S Cultural Capital by Lee Foster
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Victorian Historical Journal
VICTORIAN HISTORICAL JOURNAL VOLUME 89, NUMBER 2, DECEMBER 2018 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Royal Historical Society of Victoria is a community organisation comprising people from many fields committed to collecting, researching and sharing an understanding of the history of Victoria. The Victorian Historical Journal is a fully refereed journal dedicated to Australian, and especially Victorian, history produced twice yearly by the Publications Committee, Royal Historical Society of Victoria. PUBLICATIONS COMMITTEE Judith Smart and Richard Broome (Editors, Victorian Historical Journal) Jill Barnard Rozzi Bazzani Sharon Betridge (Co-editor, History News) Marilyn Bowler Richard Broome (Convenor) (Co-Editor, History News) Marie Clark Jonathan Craig (Review Editor) Don Garden (President, RHSV) John Rickard Judith Smart Lee Sulkowska Carole Woods BECOME A MEMBER Membership of the Royal Historical Society of Victoria is open. All those with an interest in history are welcome to join. Subscriptions can be purchased at: Royal Historical Society of Victoria 239 A’Beckett Street Melbourne, Victoria 3000, Australia Telephone: 03 9326 9288 Email: [email protected] www.historyvictoria.org.au Journals are also available for purchase online: www.historyvictoria.org.au/publications/victorian-historical-journal VICTORIAN HISTORICAL JOURNAL ISSUE 290 VOLUME 89, NUMBER 2 DECEMBER 2018 Royal Historical Society of Victoria Victorian Historical Journal Published by the Royal Historical Society of Victoria 239 A’Beckett Street Melbourne, Victoria 3000, Australia Telephone: 03 9326 9288 Fax: 03 9326 9477 Email: [email protected] www.historyvictoria.org.au Copyright © the authors and the Royal Historical Society of Victoria 2018 All material appearing in this publication is copyright and cannot be reproduced without the written permission of the publisher and the relevant author. -
In the Shadow of Metropolitan Planning Local Plan Making in Melbourne, 1946 to 1976
In the Shadow of Metropolitan Planning Local Plan Making in Melbourne, 1946 to 1976 Dr Benno Engels School of Global, Urban and Social Studies RMIT University Victoria, Australia [email protected] Melbourne has evolved and changed over time in response to the many challenges that this city has faced over the last century and a half. Some of this change was due to forces that lay beyond the control of those who governed it whereas other changes had been guided by local government acts and a handful of metropolitan level strategic plans. Largely absent from the historical narratives that have been written about the planning of Melbourne is what had happened to urban planning at the local level. This is a serious gap in our understanding of Melbourne’s historical urban development when it is remembered that local councils and shires had been charged with enforcing metropolitan strategy since 1955. It was at the local government level that the detailed strategic and statutory planning was undertaken but it was also here at the local level that a city’s capacity to respond to any newly emerging challenges were either expedited or stymied. In an attempt to shed some light on this much neglected facet of Melbourne’s urban planning history this paper proposes to investigate how much urban planning took place at the local level and what forms it took between 1944 to 1976, plus what factors may have impacted upon the local plan making process. Keywords — Local planning schemes; Town and Country Planning Board, Melbourne. INTRODUCTION Daniel Burnham, the famous American architect and urban planner of the late 19th and early 20th centuries, has been quoted as saying, ‘…make no little plans. -
Registration Brochure
www.iugg2011.com IUGG MELBOURNE Australia 2011 2011 International Union of Geodesy and Geophysics General Assembly XXV IUGG General Assembly EARTH ON THE EDGE: SCIENCE FOR A SUSTAINABLE PLANET 28 June — 7 July 2011 Melbourne Convention and Exhibition Centre REGISTRATION BROCHURE www.iugg2011.com One Venue, One City, One Conference 1 IUGG MELBOURNE Australia 2011 Major Sponsor IUGG 2011 Melbourne Local Organising Committee Chairman Prof. Ray Cas, Monash University Deputy Chair and IUGG Liaison and News Dr. Tom Beer, President IUGG & CSIRO Marine and Silver Sponsor Atmospheric Research Secretary Mr. Gary Gibson, Environmental Systems & Services Deputy Secretary Dr. Steve Chiswell, NIWA Bronze Sponsors Treasurer Prof. Peter Dyson, LaTrobe University Chair of Scientifi c Program Dr. Peter Manins, CSIRO Marine and Atmospheric Research Exhibitions and Sponsorship A/Prof. Stewart Franks, University of Newcastle Scientifi c Field Trips and Workshops Dr. Adrian Pittari, University of Waikato Lanyard Sponsor Media and Community Liaison Dr. Simon Torok, CSIRO Marine and Atmospheric Research Other Committee Members Prof. Ian Allison, Australian Antarctic Division Prof. Chris Rizos, University of New South Wales TABLE OF CONTENTS Scientifi c Program Committee General Assembly Sponsors ........................................... 2 Peter Manins, Chair of Scientifi c Program Committee IUGG 2011 Melbourne Local Organising Committee ..... 2 Manfred Lange, IACS Secretary General Scientifi c Program Committee ....................................... 2 Hermann -
19.06.21. Bdtd 2.Indd
Image: Dusty Anastassiou Matt Earle: Breakdancethedawn is an exhibition curated by Pat O’Brien, presented by Liquid Architecture and BLINDSIDE for Sound Series 2019. Supported by City of Melbourne. Big thanks to all who contributed to the object you are now looking at. Those within the pages and those who are not. Design and layout help from Henry Pyne. We also would like to acknowledge Aboriginal and Torres Strait Islander people as the fi rst sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming. Great insights have been had through anti-virtuosity — Jean Dubuff et’s (who coined the term art brut) musical experiments in the early 1960s aimed to put him, “...in the position of a man fi fty-thousand years ago, a man who ignored everything about western music and invents a music for himself without any reference, without any discipline”. Experimental music is awash with tonal, rhythmic and formal systems that are understood intuitively — that are unmeasured. If anything, ‘tones’ these days are generated by the physics of feedback, which is entirely site-specifi c, and so chaotic that we can only predict and approximate — kinda like the weather. Here i’m thinking of Matt Earle’s relationship between body, guitar, amp and time/space which generates storms of vertical frequencies. He also drums, his drumming a loose wash in a sort-of-feel — his fl uidity is the exact opposite of the precise, measured predictability we expect from percussionists. Whatever instruments he uses, Matt embodies anti-virtuosity — his drumming and guitar have no hint of conventional technique, his dance all looseness and probability. -
A Boggy Question Differing Views of Wetlands in 19Th Century Melbourne
UHPH_14: Landscapes and ecologies of urban and planning history | 617 A Boggy Question Differing views of wetlands in 19th century Melbourne Gary Presland University of Melbourne [email protected] The site of European settlement in the Port Phillip region was a place of many swamps. For the Indigenous population these features were essential to their way of life, for the wide diversity of foodstuffs and raw materials they provided. They were the main support for the meetings of large numbers of the Kulin nation that occurred regularly around the top of the Bay. As the immigrant population of Melbourne increased so too were the indigenes excluded from their customary haunts, and were thus eventually unable to maintain their traditional ways. The immigrant settlers viewed the swamps in a different light: they were a source of disease, and of such little regard they could be used as dumping grounds. As Melbourne grew and the need to improve commercial facilities increased, these areas were progressively transformed into a range of other, more culturally useful forms. The ways in which these wetlands played a part in the histories of both Indigenous and settler populations are examined. Keywords: wetlands, swamps, Eastern Kulin, Melbourne Introduction Swamps or wetlands—whatever term one applies,1 terrestrial features that comprise more or less permanent, but relatively shallow, water—have had an interesting conceptual place in western cultures. Perhaps this is because, unlike other parts of the landscape, they did not fit easily into the natural classification of environment as either land or water (Giblett 1996). Wetlands could not be farmed or built upon; but neither could they be put to the same uses as rivers, lakes or the ocean. -
Filming and Photography
Filming and Photography Extraordinary Venues for Extraordinary Events Museum Spaces: Filming and Photography From Film to Fossils Extraordinary Spaces to film Immigration Museum Royal Exhibition Building iconic moments. Capturing Based in the CBD of Melbourne World Heritage Listed and built in the perfect scene, Museum the Old Customs House is one 1880 the Royal Exhibition Building Spaces offers four unique of the most significant sites in and its grounds. Victoria’s history. locations across Melbourne. Melbourne Museum Scienceworks Iconic and postmodern with a Skyline city views, copious land vast exterior and unique galleries and the signatures of Victoria’s showcasing the history and industrial revolution – this site is culture of Melbourne. not to be overlooked. North Footscray Melbourne Carlton West Collingwood Footscray Docklands Yarraville Richmond Southbank Port Spotswood Melbourne South Yarra Newport Williamstown North Prahran Port Phillip Bay Williamstown St Kilda Museum Spaces: Filming and Photography Melbourne Museum Exterior Museum Spaces: Filming and Photography Immigration Museum Grand Foyer Black and white checkerboard marble floors carefully re-instated to its original design, and high detailed ceilings give the Grand Foyer a sense of old-world sophistication and opulence. The skyline views impress with the colourful lights of dynamic Southbank. The Long Room The Palazzo-style Long Room, with its tall ceilings and iconic columns, is the home to touring exhibitions, you can be assured that the Long Room will be adorned with a beautiful and insightful exhibition. Courtyard Sliding double doors open from the glass-walled Atrium into our sundrenched Courtyard, a tranquil haven in the middle of the Melbourne Central Business District. -
Greek Centre Evaluation Report
Research Unit in Public Cultures Faculty of Arts From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne Daniella Trimboli, Tia Di Biase, Barry Burgan and Nikos Papastergiadis 1 2 From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne I EXECUTIVE SUMMARY II Acknowledgements III Research Partners & Evaluation Team 1. Introduction 1.1 Aims 1.2 Research Methodology 1.3 Diaspora Cultures in Globalising Cities 1.3.1 The History of the Greek Community of Melbourne 1.3.2 The Greek Precinct in the City of Melbourne 2. The Greek Centre for Contemporary Culture 2.1 Membership Engagement 2.2 Programming 2.2.1 Education Programme and Language Schools 2.2.2 Seminars 2.2.3 Events – Other 2.3 Entrepreneurship and Social Justice 2.4 Creative Engagement 2.5 Media Engagement 3. Lonsdale Street Greek Festival 3.1 Estimating the Economic Impact of the Lonsdale Street Greek Festival (LSGF) 2017 3.2 Socio-Cultural Impact of the LSGF 2017 3.3 Recommendations for 2018 Festival and Beyond 4. Future Directions for the GCCC 4.1 Socio-Cultural Challenges 4.1.1 Intergenerational Challenges 4.1.2 Sociality and Connection 4.1.3 Cultural Hybridity 4.1.4 Recommendations 4.2 Spatial Challenges 5. Multiculturalism and Melbourne 5.1 Word Cloud Analysis: Policy, Practice, People 6. Conclusion 7. Key Recommendations 8. References 1 2 From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne I Executive Summary The Greek Community of Melbourne (GCM) has developed and Positive Economic Impacts consolidated its presence in the City of Melbourne primarily The economic evaluation focuses on the 2017 Lonsdale Street through the establishment of a new building. -
Appendix 1 Citations for Proposed New Precinct Heritage Overlays
Southbank and Fishermans Bend Heritage Review Appendix 1 Citations for proposed new precinct heritage overlays © Biosis 2017 – Leaders in Ecology and Heritage Consulting 183 Southbank and Fishermans Bend Heritage Review A1.1 City Road industrial and warehouse precinct Place Name: City Road industrial and warehouse Heritage Overlay: HO precinct Address: City Road, Queens Bridge Street, Southbank Constructed: 1880s-1930s Heritage precinct overlay: Proposed Integrity: Good Heritage overlay(s): Proposed Condition: Good Proposed grading: Significant precinct Significance: Historic, Aesthetic, Social Thematic Victoria’s framework of historical 5.3 – Marketing and retailing, 5.2 – Developing a Context: themes manufacturing capacity City of Melbourne thematic 5.3 – Developing a large, city-based economy, 5.5 – Building a environmental history manufacturing industry History The south bank of the Yarra River developed as a shipping and commercial area from the 1840s, although only scattered buildings existed prior to the later 19th century. Queens Bridge Street (originally called Moray Street North, along with City Road, provided the main access into South and Port Melbourne from the city when the only bridges available for foot and wheel traffic were the Princes the Falls bridges. The Kearney map of 1855 shows land north of City Road (then Sandridge Road) as poorly-drained and avoided on account of its flood-prone nature. To the immediate south was Emerald Hill. The Port Melbourne railway crossed the river at The Falls and ran north of City Road. By the time of Commander Cox’s 1866 map, some industrial premises were located on the Yarra River bank and walking tracks connected them with the Sandridge Road and Emerald Hill. -
Melbourne 2018
INTERSTATE PACKAGE INTERSTATE The Australian International Concours d’Elegance & Classic Motor Show MELBOURNE 2018 INTERSTATE PACKAGE 12 - 14 OCTOBER 2018 MELBOURNE 2018 INTERSTATE PACKAGE INTERSTATE ACCOMODATION MELBOURNE 2018 Located just outside the Melbourne CBD, in Carlton, and it is a 30 minute drive from Melbourne Airport. There are different apartment options available when staying at The Eminence – Carlton, all fully self-contained with access to the Rooftop to enjoy the surrounding views. When taking in the views from the rooftop terrace there is a public BBQ area and a private furnished inside area. The Eminence – Carlton luxurious apartments boast well appointed, fully equipped kitchens, including full size fridges, gas stovetops and large ovens. The Eminence – Carlton apartment comes with full laundry facilities, free unlimited Wi-Fi and Foxtel TV. For bookings please call 03 9347 7788 or email [email protected] ACCOMODATION PACKAGE INTERSTATE Vibrant & Stylish - Rydges Melbourne offers a 4.5 star hotel MELBOURNE 2018 experience in Melbourne’s best CBD location. Nestled in the heart of Melbourne’s theatre district, across the road from Her Majesty’s Theatre & just one block from The Princess Theatre. Rydges Melbourne is home to Locanda Italian Steakhouse, offering only the highest quality steaks, expertly prepared, and complimented by handmade pastas and classic antipasti. Rydges Melbourne offers 363 well-appointed guest rooms featuring flat screen TV’s, complimentary WIFI and Rydges Dreambeds. To make a booking: 1. Go to Rydges Melbourne website https://www.rydges.com/accommodation/melbourne-vic/melbourne-cbd 2. Select Check In/Out dates 3. Click on “Promotion Code” where it asks “Do you have a promotion code?” 4. -
The Gardens and Culture of Melbourne and Tasmania, Australia
The Gardens and Culture of Melbourne and Tasmania, Australia October 24 to November 8, 2016 Escorted by Peter Olin Melbourne sits on the Yarra River, around the shores of Port Phillip Bay. Lauded for its sense of style and elegance, Melbourne boasts glamorous festivals and events, Australia's best shopping, a lively pas- sion for eating and drinking, and a flourishing interest in the arts. Restored and preserved nineteenth- century architecture, built following the discovery of gold, provides a heady reminder of a prosperous age, while beautifully tended parks and gardens present a therapeutic respite from the pace of city life. Tasmania is an island of spectacular coastlines, tall forests, rugged highlands, sunny beaches and wild rivers. There are vibrant cities, sleepy country towns, and picturesque fishing villages. With four distinct seasons and a mild, cool climate, Tasmania is well-suited to gourmet food production. Almost half of Tasmania’s land mass is protected in World Heritage Areas, national parks, and marine and forest reserves. Tasmania's protected, natural environment and soft, southern light attract artists and crafts makers from around the world, generating a dynamic, creative artistic and cultural scene. Call Carlson Wagonlit Travel at 763-852-8162 for more information and to register. About the Tour Join the Minnesota Landscape Arboretum and Peter Olin to explore the natural beauty, gardens, history, culture and culinary delights of Melbourne and Tasmania. The adventure starts with four nights in Melbourne. Here you will have time to explore this vibrant city and explore the charming coastal villages while on your way to visit the private and public gardens of the Mornington Peninsula and Mount Macedon. -
Like a Sustainable Version: Practising Independence in the Central Sydney Independent Music Scene
Like a sustainable version: Practising independence in the Central Sydney independent music scene Shams Bin Quader A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Gender and Cultural Studies School of Philosophical and Historical Inquiry Faculty of Arts and Social Sciences University of Sydney 2020 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person, not material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement has been made in the text. Shams Bin Quader 22 April 2020 SHAMS QUADER i ABSTRACT Independent music is a complex concept. It has meant different things at different historical moments of popular music and within academic, music press and industry discourses. Even though what independent music refers to might not be substantive, it has tended to signify an oppositional ethos comprising practices related to maintaining distinction from commercialised popular music. Historical narratives of popular music reveal that independent music or indie, has been defined and re-defined, from signifying an ethos of resistance comprising anti-major record label and anti- corporatisation attitudes, to rubrics of sound aesthetics, marketing categories and niche audience segments. Its different connotations then should not be assumed. Comprehension of different dimensions of independent music call for theorisation of youth, rebellion, alternative cultures, and their connections with musical forms, along with production and distribution-related organisational infrastructures revolving around them. -
EDUCATION KIT Presenting Partner
Gilbert and the Guardians of Melbourne EDUCATION KIT Presenting partner Major partner Proud partner Supporting the Community Bronze partner Gilbert and the Guardians of Melbourne 2 Special thanks goes to... Campbell Walker Chairman of the Melbourne Day Committee; Loretta Wylde, Siobhan Browne, Graeme Haycraft Melbourne Day Committee; Richard Smith and Ingrid Purnell History Teachers’ Association of Victoria; Professor Andrew May Univesity of Melbourne; Wurundjeri Tribe Land and Compensation Cultural Heritage Council Gilbert and the Guardians of Melbourne 3 Teacher Notes ‘Gilbert and the Guardians of Melbourne’ was commissioned by the Melbourne Day Committee and produced by the History Teachers’ Association of Victoria. It uses public monuments to help students at primary levels engage with the many layers of Melbourne’s history from Indigenous culture to the present day. The story and educational resources can be adapted for use by students in primary levels 2-6. Both a PDF and a flipbook version of the story can be downloaded free from the Melbourne Day website http://melbourneday.com.au/ The education kit breaks down the story into a number of themes: It is suggested that the class is divided up into 10 groups with each group allocated a theme. • Transport • Immigration and Multiculturalism • Researching Melbourne • Melbourne Water and the Yan Yean • Indigenous Culture System • John Fawkner • The Enterprize • John Batman • The City of Melbourne Coat of Arms • Changing Attitudes to the Founding of Melbourne Activities The activities are generally middle-order research questions where students use a range of web archives and google maps to find the answers. Inquiry Questions The inquiry questions require students to consult several sources in order to formulate a response.