Representation of Postcolonial Identity in Naipaul's Works
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LYNNE MACEDO Auteur and Author: a Comparison of the Works of Alfred Hitchcock and VS Naipaul
EnterText 1.3 LYNNE MACEDO Auteur and Author: A Comparison of the Works of Alfred Hitchcock and V. S. Naipaul At first glance, the subjects under scrutiny may appear to have little in common with each other. A great deal has been written separately about the works of both Alfred Hitchcock and V. S. Naipaul, but the objective of this article is to show how numerous parallels can be drawn between many of the recurrent ideas and issues that occur within their respective works. Whilst Naipaul refers to the cinema in many of his novels and short stories, his most sustained usage of the filmic medium is to be found in the 1971 work In a Free State. In this particular book, the films to which Naipaul makes repeated, explicit reference are primarily those of the film director Alfred Hitchcock. Furthermore, a detailed textual analysis shows that similarities exist between the thematic preoccupations that have informed the output of both men throughout much of their lengthy careers. As this article will demonstrate, the decision to contrast the works of these two men has, therefore, been far from arbitrary. Naipaul’s attraction to the world of cinema can be traced back to his childhood in Trinidad, an island where Hollywood films remained the predominant viewing fare throughout most of his formative years.1 The writer’s own comments in the “Trinidad” section of The Middle Passage bear this out: “Nearly all the films shown, apart from those in the first-run cinemas, are American and old. Favourites were shown again and Lynne Macedo: Alfred Hitchcock and V. -
VS. Naipaul: a Bibliographical Update (198 7-94)
VS. Naipaul: A Bibliographical Update (198 7-94) KELVIN JARVIS JLHIS IS A bibliographical update of my V. S. Naipaul: A Selective Bibliography with Annotations: 195J-198J, covering the period 1987-94. Since 1 g87 (when An Enigma of Arrival: A Novel in Five Sections appeared), Naipaul has published three books—A Turn in the South ( 1989), India: A Million Mutinies Now ( 1990), and A Way in the World ( 1994)—and more than 18 substantial pieces, in addition to delivering various lectures and acceptance speeches. This checklist is arranged in six parts. Part I contains Naipaul's most recent writings and comments, listed under three head• ings: published books, articles, and interviews, with entries given chronologically. Part II covers recent bibliographical listings of his work. Part III includes 16 full-length books written about him. Part PV lists articles on him in books, reference volumes, journals, and magazines. Part V has book reviews and critical studies of his individual books. And Part VI itemizes doctoral theses exclu• sively or partly on him. Conference papers have featured prominently in the spate of attention Naipaul continues to generate; these papers are usu• ally quite elusive to trace, particularly if they are not published collectively and within a reasonably short time frame. Thus this checklist omits offerings on Naipaul from conferences and all foreign-language citations. It also excludes newspaper articles with imprints prior to 1987. The Enigma of Arrival spans Naipaul's life in England and echoes a finality in his writing career. The protagonist of this novel writes: "with time passing, I felt mocked by what I had already done; it seemed to belong to a time of vigour, now past for good. -
"Other" in V. S. Naipaul's "A House for Mr. Biswas"
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 7 No. 1; February 2016 Australian International Academic Centre, Australia Flourishing Creativity & Literacy The Situation of Colonial 'Other' in V. S. Naipaul’s A House for Mr. Biswas Tahereh Siamardi (Corresponding author) Department of English Literature, Karaj Branch, Islamic Azad University, Karaj, Iran PO Box 31485-313, Karaj, Iran E-mail: [email protected] Reza Deedari Department of English Literature, Karaj Branch, Islamic Azad University, Karaj, Iran PO Box: 31485-313, Karaj, Iran Email: [email protected] Doi:10.7575/aiac.alls.v.7n.1p.122 Received: 15/09/2015 URL: http://dx.doi.org/10.7575/aiac.alls.v.7n.1p.122 Accepted: 11/11/2015 Abstract The focus of the present study is to demonstrate traces of Homi k. Bhabha’s notion of identity in V.S. Naipaul’s A House for Mr. Biswas (1961). As a prominent postcolonial figure, Bhabha has contemplated over the formation of identity in the colonizing circumstances. He discusses on what happens to the colonizer and the colonized while interacting each other, arguing that both the colonizer and the colonized influence one another during which their identity is formed, fragmented and alienated. In considering Naipaul’s A House for Mr. Biswas as postcolonial text, by the help of postcolonial theories of Homi Bhabha, it is argued that, mentioned novel sums up Naipaul’s approach to how individuals relate to places. This novel shows that individuals’ quest for home and a place of belonging is complicated first, by the reality of homelessness, and second, by the socio-cultural complexities peculiar to every place. -
246 Lavinia TACHE Faculty of Letters, University Of
Lavinia TACHE Faculty of Letters, University of Bucharest Bucharest, Romania [email protected] OBJECTS RECONFIGURING THE PRESENT AND THE PRESENCE. ROUTES OF DISPLACEMENT FOR HUMANS: YOKO OGAWA, HAN KANG, OLGA TOKARCZUK Recommended Citation: Tache, Lavinia. “Objects Reconfiguring the Present and the Presence. Routes of Displacement for Humans: Yoko Ogawa, Han Kang, Olga Tokarczuk.” Metacritic Journal for Comparative Studies and Theory 7.1 (2021): https://doi.org/10.24193/mjcst.2021.11.15 Abstract: The materiality of the human body is to be understood in a complementary relation with the objects that produce an extension of life and the privation of it. The Memory Police (Yoko Ogawa) and Human Acts (Han Kang) reassemble the past through the instrumentalization of objects, thus creating life in the present. The question that arises is whether this certain present can preserve the integrity of the human. Flights by Olga Tokarczuk suggests the body as a locus of conversion and tackles contemporary interests regarding plastic, for instance. These texts authored by Ogawa, Kang and Tokarczuk allow for a repositioning of the standpoint from which the consequences of subject-object relation are approached in literature, because they tap into human experience by addressing the essentiality of objects as repositories of memories. The essay attempts to analyse how objects having either a beneficial or a lethal meaning can be seen as deeply encapsulated in human existence. Keywords: memory, object-oriented theory, subject, bodies, trauma Three realities – objects for a decontextualized humanity Echoing dystopian versions of worlds about the reconfiguration of humanity, both Han Kang and Yoko Ogawa explore the idea that an object may have wide-ranging interpretations. -
Reseña De" Naipaul: Man and Writer" De Gillian Dooley
Caribbean Studies ISSN: 0008-6533 [email protected] Instituto de Estudios del Caribe Puerto Rico Fraser, Peter D. Reseña de "Naipaul: Man and Writer" de Gillian Dooley Caribbean Studies, vol. 38, núm. 1, enero-junio, 2010, pp. 212-215 Instituto de Estudios del Caribe San Juan, Puerto Rico Disponible en: http://www.redalyc.org/articulo.oa?id=39220687019 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto 212 PEDRO L. SAN MIGUEL Tal transposición respondió en buena medida a una concepción raciali- zada de la historia según la cual los esclavos de Haití, por ser negros y de origen africano, no po dían representar ideales tan magnos como la Libertad y la Historia Universal—así, con mayúscula. No empece su crítica profunda a la construcción hegeliana de la “historia universal”, Buck-Morss está lejos de repudiar tal concepto. Al contrario, en el segundo ensayo que compone su libro, titulado precisamente “Universal History”, la autora reclama la necesidad de recuperarlo, si bien transformándolo de manera que Occidente no sea concebido como el eje único y absoluto de una historia universal. De con- cretarse su llamado a radicalizar el concepto de la “historia universal”, la historia de Haití y de los esclavos que lucharon por la libertad—por la de ellos, sin duda, pero metafóricamente también por la de muchos otros humanos—jugaría, seguramente, no el papel marginal que ha ocupado hasta ahora en los relatos históricos, sino un papel central y determi- nante. -
Representation of Postcolonial Identity in Naipaul's Works
Vol. 4(10), pp. 451-455, December, 2013 DOI: 10.5897/IJEL2013.0481 International Journal of English and Literature ISSN 2141-2626 ©2013 Academic Journals http://www.academicjournals.org/IJEL Review Representation of postcolonial identity in Naipaul's works Bijender Singh V.P.O. Jagsi, Tehsil Gohana, District Sonepat, Haryana, India. Accepted 29 July, 2013 This paper attempts to explore representation of postcolonial identity in V. S. Naipaul’s three works A House for Mr. Biswas, A Bend in the River and An Enigma of Arrival. This paper attempts to relate how these three works are replete with the theme of identity as the chief protagonists of all these three novels hanker after to find a place for them in the world to assert their identities. Their minds vacillate between two contradictory cultures existing in that time. Researcher attempts to analyze the different strands of identity to make the work more comprehensive and to radicalize its global demand. The origin of the word ‘identity’ and its literary importance has been projected through this paper along with the different meanings of identity having a slight difference in their meaning. Postcolonial Diasporic authors and their works have been mentioned in the paper to carry out further research on the theme of postcolonial identity. V. S. Naipaul’s earned vacuity of female authors by challenging them and their rabble-rousing strengthened his identity in the world, has been assessed and analyzed. It has been studied how in these three novels, main protagonists try to claim their place in the world that is full of challenges in their real life and consequently, the environment of these novels poses a cultural-clash to make their journey of life more complicated and hard to live in antagonistic surroundings. -
V. S. Naipaul's a House for Mr Biswas: a Satire on Hinduism
V. S. NAIPAUL’S A HOUSE FOR MR BISWAS: A SATIRE ON HINDUISM Bijender Singh Research Scholar Dravidian University, Kuppam Andhra Pradesh, India Abstract Present paper is an attempt to explore how V.S. Naipaul’s novel A House for Mr Biswas is a satire on Hindu customs, traditions, rituals and rites. Naipaul’s novels are about his peregrination of orthodoxies prevalent in Hinduism. Through the paper the researcher tries to highlight that some Hindu Brahmins of high society claim themselves of supreme caste but their actions are inferior even to those people who are considered from the lowest stratum of society. They claim with proud to be Brahmins and follow the Hindu rituals blindly but they have no any quest for religion, salvation, sacrifice or goodness. They follow the Hindu rituals impassively because their ancestors did so. But they defy and infringe all rules and customs of the Hindu religion whenever the rituals come on their way. Hindus are famous for vegetarianism and their love for Hindu religious books. But in this novel they discard all rules to grind their own axes and follow the western culture blindly. These Hindus don’t refrain even from eating meat whereas even the egg is not touched in Hindu families. Such kind of themes have been projected and studied extensively in this paper. Key-Words: Hinduism, Traditions, Rituals, Post-Colony, Satire, Humanity. V. S. Naipaul’s A House for Mr. Biswas is a story of Indian Hindu migrants whose grand-parents have been migrated in Trinidad and Tobago as indentured labourers on the sugarcane estates and started living there permanently. -
V.S. Naipaul: from Gadfly to Obsessive
V.S. Naipaul: From Gadfly to Obsessive Mohamed Bakari* All the examples Naipaul gives, all the people he speaks to tend to align themselves under the Islam versus the West opposition he is determined to find everywhere. It is all tiresome and repetitious. Edward W.Said The Man and the Prize : The announcement of the 2001 Nobel Laureate for Literature in October that year elicited the kind of reaction that was predictable, given the reputation and the choice, that of Sir Vidhiadar Surajparasad Naipaul. Of Indian ancestry, V.S. Naipaul is a grandchild of Hindu Brahmins who found their way to the Caribbean island of Trinidad as indentured labourers to escape the grinding poverty of Utterpradesh. Naipaul’s was just one of a stream of families that were encouraged to migrate to the West Indies from the former British colonies of India and Chinese enclaves in Mainland China. Slavery had been abolished in the British Empire in 1832 and the former African slaves were no longer available to the sugarcane plantations and labour had to be sought from somewhere. In their natural ingenuity the British devised the new institution of indentured labour, which was really a new euphemism for a new form of servitude. Whereas the slaves were forcibly repatriated against their will, the new indentured labourers had the carrot of landownership dangled in front of them, to lure them to places they had no idea of. The new immigrants added a new dimension to an already complex racial situation, by adding the Asian layer to the Carib, European and African admixtures created by Alternatives: Turkish Journal of International Relations, Vol.2, No.3&4, Fall&Winter 2003 243 waves of migration. -
Introductory Discussions on the Novel, “A Bend in the River”
Compiled and Circulated by Samir Kuilya,Faculty Member,Dept. of English, Narajole Raj College =================================== Introductory Discussions on The Novel, “A Bend in the River” Sir Vidiadhar Surajprasad Naipaul (1932–2018), publicly known as V. S. Naipaul, was a British-Trinidadian writer of Indian descent. He was best known for writing pessimistic novels and travel accounts of the developing world. Naipaul was born and brought up on the island of Trinidad, located in the Caribbean Sea off the northeastern coast of Venezuela. His grandparents started to live in Trinidad in the nineteenth century as contractual servants. He secured free passage from India in exchange for a set period of labour on one of the island’s plantations. In 1950, Naipaul received a scholarship to study in England, and he chose to attend Oxford University. Following the completion of his studies there, he settled in London. He immediately began a long and productive writing career that spanned five decades and saw the publication of fourteen novels and sixteen works of nonfiction. Naipaul received numberless high honours for his work, including the prestigious Booker Prize for his 1971 novel In a Free State and a knighthood in 1989. In 2001, the Swedish Academy awarded Naipaul the Nobel Prize in Literature, praising the “vigilant style” of his prose and his commitment to unveiling the hidden “history of the anquished.” In A Bend in the River (1979), Naipaul’s exploration of alienation and dislocation takes on special complexity as the ethnically Indian protagonist must navigate two separate but connected forms of colonization: that of the British Empire, which dominated East Africa throughout his childhood, and that of an emerging African regime, which sees everything of foreign origin as a threat to African independence. -
Contemporaneity and VS Naipaul's a Bend in the River
Concentric: Literary and Cultural Studies 46.2 September 2020: 247-267 DOI: 10.6240/concentric.lit.202009_46(2).0011 Inscribing African History: Contemporaneity and V. S. Naipaul’s A Bend in the River Dexu Zhang Department of English Northeastern University, China Abstract This article proposes a thesis that goes against the negativity of the prevalent assessment of Naipaul’s work: that his literary project partakes in writing third-world history and reconstructing humanism of the global south. In his transnational novels especially, Naipaul often mobilizes contemporaneity as a vehicle to challenge hegemonic European time, and accordingly calls for a new form of rewriting (post-)imperial history. In light of the notion of time and contemporaneity, I read A Bend in the River (1979) as Naipaul’s attempt to write a post-Orientalist history of Africa that refuses to be historicized as the West’s Other. Contrary to the popular view that Naipaul consigns Africa to a primitive time zone, this novel enacts an indigenous temporality in parallel with European time which denies that Africa is Europe’s contemporary, unravelling their fundamental coevalness. Through a vivid depiction of (non-)interactions between characters, Naipaul uses literary realism to attempt historiography in African terms, one that contests and expands the way we think and imagine African history. Keywords African history, historiography, time, contemporaneity, A Bend in the River, Naipaul I would like to acknowledge the valuable suggestions made by the two anonymous readers and the editors. My thanks also go to Gaurav Desai and Grant Hamilton for their incisive comments on earlier drafts of this article. -
Bibliography
BIBLIOGRAPHY PRIMARY SOURCES Naipaul, V. S. (2002). The Mimic Men. London: Picador. (2002). The Mystic Masseur. London: Picador. (2002). Haifa Life. London: Picador. (2003). A House for Mr. Biswas. London: Picador. SECONDARY SOURCES Abrams, M. H. (2000). A Glossary of Literary Terms. Singapore: Harcourt Asia Pvt. Ltd. Abraham,Taisha(2007). Introducing Postcolonial Theories: Issues and Debates. New Delhi: Macmillan India. Anderson, Benedict(1991). Imagined Communities. London: Verso Publications. Arnold, Mathew (1996). Culture and Anarchy. Cambridge: Cambridge University Press. Ashcroft, Bill et.al. (ed.) (2003). The Empire Writes Back: Theory and Practice in Post-colonial Literatures. London and New York: Routledge. (ed.) (1995). The Postcolonial Studies Reader. London: Routledge. Bala, Suman (ed.) (2003). V. S. Naipaul: A Literary Response to Nobel Laureate. New Delhi: Khosla. Baldwin, Elaine (ed.) (1999). Introducing Cultural Studies. London: Prentice Hall. Ball, John Clements (2003). Satire and the Post Colonial Novel: V.S.Naipaul. New York: Routledge. Banks, J.A. and Gee.C. A. {\9S9). Multicultural Education. Needham Heights: Allyn and Bacon. Benedict, Ruth (1961). Patterns of Culture. Massachusetts: The Riverside Press. 205 Boxhill, Anthony (1983). V.S. Naipaul's Fiction: In Quest of Enemy. Fredericton: York Press. Brathwaite, E. K. (1974). Contradictory Omens: Cultural Diversity and Integration in the Caribbean. Mona: Savacou Publications. Caribbean, Ludic (2006). Cultural Representations of Trinidad in V. S. Naipaul's Fiction. Bavaria: University of Wurzburg. Castle, Gregory and George Lamming (ed.) (2001). Colonialism and the Caribbean Novel- Postcolonial Discourses: An Anthology. Oxford: Blackwell Publishers. Chakrabarty, Bidyut (ed.) (2003). Communal Identity in India: Its Construction and Articulation in the Twentieth Century. New Delhi: Oxford University Press. -
Marlon James Volume 26 Number 2 November 2018
Vol. 26 / No. 2 / November 2018 Special Issue Marlon James Volume 26 Number 2 November 2018 Published by the Departments of Literatures in English, University of the West Indies CREDITS Original image: Sugar Daddy #2 by Leasho Johnson Nadia Huggins (graphic designer) JWIL is published with the financial support of the Departments of Literatures in English of The University of the West Indies Enquiries should be sent to THE EDITORS Journal of West Indian Literature Department of Literatures in English, UWI Mona Kingston 7, JAMAICA, W.I. Tel. (876) 927-2217; Fax (876) 970-4232 e-mail: [email protected] Copyright © 2018 Journal of West Indian Literature ISSN (online): 2414-3030 EDITORIAL COMMITTEE Evelyn O’Callaghan (Editor in Chief) Michael A. Bucknor (Senior Editor) Lisa Outar (Senior Editor) Glyne Griffith Rachel L. Mordecai Kevin Adonis Browne BOOK REVIEW EDITOR Antonia MacDonald EDITORIAL BOARD Edward Baugh Victor Chang Alison Donnell Mark McWatt Maureen Warner-Lewis EDITORIAL ADVISORY BOARD Laurence A. Breiner Rhonda Cobham-Sander Daniel Coleman Anne Collett Raphael Dalleo Denise deCaires Narain Curdella Forbes Aaron Kamugisha Geraldine Skeete Faith Smith Emily Taylor THE JOURNAL OF WEST INDIAN LITERATURE has been published twice-yearly by the Departments of Literatures in English of the University of the West Indies since October 1986. JWIL originated at the same time as the first annual conference on West Indian Literature, the brainchild of Edward Baugh, Mervyn Morris and Mark McWatt. It reflects the continued commitment of those who followed their lead to provide a forum in the region for the dissemination and discussion of our literary culture.