DOCSLIB.ORG

ART ABORIGÈNE, AUSTRALIE — Samedi 3 Octobre 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ART ABORIGÈNE, AUSTRALIE — Samedi 3 Octobre 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie ART ABORIGÈNE, AUSTRALIE — Samedi 3 octobre 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie Samedi 3 octobre 2020 Paris — Salle VV, Quartier Drouot 3, rue Rossini 75009 Paris — 16h30 — Exposition Publique Vendredi 2 octobre de 10h30 à 18h30 Samedi 3 octobre de 10h30 à 15h00 — Intégralité des lots sur www.millon.com Département Expert Index Art Aborigène, Australie Catalogue ................................................................................. p. 4 Biographies ............................................................................. p. 56 Ordres d’achats ...................................................................... p. 64 Conditions de ventes ............................................................... p. 65 Liste des artistes Andrew, Freddy ..................... n° 126 Napaljarri Lewis, Jennifer ........ n° 45 .............................................n° 118 Anonyme ....................................... Napaltjarri Pollard, Ngoia .n° 108, 111 Tjampitjinpa, Ronnie .............. n° 87 ....n° 23, 47, 82, 135, 137, 139, 140, 141, Napaltjarri Ross, Tess ..........n° 3, 65 Tjampitjinpa Ross, Jimmy ...... n° 128 144, 145, 148 Napaltjarri White, Biddy ......... n° 77 Tjangala, Ray James ............... n° 67 Beasley, Betty ........................n° 112 Napanangka Walker, Liddy n° 13, 60 Tjapaltjarri, Walala ................. n° 66 Booljoongali Thomas, Phyllis .. n° 152 Napangardi, Dorothy ........n° 86, 93 Tjapaltjarri Namarari, Mick .... n° 150 Directrice Art Aborigène Burrunyula, Roy ......................n° 131 Napangardi, Pansy .................n° 114 Tjapaltjarri Snowy, Harris ....... n° 159 Campion, Marshall ................ n° 143 Napangardi Jones, Florie ... n° 27, 46 Tjapaltjarri Takata, « Dr » George .... Nathalie Mangeot Marc Yvonnou Djelminy, Jimmy .................... n° 142 Napangardi Kelly, Lilly ........n° 59, 91 ............................................. n° 84 Commissaire-priseur Tel + 33 (0)6 50 99 30 31 Dorrng, Micky ........................ n° 73 Napangardi Lewis, Jeanie ...... n° 110 Tjapangati Nolan, Billy ...........n° 119 Jagamara Nelson, Michael ... n° 153 Napangardi Watson, Judy ..n° 62, 89 Tjungurrayi, Willy .....................n° 71 Tel + 33 (0)6 34 05 27 59 Jaminmarala Pascoe, Jacky ... n° 125 Napangardi Williams, Melissa ..n° 19 Tjungurrayi Carroll, Paddy ...... n° 157 [email protected] Jangala Gallagher, Ben........... n° 44 Napurrula, Ningura ......n° 54, 74, 95 Tjungurrayi Olodoodi, Patrick ...n° 81 Jangala Robertson, Shorty .............. Napurrula Gibson, Maisie ........ n° 20 Tjapaltjarri, Possum Clifford .... n° 94 ...................n° 2, 15, 35, 36, 100, 136 Napurrula Leo, Sarah .......... n° 4, 10 Tjungurrayi Ward, George ..n° 49, 90 Japangardi Fisher, Simon ....... n° 124 Napurrula Miller, Shirley ......... n° 156 Tjupurrula Tolson, Turkey ........ n° 102 Japanangka Marshall, Glen ...... n° 11 Napurrula Moody, Latoya ....... n° 33 Tjupurrula West, Matthew ...... n° 55 Kantawarra, Sabrina ............n° 160 Napurrula Poulson, Peggy ....... n° 40 Vincent, Ben ......................... n° 123 Kemare Kunoth, Clement ....... n° 107 Napurrula Tasman, Rosie ...... n° 130 Wainburranga Fordham, Paddy ....... Kemarre Loy, Abie .........n° 14, 61, 98 Ngale, Polly............................ n° 76 ...................................... n° 149, 151 Kngwarreye, Benny................ n° 134 Numina, Caroline ................... n° 97 Weir, Barbara .................... n° 51, 58 Kngwarreye, Kudditji ......... n° 75, 79 Nungurrayi, Nancy ................. n° 83 Williamson Pippi, Steven ........n° 106 Malamburrngu, Terry ............. n° 138 Nungurrayi Brown, Wendy ...... n° 57 Worridjol, Albert ................... n° 147 Mbitjana Club, Betty .............. n° 32 Nungurrrayi Hudson, Lena ...... n° 42 Yalandja, Owen .................... n° 146 Mpetyane Purvis, Peggy ......... n° 120 Nungurrayi Kiston, Kristen .......n° 41 Nakamarra Langdon, Bethany n° 43 Nungurrayi Possum, Gabriella ......... Nakamarra Marks, Nelly ......... n° 96 .......................................n° 78, 103 Nakamarra Nelson, Candy ...... n° 38 Nungurrayi Spencer, Isobelle (Isabel) Nakamarra White Fisher, Connie ..... .. .......................................n° 16, 28 ............................................. n° 64 Nungurrayi Spencer, Ruth ....... n° 56 Namok, Rosella ..................... n° 105 Nungurrayi Stockman, Punuta n° 121 Nampajinpa Hudson, Jean .....n° 101 Nungurrayi Watson, Jill ........... n° 37 Nampitjinpa Brisco, Sabrina .... n° 12 Nungurrayi Watson, Norissa ....n° 31 Nampitjinpa Brown, Peggy ..... n° 39 Nungarrayi Wayne, Sandra .... n° 133 Nampitjinpa Daniels, Evelyn .. n° 63, Petyarre, Gloria n° 53, 68, 72, 92, 99, 115 109 EN PARTENARIAT AVEC Nampitjinpa Hudson, Maureen n° 29 Petyarre, Kathleen ..................n° 117 Nampitjinpa Robertson, Felicity ...... Petyarre, Maisey .....................n° 116 ............................................. n° 50 Petyarre Dixon, Henry ............. n° 80 Nampitjinpa Sampson, Marcia ..n° 9 Petyarre Price, Anna .................n° 8 Nampitjinpa Tasman, Angeline ....... Petyarre Price, Naomi ............. n° 30 .................................... n° 18, 21, 22 Petyarre Purvis, Joy ................ n° 70 La peinture aborigène n’est Nampitjinpa Watson, Ritasha . n° 26 Petyarre Turner, Marcia (Marcie) ..... pas une peinture de chevalet. Nangala Granite, Athena ........ n° 24 .............................................n° 113 Les toiles sont peintes à MILLON Drouot Nangala Mc Donald, Deborah n° 158 Pula, Daniel .......................... n° 132 Nangala Roberts, Priscilla ..........n° 1 Puruntatameri, Delilah Freddy n° 127 même de sol. L’orientation 19, rue de la Grange Batelière 75009 PARIS Nangala Wayne, Nellie ........... n° 25 Pwerle, Emily ......................... n° 52 des peintures est le plus T +33 (0)1 47 27 95 34 Napaljarri, Ruth ....................n° 104 Pwerle, Minnie ... n° 5, 6, 7, 17, 85, 88 souvent un choix arbitraire : Napaltjarri, Tjunkiya .............. n° 129 Pwerle Mills, Jeannie ............... n° 69 c’est à l’acquéreur de choisir F +33 (0) 1 48 00 98 58 Napaljarri Brown, Debbie ........ n° 34 Sandy, William ..........n° 122, 154, 155 le sens de la peinture. [email protected] Napaltjarri Campbell, Maisey .. n° 48 Tjakamarra Phillipus, Long Jack ...... 1 4 - - Priscilla Roberts Nangala Sarah Leo Napurrula Sans titre (1971 - ) Acrylique sur toile - Sans titre 30 x 30 cm Acrylique sur toile - Yuendumu - Territoire 30 x 30 cm du Nord - Désert Central Ngapa Jukurrpa (Water Dreaming) - Puyurru Provenance Groupe Warlpiri- - Succession collection Yuendumu - Désert de Mme K. Central - Wurlukurlangu Artists Provenance Priscilla est une artiste Centre d’art de Yuendumu de Yuendumu qui peint essentiellement le Rêve Le site représenté dans d’Eau associé au site ce tableau est Puyurru, de Puyurru, un point à l’ouest de Yuendumu. d’eau. Au Temps du Rêve Les lits de criques deux Hommes Jangala généralement sèches sont chantèrent la pluie, des «mulju» (puits d’eau) déclenchant un terrible ou des puits naturels. Les orage. Le Rêve d’Eau «kirda» (propriétaires) de 5 6 voyagea à travers le pays. ce site sont les femmes Nangala / Nampijinpa 150 / 200 € et les hommes Jangala / Jampijinpa. Deux hommes de Jangala, faiseurs de 2 pluie, ont chanté la pluie, - déchaînant une tempête Shorty Robertson géante. La tempête a Jangala (c. 1920/30 - ) traversé le pays d’est en Sans titre ouest, en passant par un Acrylique sur toile - ‘pamapardu Jukurrpa’ 30 x 30 cm (Rêve des Fourmis Volantes Yuendumu - Territoire ou des Termites) de du Nord - Désert Central Warntungurru à Warlura, un point d’eau situé à 12 Provenance km à l’est de Yuendumu. - Succession collection Durant le voyage de ce de Mme K. Rêve d’Eau de nombreux - Wurlukurlangu Artists événements se déroulent qui sont à l’origine de sites 7 8 200 / 250 € sacrés. 150 / 200 € 3 - Tess Ross Napaljarri (1949 - ) Sans titre 5 6 7 8 Acrylique sur toile - - - - - 30 x 30 cm Minnie Pwerle Minnie Pwerle Minnie Pwerle Anna Price Petyarre Yuendumu - Territoire (c. 1910/22 - 2006) (c. 1910/22 - 2006) (c. 1910/22 - 2006) (1965 - ) du Nord - Désert Central Bush Melon, 2005 Awelye, 2004 Awelye, 2004 Sans titre Acrylique sur toile - Acrylique sur toile - Acrylique sur toile - Acrylique sur toile - Provenance 40 x 40 cm 31 x 31 cm 31 x 31 cm 48,5 x 33,5 cm - 46 x 31 cm - Succession collection Groupe Alyawarre / Groupe Alyawarre / Groupe Alyawarre / (pour la partie peinte) de Mme K. Anmatyarre - Utopia - Anmatyarre - Utopia - Anmatyarre - Utopia - Groupe Anmatyerre - Wurlukurlangu Artists Désert Central Désert Central Désert Central - Utopia / Alice Springs - Désert Central 150 / 200 € Provenance Provenance Provenance Aboriginal Dreamtime Horizon Gallery Horizon Gallery Provenance Fine Dot Art 450 / 550 € 300 / 400 € 300 / 400 € 300 / 400 € 4 ART ABORIGÈNE, AUSTRALIE MILLON 5 9 10 13 14 16 11 12 9 10 11 12 - - - - Marcia Sampson Sarah Leo Napurrula Glen Marshall Sabrina Brisco 15 Nampitjinpa (1971 - ) Japanangka Nampitjinpa Sans titre Sans titre Sans titre Sans titre Acrylique sur toile - Acrylique sur toile - Tableau Aborigène Acrylique sur toile - 30 x 30 cm 30 x 30 cm Acrylique sur toile - 30 x 30 cm Yuendumu - Territoire Yuendumu - Territoire 30 x 30 cm Yuendumu - Territoire 13 14 15 16 du Nord - Désert Central du Nord - Désert Central Yuendumu - Territoire du Nord - Désert Central - - - - du Nord - Désert Central Liddy Walker Abie Loy Kemarre Shorty Robertson Isobelle (Isabel) Spencer Provenance
Load more

Recommended publications
  • ART ABORIGÈNE, AUSTRALIE — Samedi 7 Mars 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie
    ART ABORIGÈNE, AUSTRALIE — Samedi 7 mars 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie Samedi 7 mars 2020 Paris — Salle VV, Quartier Drouot 3, rue Rossini 75009 Paris — 16h30 — Expositions Publiques Vendredi 6 mars de 10h30 à 18h30 Samedi 7 mars de 10h30 à 15h00 — Intégralité des lots sur millon.com Département Experts Index Art Aborigène, Australie Catalogue ................................................................................. p. 4 Biographies ............................................................................. p. 56 Ordres d’achats ...................................................................... p. 64 Conditions de ventes ............................................................... p. 65 Liste des artistes Anonyme .................. n° 36, 95, 96, Nampitjinpa, Yuyuya .............. n° 89 Riley, Geraldine ..................n° 16, 24 .....................97, 98, 112, 114, 115, 116 Namundja, Bob .....................n° 117 Rontji, Glenice ...................... n° 136 Atjarral, Jacky ..........n° 101, 102, 104 Namundja, Glenn ........... n° 118, 127 Sandy, William ....n° 133, 141, 144, 147 Babui, Rosette ..................... n° 110 Nangala, Josephine Mc Donald ....... Sams, Dorothy ....................... n° 50 Badari, Graham ................... n° 126 ......................................n° 140, 142 Scobie, Margaret .................... n° 32 Bagot, Kathy .......................... n° 11 Tjakamarra, Dennis Nelson .... n° 132 Directrice Art Aborigène Baker, Maringka ...................
    [Show full text]
  • Betty Quelhurst (1919–2008): Artist and Benefactor
    Betty Quelhurst Self portrait 1948 Oil on composition board Gift of the artitst under the Cultural Gifts Program, 1998 Introduction Betty Quelhurst (1919–2008): Artist and benefactor This exhibition acknowledges the generous philanthropy of Betty Quelhurst’s long life was sustained by her commitment to Queensland artist and QUT alumnus Betty Quelhurst (1919– art. Her career as an artist spanned seven decades, and much 2008), and the work of selected contemporary Australian of this time was spent painting and teaching in Queensland. women artists. Focusing on the human figure – illustrated through her portraits and beachscapes – she established an important profile as a The Betty Quelhurst Fund was established in the art painter in Brisbane in the mid twentieth century. acquisitions program in 2005. In recent years, this has enabled the University to purchase significant works by a number of Quelhurst was born in 1919 at Laidley near Brisbane and in contemporary Australian female artists. Inspiration for the gift the early 1930s attended Brisbane Girls Grammar School. came largely from Quelhurst’s own experiences as a promising From 1935 to 1938 Betty Quelhurst studied art at the Brisbane painter in the 1940s and early 1950s in Brisbane – when Central Technical College, an early forerunner of QUT’s professional opportunities for women artists were rare. Gardens Point Campus. In the late 1940s she continued her art studies at the National Gallery School in Melbourne under Between 2006 and 2009 some forty-one works by twenty the guidance of William Dargie who then headed the School. artists were purchased through the Fund. These acquisitions cover a diverse range of styles, approaches and media From the mid 1950s Quelhurst established a successful thirty- including painting, drawing, photography, collage, assemblage, year career as an artist and teacher in Queensland.
    [Show full text]
  • Becoming Art: Some Relationships Between Pacific Art and Western Culture Susan Cochrane University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Becoming art: some relationships between Pacific art and Western culture Susan Cochrane University of Wollongong Recommended Citation Cochrane, Susan, Becoming art: some relationships between Pacific ra t and Western culture, Doctor of Philosophy thesis, , University of Wollongong, 1995. http://ro.uow.edu.au/theses/2088 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. BECOMING ART: SOME RELATIONSHIPS BETWEEN PACIFIC ART AND WESTERN CULTURE by Susan Cochrane, B.A. [Macquarie], M.A.(Hons.) [Wollongong] 203 CHAPTER 4: 'REGIMES OF VALUE'1 Bokken ngarribimbun dorlobbo: ngarrikarrme gunwok kunmurrngrayek ngadberre ngarribimbun dja mak kunwarrde kne ngarribimbun. (There are two reasons why we do our art: the first is to maintain our culture, the second is to earn money). Injalak Arts and Crafts Corporate Plan INTRODUCTION In the last chapter, the example of bark paintings was used to test Western categories for indigenous art. Reference was also made to Aboriginal systems of classification, in particular the ways Yolngu people classify painting, including bark painting. Morphy's concept, that Aboriginal art exists in two 'frames', was briefly introduced, and his view was cited that Yolngu artists increasingly operate within both 'frames', the Aboriginal frame and the European frame (Morphy 1991:26). This chapter develops the theme of how indigenous art objects are valued, both within the creator society and when they enter the Western art-culture system. When aesthetic objects move between cultures the values attached to them may change.
    [Show full text]
  • Aboriginal Art Auction - Melbourne: Brighton Town Hall 09/02/2020 1:00 PM AEDT
    Auction - Aboriginal Art Auction - Melbourne: Brighton Town Hall 09/02/2020 1:00 PM AEDT Lot Title/Description Lot Title/Description 1 JEANNIE MILLS PWERLE “Bush Yam” Acrylic on linen. Painted in 12 FELICITY ROBERTSON NAMPITJINPA "Puyurru - Water Dreaming" 2019. Comes with Certificate of Authenticity. Artwork is stretched and Acrylic on linen. Painted in 2019. Comes with Certificate of Authenticity. ready to hang. 70cm x 40cm Artwork is stretched and ready to hang. 49cm x 62cm JEANNIE MILLS PWERLE“Bush Yam”Acrylic on linen.Painted in FELICITY ROBERTSON NAMPITJINPA"Puyurru - Water 2019.Comes with Certificate of Authenticity.Artwork is stretched and Dreaming"Acrylic on linen.Painted in 2019.Comes with Certificate of ready to hang.70cm x 40cm Authenticity.Artwork is stretched and ready to hang.49cm x 62cm Est. 300 - 800 Est. 1,000 - 2,000 2 FREDA PRICE PITJARA “My Mother's Country ” Acrylic on linen. 13 HELEN RUBUNTJA "My Country" Acrylic on linen. Painted in 2019. Painted in 2019. Comes with Certificate of Authenticity. Artwork is Comes with Certificate of Authenticity. Artwork is stretched and ready to stretched and ready to hang. 50cm x 70cm hang. 95cm x 95cm FREDA PRICE PITJARA“My Mother's Country ”Acrylic on linen.Painted HELEN RUBUNTJA"My Country"Acrylic on linen.Painted in in 2019.Comes with Certificate of Authenticity.Artwork is stretched and 2019.Comes with Certificate of Authenticity.Artwork is stretched and ready to hang.50cm x 70cm ready to hang.95cm x 95cm Est. 600 - 900 Est. 1,000 - 1,800 3 GLORIA PETYARRE "Bush Medicine Leaves" Acrylic on linen.
    [Show full text]
  • Important Australian and Aboriginal
    IMPORTANT AUSTRALIAN AND ABORIGINAL ART including The Hobbs Collection and The Croft Zemaitis Collection Wednesday 20 June 2018 Sydney INSIDE FRONT COVER IMPORTANT AUSTRALIAN AND ABORIGINAL ART including the Collection of the Late Michael Hobbs OAM the Collection of Bonita Croft and the Late Gene Zemaitis Wednesday 20 June 6:00pm NCJWA Hall, Sydney MELBOURNE VIEWING BIDS ENQUIRIES PHYSICAL CONDITION Tasma Terrace Online bidding will be available Merryn Schriever OF LOTS IN THIS AUCTION 6 Parliament Place, for the auction. For further Director PLEASE NOTE THAT THERE East Melbourne VIC 3002 information please visit: +61 (0) 414 846 493 mob IS NO REFERENCE IN THIS www.bonhams.com [email protected] CATALOGUE TO THE PHYSICAL Friday 1 – Sunday 3 June CONDITION OF ANY LOT. 10am – 5pm All bidders are advised to Alex Clark INTENDING BIDDERS MUST read the important information Australian and International Art SATISFY THEMSELVES AS SYDNEY VIEWING on the following pages relating Specialist TO THE CONDITION OF ANY NCJWA Hall to bidding, payment, collection, +61 (0) 413 283 326 mob LOT AS SPECIFIED IN CLAUSE 111 Queen Street and storage of any purchases. [email protected] 14 OF THE NOTICE TO Woollahra NSW 2025 BIDDERS CONTAINED AT THE IMPORTANT INFORMATION Francesca Cavazzini END OF THIS CATALOGUE. Friday 14 – Tuesday 19 June The United States Government Aboriginal and International Art 10am – 5pm has banned the import of ivory Art Specialist As a courtesy to intending into the USA. Lots containing +61 (0) 416 022 822 mob bidders, Bonhams will provide a SALE NUMBER ivory are indicated by the symbol francesca.cavazzini@bonhams.
    [Show full text]
  • Art Gallery of South Australia Major Achievements 2003
    ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance.
    [Show full text]
  • 2012-06-04-L-CASTOR-HARA.Pdf
    1 Figurine anthropomorphe associée à des rites de fertilité et de fécondité de la femme et de la déesse Terre Mère. Elle est modelée d'une jeune femme au ventre généreux, portant de belles parures sur les oreilles et le torse. Sa coiffe à longue chevelure se terminant sur le bas du torse. Terre cuite beige avec restes de polychromie. Région du Michoacan, Mexique, époque préclassique finale, 300 - 100 avant JC. 13,6x6,2cm 300/500 2 Statuette anthropomorphe présentant un personnage assis aux traits d'enfant, les mains posées sur les cuisses dans un geste symbolique. Terre cuite beige avec traces de polychromie en surface. Cou cassé, collé. Olmèque, époque préclassique moyenne, Mexique, 900 - 600 avant JC. 11,5x8x8cm 500/800 3 Statuette anthropomorphe présentant un personnage féminin assis, aux belles formes généreuses associées à la fécondité de la Terre et de la femme. Son corps et son visage sont ornés de peintures cérémonielles. Terre cuite polychrome. Chinesco, époque proto-classique, Mexique, 100 avant - 250 après JC. 17x10x9cm 700/1000 4 Statuette anthropomorphe présentant un personnage assis, les bras et mains levés dans un geste symbolique. Il porte une ceinture autour de la taille, un large collier et des ornements d'oreilles et de tête. Il s'agit ici probablement d'un prêtre sous l'effet d'une substance hallucinogène ingérée au cours des cérémonies religieuses. Terre cuite beige orangée, tête cassée, collée. Région du Veracruz, époque classique, Mexique, 300 - 600 après JC. 16,3x14,4x7,5cm 500/700 5 Statuette anthropomorphe présentant un prêtre debout, le torse couvert d'un poncho et la taille ceinte d'un pagne à pan rectangulaire.
    [Show full text]
  • Art Aborigène, Australie Samedi 10 Décembre 2016 À 16H30
    Art Aborigène, Australie Samedi 10 décembre 2016 à 16h30 Expositions publiques Vendredi 9 décembre 2016 de 10h30 à 18h30 Samedi 10 décembre 2016 de 10h30 à 15h00 Expert Marc Yvonnou Tel : + 33 (0)6 50 99 30 31 Responsable de la vente Nathalie Mangeot, Commissaire-Priseur [email protected] Tel : +33 (0)1 48 00 94 24 / Port : +33 (0)6 34 05 27 59 En partenariat avec Collection Anne de Wall* et à divers collectionneurs australiens, belges, et français La peinture aborigène n’est pas une peinture de chevalet. Les toiles sont peintes à même le sol. L’orientation des peintures est le plus souvent un choix arbitraire : c’est à l’acquéreur de choisir le sens de la peinture. Des biographies se trouvent en fin de catalogue. Des certificats d’authenticité seront remis à l’acquéreur sur demande. * co-fondatrice du AAMU (Utrecht, Hollande) 2 3 - - Jacky Giles Tjapaltjarri (c. 1940 - 2010) Eileen Napaltjarri (c. 1956 - ) Sans titre, 1998 Sans titre, 1999 Acrylique sur toile - 45 x 40 cm Acrylique sur toile - 60 x 30 cm Groupe Ngaanyatjarra - Patjarr - Désert Occidental Groupe Pintupi - Désert Occidental - Kintore 400 / 500 € 1 300 / 400 € - Anonyme Peintre de la communauté d'Utopia Acrylique sur toile - 73 x 50,5 cm Groupe Anmatyerre - Utopia - Désert Central 300/400 € 4 5 6 - - - Billy Ward Tjupurrula (1955 - 2001) Toby Jangala (c. 1945 - ) Katie Kemarre (c. 1943 - ) Sans titre, 1998 Yank-Irri, 1996 Awelye; Ceremonial Body Paint Design Acrylique sur toile - 60 x 30 cm Acrylique sur toile - 87 x 57 cm Acrylique sur toile Groupe Pintupi - Désert Occidental Groupe Warlpiri - Communauté de Lajamanu - Territoire du Nord 45 x 60 cm Cette toile se réfère au Rêve d’Emeu.
    [Show full text]
  • Bond University Indigenous Gala Friday 16 November, 2018 Bond University Indigenous Program Partners
    Bond University Indigenous Gala Friday 16 November, 2018 Bond University Indigenous Program Partners Bond University would like to thank Dr Patrick Corrigan AM and the following companies for their generous contributions. Scholarship Partners Corporate Partners Supporting Partners Event Partners Gold Coast Professor Elizabeth Roberts Jingeri Thank you for you interest in supporting the valuable Indigenous scholarship program offered by Bond University. The University has a strong commitment to providing educational opportunities and a culturally safe environment for Indigenous students. Over the past several years the scholarship program has matured and our Indigenous student cohort and graduates have flourished. We are so proud of the students who have benefited from their scholarship and embarked upon successful careers in many different fields of work. The scholarship program is an integral factor behind these success stories. Our graduates are important role models in their communities and now we are seeing the next generation of young people coming through, following in the footsteps of the students before them. It is my honour and privilege to witness our young people receiving the gift of education, and I thank you for partnering with us to create change. Aunty Joyce Summers Bond University Fellow 3 Indigenous Gala Patron Dr Patrick Corrigan AM Dr Patrick Corrigan AM is one of Australia’s most prodigious art collectors and patrons. Since 2007, he has personally donated or provided on loan the outstanding ‘Corrigan’ collection on campus, which is Australia’s largest private collection of Indigenous art on public display. Dr Corrigan has been acknowledged with a Member of the Order of Australia (2000), Queensland Great medal (2014) and City of Gold Coast Keys to the City award (2015) for his outstanding contributions to the arts and philanthropy.
    [Show full text]
  • Origines•210708-88P-2 30/06/08 16:07 Page 1
    Origines•210708-88p-2 30/06/08 16:07 Page 1 Origines•210708-88p-2 30/06/08 16:07 Page 2 Origines•210708-88p-2 30/06/08 16:07 Page 1 ART AFRICAIN, OCÉANIEN, L’AMÉRIQUE PRÉCOLOMBIENNE, PEINTURES ABORIGÈNES D’AUSTRALIE ET ART ANIMISTE DE L’HIMALAYA VENTE LE LUNDI 21 JUILLET 2008 À 17H00 DANS LES SALONS DE L’HÔTEL MARTINEZ 73, Boulevard de la Croisette - 06400 Cannes BESCH CANNES AUCTION Maître Jean-Pierre Besch, commissaire-priseur habilité SVV n° 2002-034 45, Boulevard de la Croisette, 06400 Cannes Tel : 33 (0) 4 93 99 33 49 – 33 (0) 4 93 99 22 60 Fax : 33 (0) 4 93 99 30 03 [email protected] www.cannesauction.com CABINET D’EXPERTISE ORIGINE Serge Reynes, Expert Assisté de Marc Yvonnou, pour l’Art aborigène. 166, Rue Etienne Marcel 93100 Montreuil Tel : 33 (0)1 48 57 91 46 Fax : 33 (0)1 48 57 68 18 www.serge-reynes.org GALERIE EBURNE Joël Bernard, Expert 30, Rue des Tournelles 75004 Paris EXPOSITION CHEZ L’EXPERT Du mardi 1er au vendredi 11 juillet 2008 (sur rendez-vous) EXPOSITION À L’HÔTEL MARTINEZ Vendredi 18 juillet de 17H à 20H Samedi 19 et dimanche 20 juillet de 10H à 19H Lundi 21 juillet de 10H à 12H30 Origines•210708-88p-2 30/06/08 16:08 Page 2 ART DES AMÉRIQUES PRÉOLOMBIENNES 2 3 4 1 VASE ÉTRIER. La panse est modelée de deux têtes de 3 VASE ÉTRIER. La panse ovoïde, à sommet discoïdal, est chevreuil. Terre cuite avec engobe brun.
    [Show full text]
  • Wintjiya Napaltjarri
    WINTJIYA NAPALTJARRI - PINTUPI Represented by Utopia Art Sydney 72 Henderson Road, Alexandria NSW 2015 Tel: 61 2 9699 2900 utopiaartsydney.com.au [email protected] c. 1933 - 2014 Wintjiya Napalatjarri’s paintings have an emphasis on stark design elements and a restricted palette. She paints in the direct sunlight, as evidenced by the thickness of the paint and the sheen of its surface. Wintjiya Napaltjarri first began painting when she participated in the Kintore/Haasts Bluff joint project in the mid 1990s. Until 2004, Wintjiya painted with her sister Tjunkiya Napaltjarri at the Papunya Tula Artists shed in Kintore but since then she has painted from her home: the widow’s camp outside her ‘son’ Turkey Tolson’s former residence. Wintjiya has been in many group exhibitions and a number of solo exhibitions, as well as having work in major collections including the Art Gallery of New South Wales, the National Gallery of Victoria and the Aboriginal Art Museum in The Netherlands. Selected Solo Exhibitions 2010 ‘Wintjiya Napaltjarri’, Scott Livesey Galleries, Melbourne, VIC 2008 ‘Wintjiya Napaltjarri’, Scott Livesey Galleries, Melbourne, VIC 2006 ‘Wintjiya Napaltjarri’, Scott Livesey Galleries, Melbourne, VIC 2005 Woolloongabba Art Gallery, Brisbane, QLD Selected Group Exhibitions 2016-18 ‘Marking the Infinite’, Frost Art Museum, Miami; Nevada Museum of Art, Reno; Newcomb Art Museum, New Orleans; The Phillips Collection, Washington DC; and Museum of Anthropology ,Vancouver. 2017 ‘Who’s Afraid of Colour’, NGV, Melbourne 2013 ‘The Salon’,
    [Show full text]
  • Sunday 24 March, 2013 at 2Pm Museum of Contemporary Art Sydney, Australia Tional in Fi Le Only - Over Art Fi Le
    Sunday 24 March, 2013 at 2pm Museum of Contemporary Art Sydney, Australia tional in fi le only - over art fi le 5 Bonhams The Laverty Collection 6 7 Bonhams The Laverty Collection 1 2 Bonhams Sunday 24 March, 2013 at 2pm Museum of Contemporary Art Sydney, Australia Bonhams Viewing Specialist Enquiries Viewing & Sale 76 Paddington Street London Mark Fraser, Chairman Day Enquiries Paddington NSW 2021 Bonhams +61 (0) 430 098 802 mob +61 (0) 2 8412 2222 +61 (0) 2 8412 2222 101 New Bond Street [email protected] +61 (0) 2 9475 4110 fax +61 (0) 2 9475 4110 fax Thursday 14 February 9am to 4.30pm [email protected] Friday 15 February 9am to 4.30pm Greer Adams, Specialist in Press Enquiries www.bonhams.com/sydney Monday 18 February 9am to 4.30pm Charge, Aboriginal Art Gabriella Coslovich Tuesday 19 February 9am to 4.30pm +61 (0) 414 873 597 mob +61 (0) 425 838 283 Sale Number 21162 [email protected] New York Online bidding will be available Catalogue cost $45 Bonhams Francesca Cavazzini, Specialist for the auction. For futher 580 Madison Avenue in Charge, Aboriginal Art information please visit: Postage Saturday 2 March 12pm to 5pm +61 (0) 416 022 822 mob www.bonhams.com Australia: $16 Sunday 3 March 12pm to 5pm [email protected] New Zealand: $43 Monday 4 March 10am to 5pm All bidders should make Asia/Middle East/USA: $53 Tuesday 5 March 10am to 5pm Tim Klingender, themselves aware of the Rest of World: $78 Wednesday 6 March 10am to 5pm Senior Consultant important information on the +61 (0) 413 202 434 mob following pages relating Illustrations Melbourne [email protected] to bidding, payment, collection fortyfive downstairs Front cover: Lot 21 (detail) and storage of any purchases.
    [Show full text]