Rubens's Lot and His Daughters Achieves

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RUBENS’S LOT AND HIS DAUGHTERS ACHIEVES £44,882,500 /$58,167,720 /€52,422,760 HIGHEST PRICE EVER ACHIEVED FOR OLD MASTER PAINTING AT CHRISTIE’S London – Peter Paul Rubens’s Lot and his Daughters (circa 1613-14) achieved £44,882,500 /$58,167,720 /€52,422,760, the highest price ever achieved for an Old Master painting at Christie's this evening (7 July). The work sold to a collector on the phone in Christie’s Old Master and British Paintings Evening Sale, part of Classic Week in London, after a bidding battle lasting fourteen minutes with four bidders involved. One of the most important paintings by the artist to have remained in private hands, it is an outstanding example of Rubens’s early maturity. “The sale of this significant painting demonstrates that Christie’s continues to lead the masterpiece market at auction and in this field. A stunning work of psychological complexity, Lot and his Daughters was created at a time when Rubens’s reputation as the most renowned artists in Antwerp had already placed him firmly at the centre of the European artistic stage.” Paul Raison, Deputy Chairman, Old Master Pictures Lot and his Daughters boasts a distinguished provenance, once forming part of the collections of wealthy Antwerp merchants; a Governor-General of the Spanish Netherlands; Joseph I Holy Roman Emperor; and the Dukes of Marlborough where it hung in Blenheim Palace and was sold in its original Blenheim frame. Lot and his Daughters is a cautionary story, which Rubens returned to throughout his career. Pulsating with life, this biblical canvas illustrates the events after Lot and his family have fled the immoral city of Sodom having escaped to the desolate mountain town of Zoar. This is the second highest price ever paid for an Old Master painting at auction, the record also being held by Rubens whose The Massacre of the Innocents sold for £49,506,648 at auction in 2002. Christie's Classic Art Weeks continue - for further information visit www.christies.com/classicweek #christies250 Five Things You Might Like to Know About Peter Paul Rubens 1. Born in Siegen, Nassau-Dillenburg (now North Rhine Westphalia, Germany), his father was the legal advisor as well as the lover and father of a child born to Anna of Saxony, the second wife of William I of Orange. 2. Italy had a big impact on the young artist: in 1600 Rubens first visited Venice where he was able to see works by Titian, Tintoretto and Veronese. The compositions and palette were very influential and this can be seen in later works such as Lot and his Daughters. 3. He was a diplomat as well as an artist: while living in Italy with the Duke of Vincenzo I Gonzaga he made his first diplomatic mission to Spain. He would continue to combine diplomacy and art throughout his life. 4. Peter Paul Rubens also dabbled in architecture: In 1609 he married Isabella Brant, daughter of a leading Antwerp humanist and in 1610 he built a new house with a studio attached that he had designed himself. 5. One of Rubens’s most famous pupils was the leading Flemish portrait artist Anthony van Dyke. .

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Download PDF Van Tekst
De Gulden Passer. Jaargang 78-79 bron De Gulden Passer. Jaargang 78-79. Vereniging van Antwerpse Bibliofielen, Antwerpen 2000-2001 Zie voor verantwoording: https://www.dbnl.org/tekst/_gul005200001_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. i.s.m. 7 [De Gulden Passer 2000-2001] Woord vooraf Ruim een halve eeuw geleden begon de bibliograaf Prosper Arents aan de realisatie van zijn vermetel plan om de bibliotheek van Pieter Pauwel Rubens virtueel te reconstrueren. In 1961 publiceerde hij in Noordgouw een bondig maar nog steeds lezenswaardig verslag over de stand, op dat ogenblik, van zijn werkzaamheden onder de titel De bibliotheek van Pieter Pauwel Rubens. Toen hij in 1984 op hoge leeftijd overleed, had hij vele honderden titels achterhaald, onderzocht en bibliografisch beschreven. Persklaar kon men zijn notities echter allerminst noemen, iets wat hij overigens zelf goed besefte. In 1994 slaagden Alfons Thijs en Ludo Simons erin onderzoeksgelden van de Universiteit Antwerpen / UFSIA ter beschikking te krijgen om Arents' gegevens electronisch te laten verwerken. Lia Baudouin, classica van vorming, die deze moeilijke en omvangrijke taak op zich nam, beperkte zich niet tot het invoeren van de titels, maar heeft ook bijkomende exemplaren opgespoord, Arents' bibliografische verwijzingen nagekeken en aangevuld en de uitgegeven correspondentie van P.P. Rubens opnieuw gescreend inzake lectuurgegevens. Een informele werkgroep, bestaande uit Arnout Balis, Frans Baudouin, Jacques de Bie, Pierre Delsaerdt, Marcus de Schepper, Ludo Simons en Alfons Thijs, begeleidde L. Baudouin bij haar ‘monnikenwerk’. Na het verstrijken van het mandaat van de onderzoekster bleef toch nog heel wat werk te verrichten om het geheel persklaar te maken.
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