Kelly Reagan

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KELLY REAGAN Award Winning Writer/Producer 908-227-0445 • [email protected] • www.kellyreagan.com ON-AIR PROMOTIONS AND BRAND MARKETING • Brainstormed,wrote,pitched,and produced tentpole event promotions, episodics, and short form interstitials for on-air, digital,radio and creative advertising. • Hired and mentored team of production, graphics and editorial professionals. • Directed talent and crew during custom studio and field shoots. • Produced on-air and digital behind-the-scenes promotions for various live action series. • Cultivated relationships with cutting edge vendors and directors. • Directed Voice Over records. NICKELODEON CREATIVE ADVERTISING January 2015 – May 2015 FREELANCE SUPERVISING PRODUCER- BRANDED CONTENT New York, NY Honda, Virgin Mobile, Variety Magazine, Little Caesars Pizza. THREEONE NYC November 2013 – Freelance Ongoing FREELANCE SENIOR WRITER/PRODUCER New York, NY MTV, VH1, CMT, Zales, Pepsi, Adobe, Pizza Hut,Scientific American, Hollywood and Independent Films. NICKELODEON: ON-AIR PROMOTIONS New York, NY FREELANCE PRODUCER, EMMY NOMINATED, WON BRONZE PROMAX October 2012 – August 2013 ASSOCIATE PRODUCER November 2007 – May 2012 “World Wide Day of Play” (LIVE INTERSTITIALS) “Countdown to Kid’s Choice” (LIVE INTERSTITIALS) Field Produced Live Programming and Directed interviews with First Lady Michelle Obama, LeBron James, Ariana Grande, Carmelo Anthony, Abby Wambach. OWN: THE OPRAH WINFREY NETWORK Los Angeles, CA FREELANCE WRITER/PRODUCER May 2012 – August 2012 Launched docu-series “Oprah: Builds a Network.” Created TCA trailer for first ever Pentagon approved show “Married to the Army: Alaska.” ---------------------------------------------------------------------------------------------------------------------------------------------------------------- DIGITAL, TELEVISION SERIES, AND EVENTS • Conceptualized and creatively oversaw all aspects of production. • Developed budgets and managed logistical production aspects of large scale shoots and post production. • Directed talent, camera crew and guests for in studio, green-screen and field shoots. • Negotiated and sustained relationships with celebrity talent, management and agents to acquire guests. • Wrote, supervised and approved scripts. • Interviewed Hollywood talent. MTV NETWORKS NICKELODEON October 2012- August 2013 FREELANCE PRODUCER/SHOW RUNNER New York, NY “Nick Studio 10” Half Hour Series 2013 VUGURU – YOUTUBE DIGITAL STUDIO August 2012 - October 2012 Stan Lee’s YouTube Channel, World of Heroes Los Angeles, CA FREELANCE DIRECTOR/ PRODUCER/WRITER “Cocktails with Stan,” “Mask and Cape,” Stan's Rants” Joe Manganiello, Seth Green, Stan Lee, Apolo Ohno. BOSTON COMEDY FESTIVAL 2005-2012 (SEASONAL) PRODUCER (LIVE) George Carlin, Joan Rivers, Lewis Black, Marc Maron, Jonathan Katz, Andy Kindler, Judah Friedlander. PRODUCTION ASSISTANT, INTERN 2005 “U-Pick Live” 2005 (LIVE) .

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British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report.
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Nick App Download Epsidoes Nick App Download Epsidoes
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Why Digital Marketing Is Different State Law Approaches to Address Digital Food Marketing to Youth
The Public Health 12 PHAI Advocacy Institute Why Digital Marketing is Different State Law Approaches to Address Digital Food Marketing to Youth Food and beverage marketing that targets youth is fully integrated into print, radio, television, movies, schools, and is driven by huge caches of data that consumers youth serving organizations and in the retail space. The generate online, on mobile devices and when they make rapid proliferation of digital devices and new media plat- purchases. Marketers have unprecedented access to a forms is often described as a “shift” to digital. Traditional wealth of data about individuals, peer groups and de- children’s media outlets like Nickelodeon have “gone dig- mographic segments of the population that can be used ital,” and companies are shifting their media mix to en- to target and tailor marketing messages to maximize compass digital and mobile marketing (see Nickelodeon sales. Specific state consumer protection law provisions Case Study). Young consumers have not simply shifted have yet to catch up with advances in digital marketing, away from traditional media, however, but rather “[e]ach but existing broad prohibitions on unfair and deceptive month consumers are spending more time with more acts and practices can be utilized to protect children and media, across all devices under the sun.”1 This means teens from unfair and deceptive digital food and bever- that there are more and more opportunities to layer and age marketing. reinforce food and beverage marketing to youth in edu- cational settings, at home and while otherwise spending Digital Marketing is Harder for time with their friends in person, online or via mobile Youth to Identify as Marketing devices.
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