Melbourne 2018
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Transporting Melbourne's Recovery
Transporting Melbourne’s Recovery Immediate policy actions to get Melbourne moving January 2021 Executive Summary The COVID-19 pandemic has impacted how Victorians make decisions for when, where and how they travel. Lockdown periods significantly reduced travel around metropolitan Melbourne and regional Victoria due to travel restrictions and work-from-home directives. As Victoria enters the recovery phase towards a COVID Normal, our research suggests that these travel patterns will shift again – bringing about new transport challenges. Prior to the pandemic, the transport network was struggling to meet demand with congested roads and crowded public transport services. The recovery phase adds additional complexity to managing the network, as the Victorian Government will need to balance competing objectives such as transmission risks, congestion and stimulating greater economic activity. Governments across the world are working rapidly to understand how to cater for the shifting transport demands of their cities – specifically, a disruption to entire transport systems that were not designed with such health and biosecurity challenges in mind. Infrastructure Victoria’s research is intended to assist the Victorian Government in making short-term policy decisions to balance the safety and performance of the transport system with economic recovery. The research is also designed to inform decision-making by industry and businesses as their workforces return to a COVID Normal. It focuses on how the transport network may handle returning demand and provides options to overcome the crowding and congestion effects, while also balancing the health risks posed by potential local transmission of the virus. Balancing these impacts is critical to fostering confidence in public transport travel, thereby underpinning and sustaining Melbourne’s economic recovery. -
Registration Brochure
www.iugg2011.com IUGG MELBOURNE Australia 2011 2011 International Union of Geodesy and Geophysics General Assembly XXV IUGG General Assembly EARTH ON THE EDGE: SCIENCE FOR A SUSTAINABLE PLANET 28 June — 7 July 2011 Melbourne Convention and Exhibition Centre REGISTRATION BROCHURE www.iugg2011.com One Venue, One City, One Conference 1 IUGG MELBOURNE Australia 2011 Major Sponsor IUGG 2011 Melbourne Local Organising Committee Chairman Prof. Ray Cas, Monash University Deputy Chair and IUGG Liaison and News Dr. Tom Beer, President IUGG & CSIRO Marine and Silver Sponsor Atmospheric Research Secretary Mr. Gary Gibson, Environmental Systems & Services Deputy Secretary Dr. Steve Chiswell, NIWA Bronze Sponsors Treasurer Prof. Peter Dyson, LaTrobe University Chair of Scientifi c Program Dr. Peter Manins, CSIRO Marine and Atmospheric Research Exhibitions and Sponsorship A/Prof. Stewart Franks, University of Newcastle Scientifi c Field Trips and Workshops Dr. Adrian Pittari, University of Waikato Lanyard Sponsor Media and Community Liaison Dr. Simon Torok, CSIRO Marine and Atmospheric Research Other Committee Members Prof. Ian Allison, Australian Antarctic Division Prof. Chris Rizos, University of New South Wales TABLE OF CONTENTS Scientifi c Program Committee General Assembly Sponsors ........................................... 2 Peter Manins, Chair of Scientifi c Program Committee IUGG 2011 Melbourne Local Organising Committee ..... 2 Manfred Lange, IACS Secretary General Scientifi c Program Committee ....................................... 2 Hermann -
19.06.21. Bdtd 2.Indd
Image: Dusty Anastassiou Matt Earle: Breakdancethedawn is an exhibition curated by Pat O’Brien, presented by Liquid Architecture and BLINDSIDE for Sound Series 2019. Supported by City of Melbourne. Big thanks to all who contributed to the object you are now looking at. Those within the pages and those who are not. Design and layout help from Henry Pyne. We also would like to acknowledge Aboriginal and Torres Strait Islander people as the fi rst sovereign owners of this unceded country. We pay our respects to their Elders, past, present and becoming. Great insights have been had through anti-virtuosity — Jean Dubuff et’s (who coined the term art brut) musical experiments in the early 1960s aimed to put him, “...in the position of a man fi fty-thousand years ago, a man who ignored everything about western music and invents a music for himself without any reference, without any discipline”. Experimental music is awash with tonal, rhythmic and formal systems that are understood intuitively — that are unmeasured. If anything, ‘tones’ these days are generated by the physics of feedback, which is entirely site-specifi c, and so chaotic that we can only predict and approximate — kinda like the weather. Here i’m thinking of Matt Earle’s relationship between body, guitar, amp and time/space which generates storms of vertical frequencies. He also drums, his drumming a loose wash in a sort-of-feel — his fl uidity is the exact opposite of the precise, measured predictability we expect from percussionists. Whatever instruments he uses, Matt embodies anti-virtuosity — his drumming and guitar have no hint of conventional technique, his dance all looseness and probability. -
Case Study Report City of Melbourne
Framing Adaptation in the Victorian Context Case Study Report City of Melbourne Hartmut Fünfgeld, Sophie Millin and Darryn McEvoy June 2013 © VCCCAR/RMIT University 2013 This report should be cited as: Fünfgeld H, S Millin and D McEvoy (2013): Framing Adaptation in the Victorian Context - Case Study Report City of Melbourne. 24p. Melbourne: Victorian Centre for Climate Change Adaptation Research / RMIT University. ISBN: 978 0 7340 4839 4 Contents Executive Summary ........................................................................................................................ 1 1 Introduction .............................................................................................................................. 3 1.1 Purpose and structure of this report .................................................................................. 3 1.2 Background on the project ................................................................................................ 3 1.3 Methodology ..................................................................................................................... 4 2 The City of Melbourne and climate change adaptation ............................................................. 5 2.1 Background on the City of Melbourne ............................................................................... 5 2.2 The City of Melbourne’s activities on climate change adaptation ...................................... 6 3 Research findings: Adaptation framing in the City of Melbourne ............................................. -
Filming and Photography
Filming and Photography Extraordinary Venues for Extraordinary Events Museum Spaces: Filming and Photography From Film to Fossils Extraordinary Spaces to film Immigration Museum Royal Exhibition Building iconic moments. Capturing Based in the CBD of Melbourne World Heritage Listed and built in the perfect scene, Museum the Old Customs House is one 1880 the Royal Exhibition Building Spaces offers four unique of the most significant sites in and its grounds. Victoria’s history. locations across Melbourne. Melbourne Museum Scienceworks Iconic and postmodern with a Skyline city views, copious land vast exterior and unique galleries and the signatures of Victoria’s showcasing the history and industrial revolution – this site is culture of Melbourne. not to be overlooked. North Footscray Melbourne Carlton West Collingwood Footscray Docklands Yarraville Richmond Southbank Port Spotswood Melbourne South Yarra Newport Williamstown North Prahran Port Phillip Bay Williamstown St Kilda Museum Spaces: Filming and Photography Melbourne Museum Exterior Museum Spaces: Filming and Photography Immigration Museum Grand Foyer Black and white checkerboard marble floors carefully re-instated to its original design, and high detailed ceilings give the Grand Foyer a sense of old-world sophistication and opulence. The skyline views impress with the colourful lights of dynamic Southbank. The Long Room The Palazzo-style Long Room, with its tall ceilings and iconic columns, is the home to touring exhibitions, you can be assured that the Long Room will be adorned with a beautiful and insightful exhibition. Courtyard Sliding double doors open from the glass-walled Atrium into our sundrenched Courtyard, a tranquil haven in the middle of the Melbourne Central Business District. -
Getting My Tram Ticket
® Getting my tram ticket Department of Transport Images taken before the COVID-19 pandemic, you must wear a face mask while travelling on public transport. 2 Many people use trams to travel in Melbourne. I might take a tram to go somewhere. Some tram stops in Melbourne’s city centre are in an area called the Free Tram Zone. People do not need a ticket to travel between tram stops in this area. 3 People know which stops are in the Free Tram Zone by looking at the route maps, looking at the signs at the stop or by asking Yarra Trams staff. Outside of the Free Tram Zone, it’s important that everyone has a ticket to travel on the tram. 4 There are several types of tickets. Before I catch the tram, I choose the right type of ticket for me. Most people use a ticket called a myki. 5 mykis can be bought from Public Transport Victoria (PTV) Hubs and some myki machines. People also buy them at some shops like 7-Eleven. mykis can also be used on an android phone. This is called Mobile myki. 6 The cost of travel on my myki is called the fare. I can check the fares on the PTV website. I need to put money onto a myki to travel on the tram. This is called topping up my myki. I could do this at a myki machine, PTV Hub or online at ptv.vic.gov.au. 7 Trams have a myki reader near each door. They can look different depending on the tram. -
Greek Centre Evaluation Report
Research Unit in Public Cultures Faculty of Arts From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne Daniella Trimboli, Tia Di Biase, Barry Burgan and Nikos Papastergiadis 1 2 From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne I EXECUTIVE SUMMARY II Acknowledgements III Research Partners & Evaluation Team 1. Introduction 1.1 Aims 1.2 Research Methodology 1.3 Diaspora Cultures in Globalising Cities 1.3.1 The History of the Greek Community of Melbourne 1.3.2 The Greek Precinct in the City of Melbourne 2. The Greek Centre for Contemporary Culture 2.1 Membership Engagement 2.2 Programming 2.2.1 Education Programme and Language Schools 2.2.2 Seminars 2.2.3 Events – Other 2.3 Entrepreneurship and Social Justice 2.4 Creative Engagement 2.5 Media Engagement 3. Lonsdale Street Greek Festival 3.1 Estimating the Economic Impact of the Lonsdale Street Greek Festival (LSGF) 2017 3.2 Socio-Cultural Impact of the LSGF 2017 3.3 Recommendations for 2018 Festival and Beyond 4. Future Directions for the GCCC 4.1 Socio-Cultural Challenges 4.1.1 Intergenerational Challenges 4.1.2 Sociality and Connection 4.1.3 Cultural Hybridity 4.1.4 Recommendations 4.2 Spatial Challenges 5. Multiculturalism and Melbourne 5.1 Word Cloud Analysis: Policy, Practice, People 6. Conclusion 7. Key Recommendations 8. References 1 2 From Ethnic Enclave to Cosmopolitan Cultures: Evaluating the Greek Centre for Contemporary Culture in the City of Melbourne I Executive Summary The Greek Community of Melbourne (GCM) has developed and Positive Economic Impacts consolidated its presence in the City of Melbourne primarily The economic evaluation focuses on the 2017 Lonsdale Street through the establishment of a new building. -
The Gardens and Culture of Melbourne and Tasmania, Australia
The Gardens and Culture of Melbourne and Tasmania, Australia October 24 to November 8, 2016 Escorted by Peter Olin Melbourne sits on the Yarra River, around the shores of Port Phillip Bay. Lauded for its sense of style and elegance, Melbourne boasts glamorous festivals and events, Australia's best shopping, a lively pas- sion for eating and drinking, and a flourishing interest in the arts. Restored and preserved nineteenth- century architecture, built following the discovery of gold, provides a heady reminder of a prosperous age, while beautifully tended parks and gardens present a therapeutic respite from the pace of city life. Tasmania is an island of spectacular coastlines, tall forests, rugged highlands, sunny beaches and wild rivers. There are vibrant cities, sleepy country towns, and picturesque fishing villages. With four distinct seasons and a mild, cool climate, Tasmania is well-suited to gourmet food production. Almost half of Tasmania’s land mass is protected in World Heritage Areas, national parks, and marine and forest reserves. Tasmania's protected, natural environment and soft, southern light attract artists and crafts makers from around the world, generating a dynamic, creative artistic and cultural scene. Call Carlson Wagonlit Travel at 763-852-8162 for more information and to register. About the Tour Join the Minnesota Landscape Arboretum and Peter Olin to explore the natural beauty, gardens, history, culture and culinary delights of Melbourne and Tasmania. The adventure starts with four nights in Melbourne. Here you will have time to explore this vibrant city and explore the charming coastal villages while on your way to visit the private and public gardens of the Mornington Peninsula and Mount Macedon. -
Like a Sustainable Version: Practising Independence in the Central Sydney Independent Music Scene
Like a sustainable version: Practising independence in the Central Sydney independent music scene Shams Bin Quader A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Gender and Cultural Studies School of Philosophical and Historical Inquiry Faculty of Arts and Social Sciences University of Sydney 2020 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person, not material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement has been made in the text. Shams Bin Quader 22 April 2020 SHAMS QUADER i ABSTRACT Independent music is a complex concept. It has meant different things at different historical moments of popular music and within academic, music press and industry discourses. Even though what independent music refers to might not be substantive, it has tended to signify an oppositional ethos comprising practices related to maintaining distinction from commercialised popular music. Historical narratives of popular music reveal that independent music or indie, has been defined and re-defined, from signifying an ethos of resistance comprising anti-major record label and anti- corporatisation attitudes, to rubrics of sound aesthetics, marketing categories and niche audience segments. Its different connotations then should not be assumed. Comprehension of different dimensions of independent music call for theorisation of youth, rebellion, alternative cultures, and their connections with musical forms, along with production and distribution-related organisational infrastructures revolving around them. -
MELBOURNE METRO RAIL PROJECT EES COMMUNITY and STAKEHOLDER ENGAGEMENT PLAN APRIL 2016 Table of Contents Introduction
MELBOURNE METRO RAIL PROJECT EES COMMUNITY AND STAKEHOLDER ENGAGEMENT PLAN APRIL 2016 Table of Contents Introduction ......................................................................................................................................................................... 3 Project description ............................................................................................................................................................... 4 Project key messages ......................................................................................................................................................... 7 Stakeholder and community engagement ......................................................................................................................... 10 Project stakeholders .......................................................................................................................................................... 15 What will be engaged on ................................................................................................................................................... 16 Proposed engagement program ........................................................................................................................................ 18 Review and evaluation ...................................................................................................................................................... 22 APPENDIX A – Stakeholder groups ................................................................................................................................. -
Rock of Ages, Melbourne
SALES to 25 Sep 2011 ROCK OF AGES, MELBOURNE ROCK OF AGES is a hilarious, feel-good love story told through the hit songs such as: ‘I Want to Know What Love Is’, ‘Don’t Stop Believin’’, ‘The Final Countdown’, ‘We Built This City’ and ‘More Than Words’ by iconic rockers such as Foreigner, Journey, Styx, REO Speedwagon, Poison, Starship, Pat Benatar, Whitesnake, and many more. The Australian production of this critically acclaimed Broadway musical will open at the Comedy Theatre, Melbourne in April 2011. Set in 1987 on the Sunset Strip, a small-town girl meets a big-city dreamer and in L.A.’s most legendary rock club, they fall in love to the greatest songs of the ‘80s. It’s an awesomely good time where big hair meets big dreams in a Rock ‘n’ Roll comedy romance. Following an extremely successful Off Broadway run in October 2008 and a bidding war over the film rights in which NewL ine Cinema won, and Adam Shankman (HAIRSPRAY) is directing, ROCK OF AGES transferred to Broadway’s Brooks Atkinson Theatre in April 2009 to critical acclaim and continued audience adoration. ROCK OF AGES was nominated for five 2009 TonyA wards®, including Best Musi- cal, Best Actor in a Musical, Best Direction of a Musical, Best Costume Design of a Musical, and Best Sound Design for a Musical. 3 nights, flights & show ticket from: $ per adult 855 share double INCLUDES: Return airfares economy class airfares to Melbourne flyingA ir New Zealand direct from Christchurch, 3 nights accommodation as specified and Rock ofA ges ‘A’ Reserve Show Ticket (Tuesday to Thursday -
Time Series Analysis of the Skyline and Employment Changes in the CBD
ARTICLES TIME SERIES ANALYSIS OF THE SKYLINE AND EMPLOYMENT CHANGES IN THE CBD OF MELBOURNE Jun Tsutsumi, Ehime University Correspondence to Jun Tsutsumi: [email protected] Kevin O’Connor, The University of Melbourne Correspondence to Kevin O’Connor: [email protected] This paper covers historical and micro level analyses of floor space and employment in the CBD of Melbourne during the last two decades. The time-series patterns and processes of high-rise building provision in the CBD are also focused on. The CBD has experienced very complicated changes over the last two decades. While particular types of urban functions, say finance and insurance offices and many retail activities, have been dispersed to the suburbs, newly emerged activities have replaced the old and traditional ones. Despite the growth of suburban cores (office and retail), the CBD of Melbourne has still kept its strong centrality through a role as the main location of office activity in particular. Historical and micro level viewpoints provide a new understanding of the metropolitan area. The key question must be ‘Why is the role of the CBD of Melbourne still so strong, given substantial dispersal of population and economic activity to suburban locations?’ INTRODUCTION Melbourne is the second largest city after Sydney in the Australian urban system. As many articles argued, the globalization of the economy and the related growth of business service activities, which occurred in the late 1980s and the 1990s, created a strong demand for office spaces in big cities. Sydney received the majority of global investments, while Melbourne ranks second behind Sydney in every category of investment (Hajdu 1994).