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Anisa Ashkar
ANISA ASHKAR Born in Acre in 1979. Lives and works in Acre and Tel Aviv-Jaffa, Israel. Selected Solo Exhibitions 2019 “I Color Your Return with My Eyelashes, with the Golden Beams of the Sun”, City Hall Wall, Tel Aviv Performance: 14 Stages of Love in the Arab Culture, Cité Internationale des Arts site at Villa Radet, Montmartre, Paris 2018 “Homeland to the Poor and Patriotism to Whom!", Oranim Academic College 2017 “Black Gold”,The Museum of Islamic and Near Eastern Cultures, Beer Sheva “Golden Surface”, Walled Off Hotel Gallery, Bethlehem 2016 “We are all in the gutter, but some of us are looking at the stars”, The Lobby – Art Space, Tel Aviv 2015 “Proba 2”, Gabirol Gallery, Tel Aviv “Take Care”, The Municipal Gallery, Kfar Saba, Israel 2014 "Jouissance", N&N Aman Gallery, Tel Aviv 2013 "New Works", Mane House, Tel Aviv 2012 "Anisa, Not All is Black", Beeri Gallery, Kibbutz Beeri, Israel 2011 "Save the Date: Today", Figyres International Festival, Spain "Save the Date: Afternoon", Haifa Museum of Art, Israel "Save the Date: Tonight", Performance Biennale, Bamat Meizag, Tel Aviv 2010 "Zift", N&N Aman Gallery, Tel Aviv 2009 "Mashkhara", Fresh Paint 2 –Art Fair, Tel Aviv, sponsor: Outset Contemporary Art Fund 2008 "Al Adham (The Black Horse)", Artists House, Tel Aviv 2007 "In a Twinkling of an Eye", Space Art Track 7, Athens 2006 "I Have Returned, Jaffa", Yaffa, Jaffa, Israel "Hakol Katuv (All is Written)", Mishkanot Sha'ananim, Jerusalem 2004 "Me and Klee Paint", Beit Berl College, Kalmaniya, Israel "Ummi", Seraya – Arab-Jewish Theater, Jaffa, Israel "The Frogwoman", Bamat Meizag – Performance Art Platform, Tel Aviv "Untitled (Barbur 24000)", Acre Theater 2003 "Barbur Aswad", Hagar Art Gallery, Jaffa, Israel Selected Group Exhibitions 2019 “Self Portrait, One Can Only Depict Oneself”, City Gallery Kfar Saba “New Wing Launch”, The Third Space, A Place for Art and Education, Beit Hagefen. -
The Disintegration of Islam
STUDENTS' LECTURES ON MISSIONS Princ6tonTkeolo(P,Cal SemiMl"fl MCMXV THE DISINTEGRATION OF ISLAM BY SAMUEL M. ZWEMER, F.R.G.S. A.UTBOB. OF "Childhood in the Moslem World," " Arabia, the Cradle of Islam,'' ''The Moslem Christ,'' ''Zig-ZagJoW'neya in the Camel Country," "Topsy-Turvy Land," etc., etc. ILLUSTRATED NEwYouc Cmc.. ao Toaoaro Fleming H. Revell Company MAI:'\ :\Il:"\AHET (H' EL AZIIAU l\10SQl7E, CAIRO. El .\zlrn.1 l"nne1slly dates from the time of the Fatimids. The original mosque \\as bmlt by Jauhar rn U72 AD. It is said to have about 10,000 students and a HJ.>1·ary of 19,000 volumes. Copyright, 1916, by FLEMING H. REVELL COMPANY THESE lecture• were delivered in Miller Chapel, Princeton Theologi cal Seminary, October, 1915. They were 1ub1equently alao delivered at the Theological Seminary of the Reformed Church in America, New Brun1wick, N. J.; and at the Theological Seminary of the American Miaaion, Cairo, Egypt. New York: 158 Fifth Avenue Chicago: 17 N. Wabash Ave. Toronto: 25 Richmond St., W. London: 21 Paternoster Square Edinburgh: 100 Princes Street PREFACE From heaven fought the stars, From their courses they fought aga,inst SiBera. That river Kishon swept them away, "The harvest is not benefited by confounding weeds with The ancient river, the river Kishon. wheat. Harmony is not enhanced by a premature recourse to 0 my soul, march on with strength. -The Song of Deborah.-Judges 5:20-22. synthesis, before due scope has been given to discriminating analysis. God is not honoured by attributing to His causation IKE all other non-Christian systems and what He only overrules, in working out His sovereign designs. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Exiles at Home Mobility, Exclusion and (In)visibility among Palestinians in Tel Aviv Andreas Hackl PhD in Social Anthropology University of Edinburgh 2016 Declaration I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgment, the work presented is entirely my own. Some ethnographic vignettes and sub-sections appear in modified form in three publications which were released at about the same time as this thesis (Hackl 2016c; Hackl 2016b; Hackl 2016a). Signature Date: 10 March 2016 Abstract This thesis explores intersecting processes of inclusion and exclusion among Palestinians in Tel Aviv, a city considered to be essentially Jewish-Israeli. -
Evaluations of Cultural Properties 2001
WHC-01/CONF.208/INF.11 Rev UNESCO WORLD HERITAGE CONVENTION WORLD HERITAGE COMMITTEE 25th ordinary session (11 -16 December 2001) Helsinki (Finland) EVALUATIONS OF CULTURAL PROPERTIES Prepared by the International Council on Monuments and Sites (ICOMOS) The IUCN and ICOMOS evaluations are made available to members of the Bureau and the World Heritage Committee. A small number of additional copies are also available from the secretariat. Thank you. 2001 WORLD HERITAGE LIST Nominations 2001 INTRODUCTION I NOMINATIONS OF CULTURAL PROPERTIES A Properties which the Bureau recommended for inscription on the World Heritage List A.1 Historic towns Austria - The Historic Centre of Vienna 1 Brazil - Historic Centre of the Town of Goiás 5 France - Provins, Town of Medieval Fairs 9 Kenya - Lamu Old Town 14 Morocco - The Medina of Essaouira (ancient Mogador) 18 Portugal - Historic Centre of Guimarães 21 Uzbekistan - Samarkand - The place of crossing and synthesis of world cultures 25 A.2 Religious properties China - Yungang Grottoes 31 - The Expanded Potala Palace -Norbulingka - Jokhang Monastery Project 35 in Lhasa: Norbulingka - (Extension) Poland - Churches of Peace in Jawor and Swidnica 38 A.3 Architectural monuments and ensembles Czech Republic - Tugendhat Villa in Brno 42 A.4 Technological ensembles United Kingdom - Derwent Valley Mills 46 - New Lanark 51 - Saltaire 56 A.5 Cultural Landscapes Botswana - Tsodilo 61 Italy - Villa d'Este 66 Lao People’s Democratic Republic - Vat Phou and Associated Ancient Settlements within the 71 Champasak Cultural -
Presenting the Hammam Al-Pasha: Conserving Heritage by Creating an Attraction
Presenting the Hammam al-Pasha: Conserving Heritage by Creating an Attraction By: Caitlin M. Davis Ashley Norman SAVING the STONES III Mentored by: Shelley-Anne Peleg Special thank you to the employees of the Old Acre Development Company for their assistance in gaining daily access to the Hammam al-Pasha as well as Shelley-Anne Peleg for her continuous guidance throughout the research for this project and her eagerness to perform translations, provide feedback, and offer constant encouragement. Abstract The Hammam al-Pasha is one of the most heavily advertised—and perhaps one of the most heavily visited—tourist attractions in the Old City of Akko; markers of the site can be found in almost any tourist guidebook on Israel. In order to understand the historical and cultural ‗authenticity‘ of this site, this research applies the framework of architectural documentation to the analysis of a touristic phenomenon, surveying tourists‘ experiences as they explore the Turkish Bathhouse. The final outcome of this project is a thorough record of the ‗tourist experience‘ of the Hammam al-Pasha during a specific moment in time (June 2011), which combines interviews of locals, surveys of tourists, and content analysis of tourist advertisements, as well as an analysis of the implications on ‗authenticity‘ of conserving the Turkish Bathhouse as a tourist attraction. Photo 1: The Hammam al- Pasha Tourist Attraction, June 2011. Photo by Caitlin M. Davis. 1 Table of Contents - Introduction……………………………………………………………………..3 - Chapter One: Documenting a Tourist -
Tuesday, January 2, 2018
Tuesday, January 2, 2018 The Galilee The Galilee is perhaps the finest laboratory in the world to study the various components of complete Jewish national life - perhaps even better than Jerusalem! For while Jerusalem has been the spiritual and political capital of Israel since the time of David, inspiring Jews in Eretz Yisrael and throughout the world, life in Jerusalem never typified the life of Jews in their land. In fact, there were times when Jews were not allowed in Jerusalem and the Galilee became the focal point and living center of Jewish life in Eretz Yisrael. Of all the regions in the country, the Galilee had the most continuous presence of Jewish day-to-day life throughout the centuries. The Galilee is the northern area of Israel. lts borders are clear: To the west: the Mediterranean Sea. To the east: the Jordan valley. To the north: the northern border of Israel To the south: the Jezreel valley. The Akko-Tsfat road divides the Galilee in two: The upper Galilee is the area north of the road, through the valley of Beit Hakerem the lower Galilee runs south of the road to the Jezreel valley, and includes the basin of Lake Kinneret. The Galilee is a hard, difficult area. Today it looks fertile but the appearance is deceptive. The area is full of mountains and valleys, stubborn hard earth, and riverbeds that have been blocked for long periods of time, causing waters to fan out into stagnant swamps. these natural factors have demanded a lot from the people who have lived in the Galilee and worked its land. -
With the Turks in Palestine
With The Turks In Palestine By Alexander Aaronsohn WITH THE TURKS IN PALESTINE. CHAPTER I ZICRON-JACOB Thirty-five years ago, the impulse which has since been organized as the Zionist Movement led my parents to leave their homes in Roumania and emigrate to Palestine, where they joined a number of other Jewish pioneers in founding Zicron-Jacob—a little village lying just south of Mount Carmel, in that fertile coastal region close to the ancient Plains of Armageddon. Here I was born; my childhood was passed here in the peace and harmony of this little agricultural community, with its whitewashed stone houses huddled close together for protection against the native Arabs who, at first, menaced the life of the new colony. The village was far more suggestive of Switzerland than of the conventional slovenly villages of the East, mud- built and filthy; for while it was the purpose of our people, in returning to the Holy Land, to foster the Jewish language and the social conditions of the Old Testament as far as possible, there was nothing retrograde in this movement. No time was lost in introducing progressive methods of agriculture, and the climatological experiments of other countries were observed and made use of in developing the ample natural resources of the land. Eucalyptus, imported from Australia, soon gave the shade of its cool, healthful foliage where previously no trees had grown. In the course of time dry farming (which some people consider a recent discovery, but which in reality is as old as the Old Testament) was introduced and extended with American agricultural implements; blooded cattle were imported, and poultry-raising on a large scale was undertaken with the aid of incubators—to the disgust of the Arabs, who look on such usurpation of the hen's functions as against nature and sinful. -
Anisa Ashkar - CV Anisa Ashkar Born in Acre in 1979
Anisa Ashkar - CV Anisa Ashkar Born in Acre in 1979. Lives and works in Acre and Tel Aviv-Jaffa, Israel. Education: 2001-2004 BFA, Hamidrasha School of Art, Beit Berl College 1998-2000 Art studies, the Western Galilee College Solo Exhibitions: 2014 Museum of Islamic Art, Jerusalem (upcoming) “Jouissance”, N&N Aman Gallery, Tel Aviv 2013 “New Works”, Mane House, Tel Aviv 2012 “Anisa, Not All is Black”, Beeri Gallery, Kibbutz Beeri, Israel 2011 “Save the Date: Today”, Figyres International Festival, Spain “Save the Date: Afternoon”, Haifa Museum of Art, Israel “Save the Date: Tonight”, Performance Biennale, Bamat Meizag, Tel Aviv 2010 “Zift”, N&N Aman Gallery, Tel Aviv 2009 “Mashkhara”, Fresh Paint 2 –Art Fair, Tel Aviv, sponsor: Outset Contemporary Art Fund 2008 “Al Adham (The Black Horse)”, Artists House, Tel Aviv 2007 “In a Twinkling of an Eye”, Space Art Track 7, Athens 2006 “I Have Returned Jaffa”, Yaffa, Jaffa, Israel “Hakol Katuv (All is Written)”, Mishkanot Sha'ananim, Jerusalem 2004 “Me and Klee Paint”, Beit Berl College, Kalmaniya, Israel “Ummi”, Seraya – Arab-Jewish Theater, Jaffa, Israel “The Frogwoman”, Bamat Meizag – Performance Art Platform, Tel Aviv “Untitled (Barbur 24000), Acre Theater 2003 “Barbur Aswad”, Hagar Art Gallery, Jaffa, Israel Group Exhibitions: 2014 “Tribute to Judy Chicago”, Haifa Museum of Art, Israel (upcoming) 2013 “Centrifuge”, The Nathan Cummings Foundation in association with Artis, New York “Voices From the Interior: Palestinian Women Artists”, Mana Contemporary Gallery, in collaboration with Umm El-Fahem