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Julius Schloss Collection Marvin Duchow Music Library Mcgill Julius Schloss Collection Marvin Duchow Music Library McGill University Finding Aid Supplement: Bibliography of Sources Prepared by Daniel Cooperman Edited by Cynthia A. Leive Articles about Julius Schloss: Fälschle, Birgit. Alban Berg: Briefe an Julius Schloß. Künstlerische Staatsprüfung für das Lehramt an Gymnasien. Munich, 1989. Fricke, Stefan. “Ein saarländischer Vertreter der Zweiten Wiener Schule: Der Komponist Julius Schloß.” In Musik in Saarbrücken: Nachklänge einer wechselvollen Geschichte, edited by Nike Keisinger and Ricarda Wackers, 171-178. Saarbrücken, Germany: Staden- Verlag, 2000. —. “Julius Schloß.” mr-Mitteilungen 35 (2000): 1-5. McLean, Don. “Schloss und Schlüssel: New Documents on Berg’s Lyric Suite; the Schloss Collection at McGill University.” Conference paper, New York State St. Lawrence – American Musicological Society Chapter Meeting, State University of New York Buffalo, Apr. 17, 1988. Steiner, Karl. “Julius Schloss.” Österreichische Musik Zeitschrift 12 (1988): 677. Articles mentioning Julius Schloss: Bamford-Milroy, Pat. “Alban Berg and Albine Wittula: Fleisch und Blut.” The Musical Times 143, no. 1881 (2002): 57-62. Schloss mentioned on p. 60. Chadwick, Nick. Review of Style and Idea in the Lyric Suite of Alban Berg, by George Perle. Music & Letters, 77, no. 3 (1996): 479-481. Coul, Paul Op de. “Unveröffentlichte Briefe von Alban Berg und Anton Webern an Daniel Ruyneman.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 33, no. 3 (1972): 201-220. Schloss mentioned in footnote 17. Dale, Catherine. Review of Style and Idea in the Lyric Suite of Alban Berg, by George Perle. Notes 55, no. 4 (1999): 931-933. —. Review of Style and Idea in the Lyric Suite of Alban Berg, by George Perle. Tempo no. 208 (1999): 74-76. Eory, Martina. “Zur Rolle der Musik für zentraleuropäische jüdische Flüchtlinge in der Diaspora Shanghai, 1939-1949.” Magisterarbeit, Universität Wien, 2009. Gaub, Albrecht. “Karl Steiner, Canadian Apostle of the Second Viennese School.” Institute for Canadian Music Newsletter 1, no. 2 (2003): 3-7. Hall, Patricia. “Two Sketches for Alban Berg’s Lulu.” In The Rosaleen Moldenhauer Memorial: Music History from Primary Sources: A Guide to the Moldenhauer Archives, edited by Jon Newsom and Alfred Mann, 115-120. Washington, D.C.: Library of Congress, 2000. Perle, George. Style and Idea in the Lyric Suite of Alban Berg. Stuyvesant, NY: Pendragon Press, 1995. Julius Schloss Collection – Supplement: Bibliography of Sources 1 of 2 Rosenson, Harriet P. “Jewish Musicians in Shanghai: Bridging Two Cultures.” In The Jews of China: Volume 1. Historical and Comparative Perspectives, edited by Jonathan Goldstein. Armonk, NY: M. E. Sharpe, 1999. Utz, Christian. “Auslöser der musikalischen Moderne in China: Das Wirken Wolfgang Fraenkels im Exil Shanghai.” mr-Mitteilungen 49 (2003): 1-16. —. “Cultural Accomodation and Exchange in the Refugee Experience: A German-Jewish Musician in Shanghai.” Ethnomusicology Forum 13, no. 1 (2004): 119-151. Wackers, Richara. “Verstummte Lieder: Musik in der jüdischen Gemeinde vor dem Holocaust.” In Musik in Saarbrücken: Nachklänge einer wechselvollen Geschichte, edited by Nike Keisinger and Ricarda Wackers, 127-146. Saarbrücken, Germany: Staden-Verlag, 2000. Schloss mentioned on 142-144. Whittall, Arnold. “Double Dealer: Arnold Whittall admires the passions and persistence of composer and theorist, George Perle, whose Bergian commitment burns as brightly as ever.” The Musical Times 137, 1835 (1996): 25-27. Vogelsang, Konrad. Alban Berg: Leben und Werk. Berlin: Max Hesses Verlag, 1959. Reviews of Julius Schloss’s music: Evans, Edwin. “Geneva Festival.” The Musical Times 70, no. 1035 (1929): 432, 440. Foss, Hubert J. “The International Festival at Vienna.” The Musical Times 73, no. 1074 (1932): 701-703. McGraw, Cameron. “An Annual Survey: Piano Music for Children.” Review of Twenty-three Pieces for Children in Twelve-Tone Style, by Julius Schloss, comp. Notes 23, no. 2 (1966): 354; c.f. 356. Smith, Roger. Review of Brass Octet, by Julius Schlos, comp., Notes 13, no. 4 (1956): 705. Recordings of Julius Schloss’s music: Steiner, Karl. Music of the Second Generation of the Second Viennese School: Julius Schloss, Arnold Schoenberg, Eduard Steuermann, Hans Erich Apostel, Alban Berg, William Keith Rogers, Anton Webern, & Hanns Jelinek. Centaur Records, CRC 2241/42. Published 1995. (Includes the Sonata for Piano, 23 Impressions, Twelve-tone Suite for Piano, and Twelve-tone Suite for Flute and Piano.) Julius Schloss Collection – Supplement: Bibliography of Sources 2 of 2 .
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