DOCSLIB.ORG

Read Book the Human Voice: the Story of a Remarkable Talent

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Book the Human Voice: the Story of a Remarkable Talent THE HUMAN VOICE: THE STORY OF A REMARKABLE TALENT PDF, EPUB, EBOOK Anne Karpf | 416 pages | 16 Jul 2007 | Bloomsbury Publishing PLC | 9780747585374 | English | London, United Kingdom The Human Voice: The Story of a Remarkable Talent PDF Book Voiceprints and Voice Theft. Far from being rendered redundant by modern technology, the human voice has enormous and enduring significance. Once you're finished with Afterpay you'll be taken back to Trade Me. Babies use it to establish emotional ties and acquire language, adults to decode mood and meaning in intimate and professional relationships. Assortment of non-fiction Books — approximately Whilst away with her ailing son in Switzerland, Bridge Peterson Paperback 4. Anne Bridge, much beloved author of many works of fiction, focuses here on a point in her life that very nearly ruined her husband, and the prospects of her entire family. The Public Voice. Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. View community. Explore Now. Other options Cash, NZ bank deposit. How can a baby in the womb distinguish between different voices? The moment we open our mouth we leak information about our biological, psychological and social status. Search expired listings. Reporting Monthly summary Export agent reports Export job reports Current subscription listings: Listings this month: Monthly plan: Prepaid listings remaining: Prepaid branding remaining: Prepaid features remaining: Prepaid promoted listings remaining: Buy a job pack. Select Bibliography. Adams Media, View My Trade Me. Payment options. Try My Products, a free Trade Me tool that helps you manage your listings. After gaining a postgraduate degree in the Sociology of Health and Illness, she taught medical students at London University. Fleeing from her failed marriage, Rose Pelham seeks sanctuary in Peking, China, with her cousins, Learn More. Why has the female voice deepened over the last fifty years? Ping includes: Learn More. Skip to main content. How can a baby in the womb distinguish between different voices? By the s phoneticians hadn't moved much beyond Rush in naming different types of voice. Overview Why has the female voice deepened over the last fifty years? You must be an authenticated member to ask questions Find out more about becoming authenticated. Share Flipboard Email. The Impact of the Mothers Voice even in the Womb. The term stiff voice has also been applied to a variety of phenomena that partially resemble creaky voice. The Human Voice: The Story of a Remarkable Talent Writer Overview Why has the female voice deepened over the last fifty years? Learn how we keep you safe. Feedback on seller Seller's other listings Safe buying advice. Learn how to enable JavaScript on your browser. Browse Books. ThoughtCo uses cookies to provide you with a great user experience. Cultural Anthropology — a contemporary perspective. Current bid. Start price. How Technology Has Transformed the Voice. Rama and Sita live happily in the forest — until Behrens describes vocal fry as "a type of phonation vocal fold vibration whereby the vocal folds start to slow down and beat irregularly before closing, toward the end of an utterance. Wiley-Blackwell, Go to Cart. By the s phoneticians hadn't moved much beyond Rush in naming different types of voice. Happy to combine sales to save shipping costs. Added to Cart. Beginning with a description of how the voice actually works. You can unsubscribe from newsletters at any time by clicking the unsubscribe link in any newsletter. Firearms licence. You'll be taken to Afterpay's website. Whilst away with her ailing son in Switzerland, Bridge Also known as vocal fry register , creaky voice , pulse register , laryngealization , glottal rattle , and glottal fry. You must be an authenticated member to ask questions Find out more about becoming authenticated. In creaky voice, the vocal folds are very shortened and slackened to maximize their mass per unit length, and the IA muscles are contracted to draw the arytenoid cartilages together. We recommend reading questions before you make any purchases. The moment we open our mouth we leak information about our biological, psychological and social status. Large amount of Book! The human voice is the personal and social glue that binds us, and the most important sound in our lives. Listing : Follow the instructions for creating an Afterpay account, or sign in if you're already a customer. The moment we open our mouth we leak information about our biological, psychological and social status. Babies use it to establish emotional ties and acquire language, adults to decode mood and meaning in intimate and professional relationships. Please note that this product is not available for purchase from Bloomsbury. Other vehicle Motorbikes, boats, caravans and more. GST invoice emailed with delivery confirmation. First name is required. View Count: 0. Please send complete delivery address via Trade Me system. Four-Part Setting. You must log in to view questions and answers on this listing. The Human Voice: The Story of a Remarkable Talent Reviews English and Rhetoric Professor. Please send complete delivery address via Trade Me system. The perfect picture book to introduce children to Rama and Sita and the story of After gaining a postgraduate degree in the Sociology of Health and Illness, she taught medical students at London University. She has been a contributing editor to Cosmopolitan , a book reviewer for The Times , and for seven years was radio critic of the Guardian. Far from being rendered redundant by modern technology, the human voice has enormous and enduring significance. Happy to combine sales to save shipping costs. Page views. Payment options. Enabling JavaScript in your browser will allow you to experience all the features of our site. Listing : Back to top Desktop Mobile. Related Searches. Other listings you may like. In creaky voice, the vocal folds are very shortened and slackened to maximize their mass per unit length, and the IA muscles are contracted to draw the arytenoid cartilages together. Other options Cash, NZ bank deposit. Got something to send? Now a columnist for the Jewish Chronicle , she broadcasts regularly on BBC radio and television, and writes for many national newspapers on women, health, social, political, and Jewish issues. Buy a job pack. Back in the American physician, James Rush, tried to identify different kinds of voices--whispering, natural, falsetto, orotund, harsh, rough, smooth, full, thin, slender. Far from being rendered redundant by modern techlogy, the human voice has ermous and enduring significance. Closed: Sun 23 Feb, pm. See more items. Babies use it to establish emotional ties and acquire language, adults to decode mood and meaning in intimate and professional relationships. Uh- oh, it looks like your Internet Explorer is out of date. Beginning with a description of how the voice actually works. Paperback Books Anne McCaffrey. First name is required. Javascript is not enabled in your browser. Visit the Australia site. Rama and Sita live happily in the forest — until Anne Karpf. About the Author Anne Karpf is a British writer, journalist and sociologist. Seller's other listings View all. She has been a contributing editor to Cosmopolitan , a book reviewer for The Times , and for seven years was radio critic of the Guardian. Who talks more, men or women? Enjoy now. Questions welcome. Select Bibliography. It looks like you are located in Australia or New Zealand Close. Ping includes: Learn More. Please note that this product is not available for purchase from Bloomsbury. The Human Voice: The Story of a Remarkable Talent Read Online Payment options. Prepaid promoted listings remaining:. What the Voice Can Tell. Monthly plan:. The Impact of the Mothers Voice even in the Womb. Like uptalk, women use it for a variety of purposes. By using ThoughtCo, you accept our. Assortment of non-fiction Books — approximately Babies use it to establish emotional ties and acquire language, adults to decode mood and meaning in intimate and professional relationships. This new novel has many virtues, all of them attractive -- picturesque montage, an appealing cast, substantial-and often exciting -- action, and her usual quality writing. Search Trade Me. How can a baby in the womb distinguish between different voices? The human voice is the personal and social glue that binds us, and the most important sound in our lives. She has been a contributing editor to Cosmopolitan , a book reviewer for The Times , and for seven years was radio critic of the Guardian. Now a columnist for the Jewish Chronicle , she broadcasts regularly on BBC radio and television, and writes for many national newspapers on women, health, social, political, and Jewish issues. This item doesn't belong on this page. Select Bibliography. She lives in London and has two daughters. Got something to send? The problem with using it is it conveys a sense that you're not confident, or in some cases, sure of what you are saying. The Emergence of the Babys Voice. Babies use it to establish emotional ties and acquire language, adults to decode mood and meaning in intimate and professional relationships. She lives in London and has two daughters. Uh-oh, it looks like your Internet Explorer is out of date. Buy a job pack. The term stiff voice has also been applied to a variety of phenomena that partially resemble creaky voice. Read an excerpt of this book! Afterpay will email you a payment schedule. Owen's Daughter. Ruled or Misruled: Story and Destiny of Bihar. For combined delivery use 1 freight option then use 0. You can unsubscribe from newsletters at any time by clicking the unsubscribe link in any newsletter. The human voice is the personal and social glue that binds us, and the most important sound in our lives.
Load more

Recommended publications
  • Phonological Use of the Larynx: a Tutorial Jacqueline Vaissière
    Phonological use of the larynx: a tutorial Jacqueline Vaissière To cite this version: Jacqueline Vaissière. Phonological use of the larynx: a tutorial. Larynx 97, 1994, Marseille, France. pp.115-126. halshs-00703584 HAL Id: halshs-00703584 https://halshs.archives-ouvertes.fr/halshs-00703584 Submitted on 3 Jun 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Vaissière, J., (1997), "Phonological use of the larynx: a tutorial", Larynx 97, Marseille, 115-126. PHONOLOGICAL USE OF THE LARYNX J. Vaissière UPRESA-CNRS 1027, Institut de Phonétique, Paris, France larynx used as a carrier of paralinguistic information . RÉSUMÉ THE PRIMARY FUNCTION OF THE LARYNX Cette communication concerne le rôle du IS PROTECTIVE larynx dans l'acte de communication. Toutes As stated by Sapir, 1923, les langues du monde utilisent des physiologically, "speech is an overlaid configurations caractéristiques du larynx, aux function, or to be more precise, a group of niveaux segmental, lexical, et supralexical. Nous présentons d'abord l'utilisation des différents types de phonation pour distinguer entre les consonnes et les voyelles dans les overlaid functions. It gets what service it can langues du monde, et également du larynx out of organs and functions, nervous and comme lieu d'articulation des glottales, et la muscular, that come into being and are production des éjectives et des implosives.
    [Show full text]
  • Laryngealization in Upper Necaxa Totonac Rebekka Puderbaugh
    Laryngealization in Upper Necaxa Totonac by Rebekka Puderbaugh A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Linguistics University of Alberta Examining committee: Dr. Anja Arnhold, Supervisor Dr. David Beck, Supervisor Dr. Benjamin V. Tucker, Examiner Dr. Stephanie Archer, Examiner Dr. Ryan Shosted, External examiner Dr. John Nychka, Pro Dean © Rebekka Puderbaugh, 2019 Abstract This dissertation examines laryngealization contrasts in vowels and fricatives in Upper Necaxa Totonac. In vowels the contrast is presumed to be realized as a form of non- modal phonation, while fricatives are supposed to differ according to their production mechanism. The goal of this dissertation is to provide evidence that will help to deter- mine whether the phonetic characteristics of these sounds align with the impressionistic descriptions of their phonological categories. Laryngealization categories were first examined via a corpus analysis in Chapter 3. The analysis revealed a highly frequent co-occurrence of laryngealized vowels and following glottal stops. No relationship was found between vowel laryngealization and ejective fricatives. In Chapter 4 an analysis of the difference in amplitude between the first and second harmonics (H1-H2) in laryngealized and non-laryngealized vowels showed that H1-H2 values were not influenced by vowel laryngealization categories, but were influenced the presence of a glottal stop following the vowel. This finding suggests that the laryngealization contrast neutralizes in vowels before glottal stops. In order to consider the potentially glottalic nature of ejective fricatives in UNT, Chapter 5 compared durations of phonetic events that occur during fricative production, including oral closure and frication.
    [Show full text]
  • The Phonetics of Voice1 Marc Garellek, University of California San Diego Chapter in the Routledge Handbook of Phonetics (W
    The phonetics of voice1 Marc Garellek, University of California San Diego Chapter in The Routledge Handbook of Phonetics (W. Katz and P. Assmann, editors) Revised 14th June 2018 1 Introduction This chapter focuses on the phonetics of the voice. The term ‘voice’ is used to mean many different things, with definitions varying both within and across researchers and disciplines. In terms of voice articulation, definitions can vary from the very narrow – how the vocal folds vibrate – to the very broad, where ‘voice’ is essentially synonymous with ‘speech’ – how the vocal folds and all other vocal tract articulators influence how we sound (Kreiman and Sidtis, 2011). In this chapter, I will use the term ‘voice’ to refer to sound produced by the vocal folds, including but not limited to vocal fold vibration. I have chosen to focus only on a narrow conception of the voice in order to constrain the discussion; as we will see, the phonetics of voice – even when it concerns only vocal fold articulation – is remarkably complex and of great relevance to phonetic and linguistic research. In contrast, I will use the term ‘voice quality’ to refer to the percept resulting from the voice: in other words, different vocal fold configurations have specific perceptual ramifications, which we will call changes in voice quality. The distinction between voice and voice quality adopted here is therefore analogous to that made between ‘fundamental frequency (f0)’ and ‘pitch’. Why should we be interested in the phonetics of the voice? Linguists are interested in how specific forms contribute to linguistic meaning; for spoken languages, phonetic and phonological research addresses this goal from the point of view of how sounds contribute to meaning.
    [Show full text]
  • Voicing of Glottal Consonants and Non-Modal Vowels
    [Preprint of paper accepted for publication in Journal of the International Phonetic Association] VOICING OF GLOTTAL CONSONANTS AND NON-MODAL VOWELS Marc Garellek, Yuan Chai, Yaqian Huang, and Maxine Van Doren UC San Diego [email protected] ABSTRACT Variation in voicing is common among sounds of the world’s languages: sounds that are analyzed as voiceless can undergo voicing, and those analyzed as voiced can devoice. Among voiceless glottal sounds in particular, voicing is widespread: linguists often expect the voiceless glottal stop [ʔ] and fricative [h] to be fully voiced, especially between vowels. In this study, we use audio recordings from Illustrations of the International Phonetic Alphabet to explore the extent to which glottal consonants and non-modal (breathy and creaky) vowels differ in terms of percentage voicing and voicing intensity in three phrasal positions. We find that voiceless [h] is only slightly less voiced than voiced [ɦ] in initial position. Between two vowels, both [h] and [ɦ] are as voiced as breathy vowels. Glottal stops and creaky vowels are both characterized by high percentages of voicing, but they differ in voicing intensity: in all phrasal positions, glottal stops generally have periods of strong and weak voicing, whereas creaky vowels are strongly voiced. In contrast, vowels described as ‘rearticulated,’ ‘checked,’ or ‘glottalized’ show similar drops in voicing intensity to glottal stops. We interpret these results through an articulatory lens: glottal consonants and non-modal vowels are both modulations in phonation resulting from laryngeal constriction and vocal fold spreading. We argue further that, because voicing during [ʔ] and [h] is largely predictable from respiratory and prosodic constraints, many cases of [ʔ] and [h] can be considered to be phonetically underspecified for voicing.
    [Show full text]
  • Phonetics and Phonotactics of Vowel Laryngealization in Upper Necaxa Totonac
    PHONETICS AND PHONOTACTICS OF VOWEL LARYNGEALIZATION IN UPPER NECAXA TOTONAC Rebekka Puderbaugh University of Edinburgh [email protected] ABSTRACT and Tlachichilco Tepehua [33]. As a result, word final vowels frequently are devoiced, laryngealized, The present paper reports on an investigation of the or dropped entirely. phonetics and phonotactics of vowel laryngealiza- Little is known about the phonetics of laryngeal- tion in Upper Necaxa Totonac. Using analysis tech- ized vowels into Totonacan, but some preliminary niques inspired by corpus linguistics, an analysis acoustic analyses have been performed. In Pa- of transcribed dictionary forms revealed a highly pantla Totonac, non-modal vowels were found to significant relationship between vowel laryngealiza- have overall lower intensity than modal vowels, and tion and the consonant that followed immediately tokens produced with stiff voice appeared to be as- after the vowel. Specifically, laryngealized vowels sociated with the spread of voicing onto preceding were far more likely to occur before glottal stops stops [16]. In Misantla Totonac, Trechsel & Faber than non-laryngealized vowels were. Further to [31] measured the F1-F2 vowel space and the dif- these findings, an acoustic measure of voice quality ference in amplitude between F0 and F1 (a mea- (H1-H2) was extracted from multiple time points of sure they refer to as VQI, for Voice Quality Index). laryngealized and non-laryngealized vowels before The analysis revealed a high degree of interspeaker and after glottal stops and other consonants. A sta- variability in the F1-F2 space, but a more stable tistical comparison of H1-H2 values between vowels outcome with respect to VQI: laryngealized vowels in various contexts revealed that vowels followed by had lower VQI scores than non-laryngealized vow- glottal stops had stronger indications of non-modal els for both speakers.
    [Show full text]
  • Mid-Continental Workshop on Phonology 11
    Mid-Continental Workshop on Phonology 11 University of Michigan Ann Arbor, MI November 4 – 6, 2005 Abstract Booklet Lexical Tone Perception in Musicians and Non-musicians Jennifer A. Alexander(1), Patrick C.M. Wong(2, 3), and Ann R. Bradlow(1) 1: Northwestern University Department of Linguistics, 2: Northwestern University Institute for Neuroscience, 3: Northwestern University Department of Communication Sciences and Disorders It has been suggested that music and speech maintain entirely dissociable mental processing systems. The current study, however, provides evidence that there is an overlap in the processing of certain shared aspects of the two. This study focuses on fundamental frequency (pitch), which is an essential component of melodic units in music and lexical and/or intonational units in speech. We hypothesize that extensive experience with the processing of musical pitch can transfer to a lexical pitch-processing domain. To that end, we asked nine English-speaking musicians and nine English-speaking non-musicians to identify and discriminate the four lexical tones of Mandarin Chinese. The subjects performed significantly differently on both tasks; the musicians identified the tones with 89% accuracy and discriminated them with 87% accuracy, while the non-musicians identified them with only 69% accuracy and discriminated them with 71% accuracy. These results provide counter-evidence to the theory of dissociation between music and speech processing. Changes in the distribution of glottal stops in K’ichean languages Rusty Barrett Department of Linguistics, University of Chicago This paper uses Optimality Theory to analyze diachronic changes involving glottal stops in K’ichean (Mayan) languages. Proto-Mayan *CV1?V2C roots have a variety of modern correspondents including CV1C, CV1?C, CV2?C, C?V1C, and CV1?V2C.
    [Show full text]
  • The Music in Plain Speech and Writing
    The Music in Plain Speech and Writing PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sun, 19 May 2013 11:51:46 UTC Contents CMU Pronouncing Dictionary 1 Arpabet 2 International Phonetic Alphabet 5 Phonetic transcription 26 Phonemic orthography 30 Pronunciation 35 Syllable 36 Allophone 46 Homophone 49 Rhyme 52 Half rhyme 59 Internal rhyme 60 Assonance 62 Literary consonance 64 Alliteration 65 Mnemonic 68 Phonetic algorithm 73 Metaphone 74 Soundex 77 Rhyme Genie 79 References Article Sources and Contributors 81 Image Sources, Licenses and Contributors 84 Article Licenses License 85 CMU Pronouncing Dictionary 1 CMU Pronouncing Dictionary CMU Pronouncing Dictionary Developer(s) Carnegie Mellon University Stable release 0.7a / February 18, 2008 Development status Maintained Available in English License Public Domain [1] Website Homepage The CMU Pronouncing Dictionary (also known as cmudict) is a public domain pronouncing dictionary created by Carnegie Mellon University (CMU). It defines a mapping from English words to their North American pronunciations, and is commonly used in speech processing applications such as the Festival Speech Synthesis System and the CMU Sphinx speech recognition system. The latest release is 0.7a, which contains 133,746 entries (from 123,442 baseforms). Database Format The database is distributed as a text file of the format word <two spaces> pronunciation. If there are multiple pronunciations available for a word, all subsequent entries are followed by an index in parentheses. The pronunciation is encoded using a modified form of the Arpabet system. The difference is stress marks on vowels with levels 0, 1, 2; not all entries have stress however.
    [Show full text]
  • On the Morphosyntactic Typology of Ideophones, with Special Reference to Japanese1 MARK DINGEMANSE Max Planck Institute for Psycholinguistics
    J. Linguistics 53 (2017), 501–532. c Cambridge University Press 2016 doi:10.1017/S002222671600030X First published online 4 October 2016 An inverse relation between expressiveness and grammatical integration: On the morphosyntactic typology of ideophones, with special reference to Japanese1 MARK DINGEMANSE Max Planck Institute for Psycholinguistics KIMI AKITA Nagoya University (Received 17 July 2015; revised 15 August 2016) Words and phrases may differ in the extent to which they are susceptible to prosodic foregrounding and expressive morphology: their expressiveness. They may also differ in the degree to which they are integrated in the morphosyntactic structure of the utterance: their grammatical integration. We describe an inverse relation that holds across widely varied languages, such that more expressiveness goes together with less grammatical integration, and vice versa. We review typological evidence for this inverse relation in ten spoken languages, then quantify and explain it using Japanese corpus data. We do this by tracking ideophones – vivid sensory words also known as mimetics or expressives – across different morphosyntactic contexts and measuring their expressiveness in terms of intonation, phonation and expressive morphology. We find that as expressiveness increases, grammatical integration decreases. Using gesture as a measure independent of the speech signal, we find that the most expressive ideophones are most likely to come together with iconic gestures. We argue that the ultimate cause is the encounter of two distinct and partly incommensurable modes of representation: the gradient, iconic, depictive system represented by ideophones and iconic gestures, and the discrete, arbitrary, descriptive system represented by ordinary words. The study shows how people combine modes of representation in speech and demonstrates the value of integrating description and depiction into the scientific vision of language.
    [Show full text]
  • Representational Implications of the Phonologization of Contour Tones
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Representational Implications of the Phonologization of Contour Tones Benjamin Kirkland Macaulay Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/362 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] REPRESENTATIONAL IMPLICATIONS OF THE PHONOLOGIZATION OF CONTOUR TONES by BENJAMIN K. MACAULAY A master’s thesis submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2014 © 2014 Benjamin K. Macaulay All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the Dissertation requirement for the degree of Master of Arts. Juliette Blevins x _ x _ x Date Thesis Advisor Gita Martohardjono x _ x _ x Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract REPRESENTATIONAL IMPLICATIONS OF THE PHONOLOGIZATION OF CONTOUR TONES by Benjamin K. Macaulay Advisor: Professor Juliette Blevins This thesis bridges accounts of tonogenesis to representations of contour tones in the dominant framework, autosegmental phonology. Accounts of tonogenesis reference phonetic features and structures that are unable to be represented in autosegmental phonology. As these features are required for the phonologization of contour tones, it is argued that they must also receive some representation in the synchrony.
    [Show full text]
  • Representing Linguistic Phonetic Structure Peter Ladefoged 1. What
    Representing linguistic phonetic structure Peter Ladefoged 1. What do we want to represent? 1.1 Limiting the scope of phonology. Kinds of information conveyed by speech Sociolinguistic differences are not the same as linguistic differences What counts as a linguistic contrast 1.2 Non-linguistic aspects of speech\ Speaker attitudes, style, peronal identity Spoken language and written language The role of intonation 1.3 Universal phonetics and phonology Equating sounds in different languages IPA categories and phonological feaures Innate features The number of possible contrasting sounds 1.4 Language as a social institution The mental nature of language Language as a self-organizing social institution Filling holes in patterns Phonemes as linguistic constructs 2. What is the purpose of a linguistic phonetic representation 2.1 The nature of phonological features Describing sound patterns vs. specifying the lexicon How sound patterns arise 2.2 The need for auditory/acoustic features Auditory characteristics of vowels Other auditory features 2.3 Defining characteristics of features Features are defined in terms of acoustic or articulatory scales Articulatory features do not have invariant acoustic correlates 2.4 Multi-valued features. Features with an ordered set of values »pit´ »lQdIf´UgId rEprI»sEntIN »lINgwIstIk f´»nEtIk »str√ktS´ 1. What do we want to represent? 1.1 Limiting the scope of phonology. Before we discuss the phonetic representation of a language, we must consider what it is we want to represent, and why we want to represent it. Phonetics is the study of the sounds of speech, so it is these sounds that we want to represent.
    [Show full text]
  • Voices on Voice: Perspectives, Definitions, Inquiry
    DOCUMENT RESUME ED 375 404 CS 214 544 AUTHOR Yancey, Kathleen Blake, Ed. TITLE Voices on Voice: Perspectives, Definitions, Inquiry. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-5634-7 PUB DATE 94 NOTE 387p. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Rd., Urbana, IL 61801-1096 (Stock No. 56347-3050: $22.95 members, $29.95 nonmembers). PUB TYPE Collected Works General (020) Guides Non- Classroom Use (055) Reference Materials Bibliographies (131) EDRS PRICE MFO1 /PC16 Plus Postage. DESCRIPTORS Annotated Bibliographies; Cultural Context; Deafness; Higher Education; Literary Devices; Oral Tradition; Personal Narratives; *Rhetoric; *Self Expression; Undergraduate Students; *Writing (Composition) IDENTIFIERS *Author Text Relationship; Personal Writing; Rhetorical Stance; *Voice (Rhetoric) ABSTRACT This collection of essays approaches "voice" as a means of expression that lives in the interactions of writers, readers, and language, and examines the conceptualizations of voice within the oral rhetorical and expressionist traditions, and the notion of voice as both a singular and plural phenomenon. An explanatory introduction by the editor is followed by 19 essays:(1) "What Do We Mean When We Talk about Voice in Texts?" (Peter Elbow); (2) "Claiming My Voice" (Toby Fulwiler); (3) "Coming to Voice" (Gail Summerskill Cummins); (4) "Affect and Effect in Voice" (Doug Minnerly);.(5) "Technical Texts/Personal Voice: Intersections and Crossed Purposes" (Nancy Allen and Deborah S. Bosley);(6) "Voices in the News" (Meg Morgan);(7) The Chameleon 'I': On Voice and Personality in the Personal Essay" (Carl H. Klaus);(8) "The Difference It Makes to Speak: The Voice of Authority in Joan Didion" (Laura Julier);(9) "Teaching Voice" (Margaret K.
    [Show full text]
  • Phonetics the Science of Speech
    Phonetics This page intentionally left blank Phonetics The Science of Speech Martin J. Ball School of Psychology and Communication, University of Ulster at Jordanstown and Joan Rahilly School of English, The Queen's University of Belfast First published in Great Britain in 1999 by Arnold, a member of the Hodder Headline Group, Published in 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 ThirdAvenue,New YorkNY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 1999 Martin J. Ball and Joan Rahilly All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronically or mechanically, including photocopying, recording or any information storage or retrieval system, without either prior permission in writing from the publisher or a licence permitting restricted copying. In the Uni ted Kingdom such licences are issued by the Copyright Licensing Agency: 90 Tottenham Court Road, London W1P 9HE. The advice and information in this book are believed to be true and accurate at the date of going to press, but neither the authors nor the publisher can accept any legal reponsibility or li ability for any errors or omissions. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress ISBN 978-0-340-70009-9 (hbk) ISBN 978-0-340-70010-5 (pbk) Production Editor:
    [Show full text]