Pianist Emmet Cohen ‘Fills in the Gaps’ Between Traditional and Modern Jazz New Release Follows Months of Weekly Online Concerts

Total Page:16

File Type:pdf, Size:1020Kb

Pianist Emmet Cohen ‘Fills in the Gaps’ Between Traditional and Modern Jazz New Release Follows Months of Weekly Online Concerts THE MAGAZINE OF THE APRIL 2021 NEW JERSEY JAZZ SOCIETY JerseyJazz VOLUME 49 ISSUE 04 EMMET COHEN’S Future Stride TRANSFORMING TRADITION IN THIS ISSUE ARTICLES/REVIEWS COLUMNS 08 Saturdays with 03 All That’s Jazz Ramsey Lewis 05 Editor’s Choice 13 Emmet Cohen’s Future Stride 36 From the Crow’s Nest 17 Jazz History: Scott LaFaro 22 Talking Jazz: John Lee 29 Rising Star: Jocelyn Gould 33 Remembering CORRECTION The bassist who played with Renee Rosnes Carol Fredette at the Paris Philharmonie and the Luxembourg Philharmonie in 2016 was Linda May Han Oh. Her name was misstated on page 14 of the ON THE COVER _ Emmet Cohen. ALL PHOTOS OF COHEN BY TAILI SONG ROTH 38 Other Views March 2021 issue of Jersey Jazz. NJJS.ORG JERSEY JAZZ APRIL • 2021 02 ALL THAT’S JAZZ BY CYDNEY HALPIN pril is Jazz Appreciation it’s potential, summed up and sanc- please contact me at [email protected]. lease join me on Saturday, April Month (JAM). Originally in- tified and accessible to anybody who 17 at 7 p.m. as we present our A tended as a catalyst to encour- learns to listen” — WYNTON MARSALIS osaic™ Box Sets for Sale. P Virtual Social featuring Chris- age people of all ages to actively NJJS has received two in- tian Fabian, Lance Bryant and Ja- participate in jazz, JAM heralds and ersey Jazz magazine is a wonder- M credibly generous dona- son Marsalis in a “conversation and celebrates the extraordinary heri- ful benefit of NJJS membership tions of used Mosaic™ Limited clips” presentation highlighting the tage and history of jazz. I encour- J and starting in May, it will be Edition Box Sets, one from Robin legacy of Lionel Hampton and the age you to celebrate and do some- password protected with full access Sinkway, the niece of the late, de- New Lionel Hampton Big Band. thing “jazz-centric” this month by available to NJJS members only. voted NJJS member Jack Sink- For more information please attending a virtual or live concert Each month, you’ll receive a way, and the other from Jean see page 5 or visit our website www. event or lecture, reading a book new password when you receive Field. We thank both families for njjs.org/News. This informative devoted to a jazz great; purchasing the eBlast containing the link to their kindness and stewardship. and swingin’ streaming event can be a CD or LP, Googling an artist or the current month’s issue. You’ll be Prized by collectors for their viewed on our website homepage and song you’re interested in finding prompted to input the password af- superior audio quality, most of these on our New Jersey Jazz Society Face- out more about … the possibilities ter you click on the “View Digital CD sets are in mint to very good book page. I hope to “see” you there. and opportunities are endless. Issue” tab. Once you’ve accessed the condition and would make a great This program has been proudly However you chose to celebrate, magazine, you’ll be able to down- addition to your music collection, supported by a grant from Investors actively take part in the preser- load it to your computer or other with proceeds helping NJJS Foundation. vation and promotion of jazz and personal device for ease of access continue to promote and present share your interest and enthusiasm throughout the month. If you pre- jazz. For more information on the elebrate JAM and help fund our of America’s great art form with fer not to download the issue, keep titles for sale and prices, please programming! Along with our someone else—perhaps introduc- the monthly password handy so you visit our website www.njjs.org/ C newly acquired treasure trove ing them to jazz for the first time. can continue to access the issue Donate/Merchandise or contact via of Mosaic™ merchandise, we also “Jazz music is America’s past and online. If you have any questions, email [email protected]. have a very extensive collection of NJJS.ORG JERSEY JAZZ APRIL • 2021 03 ALL THAT’S JAZZ used CDs, LPs and books for sale. Social, please contact me at and more, with today’s finest jazz of the AmazonSmile Gives program Thanks to the ongoing and hercu- [email protected]. musicians and educators of early jazz. where 0.5% of the price of you eligi- lean efforts of board members James Weekend, one day, single session ble purchases goes directly to NJJS! Pansulla, Dave Dilzell, Jay Dougherty f you’re craving live music in a and student passes are available. For It’s the same Amazon you and Pete Grice, you can find the avail- beautiful and safe setting, the more information or to sign up/reg- know but a separate website. able inventory lists on our website I Morris Museum kicks off their ister visit www.nyhotjazzcamp.com. Same products, same service www.njjs,org/Donate/Merchandise. outdoor “Concerts on the Back - but to generate financial dona- Deck” series Thursday, April 15 at he circumstances of the past tions to NJJS, you must ALWAYS ’m delighted to announce that 7:00 p.m. with a pre-season show year have necessitated chang- SHOP AT smile.amazon,com. for the fifth consecutive year, the with Amani featuring Stephen T es to every aspect of the way I New Jersey Jazz Society has been Fuller, Clarence Conover, Kenny NJJS carries out its mission to pro- awarded a grant from Morris Arts Robinson, Larry Greenberg and mote, present and preserve jazz. to help in part fund our Jazz Socials. Marty Eigen. Bring your dancing I’d like to thank Christine Vaindirl- We’re proud to be one of 28 arts or- shoes! For more information and is who’s provided guidance and techni- ganizations helped by this funding, tickets www.morrismuseum.org. cal expertise as we’ve tackled present- made possible through the Local Arts ing online programming and expanded Program of the New Jersey State he Second NY Hot Jazz Camp our website to include homepage Log on to www.smile.amazon. Council on the Arts/Department of Virtual Weekend Workshop will streaming and video enhanced News com and select New Jersey Jazz State, a partner agency of the Na- T take place April 16-18, 2021. stories. She’s been a “game chang- Society as your beneficiary, then tional Endowment for the Arts. Founded and co-directed by Molly er” for NJJS and we’re very grateful. shop as your normally do. Please The board of directors and I Ryan and Bria Skonberg, this jam- tell your friends and family wish to thank Morris Arts for their packed weekend workshop will con- f you’ve used Amazon this past members about this amazing continued support of NJJS. sist of interactive workshops, master year for in-home shopping, I’d like opportunity for NJJS and thank If you’d like to sponsor an NJJS classes, presentations, song studies I to remind you that NJJS is part you in advance for your support. NJJS.ORG JERSEY JAZZ APRIL • 2021 04 EDITOR’S CHOICE BY SANFORD JOSEPHSON ories of You.” At the Social, Fabian, gomery, guitarist Wes Montgomery’s The Energy and Excitement Bryant, and Marsalis will be showing older brother, played in Hampton’s of Lionel Hampton video highlights from Hampton per- band in the early 1950s, and Hampton formances as well as footage of the convinced him to shift to the electric current Lionel Hampton Big Band. bass, which had recently been intro- No other single performer special guest, vibraphonist Jason By 1934, Hampton was leading duced by instrument manufactur- in American jazz has so Marsalis, will be celebrating Hamp- his own band at LA’s Sebastian’s er Leo Fender. In a September 1977 consistently and joyously incited ton’s life and music at the New Jer- Cotton Club. He was noticed by Guitar Player Magazine interview, and inspired his fellow musicians sey Jazz Society’s Virtual Social on Goodman, who invited him to join Montgomery recalled what happened. and listening audiences.” That’s how Saturday, April 17 from 7-8 p.m. his trio, with pianist Teddy Wilson “Hamp handed me the Fender,” he George T. Simon described Lionel Fabian and Bryant played with and drummer Gene Krupa. The said, “and told me he wanted the elec- Hampton in his book, The Big Bands Hampton and will be telling some per- importance of that collaboration, tric instrument sound in the band ... (Macmillan Publishing: 1967). sonal stories about those days. Marsa- according to The New York Times’ At first, I freaked out because I was in Hampton, who passed away in lis will talk about Hampton’s influence Peter Watrous (September 1, 2002) love with my upright bass, but I made 2002 at the age of 94, received a Gram- on him as a vibraphonist and what “cannot be overstated, on both musical up my mind to do it and did it well.” my Lifetime Achievement Award last motivated him to try to fill the master’s and social grounds. Not only did Mr. The Virtual Social on Lionel month. (Jersey Jazz, March, 2021). shoes in the current edition of the band. Hampton and Mr. Goodman make Hampton will be streamed on the New He was nominated for the award In 1927, Hampton was the drum- exceptional music, but they, along with Jersey Jazz Society website, www.njjs. by the co-leaders of the current Li- mer for Les Hite’s Orchestra in Los the pianist Teddy Wilson, presented org as well as on the NJJS Facebook onel Hampton Big Band, created in Angeles.
Recommended publications
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Appendix C Evolution of Arts Uses in the Arts Overlay Zone
    Appendix C Evolution of Arts Uses in the Arts Overlay Zone A short (and incomplete) history of the arts on 14 th and U Streets While there has been a significant amount of research and writing about the “Black Broadway” of U Street during the early part of the 20 th century, less information is available about the renaissance of arts and arts institutions in the neighborhood since the riots of 1968, and why the neighborhood can claim as many arts institutions as it does. This is a first attempt to put together a history of the theatric, visual, and musical arts as these institutions appear at the end of the first decade of the 21 st century, and is not meant to serve as a comprehensive review. A more thorough study of the history of arts in the community needs to be undertaken in order to capture a complete picture. In addition, much of the history is due to the initiative and accomplishments of a few key individuals, and those people each deserve to tell their story in their own words. As the arts district continues to develop, it will be important to return to this document and expand upon it to better appreciate why arts institutions are among us, how they have been able to sustain, and what can be done to encourage their longevity and growth in the decades to come. Theatres and theatrical groups The riots that followed the assassination of Martin Luther King left 14 th and U Streets largely intact, but scarred. Merchants used metal grates and sliding garage-style barriers to close their businesses at the end of the day.
    [Show full text]
  • V.I.E.W. Video & Arkadia Entertainment
    EffectiveEFFECTIVE September AUGUST, 1, 20102011 PRICE SCHEDULE V.I.E.W. Video & Arkadia Entertainment Distributed by V.I.E.W., Inc. (Distribution) 11 Reservoir Road, Saugerties, NY 12477 • phone 845-246-9955 • fax 845-246-9966 E-mail: [email protected] • www.view.com TOLL-FREE ORDER DESK 800-843-9843 BILL TO SHIP TO (if different) (no P.O. boxes) NAME NAME ADDRESS ADDRESS CITY STATE ZIP CITY STATE ZIP PHONE COUNTRY PHONE COUNTRY EMAIL OVERSEAS: TOTAL NUMBER ITEMS AMOUNT $ WE CHARGE ACTUAL SHIPPING; How did you hear of us? LESS APPLICABLE DISCOUNT PLEASE INDICATE ❑ AIR SUB-TOTAL METHOD OF PAYMENT ❍ CHECK ❍ MONEY ORDER AMOUNT $ ❑ GROUND ❑ OTHER ❍ VISA ❍ MASTER CARD ❍ AMEX NYS RESIDENTS ADD 8.625% SHIPPING & HANDLING ACCOUNT NUMBER EXP. DATE SECURITY CODE $3.95 FIRST ITEM, $1 EACH ADDITIONAL CARDHOLDER’S NAME (PLEASE PRINT) OVERNIGHT & 2ND DAY AT COST TOTAL CARDHOLDER’S SIGNATURE FOR LIFETIME PUBLIC PERFORMANCE RIGHTS ADD $30 PER TITLE TO THE LIST PRICE. NOTE: Items in bold indicate our most recent releases. ARKADIAARKADIA PROMOTIONAL PROMOTIONAL MATERIAL MATERIAL Visit our Business-To-Business Resource Center at ___ 79001 602267900125602267900125 ArkadiaArkadia Cap BLACKBLACK $10$10 Visit our Business-To-Businesswww.viewb2bonline.com Resource Center at ___ 79002 602267900224 Arkadia Cap WHITE $10 www.viewb2b.com ___ 79002 602267900224 Arkadia Cap WHITE $10 • High & Low Resolution Photos of all front and back covers ___ 79003 602267900323 Arkadia T-shirt BLACK LG $12 • Over 25 Genre Specific Sell-Sheets with a box to insert your name ___
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • The Comment, October 30, 1975
    Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1975 The ommeC nt, October 30, 1975 Bridgewater State College Volume 49 Number 5 Recommended Citation Bridgewater State College. (1975). The Comment, October 30, 1975. 49(5). Retrieved from: http://vc.bridgew.edu/comment/364 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. tEfJe (!Comment Volwne XLIX No.5 Bridgewater State CoII~ge October 30, 1975 Appointed by Ann Hackenson Afer approximately three number was cut to only four, wno remarked how helpful and weeks of hard .and tedious work, were recalled for another in­ . concerned so many of the the SGA finally arrived at a terview. Through all this students and staff of the Student decision-.- Janice Dorsey would emerged BSC's new Career Union were. Janice's office is be the new Career Counselor for Counselor, Janice Dorsey. almost directly across from the Bridge,.yater State. College. A Criteria which was set up by sub shop, and the door is always committee consisting of five SGA the committee was as as follows: open for those seeking in help . mem- hers received 238 ap­ 1. re- lated education in career Janice would like to institute a plicatiOns upon the opening of the counseling; 2. experience in resume recommendations position. They arrived at th career counseling; 3. experience referral system through her From these, thirty were chosen in working ina college at­ office, so as the students need not for interviews. They arrived at mosphere and ; 4.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • Ramsey Lewis Sun Goddess Mp3, Flac, Wma
    Ramsey Lewis Sun Goddess mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Sun Goddess Country: Austria Style: Soul-Jazz, Jazz-Funk MP3 version RAR size: 1121 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1845 mb Rating: 4.8 Votes: 898 Other Formats: VOX MP2 FLAC APE AAC DTS MPC Tracklist Hide Credits Sun Goddess Bass, Vocals – Verdine WhiteCongas, Vocals – Philip BaileyGuitar – Johnny GrahamGuitar 1 8:29 [Fender Rhodes Electric], Synthesizer [Arp Ensemble] – Charles StepneyProducer, Timbales, Drums, Vocals – Maurice WhiteSaxophone [Tenor] – Don Meyrick* Living For The City Arranged By – Ramsey LewisArranged By [Horn And String] – Richard Evans Bass [Upright 2 And Fender] – Cleveland EatonDrums, Tambura, Congas, Percussion – Maurice 5:20 Jennings*Synthesizer [Arp Synthesizer, Arp Ensemble], Piano [Acoustic], Electric Piano, Electric Piano [Wurlitzer], Guitar [Fender Rhodes Electric] – Ramsey Lewis Love Song Arranged By – Ramsey LewisArranged By [Horn And String] – Richard Evans Bass [Upright And Fender] – Cleveland EatonDrums, Tambura, Congas, Percussion – Maurice 3 5:53 Jennings*Guitar – Byron GregorySynthesizer [Arp Synthesizer, Arp Ensemble], Piano [Acoustic], Electric Piano, Electric Piano [Wurlitzer], Guitar [Fender Rhodes Electric] – Ramsey Lewis Jungle Strut Arranged By – Ramsey LewisArranged By [Horn And String] – Richard Evans Bass [Upright And Fender] – Cleveland EatonCongas, Drums, Vocals – Derf Rehlew Raheem*Drums, 4 4:40 Tambura, Congas, Percussion – Maurice Jennings*Guitar – Byron GregorySynthesizer
    [Show full text]
  • The History and Development of Jazz Piano : a New Perspective for Educators
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr.
    [Show full text]
  • Charles Mcpherson Leader Entry by Michael Fitzgerald
    Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d.
    [Show full text]
  • Pdf Nov/Dec 2016
    Newsletter of the Cameron Station Community Association, Inc. Volume 17 Issue 5 • Nov-Dec 2016 Two Valued Neighbors Receive Awards at Annual Meeting By Pat Sugrue The Mark Pillow Community Spirit Award Cameron Station Volunteer of the Year Award (Photograph by David Thorpe) David by (Photograph (Photograph by David Thorpe) David by (Photograph This year’s winner of the Pillow Award is Dak Hardwick. The first recipient of the new Volunteer of the Year Award is Radhika Goel. Dak moved into the Condos on Cameron Station Boulevard Radhika moved into Cameron Station in 2006. In 2014, in 2003, and he and his wife purchased their current home she joined the Activities & Events Planning Committee and on Brawner Place in 2006. Dak was a member of the became its chair, a position she continues to hold (and Architectural Review Committee from 2007 to 2008, and in one we hope she will never leave!) Thanks to her tireless 2008, he was elected committee chair. From there, he was leadership, organizational skills, creativity, and strong elected to the Board of Directors, where he served through sense of community, the number of social events and 2010. During Dak’s tenure on the Board, Snowmageddon activities has increased dramatically; we now have more hit the community, and the board instituted a policy that opportunities than ever to get to know each other and benefits the community to this day – blocking off visitor share and appreciate each other’s customs and cultures. spaces to dump the snow when more than a foot is predicted. (May we not have to put that into effect this Radhika and her team plan events for every kind of year!) resident – children, families, singles – and she works hard to keep costs down by seeking and negotiating deals with Dak also served many years on the Cameron Station Civic a variety of vendors.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Eldee Young
    Finding Aid to The HistoryMakers ® Video Oral History with Eldee Young Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Young, Eldee Title: The HistoryMakers® Video Oral History Interview with Eldee Young, Dates: August 6, 2002 Bulk Dates: 2002 Physical 5 Betacame SP videocasettes (2:09:13). Description: Abstract: Bassist Eldee Young (1936 - 2007 ) was a member of the original Ramsey Lewis Trio and Young & Holt Unlimited. His album, "The Soulful Strut," was a certified gold record. Young also performed with other artists, including Dinah Washington, Dizzy Gillespie and Oscar Brown, Jr. Young was interviewed by The HistoryMakers® on August 6, 2002, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2002_127 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Eldee Devon Young was born on January 7, 1936, in Chicago, Illinois. His father, Walter, worked as a machinist and his mother, Beatrice, looked after the couple’s eight children. After learning the guitar from his brother at age ten, Young began playing the upright bass professionally at thirteen. He played at the After Hours Club on Sunday nights from 2:30 a.m. until dawn and then ate breakfast at home before heading to school. Young achieved great heights as a musician and could be heard on bass, cello and vocals with his own group, the Eldee Young Jazz be heard on bass, cello and vocals with his own group, the Eldee Young Jazz Quartet before his passing.
    [Show full text]