Jazz Songlist

Total Page：16

File Type：pdf, Size：1020Kb

Jazz Song List Song Version Select Jazz All Of Me Ella Fitzgerald As Time Goes By Frank Sinatra At Last Etta James Autumn Leaves Nat King Cole As Time Goes By From the movie ‘Casablanca’ Baby I’m A Fool In Love Melody Gardot Beautiful Love Anita O’Day Besame Mucho Connie Francis Big Jet Plane Angus & Julius Stone Blue Skies George & Ira Gershwin/ Ella Fitzgerald Blue Skies Eva Cassidy Can't Help Falling In Love Elvis Presley/ Maria Carey Caravan Jeanne Lee Cheek to Cheek Eva Cassidy Chega De Saudade (No More Blues) Antonio Carlos Jobim Come Away With Me Nora Jones Come On A My House Julie London Corcovado Antonio Carlos Jobim/ Astrud Gilberto Darn That Dream Billie Holiday Dance Me To The End Of Love Melody Gardot Dindi Antonio Carlos Jobin Don’t Know Why Nora Jones Feeling Good Nina Simone Fever Peggy Lee Fly Me to the Moon Frank Sinatra Gingi Fats Waller/ Eva Cassidy Honeysuckle Rose Fats Waller/ Eva Cassidy If I Were Painter Ella Fitzgerald I Got Rhythm Sarah Vaughan In A Sentimental Mood Duke Ellington/Ella Fitzgerald It Don't Mean A Thing (if It Ain't Got Duke Ellington/Ella Fitzgerald That Swing) It Had to be You Frank Sinatra Les Etoiles Melody Gardot/Nat King Cole I’ve got you under my skin Frank Sinatra L.O.V.E Nat King Cole Let’s Do It, Let’s Fall In Love Ella Fitzgerald Love For Sale KD Lang Mas Que Nada Brazil 66 Moondance Van Morrison Moon River From The movie ‘Breakfast At Tiffany’s My Baby Just Cares For Me Nina Simone My Funny Valentine Shirley Horn My Little Red Top King Pleasure and Betty Carter Night and Day Ella Fitzgerald Only You The Platters Peel Me A Grape Dianna Krall Save Your Love For Me Nancy Wilson Smile Michael Jackson Somewhere Over the Rainbow Eva Cassidy Songbird Eva Cassidy Soul Eyes Jeanne Lee Stormy Monday Eva Cassidy Summertime Ella Fitzgerald Sway Michael Buble Take The A Train Duke Ellington The Look Of Love Dianna Krall The More I See You Michael Buble The Nearness Of You Norah Jones The Way you Look Tonight Tony Bennett The Way You Look Tonight Frank Sinatra What A Wonderful World Louis Armstrong When I Fall In Love Nat King Cole You Take My Breathe Away Eva Cassidy .

Copy Link

Recommended publications

Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
[Show full text]
Destination Moon Repertoire All Blues
1300 738 735 phone [email protected] email www.blueplanetentertainment.net.au web www.facebook.com/BluePlanetEntertainment Destination Moon Repertoire All Blues - Miles Davis All About That Bass - Postmodern Jukebox A Tisket - A Tasket - Ella Fitzgerald Autumn leaves - Keely Smith Ain’t Misbehavin’ - Ella Fitzgerald Aint She Sweet - Bing Crosby After you’ve Gone - Bessie Smith Autumn in New York - Billie Holiday All of Me - Billie Holiday All I Do - Singing in the Rain Alright, Ok,You Win - Count Basie Almost like being in love - Frank Sinatra Always on my Mind - Elvis April in paris - Doris Day A Kiss to Build A Dream On - Louis Armstrong Basin Street Blues - Louis Armstrong Blue Room - Bing Crosby Boogie Woogie Bugle Boy Blue Skies - Ella Fitzgerald Blues in the Night - Peggy Lee Bourbon Street - New Orleans Traditional Cest Si Bon - Louis Armstrong Careless love - Billie Holiday Charade - Harry Connick Jnr Cheek to Cheek - Fred Astaire Destination Moon - Beverly Kenney Darn that Dream - Sarah Vaughan Dream a Little Dream of Me - Mama&Papa’s Don’t go to strangers - Etta James Easy Street - Julie London Everybody Loves My Baby - Roaring 20’s Trad East of the Sun and West of the Moon - Dianna Krall Fine and Mellow - Billie Holiday Fly me to the Moon - Frank Sinatra Gangsta’s Paradise - Postmodern Jukebox Girl From Ipanema - Stan Getz Georgia On My Mind - Anita O’day Goody Goody - Julie London Happy Feet - Roaring 20’s How High the Moon - Ella Fitzgerald Honey Suckle Rose - Django Reinhardt How Insensitive - Antonio Carlos
[Show full text]
Aaron SACHS: Frank SACKENHEIM: Fats SADI: Eddie SAFRANSKI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Fats SADI: "Ensadinado" Fats Sadi -vib; Jimmy Woode -b; Francy Boland -p; Kenny Clarke -d; recorded March 21, 1966 in Köln 16279 NIGHT LADY 4.18 Saba SB15111 16280 ENSADINADO 4.46 --- 16281 GOODBYE 3.16 --- 16282 THE SAME 5.06 --- 16283 ALL OF YOU 3.24 --- 16284
[Show full text]
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
[Show full text]
From Birth to Death of Cool
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 4-2009 From Birth to Death of Cool Brandon Theriault Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Music Commons Recommended Citation Theriault, Brandon, "From Birth to Death of Cool" (2009). Honors Theses. 1657. https://scholarworks.wmich.edu/honors_theses/1657 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. FROM BIRTH TO DEATH OF COOL by Brandon Theriault An Honors Thesis Submitted to the Lee Honors College of Western Michigan University April, 2009 INTRODUCTION "Miles Davis was a bad dude. He was one of the baddest men in jazz... baddest jazzman ever." -Alvin Jones. Who is Alvin Jones? Alvin Jones is the man I just met outside of the Bernhard Center on Western Michigan University's campus in Kalamzoo, MI. I have been laboring over my honors thesis for months now; I am approaching its completion and was at a loss for a way to start the piece. As Alvin Jones stumbled up to me panhandling for a cigarette I could not help but notice his physical similarity to Miles. He looked to be approaching 65, white whiskers sparsely covering his face and making appearances throughout his eyebrows. He was slender, taller than average, and had exaggerated facial features; large luminous eyes, long eyelashes and high cheekbones.
[Show full text]
Alec Wilder Archive
ALEC WILDER ARCHIVE RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER A revision of the original finding aid, prepared by Colleen V. Fernandez Fall 2017 1 Marian McPartland and Alec Wilder outside Louis Ouzer’s Gibbs Street studio (1970s). Photograph by Louis Ouzer, from Marian McPartland Collection, Box 32, Folder 11, Sleeve 6. Alec Wilder in Duke University band room (undated). Photograph by Louis Ouzer, from Alec Wilder Archive, Series 7 (Photographs), Box 1, Sleeve 11. 2 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Music Manuscripts (MS) . 10 Sub-series 1: Large instrumental ensemble Sub-series 2: Vocal or instrumental solo with large ensemble Sub-series 3: Instrumental solos, with or without accompaniment Sub-series 4: Chamber music Sub-series 5: Vocal chamber--voice(s) as part of chamber ensemble Sub-series 6: Keyboard--two or more hands Sub-series 7: Vocal solo Sub-series 8: Vocal soloist ensemble with or without accompaniment Sub-series 9: Choral with or without soloists and accompaniment Sub-series 10: Stage works Sub-series 11: Films Scores Sub-series 12: Commercial music Sub-series 13: Sketches Series 2: Printed Music . 88 Series 3: Recordings . 95 Sub-series 1: Reel-to-reel Sub-series 2: NPR recordings Sub-series 3: Discs Sub-series 4: Cassettes Sub-series 5: Videos Sub-series 6: CD's Series 4: Correspondence . 137 Series 5: Personal Papers . 181 Sub-series 1: Poetry Sub-series 2: Prose Series 6: Ephemera . 233 Sub-series 1: Biographical material 3 Sub-series 2: Programs (performances of Wilder's works) Sub-series 3: Listserv documents Sub-series 4: Ancillary materials of various kinds Sub-series 5: Artifacts relating to Wilder’s life Series 7: Photographs .
[Show full text]
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
[Show full text]
Jazz Library (Song Listings)
Music 932 songs, 3.7 days, 10.39 GB Name Time Album Artist Afrodisia 5:06 Afro-Cuban Kenny Dorham Lotus Flower 4:17 Afro-Cuban Kenny Dorham Minor's Holiday 4:28 Afro-Cuban Kenny Dorham Basheer's Dream 5:03 Afro-Cuban Kenny Dorham K.D.'s Motion 5:29 Afro-Cuban Kenny Dorham The Villa 5:24 Afro-Cuban Kenny Dorham Venita's Dance 5:22 Afro-Cuban Kenny Dorham Echo Of Spring (a.k.a. K.D.'s Cab Ride) 6:12 Afro-Cuban Kenny Dorham Minor's Holiday [Alternate Take] 4:24 Afro-Cuban Kenny Dorham Bouncing With Bud 3:05 The Amazing Bud Powell, Vol. 1 Bud Powell Wail 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels 2:54 The Amazing Bud Powell, Vol. 1 Bud Powell 52nd Street Theme 2:50 The Amazing Bud Powell, Vol. 1 Bud Powell You Go To My Head 3:15 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology 2:23 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 1] 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 2] 3:16 The Amazing Bud Powell, Vol. 1 Bud Powell Wail [Alternate Take] 2:42 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels [Alternate Take] 2:51 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology [Alternate Take] 3:12 The Amazing Bud Powell, Vol. 1 Bud Powell Un Poco Loco 4:46 The Amazing Bud Powell, Vol.
[Show full text]
The Empire State of Jazz Story and Photos by Mitchell Seidel Here’S That Old Expression About the the Times
6OLUME s )SSUE 3EPTEMBER Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Trumpeter Ingrid Jensen pauses to soak in the sounds during her quartet’s performance on the Gazebo Stage at Freihofer’s Jazz Festival in Saratoga Springs, June 30, 2013. Photo by Mitchell Seidel. The Empire State of Jazz Story and photos by Mitchell Seidel here’s that old expression about the the times. They’re both cold and snowy in popular way to catch the action is a $200 Tweather that says if you don’t like it the winter but lovely when the days grow go-as-you-please club pass ticket that covers now, just wait a few minutes. There are a long. They both host festivals at the start of admission to venues that range from concert couple of jazz festivals in New York State summer that sometimes seem to only have halls to churches to honky-tonk bars. Major that seem to have that same philosophy the word “jazz” in common. headliners carry a separate admission, when it comes to programming. sometimes as much as $100 per, but since Now marking its 12th year, the Xerox they’re rarely jazz acts anyway, that’s no Rochester and Saratoga Springs, while Rochester International Jazz Festival is as concern to the diehard fan. Free music on sharing Empire State mailing addresses, much a celebration of the city as it is of street stages of various sizes is featured couldn’t be more different. Rochester’s a music. Drawing support from a variety of nearly continuously during the nine-day once-vibrant rust belt manufacturing sponsors, chiefly Xerox, the city and M&T event.
[Show full text]
2.8 GB # Artist Title Length 01 Al Dexter and His Troo
Total tracks number: 456 Total tracks length: 22:18:06 Total tracks size: 2.8 GB # Artist Title Length 01 Al Dexter and His Troopers Pistol Packin' Mama 02:48 02 Al Jolson Anniversary Song 03:08 03 Al Martino Paper Roses 03:36 04 Al Morgan Jealous Heart 02:00 05 Al Trace You Call Everybody Darlin' 02:49 06 Alvino Rey & His Orchestra Deep in the Heart of Texas 02:38 07 Ambrose & His Orchestra When My Ship Comes In 03:11 08 Ambrose And His Orchestra The Continental 03:01 09 Andrews Sisters & Danny Kaye Civilization (Bongo Bongo Bongo) 03:00 10 Andrews Sisters & Les Paul Trio Rumors Are Flying 02:55 11 Andy Russell Laughing On The Outside (Crying On The Inside) 02:57 12 Art Lund Mam'selle 03:17 13 Art Lund Peg O' My Heart 02:27 14 Art Mooney Baby Face 02:17 15 Art Mooney I'm Looking Over A Four Leaf Clover 02:23 16 Art Mooney & His Orchestra Baby Face 02:20 17 Art Mooney & His Orchestra I'm Looking over a Four Leaf Clover 02:25 18 Arthur "Dooley" Wilson As Time Goes By 03:00 19 Arthur Godfrey Too Fat Polka 03:01 20 Artie Shaw & His Orchestra Frenesi 03:08 21 Artie Shaw & His Orchestra Stardust 03:44 22 Barnabas Von Geczy Mit Orchester Bitte, Bitte, Bitte (Vieni, Vieni) 02:33 23 Barnabas Von Geczy Mit Seinem Orchester Ungarwein 02:54 24 Barnabas Von Geszy Mit Orchester Ich Bin Der Hans Im Glueck 02:48 25 Barry O'Dowd & The Shamrock Singers Auld Lang Syne 01:23 26 Barry O'Dowd & The Shamrock Singers Loch Lomond 02:09 27 Benny Goodman Symphony 03:03 28 Benny Goodman & His Orchestra Darn That Dream 03:02 29 Benny Goodman & His Orchestra Gotta
[Show full text]
Gerry Mulligan Collection
Gerry Mulligan Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2008 Revised 2015 October Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu011017 LC Online Catalog record: http://lccn.loc.gov/2006562035 Processed by the Music Division of the Library of Congress Collection Summary Title: Gerry Mulligan Collection Span Dates: circa 1940-1994 Call No.: ML31.M85 Creator: Mulligan, Gerry Extent: Approximately 200,000 items ; 160 containers ; 80.0 linear feet Language: Material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Gerry Mulligan (1927-1996) was an American jazz saxophonist, composer, arranger, and bandleader. The collection chiefly consists of scores, sketches, lead sheets, and instrumental parts for original compositions by Mulligan as well as for works by other composers. In many instances, there are multiple versions of Mulligan's best-known works. These music materials include manuscripts, holograph manuscripts, printed items, and reproductions. In addition, the collection includes a small amount of photographs, awards, clippings, programs, realia, song lists for different concerts or projects, and other miscellaneous materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Boras, Tom. Brookmeyer, Bob, 1929- Cohn, Al. Dankworth, John. Forman, Mitchel, 1956- Grusin, Dave. Handy, George. Holman, Bill.
[Show full text]
Pianist Emmet Cohen ‘Fills in the Gaps’ Between Traditional and Modern Jazz New Release Follows Months of Weekly Online Concerts
THE MAGAZINE OF THE APRIL 2021 NEW JERSEY JAZZ SOCIETY JerseyJazz VOLUME 49 ISSUE 04 EMMET COHEN’S Future Stride TRANSFORMING TRADITION IN THIS ISSUE ARTICLES/REVIEWS COLUMNS 08 Saturdays with 03 All That’s Jazz Ramsey Lewis 05 Editor’s Choice 13 Emmet Cohen’s Future Stride 36 From the Crow’s Nest 17 Jazz History: Scott LaFaro 22 Talking Jazz: John Lee 29 Rising Star: Jocelyn Gould 33 Remembering CORRECTION The bassist who played with Renee Rosnes Carol Fredette at the Paris Philharmonie and the Luxembourg Philharmonie in 2016 was Linda May Han Oh. Her name was misstated on page 14 of the ON THE COVER _ Emmet Cohen. ALL PHOTOS OF COHEN BY TAILI SONG ROTH 38 Other Views March 2021 issue of Jersey Jazz. NJJS.ORG JERSEY JAZZ APRIL • 2021 02 ALL THAT’S JAZZ BY CYDNEY HALPIN pril is Jazz Appreciation it’s potential, summed up and sanc- please contact me at [email protected]. lease join me on Saturday, April Month (JAM). Originally in- tified and accessible to anybody who 17 at 7 p.m. as we present our A tended as a catalyst to encour- learns to listen” — WYNTON MARSALIS osaic™ Box Sets for Sale. P Virtual Social featuring Chris- age people of all ages to actively NJJS has received two in- tian Fabian, Lance Bryant and Ja- participate in jazz, JAM heralds and ersey Jazz magazine is a wonder- M credibly generous dona- son Marsalis in a “conversation and celebrates the extraordinary heri- ful benefit of NJJS membership tions of used Mosaic™ Limited clips” presentation highlighting the tage and history of jazz.
[Show full text]