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-4 r3 Multi-media show i - - B- mwpmmmmlL~·I I m --i uses T OPP S :ovie Und errouad l UNFINISHED FURNIURE S BARGAINS . I, Also -- Inexpensive Beds, Chesis, Cabinets, Chairs, e'c. To Save Money -- See Us First cn A TOA., CEi $ $ AE, CAMD n428-- EL 4-rg 463 mASS. ATE., CENTRAL SQUARE, CAMBRIDGE -EL 4 9428 r 1 i- 11I _- I r QCD a~~~ 6--m A, A Ico;vm·9 BACK TO SCHOOL SPECIALS AT ACE B-C'tE SCE0P, E~ (nD I LOWEST PRICES BEST SERVICE & REPAMS y *, ALL BICYCLES PURCHASED AT ACE SE.RVlCED FREE Racing Bikes .. Members of The Velvet Underground, +he hard rock major label recording artists, are {leff to right) John Cale, Lou Reed, Sterling Morrison and Maureen Tucker. The Velvet Underground Rudge Raleigh will appear on stage at the Savoy Theatre, backed by the psychedelic effects of Great Eastern Lights, preceding four performances of "The Happening" starring Anthony Quinn. Dunelt Columbia By Jack Donohue The Velvet Underground has bass, is a graduate of CCNY. I cut a Verve LP. Their show has Maureen Tucker, the group's "The Happenig," a 'omedy been described as "a rhythmic drummer, is the only female starring Anthony Quinn, will open tidal wave of sound and light." drummer to achieve prominence. NeEW and USED have appeared at the Bos- The Great Easterm Lights, tonight at the Savoy Theatre, ac- They ton Tea Party (which, indicental- formed by David Hahn, an esx- I eompanied by an on-stage happen- ly, is David Hahn's braibeh'hid). MIT student, has a staff com- I I I Mass. Ave. Ball Sq., Somerille ing. Lou Reed, who writes much of posed of Af- students. Mr. The Velvet UTnderground, formn- the material for the group, is the Hahn's studies of neurophysiology Cambridge ,nth;wi., Andy sWarho's 's dnd- lead vocalist and lead guitar. at the Lnstitute prompted his in- 876-8200 625-0300 ing Plastics- Teviftables, w-il JoLn. Cale plays electric viola terest in miuti-media stimuli, ;l team up with David Hahnm's Great piano, and organ, is a graduate such as his light show affords. Wgksaammnm Eastern Lights for four perform- of the University of Wales, and His show will employ, among I ances, Septernmber 22 and 23 at came to this country on a Leon- other things, twelve movie pro- 8:30 pm and September 24 at 3 ard Bernstein fellowship. Sterl- jectors. pm and 7 pm before the movie. ing Morrison, rhythm guitar and (Please tAtrn to Page i O).

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PDF (V. 86:21, March 15, 1985)
COV\q(~UI~6)\SJ CCfl..'\~ THE ro.:h!\lrl-r0\1\S I K~r-lo.\. CALIFORNIA ::red \. VOLUME 86 PASADENA, CALIFORNIA / FRIDAY 15 MARCH 1985 NUMBER ~1 Admiral Gayler Speaks On The Way Out by Diana Foss destroyed just as easily by a gravi- Last Thursday, the Caltech ty bomb dropped from a plane as Distinguished Speakers Fund, the by a MIRVed ICBM. In fact, Caltech Y, and the Caltech World technology often has a highly Affairs Forum jointly sponsored a detrimental effect. Improved ac talk by Admiral Noel Gayler entitl- curacy of nuclear missles has led ed, "The Way Out: A General to the ability to target silos with Nuclear Settlement." The talk, pinpoint precision. This leads to the which was given in Baxter Lecture dangerous philosophy of "use Hall, drew about sixty people, them or lose them," with such mainly staff, faculty, and graduate manifestations as preemptive students, with a sprinkling of strikes and launch-on-warning undergraduates. President systems. Goldberger introduced Admiral While Gayler views as laudable 15' Gayler, who is a former Com- Reagan's attempts to find a more :tl mander in Chiefofthe Pacific Fleet "humane" policy than Mutually ~ and a former director of the Na- Assured Detruction, he sees the ~ tional Security Agency. Space Defense Initiative as a .s Gayler began his talk by em- fruitless attempt to use technology ~ phasizing the. threat of the huge to work impossible miracles, part -a nuclear stockpiles of the two super- of a general trend to make science I powers. The numbers themselves, an omnipotent god.
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Album Review of the Velvet Underground & Nico
Album Review of The Velvet Underground & Nico – Artifacts Journal - University of Mi... Page 1 of 4 University of Missouri A Journal of Undergraduate Writing Album Review of The Velvet Underground & Nico Sam Jennings Sam Jennings started attending the University of Missouri in 2012 and is currently pursuing a bachelor of music performance in guitar. He writes in his spare time and fronts a local Columbia rock band, “The Rollups”. He is thankful to Dr. Michael J. Budds for encouraging him and his submission to this journal. He wrote this paper as one part of a multi-paper project in Historical Studies in Jazz and Popular Music, taught by Dr. Michael J. Budds. They were expected to choose a musician (before 1970) and review a full-length LP by that artist; he felt particularly inclined to make the case for a set of truly bizarre, radical artists who have been historically misunderstood and misaligned. When The Velvet Underground & Nico was released in March of 1967, it was to a public that hardly cared and a critical establishment that could not make heads or tails of it. Its sales were dismal, due in part to legal troubles, and MGM’s bungled attempts at promoting the record. The Velvet Underground’s seedy, druggy music defiantly reflected an urban attitude even closer to the beatniks than Bob Dylan and even more devoted to rock n’ roll primitivism than The Rolling Stones or The Who. Nevertheless, the recording had no place in a landscape soon to be dominated by San Francisco psychedelics and high- concept British pop.
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Nico Chelsea Girl Mp3, Flac, Wma
Nico Chelsea Girl mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Chelsea Girl Country: UK Released: 2004 Style: Folk Rock, Avantgarde MP3 version RAR size: 1680 mb FLAC version RAR size: 1837 mb WMA version RAR size: 1208 mb Rating: 4.4 Votes: 549 Other Formats: RA AU AC3 AHX MP4 MMF MP3 Tracklist Hide Credits The Fairest Of The Seasons 1 4:06 Written-By – Gregory Copeland*, Jackson Browne These Days 2 3:30 Written-By – Jackson Browne Little Sister 3 4:22 Written-By – John Cale, Lou Reed Winter Song 4 3:17 Written-By – John Cale It Was A Pleasure Then 5 8:02 Written-By – John Cale, Lou Reed, Nico Chelsea Girls 6 7:22 Written-By – Lou Reed, Sterling Morrison I'll Keep It With Mine 7 3:17 Written-By – Bob Dylan Somewhere There's A Feather 8 2:16 Written-By – Jackson Browne Wrap Your Troubles In Dreams 9 5:07 Written-By – Lou Reed Eulogy To Lenny Bruce 10 3:45 Written-By – Tim Hardin Companies, etc. Mastered At – PolyGram Studios Copyright (c) – PolyGram Records, Inc. Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Credits Arranged By, Conductor – Larry Fallon Engineer [Director Of Engineering] – Val Valentin Engineer [Recording & Remix Engineer] – Gary Kellgren Liner Notes – Pat Patterson Mastered By [Mastered For Compact Disc By] – Thomas Ruff* Photography By [Liner Photo] – Paul Morrissey Producer – Tom Wilson Notes Mastered for compact disc at PolyGram Studios. © 1967 PolyGram Records, Inc. Manufactured and Marketed by PolyGram Records, Inc. Made in U.S.A.
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John Cale Is Coming to Basel: Vis-À-Vis with Rock Music Legends Thanks to the Partnership Between the Fondation Beyeler and Bayer
Media release, 31st August 2016 John Cale is coming to Basel: Vis-à-vis with rock music legends thanks to the partnership between the Fondation Beyeler and Bayer John Cale, charismatic founding member of the unforgettable avant-garde band The Velvet Underground that was associated with Andy Warhol, extraordinary solo musician and music producer, is performing an exclusive concert with his trio at the Fondation Beyeler on October 22 at 6pm. Exceptional art experiences are a tradition at the Fondation Beyeler. Why does fine art exert such a powerful fascination? Why are museums so popular? Doubtless because they permit a direct personal relationship to art, face to face and with no filter. When we visit a museum, we totally possess the artworks we see for a few moments in time; we immerse ourselves in them and they arouse emotions and questions in us, generating lively dialogs spanning different centuries and cultures. The close, intimate, sometimes demanding and always exciting experiencing of art in a museum has inspired the Fondation Beyeler and Bayer to hold a lose series of concerts in which a legendary musician can be experienced close up, just as artworks are. Last year Patti Smith and her band performed an acoustic set at the Fondation Beyeler and this year it is the turn of the rock legend John Cale. After studying at Goldsmiths College in London, the unconventional, headstrong Welshman was awarded a Leonard Bernstein scholarship thanks to the intervention of Aaron Copland, the contemporary US composer, and worked with major figures on the American avant-garde scene such as La Monte Young and John Cage.
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The Velvet Underground New York Art
300 Park Avenue South Tel. (212) 387-3400 New York, NY 10010 Telefax (212) 387-3535 Rizzoli International Publications, Inc. FOR IMMEDIATE RELEASE CONTACT: Joshua Machat 212.387.3410 / [email protected] THE VELVET UNDERGROUND NEW YORK ART Edited by Johan Kugelberg Introduction by Lou Reed and Maureen Tucker Preface by Vaclav Havel with text contributions by Doug Yule, Sterling Morrison, John Wilcock, and Jon Savage Timeline by Salvatore Mercuri THE VELVET UNDERGROUND: NEW YORK ART (November 2009) is the first monograph devoted to a Rock and Roll band. The Velvet Underground were among the New York avant-garde who closed the gap between the popular arts and the fine art movement of the 20th century. With Andy Warhol at the helm, the band contextualized the hi-art/low-art medium of the dysphoric Sixties with a unique mixture of sound experimentation, performance art, and pop sensibility. With an astonishing assembly of rare objects and artworks and the first book of its scale to document the formative years of the band, The Velvet Underground: New York Art, is not only a testament to one of the greatest New York City bands, but also a visual document of how music can influence the history of fine art and vice versa. From never-before-seen photographs of the band’s first live show in New York to Andy Warhol’s cover and poster designs, Lou Reed’s and John Cale’s handwritten music and lyrics, underground press clippings and controversial reviews, flyers, handbills, and posters, the materials comprise a uniquely comprehensive survey of the first rock group ever to transcend the genre and embrace underground popular culture.
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The Velvet Underground By: Kao-Ying Chen Shengsheng Xu Makenna Borg Sundeep Dhanju Sarah Lindholm Group Introduction
The Velvet Underground By: Kao-Ying Chen Shengsheng Xu Makenna Borg Sundeep Dhanju Sarah Lindholm Group Introduction The Velvet Underground helped create one of the first proto-punk songs and paved the path for future songs alike. Our group chose this group because it is one of those groups many people do not pay attention to very often and they are very unique and should be one that people should learn about. Shengsheng Biography The Velvet Underground was an American rock band formed in New York City in 1964. They are also known as The Warlocks and The Falling Spikes. Best-known members: Lou Reed and John Cale. 1967 debut album, “The Velvet Underground & Nico” was named the 13th Greatest Album of All Time, and the “most prophetic rock album ever http://t2.gstatic.com/images?q=tbn:ANd9GcTpZBIJzRM1H- made” by Rolling Stone in 2003. GhQN6gcpQ10MWXGlqkK03oo543ZbNUefuLNAvVRA Ranked #19 on the “100 Greatest Artists of All Time” by Rolling Stone. Shengsheng Biography From 1964-1965: Lou Reed (worked as a songwriter) met John Cale (Welshman who came to United States to study classical music) and they formed, The Primitives. Reed and Cale recruited Sterling Morrison to play the guitar (college classmate of Reed’s) as a replacement for Walter De Maria. Angus MacLise joined as a percussionist to form a group of four. And this quartet was first named The Warlocks, then The Falling Spikes. Introduced by Michael Leigh, the name “The Velvet Underground” was finally adopted by the group in Nov 1965. Shengsheng Biography From 1965-1966: Andy Warhol became the group’s manager.
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Super ACRONYM - Round 2
Super ACRONYM - Round 2 1. A defamation lawsuit filed in response to this song prompted a judge to use the phrase "the parties are advised to chill" upon dismissing it. This song was performed as part of a medley during the 2001 Eurovision Song Contest, which was held in its performer's native (*) Denmark. The band that released this song followed it up with the single "Lollipop." The aforementioned lawsuit over this 1997 song objected to its use of the phrase "blonde bimbo." Another part of this song tells the listener that if they say "I'm always yours," they can both “touch” and “play.” The title figure is told "let's go party" in, for 10 points, what song by Aqua? ANSWER: Barbie Girl <Nelson> 2. This actor played the privileged Lev Shapiro, who shares his and Benji's apartment with the title character of Frances Ha. That same year, he portrayed the president's telegraph operator in Lincoln. This actor enlisted at Juilliard in 2004 after a mountain bike accident led to his discharge from the (*) Marines. The title character of 2016's Paterson was played by this man, who co-stars in 2016's Silence. This actor is best known for his role as a villain who insists, "By the grace of your training, I will not be seduced" after receiving a warning from Supreme Leader Snoke. For 10 points, name this portrayer of Kylo Ren. ANSWER: Adam (Douglas) Driver <Vopava> 3. A graphic novel about this character inspired an accompanying album called Fear and Bullets. Irish Shaw and Michael Korby have both taken the role of this character, who is the best known creation of James O'Barr.
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NEW YORK APRIL 1 - JUNE 30, 2018 the First Ever Global Exhibition Dedicated to the Velvet Underground and Its Influence on Modern Music, Art & Popular Culture
THE VELVET UNDERGROUND EXHIBITION + CONCERT SERIES + EVENTS EXPERIENCE NEW YORK APRIL 1 - JUNE 30, 2018 The first ever global exhibition dedicated to the Velvet Underground and its influence on modern music, art & popular culture. The Velvet Underground and Andy Warhol became one Music-related art exhibitions see growing success—the of the most iconic artistic collaborations of all time, David Bowie exhibit saw 1.1 million visitors to date. merging counter-culture and the mainstream in one Thus, this exhibition is preparing to expand beyond the gigantic creative explosion and bringing the world of 100,000 visitors mark. arts and communication into the modern era. The first show to ever receive the official support and exclusive contributions of the band’s three surviving members - John Cale, Moe Tucker and Doug Yule - as well as the official representatives THE VELVET of Velvet Underground Estate. UNDERGROUND EXPERIENCE It all started in New York City in the early 1960s, with an improbable encounter between Brooklyn born singer/songwriter Lou Reed and Welsh avant-garde musician John Cale. Lou and John soon were joined by Sterling Morrison—a literature student and rock-and-roll fan—and Moe Tucker—an androgynous- looking drummer from the suburbs driven by tribal rhythms. In 1965, Andy Warhol became the Released in band’s manager, offering them March 1967 shelter in his famous silver Factory. and recorded 1960s New York City, Music, in 1966 during Warhol brought in Nico, a blonde Andy Warhol’s Andy and Pop Culture fashion model, actress and “Exploding chanteuse, as the fifth member of P l a s t i c the band.
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Reed, Lou (1942-2013) by Tina Gianoulis
Reed, Lou (1942-2013) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com In the 1960s, 1970s, and 1980s, rock musician Lou Reed, pencil-thin, craggy, and dressed in tough leather or androgynous glitz, came to symbolize the rebellious outsider. Reed produced a gritty urban rock and roll that made even the protest and acid rock of the 1970s seem tame in comparison. Beatniks listened to Pete Seeger and the Weavers. Hippies listened to the Doors and Jimi Hendrix. The real freaks listened to Reed's Velvet Underground. A rebel from an early age, Reed horrified his parents on Long Island with his effeminacy and his violently loud rock music. Hoping to curb his homosexuality, they sent him to a mental hospital for electroshock treatments. Although the treatments were painful and damaging, Reed emerged with his antisocial impulses (and bisexuality) more or less intact. Lou Reed performing in Malaga, Spain in 2008. He moved to New York City, where he met Andy Warhol, the experimental artist who Photo by Marcelo Costa. Creative Commons made a cult of both the decadent and the mundane. In 1965, Reed--as part of Warhol's Attribution 2.0 Generic studio, The Factory--joined fellow musicians John Cale, Sterling Morrison, and license. Maureen Tucker to form the Velvet Underground. Andy Warhol managed the band, which supplied the music for his Exploding Plastic Inevitable art shows in 1966. Although Velvet Underground sold few albums and disbanded after only five years, the group had an impact that lasted for decades.
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Walk on the Wild Side
Walk on the Wild Side by Melanie Kaye/Kantrowitz I am at the Cape with Leslie, my lover of just over a year, but as I tell my friends, this is the one. We are visiting Leslie's friend Kira and her daughter Rosie, an eight-and-a-half-year-old with whom I have fallen in love. Rosie is watching her Titanic video as she does every night. When Leonardo DiCaprio appears on screen she places her hand over her heart, cries, Leonardo, and hurls herself on the floor. Kira is stirring minced garlic into a bubbly olive oil and butter mix. I inhale blissfully and phone my voicemail. Um. this is April Kirkland. Um. I have some news I think you'd like to know. I hear the hesitation and think, Tally's dead, the cancer came back. As a teaching assistant in graduate school I was assigned to Tally, a young Doris Lessing scholar when nobody taught Lessing, the only woman I knew who always included books by women in her courses; for that matter the only one to mention the word woman. At first it made me uncomfortable. What was wrong with girl or chick? April teaches with Tally. I try April’s number. During the salad days of Berkeley feminism, April and I sat through a million meetings together, usually choosing opposite sides. After she came out as a lesbian, her politics shifted and she started apologizing every time we ran into each other—she seemed to like my old side better than her old side, whereas I wasn’t so sure.
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Rhe Weekly Arts and Entertainment Supplement to the Daily Nexus 2 a Thursday, December 7,1995 Daily Nexus
rhe Weekly Arts and Entertainment Supplement to the Daily Nexus 2 A Thursday, December 7,1995 Daily Nexus Love For those of us who like KRS-ONE ture of What heard that Noel “Oasis” bubble gum and keeping 5. Album: Foo Fighters 11. Sunny Day Real Es Gallagher played on a fan- Bone Thugs 'N' Sattler our attention spans out of / Foo Fighters tate / LP2 tasmic, magical, mysteri firm commitments, I sub 6. Single (with two bo 12. Sonic Youth / Wash ous track, but in the end, mit a proposal for the top nus tracks): Edwyn Col ing Machine James learned a lot more five singles of the year. I lins / “A Girl Like You” 13. Built to Spill / There’s than he had planned to. / © #® ®\ thought this year was so 7. Album: GZA / Liq Nothing Wrong With Pete Shotton began to believe_ in reincarnation and it generally mediocre that a uid Swords Love 5. The Verve / A North made his eyes tear up. He dreamt about all the Mends he TLC song almost made 8. Video: Weezer / 14. Yo La Tengo / Electr- ern Soul had lost and all the places he had known. All the things this list. The stuff that was “Buddy Holly” O-Pura They may have broken he had tried to say seemed less important because of all good this year was great, 9. TV commercial: 15. Various Artists / Kids up in August, but the the unknown things he must have said. and everything else was Grand Puba, CL Smooth Original Motion Picture myths and shadows sur Reincarnation came just when he needed it He was 20 just a notch above that and Pete Rock for Sprite Soundtrack rounding the Verve con and lonely.
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De Freeport À Pickwick, En Passant Par Syracuse
CHAPITRE 1 DE FREEPORT À PICKWICK, EN PASSANT PAR SYRACUSE « Et puis un beau matin, elle se branche sur une radio de New York Elle n’en croit pas ses oreilles Elle commence à danser sur ces accords géniaux Tu sais, c’est le rock qui lui a sauvé la vie. » —Lou Reed, Rock’n’roll elui qui s’appellera plus tard Lou Reed est le fils aîné et égoïste. Il a fréquenté le collège de Freeport, où il avait de Sidney George Rabinowitz, un New-Yorkais qui une vie intérieure animée, écrivant des poèmes et des Cavait anglicisé son nom avant de devenir comptable, nouvelles, mais il ne dédaignait pas les activités spor- et de Toby Futterman, reine de beauté devenue mère tives, l’athlétisme (la course et le saut à la perche) et le au foyer. Le couple aura cinq ans plus tard un second basket. Rêvant secrètement d’une carrière de rebelle enfant, Elizabeth, plus connue sous le nom de Bunny, devant un public, il réussit à convaincre ses parents de et quittera Brooklyn pour le quartier plus chic et typique lui acheter une moto, pour ressembler à Marlon Brando du rêve américain de Freeport, à Long Island, Lewis avait dans L’Équipée sauvage. Les poètes beatniks le fasci- alors onze ans. À l’image de beaucoup de mères juives, nent, ainsi que la culture underground gay. (« J’ai toujours Toby couvait son fiston jusqu’à parfois l’étouffer sous pensé que la seule manière qu’avaient les mômes de se son amour, tandis qu’en bon père juif, Sidney espérait rebeller contre leurs parents était de jouer sur leur identité secrètement qu’il reprenne « la boutique » une fois grand.
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