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Hiff and Bafta New York to Honor Bevan and Fellner of Working Title Films With
THE HAMPTONS INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS, NEW YORK HONORS WORKING TITLE FILMS CO-CHAIRS - TIM BEVAN AND ERIC FELLNER WITH THE GOLDEN STARFISH AWARD FOR LIFETIME ACHIEVEMENT AS PART OF THE FESTIVAL’S “FOCUS ON UK FILM.” BAFTA and Academy® Award Winner Renée Zellweger Will Introduce the Honorees and be joined by Richard Curtis, Joe Wright and Edgar Wright to toast the Producers. East Hampton, NY (September 17, 2013) - The Hamptons International Film Festival (HIFF) and the British Academy of Film and Television Arts New York (BAFTA New York), announced today that they will present Tim Bevan and Eric Fellner, co-chairs of British production powerhouse Working Title Films, with this year’s Golden Starfish Award for Lifetime Achievement on October 12th during the festival. Actress, Renée Zellweger, who came to prominence as the star of Working Title Films’ Bridget Jones’ Diary movies, will introduce the event. Working Title Films has produced some of the most well known films from the UK including LES MISERABLES, ATONEMENT, FOUR WEDDINGS AND A FUNERAL, ELIZABETH, and BILLY ELLIOT to name just a few. Richard Curtis (ABOUT TIME, LOVE ACTUALLY), Edgar Wright (THE WORLD'S END, SHAUN OF THE DEAD) and Joe Wright (ANNA KARENINA, ATONEMENT), three directors and longtime collaborators responsible for some of Working Title Films most acclaimed titles, will join Renee Zellweger, Tim Bevan and Eric Fellner in conversation for an insider’s view of Working Title Films. “The Hamptons International Film Festival is pleased to recognize Working Title Films and its incredible body of work,” said Anne Chaisson, Executive Director of The Hamptons International Film Festival. -
Philosophy Goes to the Movies
PHILOSOPHY GOES TO THE MOVIES ‘Philosophy Goes to the Movies is very clearly and engagingly written. It has a particular claim on the attention of those preparing students for a systematic study of philosophy, one that distinguishes it from any other introductory book I know of.’ Stephen Mulhall, University of Oxford ‘I think this is an excellent text. Falzon is in control of his material. He writes clearly and at a level that undergraduates can understand. He seems as comfortable describing films as he is explaining the nature of a philosophical problem. It will make an outstanding text to use in introductory philosophy classes.’ Thomas Wartenburg, Mount Holyoke College, USA Philosophy Goes to the Movies is a new kind of introduction to philosophy that makes use of film to help us understand philosophical ideas and positions. Drawing on art- house movies like Cinema Paradiso and Hollywood blockbusters such as The Matrix, Christopher Falzon introduces and discusses central areas of philosophical concern, including: • the theory of knowledge • the self and personal identity • ethics • social and political philosophy • science and technology • critical thinking. Falzon draws from the ideas of a diverse selection of thinkers, from Plato and Descartes to Marcuse and Foucault. Ideal for the beginner, this book guides the student through philosophy using lively and illuminating cinematic examples including Total Recall, Crimes and Misdemeanors, Monty Python and the Holy Grail, Antz and Wings of Desire. It will also appeal to anyone interested in the philosophical dimensions of cinema. Christopher Falzon is Lecturer in Philosophy at Newcastle University, Australia. He is the author of Foucault and Social Dialogue (Routledge, 1998). -
Presenta Un Film Di TIM BURTON Con Durata 104
presenta BIG EYES un film di TIM BURTON con AMY ADAMS CHRISTOPH WALTZ Durata 104 min Tutti i materiali stampa sono scaricabili dalla pagina www.luckyred.it/press ufficio stampa Alessandra Tieri (+39 335.8480787 [email protected]) Georgette Ranucci (+39 335.5943393 [email protected]) Olga Brucciani (+39 3884486258 [email protected]) CAST ARTISTICO Margaret Keane AMY ADAMS Walter Keane CHRISTOPH WALTZ Dick Nolan DANNY HUSTON Dee-Ann KRYSTEN RITTER Ruben JASON SCHWARTZMAN John Canaday TERENCE STAMP Enrico Banducci JON POLITO CAST TECNICO Regia di TIM BURTON Sceneggiatura di SCOTT ALEXANDER LARRY KARASZEWSKI Fotografia di BRUNO DELBONNEL Scenografia di RICK HEINRICHS Montaggio di JC BOND Costumi di COLLEEN ATWOOD Musica di DANNY ELFMAN Una produzione THE WEINSTEIN COMPANY Produttori esecutivi BOB WEINSTEIN HARVEY WEINSTEIN JAMIE PATRICOF KATTERLI FRAUENFELDER DEREK FREY Prodotto da LYNETTE HOWELL SCOTT ALEXANDER LARRY KARASZEWSKI TIM BURTON CREDITI NON CONTRATTUALI 2 SINOSSI BIG EYES, è l’incredibile storia vera di una delle più leggendarie frodi artistiche della storia. A cavallo tra gli anni cinquanta e sessanta, il pittore Walter Keane raggiunse un enorme e inaspettato successo, rivoluzionando la commercializzazione dell’arte con i suoi enigmatici ritratti di bambini dai grandi occhi. Finché non emerse una verità tanto assurda quanto sconvolgente: i quadri, in realtà, non erano opera di Walter ma di sua moglie, Margaret. A quanto pare, la fortuna dei Keane era costruita su un’enorme bugia, a cui tutto il mondo aveva creduto: una storia così incredibile da sembrare inventata. 3 NOTE DI PRODUZIONE Nel 2003, la coppia di sceneggiatori Scott Alexander e Larry Karaszewski (già vincitori di un Golden Globe per LARRY FLYNT – OLTRE LO SCANDALO), sono venuti a conoscenza dell’incredibile storia di Margaret and Walter Keane, i due pittori degli anni sessanta, tra i più famosi e venduti all’epoca. -
Funding of the Arts and Heritage
House of Commons Culture, Media and Sport Committee Funding of the arts and heritage Third Report of Session 2010–11 Volume II Oral and written evidence Additional written evidence is contained in Volume III, available on the Committee website at www.parliament.uk/cmscom Ordered by the House of Commons to be printed 22 March 2011 HC 464-II Published on 30 March 2011 by authority of the House of Commons London: The Stationery Office Limited £20.50 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Ms Louise Bagshawe MP (Conservative, Corby) David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Alan Keen MP (Labour, Feltham and Heston) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Tom Watson MP (Labour, West Bromwich East) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the internet via www.parliament.uk. Publication The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee (including press notices) are on the internet at www.parliament.uk/parliament.uk/cmscom. -
Mckinney Macartney ELIZABETH TAGG WOOSTER
McKinney Macartney Management Ltd ELIZABETH TAGG WOOSTER Make Up and Hair Designer FEATURE FILMS PENELOPE Director: Mark Palansky. Producers: Jennifer Simpson, Scott Steindorff, Dylan Russell, Chris Curling, Phil Robertson and Reese Witherspoon. Starring Christina Ricci, James McAvoy and Reese Witherspoon. Stern Village / Type A / Zephyr Films. Designer Make-Up / Hair. THE HITCHHIKER’S GUIDE TO THE GALAXY Director: Garth Jennings. Producers: Gary Barber, Roger Birnbaum, Nick Goldsmith, Jon Glickman and Jay Roach. Starring Martin Freeman, Mos Def, Sam Rockwell, Zooey Deschanel, Warwick Davis, Bill Nighy and Anna Chancellor. Touchstone Pictures/ Spyglass Entertainment. Designer Make-Up / Hair. WIMBLEDON Director: Richard Loncraine. Producer: Mary Richards. Executive Producers: Eric Fellner and David Livingston. Starring Kirsten Dunst and Paul Bettany. Working Title Films / Universal. Designer Make-Up / Hair. THE GATHERING Director: Brian Gilbert. Producer: Mark Samuelson. Staring Christina Ricci, Ioan Gruffudd, Stephen Dillane & Kerry Fox. Samuelson Productions / Granada Films. Designer Make-Up / Hair. LONG TIME DEAD (Pick Ups) Director: Marcus Adams. Producer: James Gay Rees. Starring Alec Newman, Joe Absolom, Lukas Haas, James Hillier and Marsha Thomason. Working Title 2 / Universal Pictures / Lola Productions. Make-Up / Hair. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 ELIZABETH TAGG WOOSTER Contd … 2 PLANET OF THE APES (UK Re-Shoots) Director: Tim Burton. Producer: Richard D Zanuck. Starring Mark Wahlberg, Tim Roth and Helena Bonham Carter. 20th Century Fox. THE BOURNE IDENTITY (Pick Ups) Director: Doug Linam. Producer: Pat Crowley. Starring Matt Damon and Franke Potente. -
Isona Rigau Production Designer
Isona Rigau Production Designer Credits Film Production Company Notes DALI LAND Zephyr Films Dir: Mary Harron 2021 Featuring: Ben Kingsley, Ezra Miller VENOM: LET THERE Marvel Entertainment / Dir: Andy Serkis BE CARNAGE Pascal Pictures / Sony Prods: Avi Arad, Kelly Marcel, Amy Pascal, STANDBY ART Pictures Matt Tolmach DIRECTOR - 2ND UNIT Production Designer: Oliver Scholl 2021 Supervising Art Director: Tom Brown NO TIME TO DIE Eon Productions / MGM Dir: Cary Joji Fukunaga STANDBY ART Prods: Barbara Broccoli, Michael G. Wilson DIRECTOR - 2ND UNIT Production Designer: Mark Tildesley 2020 Supervising Art Director: Chris Lowe LAST CHRISTMAS Calamity Films / Feigco Dir: Paul Feig STANDBY ART Entertainment / Universal Producers: Paul Feig, Jessie Henderson, DIRECTOR Pictures David Livingstone, Emma Thompson 2019 Production Designer: Gary Freeman Supervising Art Director: Tom Still LA HIJA DE UN Oberón Cinematográfica / Dir: Belén Funes LADRÓN (A THIEF’S BTeam Pictures / Movistar+ Prod: Antonio Chavarrías DAUGHTER) Production Designer: Marta Bazaco ART DIRECTOR * Won: 3 Gaudí Awards including Best 2019 Non-Catalan Language Film, and nominated for a further 10 * Nominated: 2 Goya Awards (won for Best New Director) * Nominated: Best Film, San Sebastián International Film Festival 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes TERMINATOR: DARK Lightstorm Entertainment / Dir: Tim Miller FATE Skydance Media / Prods: James Cameron, Howard -
Production Designer C.V 2021
1 DAVE ARROWSMITH – Production Designer C.V 2021 Mobile/ Cell: 07967 020229 e-mail: [email protected] Website: www.davearrowsmith.com Agent: Amber Thompson Worldwide Production Agency Tel: +44 (0)207 287 9564 Mob: +44 (0)7393 376 975 [email protected] https://wp-a.co.uk/clients/dave-arrowsmith#narrative Production Designer Credits SCREW 6-Part drama TV Series set in a UK Prison Director: Tom Vaughan, Jordan Hogg Producer: Brian Kaczynski Featuring: Nina Sosanya, Jamie-Lee O’Donnell, Faraz Ayub Production Company: STV/ Channel 4. ANNIKA 6-Part Drama set in Glasgow’s marine homicide unit. Director: Philip John, Fiona Walton. Producer: Kieran Parker, Arabella Page-Croft. Featuring: Nicola Walker Production Company: Black Camel Pictures. THE SEED Sci-Fi Horror Feature Film set in LA. Director: Sam Walker Producer: James Norrie Featuring: Chelsea Edge, Lucy Martin, Sophie Vavasseur Production Company: Camelot Films. DARK AGES – MIRACLE WORKERS 10-Part comedy TV Series set in the Dark Ages Director: Steve Buscemi, Jarrad Paul, Andrew Mogel and Dan Schimpf. Producer: Lorne Michaels, Katy Jenson and Margo Myers. Featuring: Steve Buscemi, Daniel Radcliffe, Geraldine Viswanathan & Jon Bass. Production Company: Broadway Video/ TBS. 2 DEADWATER FELL 4-Part Murder mystery TV miniseries. Director: Lynsey Miller Producer: Caroline Levy Featuring: David Tennant, Cush Jumbo, Matthew McNulty & Anna Madeley. Production Company: Kudos Film and TV, Channel 4. WHISKEY CAVALIER Contemporary Action & Adventure series about FBI & CIA agents. Directors: Peter Atencio, Jon East, Amanda Marsalis, Romeo Tirone, Daisy Von Scherler and Michael Spiller. Producer: Seth Cohen and Robert Bernacchi. Featuring: Scott Foley, Lauren Cohan, Josh Hopkins, Ana Ortiz, Vir Das and Tyler James Williams. -
Talking Theatre Extract
Richard Eyre TALKING THEATRE Interviews with Theatre People Contents Introduction xiii Interviews John Gielgud 1 Peter Brook 16 Margaret ‘Percy’ Harris 29 Peter Hall 35 Ian McKellen 52 Judi Dench 57 Trevor Nunn 62 Vanessa Redgrave 67 NICK HERN BOOKS Fiona Shaw 71 London Liam Neeson 80 www.nickhernbooks.co.uk Stephen Rea 87 ix RICHARD EYRE CONTENTS Stephen Sondheim 94 Steven Berkoff 286 Arthur Laurents 102 Willem Dafoe 291 Arthur Miller 114 Deborah Warner 297 August Wilson 128 Simon McBurney 302 Jason Robards 134 Robert Lepage 306 Kim Hunter 139 Appendix Tony Kushner 144 John Johnston 313 Luise Rainer 154 Alan Bennett 161 Index 321 Harold Pinter 168 Tom Stoppard 178 David Hare 183 Jocelyn Herbert 192 William Gaskill 200 Arnold Wesker 211 Peter Gill 218 Christopher Hampton 225 Peter Shaffer 232 Frith Banbury 239 Alan Ayckbourn 248 John Bury 253 Victor Spinetti 259 John McGrath 266 Cameron Mackintosh 276 Patrick Marber 280 x xi JOHN GIELGUD Would you say the real father—or mother—of the National Theatre and the Royal Shakespeare Company is Lilian Baylis? Well, I think she didn’t know her arse from her elbow. She was an extraordinary old woman, really. And I never knew anybody who knew her really well. The books are quite good about her, but except for her eccentricities there’s nothing about her professional appreciation of Shakespeare. She had this faith which led her to the people she needed. Did she choose the actors? I don’t think so. She chose the directors. John Gielgud Yes, she had a very difficult time with them. -
Alumni Spotlight: Derek Frey ’95
Alumni Spotlight: Derek Frey ’95 Please provide your biographical information. Home Town: Drexel Hill, Pennsylvania Current Town: London, UK Major: Communication Studies Minor: Journalism Bio: Filmmaker Derek Frey has a long and successful working relationship with director Tim Burton, running Tim Burton Productions since 2001. Most recently Derek co-produced Frankenweenie, which received an Academy Award nomination for Best Animated Picture in 2012. That same year he produced the music video Here With Me for The Killers. Derek is currently serving as Executive Producer on Big Eyes, starring Christoph Waltz and Amy Adams, slated for release this Christmas. Up next he'll Executive Produce Miss Peregrine's Home for Peculiar Children starring Eva Green and Asa Butterfield. Derek has worked on over 15 feature films, including as Associate Producer on Alice in Wonderland, Dark Shadows, Sweeney Todd: The Demon Barber of Fleet Street, Abraham Lincoln: Vampire Hunter, Corpse Bride, and Charlie and the Chocolate Factory. His credits also include producer on the documentary A Conversation with Danny Elfman and Tim Burton; writer of the Frankenweenie-based short film Captain Sparky vs. the Flying Saucers; and editor of the comprehensive and award-winning publication The Art of Tim Burton. Derek worked closely with curators from the Museum of Modern Art for the creation of the Tim Burton touring exhibit, which has made record-breaking stops in New York City, Toronto, Melbourne, Paris, Los Angeles, Seoul, Prague and Tokyo. Derek has directed his own films and music videos, including The Ballad of Sandeep, which has appeared in over 35 film festivals and brought home 16 awards, including Best Director at the Independent Film Quarterly Festival and Best Featurette at the Las Vegas International Cinefest. -
The Feature Film Pitch Packet Introduction
You can source him out, but you can’t size him down. THE FEATURE FILM PITCH PACKET INTRODUCTION The Ballad of Sandeep is a feature-length comedy based on an award-winning short film released in 2011. Inspiration for the short came from two primary sources: Deep Roy’s desire to show the world his true acting face, and the comedy inherent in the corporate phenomenon of outsourcing. Shot at breakneck speed on a shoestring budget, the short was a labor of love, modest in means but stately in vision. Its absurd take on office civilization, coupled with a dynamic performance by Deep Roy (Star Trek, Charlie and the Chocolate Factory, Eastbound and Down), earned the film over 35 festival appearances and 16 awards—enough to make us look twice at the little film that could. FEATURE FILM DEVELOPMENT Encouraged by the short film’s long and celebrated festival run, we adapted the original story into a feature-length screenplay. Picking up where Mike Judge’s Office Space left off, the feature carries the searing torch of satire into the 21st century, critiquing the corporate world with an insider’s eye and a big-hearted empathy for its nameless drones. This time around the story doesn’t rely solely on outsourcing to get across its themes, but also explores the immigrant “Man’s body is so small, pursuit of the American dream in a humorous and original way. Deep Roy is excited to reprise his role as Sandeep Majumdar, and we’re excited to bring his story to a wider audience. -
Tamara Werner KO Logo Neu
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2013 Tim Burtons ”sehende Protagonisten”. Eine Darstellung der empfindsamen Wiederverzauberung der Welt(en) in Tim Burtons Werk Werner, Tamara Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-103240 Journal Article Published Version Originally published at: Werner, Tamara (2013). Tim Burtons ”sehende Protagonisten”. Eine Darstellung der empfindsamen Wiederverzauberung der Welt(en) in Tim Burtons Werk. Komparatistik Online:200-212. Tamara Werner (Zürich) Tim Burtons ·sehende Protagonisten” Eine Darstellung der empfindsamen Wiederver auberung der Welt(en) in Tim Burtons Werk Tr#ume indessen sind Tim Burtons Filme allesamt, seltsam entrückt dem vermeintlich Realen, auf das sie dennoch unabl#ssig verweisen.1 Das vermeintliche Gegensat paar ·Wirklichkeit” versus ·Fantastik” ist stets pr#sent in den Filmen des amerikanischen Filmschaffenden Tim Burton, der als Regisseur, Drehbuchautor, Künstler und ,utor gleichermassen t#tig ist. Die Wirklichkeit steht bei Burton stets in -erbindung mit Ratio. nalit#t, Erwachsen.Sein und Spiessertum. Sie verk0rpert die ein w#ngende 1ormalit#t, die das 2ndividuum an seiner freien Entfaltung hindert und die menschliche Emotionalit#t verkümmern l#sst. Die Fantastik wiederum ist verbunden mit Fantasie, 2maginationskraft, Kreativit#t, Emotionalit#t und 2ndividualit#t. Sie steht für ein freies, empathisches und reflektiertes 3enschenbild, das es laut Burtons Filmen u schüt en und u f0rdern gilt. 2n symbolisch aufgeladenen, düsteren Traumwelten kreiert Burton immer wieder Geschichten, die die mühevollen, emotionalen Pro esse des 5e. ranwachsens und der menschlichen Weiterentwicklung thematisieren. -
Academic Award for Best Animated Feature: Insight of Animation Industry
Academic Award for Best Animated Feature: Insight of Animation Industry Shimeng Tong About This Project The Oscars Academy Award for Best Animated Feature was first given for films made in 2001. Until today, this award had been given to 15 animated films. I looked into the records about this award, and tried to understand the animation industry by translating and visualizing the data. My purpose for this project is to figure out the relationships within this social network, between films, their directors, and production companies. Second, to analyze whether the success of an animated feature is depends on the production company or the director. In addition, I would like to emphasize some other findings about animation creation methods and films in foreign languages. Data Collection I got the data directly from the awards record on Oscars’ official website. The data range is 73rd - 88th Oscar, included films made from 2001 to 2015. There were in total 59 nominees, and 15 of them were winners of Best Animated Features. Since there were only text records of each nominees on the website, I had to create a database in Excel with all the information I needed from each film. Including production company, director, and year of releasing. So it will be clearer when I import the edges into NodeXl later. Spring 2016 Shimeng Tong CCTP 696 Data Visualization In order to reveal the existed relationships, I created 3 types of edges within NodeXL: nominees - Oscar, nominees - production companies, and nominess - directors. I marked all the animated features as dots, directors as bule squares, and production companies as green triangles.