Favorite Looney Tunes Characters.Xlsx

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FAVORITE LOONEY TUNES CHARACTERS - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Daffy Duck 58 70 Bugs Bunny 1 Daffy Duck Bugs Bunny 16 Clyde Bunny 13 1 Gruesome Gorilla 16 8 Charlie Dog 38 35 Rocky and Mugsy 8 Charlie Dog Rocky and Mugsy 9 Henery Hawk 31 34 Slowpoke Rodriguez 9 5 Barnyard Dawg 48 54 Penelope Pussycat 5 Barnyard Dawg Penelope Pussycat 12 Drunken Stork 23 15 Blacque Jacque Shellacque 12 4 Pussyfoot 33 49 Marc Antony 4 Miss Prissy Marc Antony 13 Miss Prissy 37 18 Babbit and Catstello 13 Division One Division Two 6 Granny 57 9 Weasel 6 Granny Egghead Jr. 11 Hippety Hopper 14 61 Egghead Jr. 11 3 Porky Pig 61 65 Yosemite Sam 3 Porky Pig Yosemite Sam 14 Claude Cat 10 6 The Dodo 14 7 Spike the Bulldog 59 28 Chester the Terrier 7 Spike the Bulldog Lola Bunny 10 The Three Bears 12 39 Lola Bunny 10 2 Pepé Le Pew 64 66 Taz 2 Pepé Le Pew Taz 15 The Gremlin 7 4 Nasty Canasta 15 CHAMPION 1 Wile E. Coyote 67 69 Sylvester the Cat 1 Wile E. Coyote Sylvester the Cat 16 Willoughby 3 2 Petunia Pig 16 8 Hugo the Abominable Snowman 37 31 Goofy Gophers Mac & Tosh 8 Hugo the Abominable Snowman K-9 9 Cecil Turtle 32 38 K-9 9 5 Michigan J. Frog 57 60 Sam Sheepdog 5 Michigan J. Frog Sam Sheepdog 12 Sniffles 13 8 Instant Martian 12 4 Tweety 64 65 Foghorn Leghorn 4 Tweety Foghorn Leghorn 13 Big Bad Wolf 7 5 Little Red Riding Hood 13 Division Three Division Four 6 Hector the Bulldog 48 39 Ralph Wolf 6 Hector the Bulldog Ralph Wolf 11 Three Little Bops 21 28 Hubie and Bertie 11 3 Road Runner 64 57 Speedy Gonzales 3 Road Runner Speedy Gonzales 14 Pete Puma 7 15 Playboy Penguin 14 7 Witch Hazel 44 44 Gossamer 7 Witch Hazel Gossamer 10 Sylvester Jr. 26 23 Beaky Buzzard 10 2 Marvin the Martian 66 54 Elmer Fudd 2 Marvin the Martian Elmer Fudd 15 The Crusher 3 16 Giovanni Jones 15.

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Looney Tunes Friend Arrives in a Different Way
TURNING OFF THE SOUND TURNING OFF VOICE ACTIVATION 1)Press MODE to enter CLOCK MODE. 1) Press MODE to enter CLOCK MODE. 2) Press LEFT to turn the sound off-- the SOUND ( ) will disappear. 2) Press RIGHT to turn the voice activation off-- the VOICE ACTIVATION ICON 3)Press LEFT again to turn the sound on-- the SOUND ( ) will appear again. ( ) will disappear. 3) Press RIGHT again to turn the voice activation on-- the VOICE ACTIVATION ICON ( ) will appear again. Press MODE again to return to GAME mode. Press MODE again to return to GAME MODE. THE HAPPY ARRIVAL When you enter GAME MODE for the first time, you will see the arrival of your new FEED ( ) Virtual Friend! Every Looney Tunes friend arrives in a different way. Each character will break through a curtain announcing their arrival. When you select this activity, you will be given a choice of foods for your Looney Tunes character. Use the LEFT or RIGHT key to select either healthy food or treats. The healthy RETURNING TO CLOCK MODE food is shown on the left side of the screen and the treats Once the game begins in GAME MODE, you can return to CLOCK MODE by pressing are shown on the right side. Each Looney Tunes character MODE. likes different kinds of food. Your Friend needs Healthy food to stay healthy and treats to stay happy. 1)If you wish to adjust the clock, press ENTER. The clock will start flashing. 2)After you set the time, then you re-enter your name. Press ENTER twice after you You can check how hungry You can check how hungry your Looney Tunes character finish.
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The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174
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Rethinking Cinco De Mayo | Zinn Education Project
Rethinking Cinco de Mayo | Zinn Education Project zinnedproject.org/2012/05/rethinking-cinco-de-mayo May 4, 2012 May 4, 2018: As the president of the United States continues to fan the flames of bigotry toward Mexicans, here comes Cinco de Mayo. It’s a holiday that has too often allowed people to indulge in racist stereotypes —- not to mention inaccurate history. We encourage you to read Sudie Hofmann’s “If We Knew Our History” column, “Rethinking Cinco de Mayo,” to learn a more truthful, and useful history. By Sudie Hofmann I recently came across a flier in an old backpack of my daughter’s: Wanted: Committee Chairs for this Spring’s Cinco de Mayo All School Celebration. The flier was replete with cultural props including a sombrero, cactus tree, donkey, taco, maracas, and chili peppers. Seeing this again brought back the moment when, years earlier, my daughter had handed the flier to me, and I’d thought, “Oh, no.” The local K-6 elementary school’s Parent Teacher Student Association (PTSA) was sponsoring a stereotypical Mexican American event. There were no Chicana/o students, parents, or staff members who I was aware of in the school community and I was concerned about the event’s authenticity. I presumed the PTSA meant well, and was attempting 1901 poster for Cinco de Mayo: “May 5, 1862 and the siege of to provide a multicultural experience for Puebla” by Jose Guadalupe Posada. students and families, but it seemed they were likely to get it wrong. After making some inquiries, I was told the school wanted to celebrate Cinco de Mayo because it was Mexico’s Independence Day.
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San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp.
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ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17.
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Printable Ornament List for Robert Chad
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America Animated: Nationalist Ideology in Warner
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Muffled Voices in Animation. Gender Roles and Black Stereotypes in Warner Bros
Bulletin of the Transilvania University of Bra şov • Vol. 4 (53) No.2. - 2011 • Series IV Series IV: Philology and Cultural Studies MUFFLED VOICES IN ANIMATION. GENDER ROLES AND BLACK STEREOTYPES IN WARNER BROS. CARTOONS: FROM HONEY TO BABS BUNNY Xavier FUSTER BURGUERA 1 Abstract: This essay will use a Tiny Toons episode, “Fields of Honey”, as an excuse to survey stereotypical female and racial roles depicted in the most representative cartoons of the 20 th century. It is particularly relevant to go back to a 1990s cartoon series since, in that decade, Western animation was undergoing crucial changes in its conception which would determine significantly the upcoming animated instalments of the new millennium. Moreover, contemporary cartoonists are now those grown-up children that watched the earlier American cartoons whose allegedly unconscious female discrimination and “innocent” racism might somehow have been fossilised among its audience and become thus perpetuated in the culture and imaginary of the globalised world. Finally, it is also important to be acquainted with the contents of cartoons understood as children’s products, especially in a period where television is taking over most of the parental duties and guidance in children’s development into adulthood. Key words: popular culture, media and animation studies, gender roles, black stereotypes, Warner Bros., Tiny Toons. 1. Introduction: All this and rabbit stew Animation, as well as real-image featurettes, became an extension of the Cartoons were born at the beginning of theatrical ritual. Cartoons started to be th the 20 century, thanks to the projected before a theatrical performance technological revolution that was changing or as interludial pieces as soon as 1911.
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My Back Pages | the Comics Journal
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ Column -- "My Back Pages" By: Craig Fischer Fischer, C. (2013). “My Back Pages." The Comics Journal, February 4, 2013. Version of record available at: http:// www.tcj.com/my-back-pages/ My Back Pages | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← Seep, You Seepers Of The Seeping Gore Cactus Face → Zap: An Unpublished Spain Rodriguez Interview In celebration of the release of the Comics Journal Library book of Zap Monsters Eat Critics interviews, we present this unpublished interview with the late Spain Rodriguez. It does not appear in the Zap Interviews book. Continue reading → My Back Pages BY CRAIG FISCHER FEB 4, 2013 Don Draper: “In Greek, ‘nostalgia’ literally means ‘the pain from an old wound.’ It’s a twinge in your heart far more powerful than memory alone.” 1. In 1992, I was dawdling my way through a Ph.D. program in English at the University of Illinois. I had trouble focusing on my work that year, because back in my hometown of Buffalo, New York, my mother was dying of cancer. She was first diagnosed with breast cancer in 1985, while I was still living at home but poised to start graduate school at Illinois in the fall. When my parents told me about the cancer, I said that I wouldn’t go to graduate school, that I would stay and care for my mom, but they said “No.” They were insistent that I begin my adult life and career, and they also realized that my offer to remain in Buffalo was based as much on my fear of an unknown direction for my life as it was in some sort of noble self-sacrifice.
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Momaexh 1405 Masterchecklist
\ . The Museum of Modern Art CHECKLIST Officeof the Registrar November 4, 1985 112-700 96.34 "That's Not All Folks! Warner Brothers Animation" September 10, 1985 - January 7, 1986 85.1336 - 85.1342 DUCK SOUP TO NUTS, 1944 Directed by Friz Freleng Animation drawings by Richard Bickenbach MoMAExh_1405_MasterChecklist 85.1343 - 85.1344 DUCK SOUP TO NUTS, 1944 Directed by Friz Freleng Animation drawings by Herman Cohen 85 .1345 DUCK AMUCK, 1953 Directed by Chuck Jones Character layout drawing by Chuck Jones 85.1346 DAFFY DUCK HUNT, 1949 Directed by Robert McKimson Preliminary model poses by John Carey 85.1347 YOU OUGHT TO BE IN PICTURES, 1940 Directed by Friz Freleng Preliminary model poses 85.1348 - 85.1352 THE OLD GREY HARE, 1944 Directed by Bob Clampett Character layout drawings by Michael Sasanoff 85.1353 BUGS BUNNY NIPS THE NIPS, 1944 Directed by Friz Freleng Animation drawing 85.1354 WHAT'S COOKIN', DOC? Directed by Bob Clampett Animation drawing .. 11 West 53 Street, New York, N Y 10019-5486Tel 212-700 94()()Coble MOOERNARI Telex. 62370MOOA�l -2- 85 .1355 BUGS BUNNY AND THE THREE BEARS, 1944 Directed by Chuck Jones Animation drawing 85.1356 THE WACKY WABBIT, 1942 Directed by Bob Clampett Animation drawing 85.1357 A WILD HARE, 1940 Directed by Tex Avery Size chart by Robert Givens 85.1358 THE HARE BRAINED HYPNOTIST, 1942 MoMAExh_1405_MasterChecklist Directed by Friz Freleng Animation drawing by Phil Monroe 85.1359 - 85.1362 HARE RIBBIN' , 1944 Directed by Bob Clampett Animation drawing by Robert McKimson 85.1363 HARE CONDITIONED, 1945
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Favorite Looney Tunes Characters.Xlsx
FAVORITE LOONEY TUNES CHARACTERS - VOTING BRACKETS First Round Second Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes 1 Daffy Duck 58 70 Bugs Bunny 1 Daffy Duck 60 67Bugs Bunny 16 Clyde Bunny 13 1 Gruesome Gorilla 16 Daffy Duck 73 79Bugs Bunny 8 Charlie Dog 38 35 Rocky and Mugsy 8 Charlie Dog 10 3 Rocky and Mugsy 9 Henery Hawk 31 34 Slowpoke Rodriguez 9 Daffy Duck 48 56 Bugs Bunny 5 Barnyard Dawg 48 54 Penelope Pussycat 5 Barnyard Dawg 44 41 Penelope Pussycat 12 Drunken Stork 23 15 Blacque Jacque Shellacque 12 Barnyard Dawg 11 5 Penelope Pussycat 4 Pussyfoot 33 49 Marc Antony 4 Miss Prissy 24 28 Marc Antony 13 Miss Prissy 37 18 Babbit and Catstello 13 Division One Daffy Duck 28 67 Bugs Bunny Division Two 6 Granny 57 9 Weasel 6 Granny 29 17 Egghead Jr. 11 Hippety Hopper 14 61 Egghead Jr. 11 Porky Pig 41 41 Yosemite Sam 3 Porky Pig 61 65 Yosemite Sam 3 Porky Pig 41 53 Yosemite Sam 14 Claude Cat 10 6 The Dodo 14 Pepé Le Pew 26Wile E. Coyote 25 20 Taz 7 Spike the Bulldog 59 28 Chester the Terrier 7 Spike the Bulldog 17 9Lola Bunny 10 The Three Bears 12 39 Lola Bunny 10 Pepé Le Pew 44 43 Taz 2 Pepé Le Pew 64 66 Taz 2 Pepé Le Pew 53 60 Taz 15 The Gremlin 7 4 Nasty Canasta 15 CHAMPION Bugs Bunny 1 Wile E.
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The Man of a Thousand Voices”
Brother Mel Blanc: “The Man of a Thousand Voices” By Sir Knight Ivan Tribe lthough the name of Mel Blanc in 1925. He held the group in high es- may not be widely known, over teem for the rest of his life. In 1966, he A the last seventy-five years un- received the Legion of Honor. On April told millions, especially children, have 27, 1987, Blanc was inducted into their heard his voice in one of its numer- Hall of Fame commenting at the time, ous forms. Virtually anyone who has “I have been a member of DeMolay for watched a Warner Brothers cartoon has sixty-three years. I thank God and De- heard his voice as that of Bugs Bunny, Molay for helping me become kind and Foghorn Leghorn, Porky Pig, and numer- thoughtful to my parents and all my ous other Warner characters. Blanc did friends. I had many opportunities to do numerous other voices and sounds dur- the wrong things, and I might have done ing the “Golden Age of Radio” and other them if it had not been for DeMolay. cartoon voices as well. A lesser-known God bless them.” fact concerning Blanc is his long affili- Intrigued by show business, Melvin ation with the Order of DeMolay, blue watched vaudeville performances when- lodge Masonry (fifty-eight years), the ever he could and also saw opportuni- Scottish Rite, and Shrine. Entertaining ties in the new medium of radio. Station children at Shrine hospitals became one KGW went on the air in 1922, and Blanc of his principal causes in life.
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