JANE MUSKY Production Designer

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JANE MUSKY Production Designer www.janemusky.com Feature Films include: THE PEOPLE WE HATE AT THE WEDDING – Amazon Studios / FilmNation Entertainment – Claire Scanlon, director BETTER NATE THAN EVER – Disney+ / 20th Century Studios – Tim Federle, director MARRY ME – Nuyorican Productions/UCP – Kat Coiro, director HUSTLERS – Gloria Sanchez/STX Entertainment – Lorene Scafaria, director SET IT UP – Netflix – Claire Scanlon, director THE SEAGULL – Olympus Mar-Key Pictures – Michael Mayer, director FREEHELD – Endgame Entertainment – Peter Sollett, director *Official Selection Toronto International Film Festival 2015 BOYCHOIR – Informant Media – Francois Girard, director *Official Selection Toronto International Film Festival 2014 SHE’S FUNNY THAT WAY – Evolution Entertainment – Peter Bogdanovich, director *Official Selection Venice Film Festival 2014 NOTORIOUS – Fox Searchlight – George Tillman, director THE BOUNTY HUNTER – Columbia Pictures – Andy Tennant, director THE WOMEN – New Line Cinema – Diane English, director MUSIC AND LYRICS – Warner Bros. – Marc Lawrence, director HITCH – Columbia Pictures – Andy Tennant, director MONA LISA SMILE – Columbia Pictures – Mike Newell, director MAID IN MANHATTAN – Columbia Pictures – Wayne Wang, director CITY BY THE SEA – Warner Bros. – Michael Caton Jones, director FINDING FORRESTER – Columbia Pictures – Gus Van Sant, director THE DEVIL'S OWN – Sony Pictures – Alan Pakula, director CITY HALL – Columbia Pictures – Harold Becker, director TWO BITS – Miramax Films – James Foley, director BOOMERANG – Paramount Pictures – Reginald & Warrington Hudlin, directors GLENGARRY GLEN ROSS – New Line Cinema – James Foley, director GHOST – Paramount Pictures – Jerry Zucker, director WHEN HARRY MET SALLY – Columbia Pictures – Rob Reiner, director PATTY HEARST – Atlantic Releasing – Paul Schrader, director YOUNG GUNS – 20th Century Fox – Christopher Cain, director RAISING ARIZONA – 20th Century Fox – Joel & Ethan Coen, directors BLOOD SIMPLE – Circle Films – Joel & Ethan Coen, directors Television includes: MURPHY BROWN – Warner Bros. TV – various directors ALEX, INC. - Sony/ABC - Zach Braff, director THE TAP (pilot) - USA Network - Simon Cellan Jones, director LOVE IS A FOUR LETTER WORD (pilot) – NBC – George Tillman, director SCORSESE’S GUEST HOST (pilot) – HBO – Martin Scorsese, director IRONSIDE (pilot) – NBC - Peter Horton, director SMASH (pilot) – NBC - Michael Mayer, director CASHMERE MAFIA (pilot) – ABC - Peyton Reed, director Commercial directors include: Janusz Kamiński; Martin Scorsese; Sam Mendes; Simon Crane; Jean-Pierre Jeunet, Scott Hicks; Tony Scott; Nick Spooner; Tony Goldwyn; Ang Lee; Doug Liman; Lisa Rubisch; Henry Lu; Tucker Gates; Bronwen Hughes; Sean Ehringer; Bruce Dowad; Michael Apted; Michael Bay Member of Local 800 and 829 .

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Gus Van Sant Regis Dialogue Formatted
Gus Van Sant Regis Dialogue with Scott Macaulay, 2003 Scott Macaulay: We're here at the Walker Art Center for Regis dialogue with American filmmaker Gus Van Sant. He'll be discussing the unique artistic vision that runs through his entire body of work. Gus was first recognized for a trilogy of films that dealt with street hustlers, Mala Noche, Drugstore Cowboy, My Own Private Idaho. He then went on to experiment with forum and a number of other films including To Die For, Psycho and even Cowgirls Get the Blues. Gus is perhaps best known for his films, Goodwill Hunting and Finding Forrester, but all of his work including his latest film, Gerry, has his own unique touch. We'll be discussing Gus' films today during this Regis dialogue. I'm Scott Macaulay, producer and editor of Filmmaker Magazine. I'll be your guide through Gus' work today in this Regis dialogue. Thanks. Gus Van Sant: Thank you. Scott Macaulay: It's a real pleasure to be here with Gus Van Sant on this retrospective ... Which is called on the road again. I guess there are a lot of different illusions in that title, a lot of very obvious ones because a lot of Gus' movies deal with travel and change and people going different places, both locations within America but also in their lives. But another interesting implication of the title is that this retrospective is occurring on the eve of the release here and also nationwide of Gerry, which is really one of Gus' best and most moving films but it's also yet sort of another new direction for Gus as a filmmaker.
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ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English FILM AND TELEVISION THE YOUNG POPE Wig/Hair Designer Wildside, Indigo Film Director: Paolo Sorrentino ZOOLANDER 2 Department Head of Hair / Hair Stylist & Wig Designer Paramount Director: Ben Stiller CAESAR Department Head of Hair and Make-Up Kallope Films Director: Tiago Mesquita Cast: Sean Bean, Isaac Hempstead Wright, Mackenzie Crook THE EARLY YEARS Wig/Hair Designer Indigo Film Director: Paolo Sorrentino Cast: Rachel Weisz, Michael Cane, Jane Fonda HERCULES: THE THRACIAN WARS Wig/Hair Designer Film 44, MGM, Paramount, Radical Pictures Director: Brett Ratner Cast: Dwayne Johnson, Ian Mcshane, John Hurt LA GRANDE BELEZZA (THE GREAT BEAUTY) Wig/Hair Designer Indigo Film, Medusa Film, Babe Film, Pathé Director: Paolo Sorrentino Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli David di Donatello Award - Won - Best Hair Design/Styling BORGIA (SERIES 1,2 & 3) Co-Designer: Wig/Hair ETIC Films Directors: Philippe Haim, Oliver Hirschbiegel CONAN THE BARBARIAN Wig/Hair Designer Lionsgate Director: Marcus Nispel WE BELIEVED Hair Designer Palomar Director: Mario Martone David di Donatello Award - Won - Best Hair Design/Styling VEDA – ATATÜRK Wig/Hair Designer Kamera Film Director: Zülfü Livaneli IO, DON GIOVANNI Wig/Hair Designer Edelweiss Cinematografica, Lucky Red Director: Carlos Saura IL DIVO Wig/Hair Designer Indigo Film, Lucky Red Director: Paulo Sorrentino Academy Award - Nominee - Best Achievement In Make-Up David di Donatello Award - Best Hair Design/Styling 2061 Wig/Hair
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Gus Van Sant Retrospective Carte B
30.06 — 26.08.2018 English Exhibition An exhibition produced by Gus Van Sant 22.06 — 16.09.2018 Galleries A CONVERSATION LA TERRAZA D and E WITH GUS VAN SANT MAGNÉTICA CARTE BLANCHE PREVIEW OF For Gus Van Sant GUS VAN SANT’S LATEST FILM In the months of July and August, the Terrace of La Casa Encendida will once again transform into La Terraza Magnética. This year the programme will have an early start on Saturday, 30 June, with a double session to kick off the film cycle Carte Blanche for Gus Van Sant, a survey of the films that have most influenced the American director’s creative output, selected by Van Sant himself filmoteca espaÑola: for the exhibition. With this Carte Blanche, the director plunges us into his pecu- GUS VAN SANT liar world through his cinematographic and musical influences. The drowsy, sometimes melancholy, experimental and psychedelic atmospheres of his films will inspire an eclectic soundtrack RETROSPECTIVE that will fill with sound the sunsets at La Terraza Magnética. La Casa Encendida Opening hours facebook.com/lacasaencendida Ronda de Valencia, 2 Tuesday to Sunday twitter.com/lacasaencendida 28012 Madrid from 10 am to 10 pm. instagram.com/lacasaencendida T 902 430 322 The exhibition spaces youtube.com/lacasaencendida close at 9:45 pm vimeo.com/lacasaencendida blog.lacasaencendida.es lacasaencendida.es With the collaboration of Cervezas Alhambra “When I shoot my films, the tension between the story and abstraction is essential. Because I learned cinema through films made by painters. Through their way of reworking cinema and not sticking to the traditional rules that govern it.
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Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series.
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Portrayals of Ethnicities Discrimination in Education Themed Movies: a Game Theoretic Analysis
UNIVERSITY OF PIRAEUS SCHOOL OF ECONOMICS, BUSINESS AND INTERNATIONAL STUDIES DEPARTMENT OF INTERNATIONAL AND EUROPEAN STUDIES POSTGRADUATE PROGRAMME “INTERNATIONAL AND EUROPEAN POLICIES ΟN EDUCATION, TRAINING AND RESEARCH” THESIS Portrayals of Ethnicities Discrimination in Education Themed Movies: A Game Theoretic Analysis Postgraduate Student Name: Symeon Tsamkosoglou Piraeus 2018 Ο Συμεών Τσαμκόσογλου βεβαιώνω ότι το έργο που εκπονήθηκε και παρουσιάζεται στην υποβαλλόμενη διπλωματική εργασία είναι αποκλειστικά ατομικό δικό μου. Όποιες πληροφορίες και υλικό που περιέχονται έχουν αντληθεί από άλλες πηγές, έχουν καταλλήλως αναφερθεί στην παρούσα διπλωματική εργασία. Επιπλέον τελώ εν γνώσει ότι σε περίπτωση διαπίστωσης ότι δεν συντρέχουν όσα βεβαιώνονται από μέρους μου, μου αφαιρείται ανά πάσα στιγμή αμέσως ο τίτλος. Υπογραφή Acknowledgements Before the presentation of this thesis concerning “Portrayals of ethnicities discrimination in education themed movies: A Game Theoretic Analysis” on behalf of the Postgraduate Program “International and European Policies in Education, Training and Research” at the Department of International and European Studies of the University of Piraeus, I would like to express my gratitude to special people who offered their valuable help to me in order to proceed with this work. At first, I would like to thank my supervisor Associate Professor John Paravantis for the time he spent motivating me and urging me to develop this thesis and offering me the opportunity to become a better student, a better scientist and a better person through him. I would like to express my thanks to Professors Athanasios Samaras and Foteini Asderaki for their comments on my work, encouraging me to continue with further university studies and research. Last but not least, I want to thank my family, my wife for putting up with me and my frustration and my newborn son for the “joyful delay” to finish my thesis.
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Gerry Gavigan 1St Assistant Director
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Ambler Theater
Ambler Theater Previews5 9 A MARCH - MAY 2007 Charlton Heston and Janet Leigh in TOUCH OF EVIL TOUCH Charlton Heston and Janet Leigh in INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLER T HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. ADMISSION When will films play? Main Attractions General ............................................................$8.00 Film Booking. Our main films play week-to-week from Friday Members .........................................................$4.50 through Thursday. Every Monday we determine what new films Support the Ambler Theater. Seniors (62+) will start on Friday, what current films will end on Thursday, Children under 18 and and what current films will continue through Friday for another Please help us raise the remaining $50,000 Students w/valid I.D. .....................................$6.00 week. All films are subject to this week-to-week decision-mak- needed to meet our capital campaign goal. Matinee (before 5:30 pm) ...............................$6.00 ing process. We try to play all of our Main Attractions films as Wed Early Matinee (before 2:30 pm) ...............$5.00 soon as possible. (For more info on the business of booking It’s been over a year since we kicked off our capital campaign by relighting our Affiliated Theaters Members* ...........................$5.50 films and why some films play longer or sooner than others, neon tower. Today the campaign is almost complete. In order to finish, though, *Affiliated Theaters Members visit our website.) we need your help in raising the final $50,000. We are happy to announce that the Ambler Theater, the County When Will a Film’s Run Start? YOUR GIFT WILL BE DOUBLED BY A MATCHING GRANT Theater, and the Bryn Mawr Film Institute have reciprocal After we decide on Monday (Tuesday at the latest) what new The Theater has received a $500,000 matching state challenge grant.
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Finding Forrester Forrester – Gefunden! a La Rencontre De Forrester
Wettbewerb/IFB 2001 FINDING FORRESTER FORRESTER – GEFUNDEN! A LA RENCONTRE DE FORRESTER Regie: Gus Van Sant USA 2000 Darsteller William Forrester Sean Connery Länge 136 Min. Jamal Wallace Rob Brown Format 35 mm, Prof.Crawford F.Murray Abraham Cinemascope Claire Spence Anna Paquin Farbe Terrell Busta Rhymes Ms.Joyce April Grace Stabliste Coleridge Michael Pitt Buch Mike Rich Dr.Spence Michael Nouri Kamera Harris Savides Matthews Richad Easton Kameraführung Craig Haagensen Massie Glenn Fitzgerald Kameraassistenz Eric C.Swanek Damon Zane R.Copeland Jr. Michael Cambria Janice Stephanie Berry Caesar S.Carnevale Fly Fly Williams III Schnitt Valdis Oskarsdottir Kenzo Damany Mathis Schnittassistenz Helen Hand Clay Damien Lee Tonschnitt Kelley Baker Trainer Garrick Tom Kearns Tonassistenz Paul Koronkiewicz Hartwell Matthew Noah Word Alfredo Viteri Dr.Simon Charles Bernstein Mischung Brian Miksis Bradley Matt Malloy Musik Bill Brown Sean Connery, Rob Brown Foto:G.Kraychyk Sanderson Matt Damon Production Design Jane Musky Ausstattung Darrell K.Keister Kostüm Ann Roth FORRESTER – GEFUNDEN! Maske Michael Bigger Ein abbruchreifes Backsteinhaus in der South-Bronx. Zwischen den vielen Regieassistenz David Webb schmucklos in die Höhe gezogenen Mietskasernen ist dieser übrig geblie- Produktionsltg. Michele Giordano bene Bau ein Fremdkörper in der Gegend. Auf die schwarzen Kids, die auf Aufnahmeleitung Trish Adlesic dem Platz davor Basketball spielen, macht es einen geheimnisvollen Ein- Produzenten Laurence Mark Sean Connery druck – auch wegen des silberhaarigen alten Mannes, der das Haus nie zu Rhonda Tellefson verlassen scheint und immer hinter den blank geputzten Fenstern in der Executive Producers Dany Wolf dritten Etage zu sehen ist. Jamal, Basketball-Ass, Leseratte und überdurch- Jonathan King schnittlich intelligenter Bursche, der sein Licht im Kreise seiner Kumpels allerdings unter den Scheffel stellt, wird von den anderen dazu angesta- Produktion Fountainbridge Films chelt, in die ominöse Wohnung einzusteigen und sich dort mal umzu- c/o Columbia Tristar schauen.
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Michael Apted
49 UP A Film by Michael Apted 135 minutes, color & b/w, 2005, UK First Run Features 630 Ninth Avenue, Suite 1213 New York, NY 10036 (212) 243-0600/Fax (212) 989-7649 email: [email protected] www.firstrunfeatures.com SYNOPSIS 49 Up , the latest installment of Granada’s landmark documentary series, revisits the group of people whose lives have been documented since they were seven, to see where they are now as they approach their half century. The original Seven Up was broadcast in 1964 as a one-off World in Action Special featuring children who were selected from different backgrounds and social spheres to talk about their hopes and dreams for the future. As members of the generation who would be running the country by the year 2000, what did they think they would become? Inspired by World in Action founder Tim Hewat’s passionate interest in both the Jesuit saying “Give me the child until he is seven and I will show you the man” and the rigid class system of 1960s Britain, Seven Up set out to discover whether or not the children’s lives were pre-determined by their backgrounds. The result was ground-breaking television – the very first example of a program recording real people living real lives – and the follow-up films have won an array of awards. Director Michael Apted, who has since moved to Hollywood to direct films including Gorky Park , The Coal Miner’s Daughter , The World Is Not Enough and Gorillas in the Mist , has returned every seven years to chart the children’s progress through life.
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Otherness, Appropriation, and Identity in Thunderheart
The Best of Both Worlds: Otherness, Appropriation, and Identity in Thunderheart Pack, Sam. Wicazo Sa Review, Volume 16, Number 2, Fall 2001, pp. 97-114 (Article) Published by University of Minnesota Press DOI: 10.1353/wic.2001.0028 For additional information about this article http://muse.jhu.edu/journals/wic/summary/v016/16.2pack.html Access Provided by CAPES-FundaÃ§Ã£o CoordenaÃ§Ã£o de AperfeiÃ§oamento de Pessoal de NÃ-vel Superior at 07/28/11 2:58PM GMT The Best of Both Worlds Otherness, Appropriation, and Identity in Thunderheart Sam Pack n many respects, Thunderheart1 (1992) is a refreshing departure from Iits predecessors in the Native American film genre. While seemingly enlightened, I will argue that the film still relies upon too many Holly- wood crutches in depicting Native Americans, which is particularly evident in its utilization of three tropes: the construction of the “other,” the appropriation of native spirituality, and the formation of identity. I will also analyze several film reviews to demonstrate how the critical reception of Thunderheart reflects mainstream America’s ambivalence to- ward Native Americans. Thunderheart tells the story of a mixed-blood FBI agent (Ray Levoi) who ventures onto the Pine Ridge Indian Reservation in South Dakota to solve a murder but finds his Indian identity in the process. When he realizes that the government is involved in a murder and a plot to mine uranium on the reservation, Levoi teams with tribal policeman Walter Crow Horse and traditional elder Grandpa Sam Reaches to stop the plot and preserve the environment of the reservation.
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WINNERS Children’S Programs Documentary Daytime Serials
MARCH 2011 MICK JACKSON MARTINMARTIN SCORSCORSSESEESE MICHAEL SPILLER Movies For Television Dramatic Series Comedy Series and Mini-Series TOM HOOPER Outstanding Directorial Achievement in Feature Film GLENN WEISS EYTAN KELLER STACYSTACY WALLWALL Musical Variety Reality Programs Commercials ERIC BROSS CHARLES FERGUSON LARRY CARPENTER WINNERS Children’s Programs Documentary Daytime Serials In this Issue: • DGA 75th Anniversary events featuring Martin Scorsese, Kathryn Bigelow, Francis Ford Coppola and the game-changing VFX of TRON and TRON: Legacy • March Screenings, Meetings and Events MARCH MONTHLY VOLUME 8, NUMBER 3 Contents 1 29 MARCH MARCH CALENDAR: MEETINGS LOS ANGELES & SAN FRANCISCO 4 DGA NEWS 30-34 MEMBERSHIP 6-8 SCREENINGS UPCOMING EVENTS 35 RECENT 9-27 EVENTS DGA AWARDS COVERAGE 36 28 MEMBERSHIP MARCH CALENDAR: REPORT NEW YORK, CHICAGO, WASHINGTON, DC DGA COMMUNICATIONS DEPARTMENT Morgan Rumpf Assistant Executive Director, Communications Sahar Moridani Director of Media Relations Darrell L. Hope Editor, DGA Monthly & dga.org James Greenberg Editor, DGA Quarterly Tricia Noble Graphic Designer Jackie Lam Publications Associate Carley Johnson Administrative Assistant CONTACT INFORMATION 7920 Sunset Boulevard Los Angeles, CA 90046-0907 www.dga.org (310) 289-2082 F: (310) 289-5384 E-mail: [email protected] PRINT PRODUCTION & ADVERTISING IngleDodd Publishing Dan Dodd - Advertising Director (310) 207-4410 ex. 236 E-mail: [email protected] DGA MONTHLY (USPS 24052) is published monthly by the Directors Guild of America, Inc., 7920 Sunset Boulevard, Los Angeles, CA 90046-0907. Periodicals Postage paid at Los Angeles, CA 90052. SUBSCRIPTIONS: $6.00 of each Directors Guild of America member’s annual dues is allocated for an annual subscription to DGA MONTHLY.
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Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
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