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SOCIETY for MUSIC THEORY Fifteenth Annual Conference SOCIETY FOR MUSIC THEORY Fifteenth Annual Conference Holiday Inn Crowne Plaza Hotel Kansas City, Missouri October 14 - October 18, 1992 WEDNESDAY, 14 OCTOBER AMERICAN MUSIC John Rahn, University of Washington, chair "lves's Cyclic Universe· 4:00-6:00 Registration Philip Lambert, Baruch College and the Graduate 7:00-10:00 Meeting of the SMT Publications Center; Cit}'University of New York Committee "Of Neumes and New Music: Charles Seeger's Theory 7:00-10:00 Meeting of the Publication Awards of Musical Form" Committee Taylor A. Greer, Pennsylvania State University "Theory:Anaiysis, and the 'Problem' of Minimal Music" Jonathan W. Bernard, University of Washington THURSDAY, 15 OCTOBER "Typical Chord Successions in the Music of John Adams" Timothy Johnson, Mount Holyoke College 8:30-5:00 Registration 8:30-12:00 Meeting of the Executive Board 12:00-2:00 Executive Board Lunch 5:30-7:00 OPENING RECEPTION (NO HOST) 12:00-4:00 Exhibits Open 8:00-11 :00 SPECIAL EVENING SESSIONS 2:00-5:00 SESSIONS 8:00-10:00 MAKING A PLACE FOR WOMEN VIII THE SECOND VIENNESE SCHOOL William E. Benjamin, University of British Columbia, chair GENDER ASSUMPTIONS: OUR STUDENTS, OUR TEACHERS, OUR COLLEAGUES "Schoenberg's 'Intricate Structure': An Analytic Approach to his String Quartet in D Minor, Op. 7 Discussion of explicit and implicit gender-based Maria A. Niederberger, University of assumptions about student and faculty behavior and California, Davis how these assumptions affect our activities as teachers and scholars. Discussion will be focused "Chromatic Completion, Aggregates, and Referential on several articles. Sonorities in Schoenberg's Die g/Ockliche Hand" •Committee members: Judy Lochhead, State Joseph Auner, State University of New York at University of New York at Stony Brook, chair; Stony Brook Maureen Carr, Pennsylvania State University; Ellie "A Theory of lntervallic Segregation/lntervallic Hisama, City University of New York; Martha Hyde, Concentration for Schoenberg's Post-tonal Music" State University of New York at Buffalo; Alexis Gene Biringer, Texas Tech University Johnson, Brandeis University; Marianne Kielian­ "The Variety of Order Relations in Webern's Music: Gilbert, Indiana University; Elizabeth West Marvin, Studies of Passages from the Quartet, Op. 22 and Eastman School of Music; John Rahn, University of Variations for Orchestra, Op. 30" Washington; Deborah Stein, New England Dora A. Hanninen, Eastman School of Music Conservatory of Music; and Robert Zierolf, University of Cincinnati. r --··~- 1111 8:00-11:00 10:40-12:10 SESSIONS COGNITION RESEARCH AND ITS APPLICATIONS TO AURAL-SKILLS PEDAGOGY ANALYSIS AND EARLY MUSIC Benito Rivera, Indiana University, chair William E. Lake, Bowling Green State University, chair "Sources, Compositional Revisions, and Analysis: A • Topics covered in this session include: "Short-term Fourteenth-Century Perspective" memory," Gary Karpinski, University of Oregon; Sarah Fuller, State University of New York at "Interval identification," John Hanson, State University Stony Brook of New York at Binghamton; "Scale~degree functions," "An Analytic Approach to Seventeenth-Century Music: Steve Larson, Temple University; "Tonal melodies," Exploring lnganni in Fantasia Seconda (1608) by . William E. Lake, Bowling Green State University; Girolamo Frescobaldi" "Atonal melodies," Jeff Gillespie, Indiana University; GeneS. Trantham, Westminster Choir College "Timbre," Mark Lochstampfor, University of Rio Grande; and "Rethinking aural training," Kate Covington and Charles Lord, University of Kentucky. SCHOPENHAUER AND MUSIC Lewis Rowell, Indiana University, chair "The Metaphysics of Annihilation: Wagner, Schopenhauer, and the Ending of the Ring " Warren Darcy, Oberlin Conservatory of Music --------- \ FRIDAY, 16 OCTOBER "Linear counterpoint as Redemption Metaphor from Tristan to the Survivor from Warsaw" Timothy Jackson, Connecticut College ...... , ____ ,_...._........,_,..........., ....... ~-~ 8:00-9:00 Meeting of the Committee on the Status of Women 8:00-4:00 Exhibits Open 8:30-5:00 Registration 12:00-1:00 Meeting of the Cognition Group 9:00-10:30 SESSIONS 1:00-2:00 LECTURE RECITAL THE EIGHTEENTH CENTURY "Tuning, Tonality, and the Norwegian Hardingfele" David Smyt~. Louisiana State University, chair David Loberg Code, Western Michigan University "The Tonic in the Development as a Convention of Sonata Form: A New Examination of Haydn's 2:00-5:00 SESSIONS Symphony No. 55" Peter A. Hoyt, University of Pennsylvania "Retrospection and Reduction: Telemann's SONG Middleground Reductions of the Zwanzig kleine Arthur Komar, University of Cincinnati, chair Fugen" Ronald Rodman, Carleton College "Chromatic Third-Relations and Tonal Structure in the Trois poemes de Mallarme of Debussy" TOWARD MUSICAL MODERNISM Avo Somer. The University of Connecticut Marie Rolf, Eastman School of Music, chair "Love Forever Lost: Musical Expression and the Plagal Domain in two Songs from Tchaikovsky's Six "A System of Pentatonic Organization in a Debussy Romances, Op. 28" Prelude" Joseph C. Kraus, University of Nebraska-Lincoln David Kopp, Brandeis University "The Pop Album as Song Cycle: Paul Simon's 'Still "The Harmonic Language of Nikolai Roslavets, an Crazy After All These Years'" Early Atonal Russian Composer" Peter Kaminsky, Louisiana State University Terry B. Ewell, West Virginia University "Voice Leading and Harmony in the Early Music of The Beatles" Walter Everett, University of Michigan If n r ~~~· 1111 METHODOLOGY Qc:tYi~ Lewin, Harvard University, chair Performances of four Carter works: "Boulez's Elegant Operation: Pitch-class Set •Canon for 4, Homage to William (1984) for flute, Multiplication in Le Marteau sans maitre" clarinet, violin, and cello Stephen Heinemann, Bradley University •Riconoscenza per Goffredo Petrassi (1984) for "New Directions in the Theory and Analysis of Musical solo violin Contour" •Enchanted Preludes (1988) for flute and cello Robert Morris, Eastman School of Music •Scrivo in Vento (1991) for solo flute "Categories and Prototypes in Music: Diatonic performers: Intonation and Functional Harmony" •Robert Battey, cello, University of Missouri­ Eytan Agmon, Bar-llan University Kansas City "Similarity Rei~tions in Music Analysis" •Marilyn Bliss, flute, City University of New York Eric J. Isaacson, Ithaca College •Jane Carl, clarinet, University of Missouri­ Kansas City •Merton Shatzkln, violin, University of Missouri­ Kansas City 8:00-11 :00 SPECIAL EVENING SESSIONS THEORY AND EVIDENCE: AN INTERFACE WITH \ COGNITIVE PSYCHOLOGY Allan Keiler, Brandeis University, moderator SATURDAY, 17 OCTOBER "Convergent Methods in Music Cognition" Edward C. Carterette, University of California at Los Angeles 8:00-9:00 Breakfast Meeting for Representatives of "Form and Memory" the Regional Theory Societies 8:00-4:00 Exhibits Open W. Jay Dowling, University of Texas at Dallas 8:30-5:00 Registration "How Do You Know You Hear It That Way?" Joseph D~biel, Columbia University "Music Psychology: Influences from Music Theory" Carol L. Krumhansl, Cornell University 9:00-10:30 SESSIONS "Tonal Motive versus Tonal Syntax: Some Questions Regarding Perception" P<1t~~ck McC~~Iess, University of Texas at Austin FORM IN THE LATE NINETEENTH CENTURY 1: BRAHMS Christopher Lewis, University of Alberta, chair COMPOSITIONAL DEVELOPMENTS IN ELLIOTT "Brahms and Schenker: A Mutual Response to the ·sonaiaF'orm fradlffon''. CARTER'S RECENT MUSIC Peter H. Smith, University of Notre Dame Robert Morgan, Yale University, chair "Sonata-Allegro as Recapitulation: Brahms' Op. 111 "Long-range Polyrhythms and Elliott Carter's Recent String Quintet, Movement I" Music" Nadine Hubbs, Wayne State University ~.Qhn Link, City University of New York "The Role of Octave Equivalence in Elliott Carter's Recent Music" PEIRCEAN APPROACHES TO MUSIC SEMIOTICS Andrew Mead, University of Michigan Jean-Jacques Nattiez, Universite de Montreal, chair "Music's Mirror: Text-Music Relationships in Elliott Carter's Settings of Elizabeth Bishop" "Pursuing lnterpretants: Toward a Peircean Semiotics Anne Shreffler, University of Chicago of Music" "Compositional Rhetoric and Elliott Carter's String William Dougherty, Plymouth State College Quartet No. 4 " "The Problem of Musical Expression: Reconstructing Reynold Simpson, University of Missouri­ Expressive Competencies in Beethoven" Kansas City Robert Hatten, Pennsylvania State University .. .this session continues in next column IV 1£ r ------, ~~·~· 1111 10:4Q-12:10 SESSIONS SUNDAY, 18 OCTOBER FORM IN THE LATE NINETEENTH CENTURY II: MAHLER Christopher Lewis, University of Alberta, chair 8:00-9:00 Joint Meeting of 1992 and 1993 Program Committees "'Breakthrough' as a Critique of Form: Mahler's First Symphony" James Buhler, University of Pennsylvania 9:0Q-12:00 SESSIONS "Mahler's Double Expositions" Richard A. Kaplan, Louisiana State University IDEOLOGY IN THE HISTORY OF THEORY Eugene Narmour, chair RHYTHMIC STUDIES "Goethe, Boretz, and the 'Sensuous Idea'" Joel Lester, City University of New York, chair Gary W. Don, University of Washington "An Idea and its Politics: Hugo Riemann's Treatment of "Thematicized Hemiolas, Rhythmic Normalization, Harmonic Function" and the Metric Consonance/Dissonance Metaphor" Daniel Harrison, University of Rochester Richard L. Cohn, The University of Chicago "Concealment and Revelation in Schenker's Rhetoric" "Quasi-diatonic Rhythmic Sets in the Music of Robert Snarrenberg, Washington University Scott Joplin" "Dissonantia and Ideology: The Foundations of the Marc C. Wooldridge, Northwestern College
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