Landscapes of the Irish Language: Discursive Constructions of Authenticity in the Irish Diaspora
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From Ireland to America: Emigration and the Great Famine 1845 – 1852
Volume 2 Issue 4 INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 From Ireland to America: Emigration and the Great Famine 1845 – 1852 Amira Achouri University of Grenoble Alpes, France Institute of languages and cultures in Europe, America, Africa, Asia and Australia Centre for Studies on the modes of Anglophone Representation [email protected] Abstract One of the changes that compose history is the migration of peoples. The human development of colossal numbers from one geographical area to another and their first contact with other social and economic backgrounds is a major source of change in the human state. For at least two centuries long before the great brook of the Hungry Forties, Irish immigrants had been making their way to the New World. Yet, the tragedy of the Great Famine is still seen as the greatest turning point of Irish history for the future of Ireland was forever changed. The paper tends to explore the conception of emigration and how it steadily became “a predominant way of life” in Ireland, so pervasive and integral to Irish life that it had affected the broad context of both Irish and American histories simultaneously. From the post-colonial perspective, my study presents emigration as one of the greatest emotional issues in Irish history, as it tends to have a very negative image especially in the post-Famine era. People are generally seen as involuntary “exiles”, compelled to leave Ireland by “British tyranny” and “landlord oppression” - an idealized Ireland where everyone was happy and gay and where roses grew around the door of the little white-washed cottage. -
The Reemergence of Emigration from Ireland
THE RE-EMERGENCE OF EMIGRATION FROM IRELAND NEW TRENDS IN AN OLD STORY By Irial Glynn with Tomás Kelly and Piaras Mac Éinrí TRANSATLANTIC COUNCIL ON MIGRATION THE RE-EMERGENCE OF EMIGRATION FROM IRELAND New Trends in An Old Story By Irial Glynn with Tomás Kelly and Piaras Mac Éinrí December 2015 Acknowledgments Much of the research on which this report is based was carried out as a result of a one-year Irish Research Council grant, which enabled the completion of the EMIGRE (“EMIGration and the propensity to REturn”) project at University College Cork between October 2012 to September 2013. The resulting paper was completed with the support of a Marie Curie Intra-European Fellowship within the 7th European Community Framework Program. Thanks go to Natalia Banulescu-Bogdan and Kate Hooper from the Migration Policy Institute for their insightful comments on earlier drafts. This research was commissioned by the Transatlantic Council on Migration, an initiative of the Migration Policy Institute (MPI), for its twelfth plenary meeting, held in Lisbon. The meeting’s theme was “Rethinking Emigration: A Lost Generation or a New Era of Mobility?” and this paper was one of the reports that informed the Council’s discussions. The Council is a unique deliberative body that examines vital policy issues and informs migration policymaking processes in North America and Europe. The Council’s work is generously supported by the following foundations and governments: Open Society Foundations, Carnegie Corporation of New York, the Barrow Cadbury Trust, the Luso- American Development Foundation, the Calouste Gulbenkian Foundation, and the governments of Germany, the Netherlands, Norway, and Sweden. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
Global Irish: Ireland's Diaspora Policy
Éireannaigh anDomhain March 2015 March Beartas nahÉireannmaidirleisanDiaspóra Ireland’s Diaspora Policy Diaspora Ireland’s Irish Global Éireannaigh an Domhain Beartas na hÉireann maidir leis an Diaspóra Ireland’s Diaspora Policy Márta 2015 Global Irish Ireland’s DIASPORA POLICY 1 The Irish nation cherishes its special affinity with people of Irish ancestry living abroad who share its cultural identity and heritage Bunreacht na hÉireann 2 GLOBAL IRISH Our vision is a vibrant, diverse global Irish community, connected to Ireland and to each other. Ireland’s DIASPORA POLICY 3 Contents What’s New in this Policy? 4 Forewords 6 Introduction 10 Why a Review of Diaspora Policy? 13 Who are the Irish Diaspora? 16 Why Engagement with the Diaspora is so Important 19 The Role of Government 23 Supporting the Diaspora 25 Emigrant Support Programme 25 Welfare 27 Connecting with the Diaspora 31 Whole of Government Approach 31 Implementation 32 Local Activation for Global Reach 32 Communication 34 Culture 36 St. Patrick’s Day 38 Commemorations 39 Facilitating Diaspora Engagement 41 Partnerships 41 Networks 43 Returning Home 46 Diaspora Studies 47 Recognising the Diaspora 49 Presidential Distinguished Service Award for the Irish Abroad 49 The Certificate of Irish Heritage 50 Evolving Diaspora Policy 52 New Diaspora Communities 52 Alumni Engagement 53 Annex 1 - Presidential Distinguished Service Award for the Irish Abroad 54 Annex 2 - Membership of Interdepartmental Committee on the Irish Abroad 55 4 GLOBAL IRISH What’s New in this Policy? This is the first clear statement of Government of Ireland policy on the diaspora which recognises that Ireland has a unique and important relationship with its diaspora that must be nurtured and developed. -
The Contested Isle: the Hibernian Tribunal
The Contested Isle Credits AUTHORS: Mark Lawford, Christian Jensen Romer, Matt Ryan, AUTHOR BIOGRAPHIES Mark Shirley DEVELOPMENT, EDITING, & PROJECT MANAGEMENT: David Chart Mark Lawford lives, works, and writes for Ars Magica in East- PROOFREADING, LAYOUT & ART DIRECTION: Cam Banks bourne, England. He’s also working on some original fiction, PROOFREADING ASSISTANCE: Jessica Banks & Michelle Nephew so please do wish him luck. He is very grateful to his fellow PUBLISHER: John Nephew author Matt Ryan for helping realize his aim of writing for COVER ILLUSTRATION: Christian St. Pierre a Tribunal book. CARTOGRAPHY: Matt Ryan Christian Jensen Romer is an unlikely candidate to write about INTERIOR ART: Jason Cole, Jenna Fowler, Christian St. Pierre, Ireland, being a Dane living in England. His passion for Irish Gabriel Verdon history and the medieval saints however led this to be his ADDITIONAL ART: Celtic Design. Mineola, NY: Dover Publications, favorite Ars Magica project to date, and he hopes you find as Inc., 2007. much joy in it as he did. He would like to dedicate his part of ARS MAGICA FIFTH EDITION TRADE DRESS: J. Scott Reeves this book to the memory of Christina Jones, who taught him PUBLISHER’S SPECIAL THANKS: Jerry Corrick & the gang at the the little Irish he knows and told him tales of her homeland. Source. Matt Ryan works in a university library in upstate New York. His forefathers were early participants in the Irish diaspora FIRST ROUND PLAYTESTERS: Jason Brennan, Justin Brennan, Elisha and his family has been in the States for several generations. Campbell, Robert Major; Leon Bullock, Peter Ryan, Chris He visited Ireland in 2001, during which time he swam in Barrett, John A Edge; Eirik Bull, Karl Trygve Kalleberg, Hel- the cove on Cape Clear Island, where he would later place ge Furuseth, André Neergaard, Sigurd Lund; Donna Giltrap, the covenant Cliffheart. -
Hard Patience by MELINDA CREECH
Copyright © 2016 Institute for Faith and Learning at Baylor University 67 Hard Patience BY MELINDA CREECH In one of his so-called “terrible sonnets” or “sonnets of desolation,” Gerard Manley Hopkins confronts how very hard it is to ask for patience and to see the world from God’s perspective. Yet patience draws us ever closer to God and to his “delicious kindness.” uring his Long Retreat of November-December 1881-1882, Gerard Manley Hopkins copied into his spiritual writings notebook this Deighth “Rule for the Discernment of Spirits” from the Spiritual Exercises of St. Ignatius of Loyola: “Let him who is in desolation strive to remain in patience, which is the virtue contrary to the troubles which harass him; and let him think that he will shortly be consoled, making diligent effort against the desolation.”1 Patience was to become a focus for Hopkins during the last eight years of his life, strained slowly out of the experiences of life and distilled from his attentive study of creation, other people, and spiritual writings. As Ignatius counseled, it was to be patience in the midst of desola- tion, and Hopkins knew a fair bit of desolation in his short forty-four years. Growing up in a well-to-do religiously pious Anglican family, Hopkins excelled at Highgate School, London, and attended Balliol College, Oxford, receiving highest honors in both his final exams, Greats and Moderns. He converted to Catholicism during his last year at Balliol and later he entered the Jesuit order. During these early years he struggled with conflicts he per- ceived between his identities as priest, professor, and poet. -
Mid-Atlantic Conference on British Studies 2015 Annual Meeting The
Mid-Atlantic Conference on British Studies 2015 Annual Meeting The Johns Hopkins University March 27-28, 2015 Friday March 27 All events will take place at Charles Commons unless otherwise noted. 10:00am–12:00pm Registration and Coffee Registration Area SESSION ONE: 12:00-1:30pm i. Historicizing the English Garden: Space, Nature, and National Identity in Modern Britain Salon A i. Robyn Curtis (Australian National University): “‘The Voice of Nature’: Conservation in Nineteenth Century England” ii. Ren Pepitone (Johns Hopkins University): “‘Common People in the Temple Gardens’: Regulating Space in the Metropolitan Center” iii. Terry Park (Miami University): “De/militarized Garden of Feeling: Jihae Hwang’s Quiet Time: DMZ Forbidden Garden” iv. Chair/Comment: Douglas Mao (Johns Hopkins University) ii. The Nation in Print: Text, Image, and Readership in Early Modern Britain Salon B i. Melissa Reynolds (Rutgers University): “Icons and Almanacs: Visual Practice and Non-Elite Book Culture in Late Medieval and Early Modern England” ii. Jessica Keene (Johns Hopkins University): “‘Certain most godly, fruitful, and comfortable letters’: Prison Letters, Protestantism, and Gender in Reformation England” iii. Joshua Tavenor (Wilfred Laurier University): “When Words are not Enough: the Promotion of Cuper’s Cove, Newfoundland in Seventeenth-century England” iv. Chair/Comment: Mary Fissell (Johns Hopkins University School of Medicine) iii. Charity and Commerce Interwoven in the British Empire Salon C i. Amanda Moniz (National History Center): “White’s Ventilator, or How the Lifesaving Cause Aided Abolition and the Slave Trade” ii. Karen Sonnelitter (Siena College): “Financing Improvement: Funding Charity in Eighteenth-Century Ireland” iii. Karen Auman (Brigham Young University): “For Faith and Profit: German Lutherans and the British Empire” iv. -
Ireland's Diaspora Strategy: Diaspora for Development?
IRELAND'S DIASPORA there has been insuJ 4 Irish emigrants an< changing nature of now being institut' Ireland's diaspora strategy: diaspora ments and semi-st diaspora and there for development? diaspora strategy. I diaspora strategy I Mark Boyle, Rob Kitchin and Delphine Ancien through which dia~ on some importan< then isolate three ; institutions and str identifying a numb diaspora strategy rr Diaspora and devc Introduction i In 2011, when the population of the Irish Republic stood at 4.58 million, over Growing interest 70 million people worldwide claimed Irish descent, and 3.2 million Irish countries of origin passport holders, including 800,000 Irish-born citizens, lived overseas Studies and the pra (Ancien et al., 2009). Despite being varied and complex, it is often assumed Dewind and Hold< that a strong relationship has prevailed between the Irish diaspora and Lowell and Gerov Ireland, with the diaspora operating transnationally, bequeathing a flow of Vertovec, 2007; Y< various exchanges (e.g. information, goods, money, tourist visits, political viewed as a baromc ment strategies. Th will) between diaspora members and family and social, cultural, economic and political institutions in Ireland. Nevertheless, throughout the early 2000s, being pursued by 1 skilled labour from Ireland's relationship with its diaspora was seen to be entering a new era in further weaken th< which ties to Ireland were seemingly weakening as the traditional imperatives however, countrie that helped to maintain a strong Irish identity across generations were -
Table of Contents
Table of Contents Introduction …………………………………………….……………………. 1 1. Ireland and Migration ………………………………………………….… 3 2. The Departure ……………………………………………………………. 22 3. Life Abroad ……………………………………………………….……… 34 4. The Return ………………………………………………………….……. 53 5. Exile at Home ……………………………………………………………. 70 6. Parents, Loss and Memory, Identity …...………………………………… 83 Conclusions ……………………………………………………………….…. 89 Works Cited …………………………………………………………………. 94 Lists of Photos and Other Visual Material………….………………………… 100 Introduction Emigration has been recurrent in Irish history and is consequently one of the major topics in Irish literature. No other country in Europe has experienced emigration on such a wide scale. Mary Robinson, Irish Prime Minister from 1990 until 1997 spoke about emigrants in her inaugural speech on 3rd December 1990 and in her dedicated speech “Cherishing the Irish Diaspora” in 1995. In her first speech she widened the concept of community by saying that “the State is not the only model of community with which Irish people can and do identify” and addressed the emigrants as “extended family abroad” (“Address by the President Mary Robinson”). The year 1845 is considered a turning point in migration from Ireland, following repeatedly failed potato crops, but the peak of emigration in the same century was in the 1880s; the peak of the following century was around 1956-1961. According to Fintan O’ Toole “the journeys to and from home are the very heartbeat of Irish culture” (158). It is no wonder so many Irish writers have dealt with the topic of emigration, including poets, novelists, and playwrights. While any literary genre can express the feelings and use the language of the people it represents, “drama and its constructive categories of dialogue, interaction and immediacy in performance have by definition always had a close affinity to the structures of the particular society they reflect” (Middeke and Schnierner, vii). -
Surnames in Bureau of Catholic Indian
RAYNOR MEMORIAL LIBRARIES Montana (MT): Boxes 13-19 (4,928 entries from 11 of 11 schools) New Mexico (NM): Boxes 19-22 (1,603 entries from 6 of 8 schools) North Dakota (ND): Boxes 22-23 (521 entries from 4 of 4 schools) Oklahoma (OK): Boxes 23-26 (3,061 entries from 19 of 20 schools) Oregon (OR): Box 26 (90 entries from 2 of - schools) South Dakota (SD): Boxes 26-29 (2,917 entries from Bureau of Catholic Indian Missions Records 4 of 4 schools) Series 2-1 School Records Washington (WA): Boxes 30-31 (1,251 entries from 5 of - schools) SURNAME MASTER INDEX Wisconsin (WI): Boxes 31-37 (2,365 entries from 8 Over 25,000 surname entries from the BCIM series 2-1 school of 8 schools) attendance records in 15 states, 1890s-1970s Wyoming (WY): Boxes 37-38 (361 entries from 1 of Last updated April 1, 2015 1 school) INTRODUCTION|A|B|C|D|E|F|G|H|I|J|K|L|M|N|O|P|Q|R|S|T|U| Tribes/ Ethnic Groups V|W|X|Y|Z Library of Congress subject headings supplemented by terms from Ethnologue (an online global language database) plus “Unidentified” and “Non-Native.” INTRODUCTION This alphabetized list of surnames includes all Achomawi (5 entries); used for = Pitt River; related spelling vartiations, the tribes/ethnicities noted, the states broad term also used = California where the schools were located, and box numbers of the Acoma (16 entries); related broad term also used = original records. Each entry provides a distinct surname Pueblo variation with one associated tribe/ethnicity, state, and box Apache (464 entries) number, which is repeated as needed for surname Arapaho (281 entries); used for = Arapahoe combinations with multiple spelling variations, ethnic Arikara (18 entries) associations and/or box numbers. -
A Social Network Analysis of Irish Language Use in Social Media
A SOCIAL NETWORK ANALYSIS OF IRISH LANGUAGE USE IN SOCIAL MEDIA JOHN CAULFIELD School of Welsh Cardiff University 2013 This thesis is submitted to the School of Welsh, Cardiff University in partial fulfillment of the requirements for the degree of PhD. DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………… (candidate) Date ………………….. STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD. Signed ………………………………… (candidate) Date ………………….. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………… (candidate) Date ………………….. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………… (candidate) Date ………………….. STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………… (candidate) Date …………………. 2 ABSTRACT A Social Network Analysis of Irish Language Use in Social Media Statistics show that the world wide web is dominated by a few widely spoken languages. However, in quieter corners of the web, clusters of minority language speakers can be found interacting and sharing content. -
ABSTRACT Hopkins's Homer: a Scholarly Edition of Gerard Manley
ABSTRACT Hopkins’s Homer: A Scholarly Edition of Gerard Manley Hopkins’s Dublin Notes on the Iliad Melinda Creech, Ph.D. Mentor: Joshua King, Ph.D. In a letter to his mother (13 January 1886), Gerard Manley Hopkins mentioned that he was “taking notes for one [a book] on Homer’s art.”(CW II 757). These notes on the Iliad, made while Hopkins was living in Dublin, on sixty-five pages of folded sheets of paper, are housed at Campion Hall, Oxford. In the Campion Hall manuscript, Hopkins makes this final statement: “After this I am going to make my notes mainly on my interleaved book. Feb. 12 ’86.” Those additional fifteen pages, interleaved into his copy of Homeri Ilias (1883), are housed at the Foley Library, Gonzaga University, Spokane, Washington. Taken together, the two sets of notes, consisting of 514 items and pertaining to fifty- seven pages in his edition of the Iliad, were written between November 1884 and ca. February 1886. A transcription of Hopkins’s notes, those housed at Campion Hall, and those housed at Gonzaga University, and a commentary on those notes comprises the bulk of the dissertation. These Dublin Notes on the Iliad, written by Hopkins during one of the darkest times of his life, when he was estranged from his country, his family, and his beloved Wales, provide a unique insight into the way he regarded the art of Homer’s poetry—the way Homer ordered the words, phrases, and lines that contributed to that poetry; the way that “stock” epithets were not stock at all, but expressed nuanced characteristics of the things and people they modified; the value Homer placed on the inscape of words, fitting each word into its place in the lines of dactylic hexameter—and the way Hopkins reflected his study of Homer in his own poetry, particularly the poetry he wrote and revised while living in Ireland.