm in ‘Äina Paikai's new film, Hawaiian Soul. - Photo: Courtesy - - Ha‘awina ‘olelo ‘oiwi: Learn Hawaiian Ho‘olako ‘ia e Ha‘alilio Solomon - Kaha Ki‘i ‘ia e Dannii Yarbrough - When talking about actions in ‘o lelo Hawai‘i, think about if the action is complete, ongoing, or - reoccuring frequently. We will discuss how Verb Markers are used in ‘o lelo hawai‘i to illustrate the completeness of actions. E (verb) ana - actions that are incomplete and not occurring now Ke (verb) nei - actions that are incomplete and occurring now no verb markers - actions that are habitual and recurring Ua (verb) - actions that are complete and no longer occurring Use the information above to decide which verb markers are appropriate to complete each pepeke painu (verb sentence) below. Depending on which verb marker you use, both blanks, one blanks, or neither blank will be filled. - - - - - - - - - I ka la i nehinei I keia manawa ‘a no I ka la ‘apo po I na la a pau Yesterday At this moment Tomorrow Everyday - - - - - - - I ka la i nehinei, I kEia manawa ‘a no, I ka la ‘apo po, lele - - I na la a pau, inu ‘ai ka ‘amakihi i ka mele ka ‘amakihi i ka ka ‘amakihi i ke ka ‘amakihi i ka wai. mai‘a. nahele. awakea. - E ho‘i hou mai i ke-ia mahina a‘e! Be sure to visit us again next month for a new ha‘awina ‘o-lelo Hawai‘i (Hawaiian language lesson)! Follow us: /kawaiolanews | /kawaiolanews | Fan us: /kawaiolanews ‘O¯LELO A KA POUHANA ‘apelila2020 3 MESSAGE FROM THE CEO WE ARE STORYTELLERS mo‘olelo n. -
Read Liner Notes Here
LINER NOTES Martin Pahinui Ho'olohe One of Hawaiian music‘s most gifted vocalists, John Martin Pahinui has performed with a host of top performers, including his father‘s legendary Gabby Pahinui Hawaiian Band, The Peter Moon Band, The Pahinui Brothers, Nina Kealiçiwahamana, Bill Kaiwa and slack key super group Hui Aloha (with slack key guitarists George Kuo and Dennis Kamakahi). The youngest child of Gabby Pahinui (1921-1980) and Emily Pahinui, Martin grew up surrounded by music— not only the amazing kï höçalu (slack key) in his family home but also the many other styles floating on the wind in Waimänalo, where he grew up and still lives. Like many children of famous musicians, Martin is keenly aware of a double responsibility: to honor his family‘s musical legacy and to always be himself. ―My daddy is a very big influence on all of us,‖ Martin says, ―but he always did things his own way, and he taught us to trust our own instincts too. He loved Hawaiian music but he wasn‘t afraid to change something if he felt it was the right thing to do. Some people would grumble, but he‘d say, ‗So what, some people grumble no matter what you do.‘ He always said to respect the song and the composer and the people who taught you, but never be afraid to express your own feelings when you play.‖ Recently, when the local rap group Sudden Rush asked the Pahinui family for their blessings to use a recording of Gabby‘s classic rendition of Hiçilawe, Martin supported them. -
Testimony of Mufi Hannemann President & CEO Hawai'i Lodging & Tourism Association House Committee on Veteran, Military
HAWAl‘l LODGING & TOURISM ASSOCIATION Testimony of Mufi Hannemann President & CEO Hawai‘i Lodging & Tourism Association House Committee on Veteran, Military, & International Affairs, & Culture and the Arts House Concurrent Resolution 70 Requesting the United States Postal Service to issue a commemorative postage stamp in honor of Alfred Apaka. Aloha Chair Ito, Vice Chair Tokioka and members of the committee, on behalf of the Hawai‘i Lodging & Tourism Association and its 700-plus members we offer strong support for HCR 70 which would request of the US Postal Service to issue a commemorative postage stamp in honor of Alfred Apaka, legendary Hawaiian entertainer and showman. As a state we pride ourselves on our Native Hawaiian culture and our Aloha spirit, two very unique features that help set us apart from the rest of the world. One very important aspect of our culture is and has been our islands’ music, a genre that has helped set the stage for Hawai‘i as a global destination. We have seen the pioneers of our state’s music from Don Ho to Israel Kamakawiwo'ole and others who have made a name for themselves locally, nationally, and internationally. But before these gentlemen hit the scene there was another musical legend, Alfred Apaka, the pioneer who first introduced the world to Hawai‘i’s music. Alfred Apaka, frequently known as the Golden Voice of Hawai‘i, has created a legacy for himself as he headlined venues such as the Royal Hawaiian Hotel, the Moana Surfrider, Don at the Beachcomber, and Kaiser’s Hawaiian Village where he entertained thousands of visitors and locals alike. -
Hawaii Stories of Change Kokua Hawaii Oral History Project
Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga .............................................. -
Dorms Protested Winning Murakami Kicks Off
Inside News 2 Features 3, 5, 7 Tuesday Commentary 4 April 24, 2007 Comics 6 Sports 8 VOL. 101 | ISSUE 128 Serving the students of the University of Hawai‘i at Mānoa since 1922 WWW.KALEO.ORG Passion for fashion ‘Bows take key glows at weekend series Centenial Seven against Bulldogs Features | Page 7 Sports | Page 8 MATT TUOHY • Ka Leo o Hawai‘i Award- Dorms protested winning Murakami kicks off Bylit Patricia fest Wilson Ka Leo Staff Reporter Haruki Murakami, a popular contemporary writer and translator, Removal of will be kicking off the 10th Annual Literary Festival on April 26. He tree causes received the Kafka Award in 2006, an award that has been the precur- sor to the Nobel Prize in Literature a big stink for Kafka Award winners in 2004 By Justin Hahn and 2005. He will be doing a Ka Leo Staff Reporter reading and a question-and-answer session at 7:30 p.m. in the Campus That stinky tree by Hamilton JUSTIN HEDANI • Ka Leo o Hawai‘i Center Ballroom. Library might be moved much to Students were allowed to sign white banners expressing their the delight of some – and dismay History concerns and ideas about student housing. of others. Murakami was born in 1949 in The Baker’s cassia may be Kyoto, Japan, though he spent most facing an untimely demise, or at By Justin Hedani run,” said Michael Bischoff, another of his childhood in Kobe. He went least an undignified upheaval. Ka Leo News Editor student involved in the protest group. Housing Priority Order on to attend Waseda University in The university is planning renova- “I’m from Chicago,” he said arguing that Tokyo, where he studied film. -
Honoring the Best of Traditional Hawaiian Music and Hula!
MEDIA RELEASE FOR IMMEDIATE RELEASE Thursday, April 9, 2015 Honoring the best of traditional Hawaiian music and hula! Contact: Ann Shinsato 808-392-3649 (HMHF Admin. Assistant) WHO: The Hawaiian Music Hall of Fame (HMHF) WHAT: Lei of Stars 2015, a gala event honoring our 2014 class of inductees: , Sonny Chillingworth, Edith McKinzie, Puakea Nogelmeier, Beverly Noa, Lani Custino and the Hawaii Calls radio program. Includes dinner, induction ceremony and tribute performances. WHERE: Pomaika’i Ballrooms (in the Hökülei Ballroom) at Dole Cannery (735 Iwilei Rd.) WHEN: May 1, 2015, Friday. Doors open at 4 pm; dinner served at 5 pm; concert begins at 5:45 pm. TICKETS: Tickets are $125/person for dinner and concert. For more info, call Admin. Assistant Ann Shinsato at 392-3649. Also see website at www.hmhof.org. ENTERTAINERS: Beverly Noa, Nina Kealiÿiwahamana, Haunani Apoliona, Kuÿuipo Kumukahi, Auntie Edith’s hula girls, Natalie Ai Kamauu, Aaron Sala, John Rodrigues, Ian Custino, and much more! Emcee: Kimo Kahoano. SPECIAL MÖÿÏ SPONSOR: Princess Abigail Kinoiki Kekaulike Kawänanakoa. SUSTAINING SPONSOR: ‘Ölelo Community Media will broadcast Lei of Stars live on ‘Ölelo Channel 53. Inductee Background Information: Sonny Chillingworth: A master slack key guitarist whose first hit recording was in 1964 playing “Waimea Cowboy.” In the 1970’s with the Hawaiian Renaissance, Sonny became part of the Gabby Pahinui Hawaiian Band for both album recordings and live performances. During this time, Sonny also began to share his knowledge with the next generation such as George Kuo and Ozzie Kotani and many more who were influenced by his recordings. -
Louis “Moon” Kauakahi
PROGRAM GUIDE | JUNE 2020 | VOL. 39 NO. 6 LOUIS “MOON” KAUAKAHI The former Mākaha Sons band member always backed up his music career with a day job – Page 3 CEO MESSAGE STATEWIDE BOARD OF DIRECTORS Chair Leslie Wilcox A Slimmed-Down Joanne Lo Grimes PBS Hawai‘i President and CEO Vice Chair Program Guide Bettina Mehnert Secretary You may notice that this monthly young children to our online PBS Joy Miura Koerte program guide is skinnier than it was KIDS 24/7 channel, which is aligned last month, as if it went on a crash with fun, educational video games. Treasurer Kent Tsukamoto diet. There was indeed a crash of sorts, one that all of us are dealing Folks have been phoning or Muriel Anderson with in one way or another: the writing with kind sentiments Susan Bendon economic fall-out from COVID-19. including: “You’re a lifesaver for Jodi Endo Chai helping me educate my child at James E. Duffy Jr. Matthew Emerson PBS Hawai‘i is part of the local home.” “You bring us delight, Jake Fergus community. When our supporters beauty, wonder and information Jason Fujimoto suffer financial loss, we feel it, too. every day…” “I’m going through Jason Haruki Many people are limiting their a hard time, but I feel better with Ian Kitajima charitable giving. Our heart goes out the inspiration I get from your Noelani Kalipi to those who’ve been hard hit by programs.” Kamani Kuala‘au Theresia McMurdo effects of the pandemic. Ryan Kaipo Nobriga Aloha is real and palpable and Aaron Salā As part of stewarding our feeds heart and soul. -
Imua P()Lenisia
IMUA P()LENISIA THE YOICE OF THE POLYNESIAN CULTURAL CENTER PnrsidENT's Mrssnqr Lester W.B. Moore "YEAR OF THE MANAGER' his pst year has b€en an imponant learning f They mer the majority oftheir objectivs period for PCC's Manegement Tearn. thrcugh undcrstanding arrd gaining matragemcnt The synery of rheir experiences has produced competency skills. positive dwelopment oftheir leadership skills rnd g. They managed wage and compensation programs penonal growth. Specifi cally: and met 900,6 ofthe Center's 1992-93 financial a. They were inrimatcly involvcd in the strategic The Managcmcnt Tlam of3l indi,idLals plonning process which resulted in wrhten mission consists ofsenior officers, division head: and srcrcmena for rheir divisions and deprnmenrs. depanment managers. h has been grati$ing ro b. Vriting asumptions for thek organiz.ztions of observe their growth, courage in implementing responsibiliry; identifring objcctives with spccifi c changa. and discovery oftheir crarive and Ie;rning action steps to address and climinatc weakncssa; abilities. cxploiting opponunities and addressing threats. tu our 30th Anniversarv year unfolds, we musr c. They organized and stmctur€d divisions and continue to emphasize the mission goals ofrhe depanments along funaional lines, according to C-enter. By following rhem, PCCwill tulfil1irs role as the d. They wrore up opcming expense budger ro rie premier cu.ltunl center in theworld where thc in wirh rheir plars and worked on capital expendkure per:ple ofthe world can visir ro experience r u-:quc budgets. spirit ofpeacc and harmony. e. They learncd to rcad and adjust their financial -As challenging and daunting as rhese usls have variance repons each month; monitored the been, never have I worked whh a group ofpcople performance oftheir objectives and strategies and who have responded to the challenge as oLrr made appropriate adjustmena. -
We're All Hawaiians Now: Kanaka Maoli Performance and the Politics
We’re All Hawaiians Now: Kanaka Maoli Performance and the Politics of Aloha by Stephanie Nohelani Teves A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in The University of Michigan 2012 Doctoral Committee: Associate Professor Vicente M. Diaz, Chair Professor Amy K. Stillman Assistant Professor Evelyn A. Alsultany Associate Professor Sarita See, University of California Davis Associate Professor Andrea Smith, University of California Riverside © Stephanie Nohelani Teves All rights reserved 2012 Dedication For my ‘ohana and Kānaka Maoli everywhere. ii Acknowledgements I did not plan any of this. Six years ago I did not even know what graduate school was or where Michigan even was on a map. I never dreamed of being a scholar, being in academia, or writing a dissertation, but in the words of Jujubee, I’m still here! This was all made possible and at times even enjoyable because of so many people. First and foremost I have to thank my parents and sister for their love and support. Thank you for putting up with me, there really is no other way to put it. And to the performers in this dissertation, Krystilez and Cocoa Chandelier, I hope you know how inspiring you are! Thank you for sharing your time with me and allowing me to write about your brilliant work. Also, to the filmmakers and everyone in the film, Ke Kulana He Māhū, mahalo for being in such an important film. Sorry if I say something that upsets you. Over the past six years, my amazing committee has shown me that you can keep your politics in the academic industrial complex.