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List of Works Special Exhibition The 1400th Memorial for Prince Shōtoku HŌRYŪJI Prince Shōtoku and Treasures of Early Buddhist Faith in

[Notes] July 13 – September 5, 2021 ・The same artwork numbers are used in both the catalogue and the galleries, but the works are not displayed in numerical order. Missing numbers from the list below indicate works exhibited exclusively at the Nara venue. Heiseikan, Tokyo National Museum ・The following A - E symbols indicate that object’s respective section. A Prince Shōtoku and the Flowering of the Buddha Organizers B The Establishment of Hōryūji Temple Tokyo National Museum, Hōryūji Temple, The Yomiuri Shimbun, C The Sacred Forms of Prince Shōtoku NHK, NHK Promotions Inc., Agency for Cultural Affairs D Treasures of the Eastern Precinct at Hōryūji Temple E The Hōryūji Golden Hall and Five-Storied With the Special Sponsorship of ・Key to symbols on illustrations: ◉=Narional Treasure, ◎=Imporatant Cuitural Propety. Canon Inc., East Japan Railway Company, JAPAN TOBACCO INC., Mitsui Fudosan Co.,Ltd., ・Some artworks may be rotated during the exhibition period ( ). Exhibition lineup may change as circumstancs require. MITSUBISHI ESTATE CO.,LTD., Meiji Holdings Co.,Ltd. * ・Works are on View throughout the exhibition period unless otherwise indicated. The rotation schedule is as follows. With the Sponsorship of TermI July 13 (Tue.) - August 9 (.) TermII August 11 (Wed.) - September 5 (Sun.) SHIMIZU CORPORATION, Takashimaya Co.,Ltd., TAKENAKA CORPORATION, Sumitomo Mitsui Banking Corporation, Mitsubishi Corporation

With the Support of UCHIDA YOKO CO.,LTD., Nissha Co.,Ltd., Aioi Nissay Dowa Insurance Co.,Ltd.

Floor Plan|HEISEIKAN 2F

A 1st Venue 2nd Venue Prince Shōtoku and the Flowering of E the Buddha Dharma Entrance Exit The Hōryūji Golden Hall and Five-Storied Pagoda

B The Establishment of Hōryūji Temple

C The Sacred Forms of Treasures of the Eastern Prince Shōtoku Shop D Precinct at Hōryūji Temple

No Title Materials and Methods Period/Century Owner Te r m

2 Portrait of Prince Shōtoku and Two Princes (Reproduction) Ink and colors on paper Edo period, 1842 Tokyo National Museum A

Imperial Treasure Term I :Volume 2 4 Ink on paper Asuka period, 7th century Imperial Household Agency Commentary on the Lotus (One of the Hōryūji Treasures) A Term II:Volume 4 * Tokyo National Museum, 5 Sutra Wrapper Bamboo and braid Asuka to Nara period, 7th–8th century the Hōryūji Treasures A

Earthenware Tokyo National Museum, 6 Earthenware Inkstone Nara to Heian period, 8th–9th century ◎ lacquered wood (stand) the Hōryūji Treasures A

China; Tang dynasty, or Nara period, Tokyo National Museum, 7 Stand for Ink Stick Cast bronze with gilding ◉ 8th century the Hōryūji Treasures A

China; Tang dynasty, or Nara period, Tokyo National Museum, 8 Water Pot Forged bronze with gilding ◉ 8th century the Hōryūji Treasures A China; Tang dynasty, or Korean peninsula; Forged bronze and cast bronze with Tokyo National Museum, 9 Spoons Unified Silla Kingdomi; or Nara period, ◉ gilding the Hōryūji Treasures A 8 th century Korean peninsula; Three Kingdoms period, Tokyo National Museum, 10 Deer-tail Fan Wood with lacquer Term II ◎ or Asuka period,6th–7th century the Hōryūji Treasures A

11 Deer-tail Fan (Reproduction) Wood with lacquer and animal hair 1921 Hōryūji Temple, Nara A No Title Materials and Methods Period/Century Owner Te r m Tokyo National Museum, 12 “Five-times Repaired” (Gotetsu) Priests’ Bowl Forged iron Asuka to Nara period, 7th–8th century ◎ the Hōryūji Treasures A Korean peninsula; Three Kingdoms period, Tokyo National Museum, 13 Incense Burner with Handle in the Shape of a Magpie Tail Forged brass with gilding ◉ or Asuka period, 6th–7th century the Hōryūji Treasures A Korean peninsula; Three Kingdoms period, Tokyo National Museum, 14 Footed Bronze Bowl with Lid Forged brass with gilding ◎ or Asuka period, 6th–7th century the Hōryūji Treasures A Tokyo National Museum, 15 Incense Burner with Handle in the Shape of a Magpie Tail Brass Asuka period, 7th century ◎ the Hōryūji Treasures A Tokyo National Museum, 16 Ceremonial Ivory Scepter Bone Nara period, 8th century Term I ◎ the Hōryūji Treasures A China; Tang dynasty, or Nara period, Tokyo National Museum, 17 Flute Bamboo Term II ◎ Shakuhachi 8th century the Hōryūji Treasures A Dried lacquer with silk and lacquer 18 Fragment from a Dry-Lacquer Funerary Casket Asuka period, 7th century Anpukuji Temple, Osaka coating A Korean peninsula; Three Kingdoms period, Tokyo National Museum, 19 Buddha with Pair of Attendants Gilt bronze ◎ or Asuka period, 6th–7th century the Hōryūji Treasures A Korean peninsula; Three Kingdoms period, Tokyo National Museum, 20 Mandorla for a Buddhist Statue Gilt bronze ◎ or Asuka period, 594 the Hōryūji Treasures A Korean peninsula; Three Kingdoms period, 21 Legs and Pedestal of a Statue Gilt bronze Hōryūji Temple, Nara or Asuka period, 6th–7th century A Tokyo National Museum, 22 Seated Buddha Gilt bronze Asuka period, 7th century Term I ◎ the Hōryūji Treasures A

23 ◎ Standing Bodhisattva Gilt bronze Asuka period, 7th century Hōryūji Temple, Nara A

Tokyo National Museum, 24 Bodhisattva in Half-Lotus Pose Gilt bronze Asuka period, 7th century Term II ◎ the Hōryūji Treasures A

25 ◎ Śākyamuni Buddha and Attendant Gilt bronze Asuka period, 628 Hōryūji Temple, Nara A

26 ◎ Standing Bodhisattva Bronze Asuka period, 7th century Hōkiji Temple, Nara A

27 Standing Buddha Wood with lacquered gold foil Asuka period, 7th century Hōkiji Temple, Nara A

28 Record of the Founding and Property Assets of Hōryūji Temple Ink on paper Edo period, 18th–19th century Hōryūji Temple, Nara Term I (Hōryūji garan engi narabi ni ruki shizai chō) B

29 Record of the Founding and Property Assets of Hōryūji Temple Ink on paper Edo period, 1795 Hōryūji Temple, Nara Term II (Hōryūji garan engi narabi ni ruki shizai chō) B Tokyo National Museum, 30 Seal of Hōryūji Temple Cast bronze Asuka to Nara period, 8th century ◎ the Hōryūji Treasures B Tokyo National Museum, 31 Seal of the Ikarugadera Temple Storehouse Cast bronze Heian period, 8th–9th century ◎ the Hōryūji Treasures B Archives and Mausolea Department, 33 Chronicles of Japan ( ), Volumes 21 and 22 Ink on paper Heian period, 12th century Term I Nihon shoki Imperial Household Agency B *

34 ◎ Woodblock for Printing the Seventeen-Article Constitution Wood Kamakura period, 1285 Hōryūji Temple, Nara B

Seated Venerable Priest; thought to be a Portrait of Gwanreuk 35 Wood with pigments Heian period, 10th century Hōryūji Temple, Nara ◎ (Kanroku; dates unknown), a High Priest from the Baekje Kingdom B Tiles from the Wakakusa Precinct Golden Hall Site: 36 Earthenware Asuka period, 7th century Hōryūji Temple, Nara Set of Circular and Concave Eaves-End Tiles B Tiles from the Wakakusa Precinct Site: 37 Earthenware Asuka period, 7th century Hōryūji Temple, Nara Set of Circular and Concave Eaves-End Tiles B Tile from the Wakakusa Precinct Site: Fragment from an Ornamental 38 Earthenware Asuka period, 7th century Hōryūji Temple, Nara Ridge-end Protective Roof Tile with Lotus Design B Tiles from the Wakakusa Precinct Site: 39 Earthenware Asuka period, 7th century Hōryūji Temple, Nara Ornamental Main Ridge Roof Tile () Fragments B

40 Ornamental Main Ridge Roof Tile (Shibi) Fragments Earthenware Asuka period, 7th century Hōryūji Temple, Nara B

41 Three Fragments from an Earthenware Jeweled Earthenware Asuka period, 7th century Hōryūji Temple, Nara B

Tiles from the Vicinity of the Western Precinct Golden Hall: 42 Earthenware Asuka period, 7th century Hōryūji Temple, Nara Set of Circular and Concave Eaves-End Tiles B Tiles from the Vicinity of the Western Precinct Five-Storied Pagoda: 43 Earthenware Asuka period, 7th century Hōryūji Temple, Nara Set of Circular and Concave Eaves-End Tiles B Tiles from the Vicinity of the Western Precinct Golden Hall: 44 Earthenware Asuka period, 7th century Hōryūji Temple, Nara Ornamental Main Ridge Roof Tile (Shibi) Fragments B Tile from the Vicinity of the Western Precinct: 45 Earthenware Nara period, 8th century Hōryūji Temple, Nara Ornamental Ridge-end Protective Ogre Roof Tile B Silk embroidery on a complex gauze 46 ◉ The Land of Heavenly Longevity (Tenjukoku) Embroidery weave (ra) silk fabric backed with Asuka period, ca. 622 Chūgūji Temple, Nara B Term I plain weave silk; twill silk fabric Silk embroidery on a complex gauze Fragments from the Land of Heavenly Longevity ( ) Tokyo National Museum, 48 Tenjukoku weave ( ) silk fabric backed with Asuka period, ca. 622 Term I Embroidery ra the Hōryūji Treasures B plain weave silk; twill silk fabric Fragments from the Kamakura-period Land of Heavenly Longevity 49 ◉ Silk embroidery on a twill silk fabric Kamakura period, 1275 Chūgūji Temple, Nara Term I (Tenjukoku) Embroidery B No Title Materials and Methods Period/Century Owner Te r m Fragments from the Kamakura-period Land of Heavenly Longevity Tokyo National Museum, 50 Silk embroidery on a twill silk fabric Kamakura period, 1275 Term I (Tenjukoku) Embroidery the Hōryūji Treasures B Silk, silk braid, gilt bronze fittings, Korean peninsula; Three Kingdoms period, The Museum of the Imperial 51 Pendent Ornament with Gilt Bronze Decoration Term I and gold threads or Asuka period, 7th century Collections, the Hōryūji Treasures B Samite with Beaded Medallions Enclosing Four Mounted Lion 53 Silk; weft-patterned cloth China; Tang dynasty, 7th century Hōryūji Temple, Nara Term II ◉ Hunters nishiki B Tokyo National Museum, 54 Consecration Banner Gilt bronze openwork Asuka period, 7th century ◉ the Hōryūji Treasures B Silk; silk embroidery on crepe Tokyo National Museum, 55 -2 ◎ Fragment of Buddhist Ornament with Embroidered Heavenly Being Asuka period, 7th century Term I (shijira) the Hōryūji Treasures B Silk; silk embroidery on crepe Tokyo National Museum, 55 -4 ◎ Fragment of Buddhist Ornament with Embroidered Heavenly Being Asuka period, 7th century Term I (shijira) the Hōryūji Treasures B Silk; silk embroidery on crepe Tokyo National Museum, 55 -6 ◎ Fragment of Buddhist Ornament with Embroidered Sacred Jewels Asuka period, 7th century Term I (shijira) the Hōryūji Treasures B Fragment of Buddhist Ornament with Embroidered Lotus and Floral Silk; silk embroidery on crepe Tokyo National Museum, 55 -8 Asuka period, 7th century Term I Design (shijira) the Hōryūji Treasures B Silk; compound weave fabric Compound Weave Fragments with Geometric Pattern 56 ( )and damask with twill on Asuka period, 7th century Hōryūji Temple, Nara Term II ( ) from a Large Ritual Banner nishiki B Shokkōkin tabby Silk; compound weave fabric Twill and Compound Weave Fragments with Geometric Pattern (nishiki), damask with twill on tabby Tokyo National Museum, 57 -1 ◎ Asuka period, 7th century Term II (Shokkōkin) and supplementary-weft patterning the Hōryūji Treasures B on tabby Compound Weave Fragments with Geometric Pattern Silk; compound weave fabric Tokyo National Museum, 59 ◎ Asuka period, 7th century Term I (Shokkōkin) from a Sash (nishiki) the Hōryūji Treasures B Compound Weave Fragments with Geometric Pattern ( ) Shokkōkin Silk; compound weave fabric 60 and Designs of Lotus Flowers within Lattices, Lions, and Phoenixes Asuka period, 7th century Hōryūji Temple, Nara Term I ◎ ( ) B on a Red Ground nishiki Wood with lacquer and gilt bronze 62 Shaft for Hanging Heavenly Canopy ( ) Asuka period, 7th century Hōryūji Temple, Nara Tengai metal fittings B Tokyo National Museum, 63 Openwork Gilt Bronze Fittings Gilt bronze Asuka to Nara period, 7th–8th century the Hōryūji Treasures B Tokyo National Museum, 64 Ink on paper Nara period, 756 Term II ◉ Record of the Imperial Bequest to Hōryūji Temple(Hōryūji kenmotsu chō) the Hōryūji Treasures B The Museum of the Imperial 65 Penknife with Black Persimmon Handle and Birchwrapped Sheath Iron and wood Nara period, 8th century Term II Collections, the Hōryūji Treasures B Small Penknife with Black Persimmon Handle and The Museum of the Imperial 66 Iron and wood with pigments Nara period, 8th century Term II Sappanwood-dyed Sheath with Gold and Silver Painting Collections, the Hōryūji Treasures B The Museum of the Imperial 67 Speckled Bamboo Sheath Bamboo Nara period, 8th century Term II Collections, the Hōryūji Treasures B Incense Wood in Lacquered Leather Box with Floral and Vegetal Tokyo National Museum, 68 Lacquered leather Nara period, 8th century Term II ◎ Motifs in Silver Painting the Hōryūji Treasures B

70 -1 Set from the Million (Hyakumantō) Wood with pigments Nara period, 8th century Hōryūji Temple, Nara B

70 -2 Dhāran. ī from within the Hyakumantō Stupas Printed Ink on Paper Nara period, 8th century Hōryūji Temple, Nara B

Cast bronze with gilding and silver Tokyo National Museum, 71 Dragon-Headed Ritual Water Ewer ( ) Asuka period, 7th century Term I ◉ Kun. d. ikā plating the Hōryūji Treasures B China; Tang dynasty, or Nara period, 72 Ritual Water Ewer ( ) with Barbarian’s Face Cast bronze Hōryūji Temple, Nara ◎ Kun. d. ikā 8th century B Tokyo National Museum, 75 Mask for the Role of Konron Wood with pigments Asuka period, 7th century Term I ◎ Gigaku the Hōryūji Treasures B Tokyo National Museum, 76 Mask for the Role of Woman of Wu Wood with pigments Asuka period, 7th century Term I ◎ Gigaku the Hōryūji Treasures B Silk; complex gauze weave (ra), plain weave silk (hiraginu), Tokyo National Museum, 77 Costume for Gigaku: Fragments of a Skirt Nara period, 8th century Term I clampresist dyeing (kyōkechi), the Hōryūji Treasures B and bind-resist dyeing (kōkechi) Silk; complex gauze weave, plain 78 Costume for Gigaku: Fragments of a Skirt (Reproduction) weave silk, clamp-resist dyeing, 2021 Tokyo National Museum B Term II and bind-resist dyeing Hollow-core dry lacquer with 79 Seated Portrait of Priest Gyōshin, Second of the Sōkan Ranks Nara period, 8th century Hōryūji Temple, Nara ◉ pigments D Address at the Memorial Service for Prince Shōtoku Tokyo National Museum, 80 Ink on paper Kamakura period, 13th–14th century Term I (Kōtaishi gosai’e sōmon) the Hōryūji Treasures D Wood-core dry lacquer with 81 Seated Amida (Amitābha) with a Pair of Attendants Nara period, 8th century Hōryūji Temple, Nara ◎ lacquered gold foil D

82 ◎ Mandorla Wood with lacquered gold foil Nara period, 8th century Hōryūji Temple, Nara D

Record of the Founding and Property Assets of the Hōryūji Eastern 83 Ink on paper Edo period, 1736 Hōryūji Temple, Nara Term II Precinct (Hōryūji Tōin engi shizai chō) D Tiles from the Ikaruga Palace Site: 84 Earthenware Asuka period, 7th century Hōryūji Temple, Nara Set of Circular and Concave Eaves-End Tiles D Tiles from the Eastern Precinct: 85 Earthenware Nara period, 8th century Hōryūji Temple, Nara Set of Circular and Concave Eaves-End Tiles D The Lotus Sutra (Hokekyō; Saddharma Pundarīka-sūtra) in Minute Tokyo National Museum, 86 ◉ . . Ink on paper China; Tang dynasty, 694 Term I Characters with Precious Wood Case the Hōryūji Treasures D No Title Materials and Methods Period/Century Owner Te r m Sappanwood dyed and lacquered Tokyo National Museum, 89 Bamboo Cabinet Asuka to Nara period, 7th–8th century ◉ wood and sasa bamboo the Hōryūji Treasures D

90 ◎ The Lotus Sutra (Hokekyō; Saddharma Pun. d. arīka-sūtra), Volume 3 Ink on paper Nara period, 8th century Hōryūji Temple, Nara D Term II

The Great Perfection of Wisdom Sutra (Dai hannya haramitta kyō; Term I :Volume 384 91 ◎ Ink on paper Nara period, 8th century Hōryūji Temple, Nara Mahāprajñāpāramitā-sūtra; 600 fascicles) D Term II:Volume 494 * Crystal reliquary: Nanbokuchō period, Reliquary: crystal; reliquary tray: 92 “Homage to Buddha” Relics ( ) 1347–8 Lotus pedestal and reliquary tray: Hōryūji Temple, Nara Namubutsu shari gilt bronze D Kamakura period, 13th century Forged and cast bronze with gilding (stupa body) Tokyo National Museum, 93 Stupa-shaped Reliquary Heian period, 1138 ◎ wood with lacquer and pigments the Hōryūji Treasures D (platform)

94 Standing Prince Shōtoku at Age Two Wood with pigments Kamakura period, 13th–14th century Hōryūji Temple, Nara D

95 ◎ Prince Shōtoku Lecturing on the Śrīmālādevī Sūtra Ink and colors on silk Kamakura period, 13th century Hōryūji Temple, Nara D Term II

96 ◎ Lotus Pond Ink and colors on silk Kamakura period, 13th century Hōryūji Temple, Nara D Term I

Tokyo National Museum, 97 King Wen with Lu Shang and Four Sages on Mount Shang Ink and colors on silk Nanbokuchō period, 14th century Term I/Term II ◎ the Hōryūji Treasures D * Leather with pigments and gilt 98 Floral Pendants ( ) Nanbokuchō period, 14th century Hōryūji Temple, Nara Keman bronze fittings D

99 Gilt Bronze Banners Gilt bronze and glass Edo period, 17th century Hōryūji Temple, Nara D

Tokyo National Museum, 100 -1 Patchwork Quilted Robe ( ) Silk; patchwork quilted tabby Nara period, 8th century ◎ funzō e the Hōryūji Treasures D

Wood with lacquer and sprinkled Tokyo National Museum, 100 -2 Maki’e Box for the Patchwork Quilted Robe Edo period, 1694 gold powder (maki’e) the Hōryūji Treasures D

Storage Box for Priest’s Surplice with Maki’e Design of Mount Wood with lacquer and sprinkled Tokyo National Museum, 101 ◎ Heian period, 12th century Penglai gold powder (maki’e) the Hōryūji Treasures D The Museum of the Imperial 102 Gourd Jar with Eight Retainers Gourd China; Tang dynasty, 8th–9th century Term II Collections, the Hōryūji Treasures D Tokyo National Museum, 103 Ritual Bell with the Five Great Wisdom Kings ( ) Cast bronze with gilding China; Tang dynasty, 8th–9th century ◎ Myō’ ō the Hōryūji Treasures D Tokyo National Museum, Term I :Volume 1 104 ( ) Gold ink on indigo-dyed paper Heian period, 9th century ◎ The Brahmāʼs Net Sutra Bonmō kyō the Hōryūji Treasures D Term II:Volume 2 * Plain wave silk ( ) and silk Tokyo National Museum, 105 -1 Venerable Footprints hiraginu Nara period, 8th century batting the Hōryūji Treasures D

Wood with lacquer and sprinkled Tokyo National Museum, 105 -2 Maki’e Storage Box for the Venerable Footprints Edo period, 1694 gold powder (maki’e) the Hōryūji Treasures D Tokyo National Museum, 106 Bow Wood Nara period, 8th century ◎ the Hōryūji Treasures D Tokyo National Museum, 107 Signal Arrow with Six Holes Bamboo (shaft) Nara period, 8th century ◎ the Hōryūji Treasures D Tokyo National Museum, 108 Arrow Bamboo (shaft) Nara period, 8th century ◎ the Hōryūji Treasures D Tokyo National Museum, 109 Five Pointed Arrows Bamboo (shaft) Nara period, 8th century ◎ the Hōryūji Treasures D Tokyo National Museum, 110 Quiver with Painting Wood with pigments Nara period, 8th century ◎ the Hōryūji Treasures D

111 Printed Reproductions of Illustrations of the Treasures Woodblock print Edo period, 1842 Tokyo National Museum D

115 Palanquin for the “Homage to Buddha” Relics Wood with lacquer Muromachi period, 15th–16th century Hōryūji Temple, Nara D

117 ◎ Processional Mask of a Lion’s Head Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term I

118 ◎ Processional Mask of Haeharai (Shishiko) Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term I

120 ◎ Processional Mask of the Dragon King Sakara (Sāgara) Wood with pigments Heian period, 1138 Hōryūji Temple, Nara D Term I

121 ◎ Processional Mask of Kendatsuba () Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term I

122 ◎ Processional Mask of Ashura () Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term I

123 ◎ Processional Mask of Karura (Garud. a) Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term I

124 ◎ Processional Mask of Kin’nara (Kim. nara) Wood with pigments Heian period, 1138 Hōryūji Temple, Nara D Term I

125 ◎ Processional Mask of Hibakara Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term I

126 ◎ Mask for the Bugaku “Kotokuraku” Skit Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term II No Title Materials and Methods Period/Century Owner Te r m

127 ◎ Mask for the Bugaku “Sessen” Skit Wood with pigments Heian period, 11th century Hōryūji Temple, Nara D Term II

128 ◎ The Smiling-Face Emimen Mask for the Bugaku “Ninomai” Skit Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term II

129 ◎ The Swollen-FaceHaremen Mask for the Bugaku “Ninomai” Skit Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term II

130 ◎ Mask for the Bugaku “Shintoriso” Skit Wood with pigments Heian period, 12th century Hōryūji Temple, Nara D Term II

131 ◎ Mask for the Bugaku “Sanju” Skit Wood with pigments Muromachi period, 1430 Hōryūji Temple, Nara D Term II

133 Helmet for Performing “Chikyū” Leather with pigments Kamakura period, 13th century Hōryūji Temple, Nara D Term II

Wings for Performing “Karyōbin,” the Dance of the Bird-like Being 134 Leather with pigments Kamakura period, 13th century Hōryūji Temple, Nara Term II with a Human Face (Kalavin. ka) D

135 Standing Prince Shōtoku at Age Two Wood with pigments Kamakura period, 1307 Hōryūji Temple, Nara C

136 Standing Prince Shōtoku at Age Two Wood with pigments Kamakura period, 14th century Hōkiji Temple, Nara C

137 ◎ Standing Filial Prince Shōtoku (Kyōyō zō) Wood with pigments and cut gold leaf Kamakura period, 13th century Jōfukuji Temple, Nara C

138 ◎ Filial Prince Shōtoku (Kyōyō zō) Ink and colors on silk Kamakura period, 13th century Hōryūji Temple, Nara C Term II

139 Filial Prince Shōtoku (Kyōyō zō) Ink and colors on silk Muromachi period, 1556 Hōryūji Temple, Nara C Term I

140 Prince Shōtoku and Eight Young Attendants Ink and colors on silk Kamakura period, 14th century Hōryūji Temple, Nara C Term I

141 ◎ of the Five Venerable Ones Ink and colors on silk Kamakura period, 13th century Hōryūji Temple, Nara C Term II

142 Prince Shōtoku in the “Water Mirror” Form Ink and colors on silk Kamakura period, 14th century Hōryūji Temple, Nara C Term I

144 Prince Shōtoku in the “Water Mirror” Form Ink and colors on silk Kamakura period, 13th–14th century Hōryūji Temple, Nara C Term II

145 Prince Shōtoku and the Ink and colors on silk Nanbokuchō period, 14th century Hōryūji Temple, Nara C Term I

146 Prince Shōtoku Lecturing on the Śrīmālādevī Sūtra Ink and colors on silk Kamakura period, ca. 1235 Hōryūji Temple, Nara C Term I

The Sutra of the Lion’s Roar of Queen Śrīmālā Tokyo National Museum, 147 ◎ Ink on paper; ink and colors on paper Kamakura period, 13th century Term I (Shōmang yō ; Śrīmālādevī Sūtra) the Hōryūji Treasures C

148 ◎ Mandala of the Prince Regnant Shōtoku (Shōkō mandara) Ink and colors on silk Kamakura period, 1254 Hōryūji Temple, Nara C Term II

149 ◉ Prince Shōtoku and Attendants Wood with pigments and cut gold leaf Heian period, 1121 Hōryūji Temple, Nara C

Wood with lacquer and mother-of- 150 ◉ Table Heian period, 12th century Hōryūji Temple, Nara Term I pearl inlay (raden) C

151 ◎ Seated Nyoirin Kannon (Cintāman. icakra) Plain wood with cut gold leaf China; Tang dynasty, 8th–9th century Hōryūji Temple, Nara C Term II

152 ◎ Nyoirin Kannon (Cintāman. icakra) in Half-Lotus Pose Wood with lacquered gold foil Heian period, 11th–12th century Hōryūji Temple, Nara A

153 ◎ Standing Jizō (Ks.itigarbha) Wood with pigments Heian period, 9th century Hōryūji Temple, Nara C Term I

The Imperial Record of Prince Shōtoku, Dharma King of the Upper Palace 154 ◉ Ink on paper Heian period, 10th–11th century Chion’in Temple, Kyoto Term II ( Jōgū Shōtoku hōō teisetsu) C

Term I :Volume 1 155 Ink on paper Nanbokuchō period, 1351 Hōryūji Temple, Nara Biography of Prince Shōtoku (Shōtoku Taishi denryaku) C Term II:Volume 2 * Tokyo National Museum, 156 Ink and colors on silk Kamakura period, 1305 Term II ◎ The Illustrated Biography of Prince Shōtoku the Hōryūji Treasures C

Personal Record of Pilgrimage to the Seven Great Temples 158 ◎ Ink on paper Kamakura period, 13th century Hōryūji Temple, Nara Term I (Shichidaiji junrei shiki) C

Libretto for the Legends of Hōryūji Performed by Shirabyōshi 159 ◎ Ink on paper Nanbokuchō period, 1364 Hōryūji Temple, Nara Term II (Hōryūji engi shirabyōshi) C Wood inner box covered with Nested Boxes for the Letter of the Zenkōji Temple Buddha and 160 patterned weave ( ); cloth Asuka period, 7th century Hōryūji Temple, Nara Cloth Covering nishiki C covering: silk patterned weave and twill

161 ◎ Lotus Sutra Mandala Ink and colors on silk Heian period, 12th century Hōryūji Temple, Nara C Term I

162 ◎ Astral Mandala Ink and colors on silk Heian period, 12th century Hōryūji Temple, Nara C Term II

163 ◎ Astral Mandala Ink and colors on silk Heian period, 12th century Hōryūji Temple, Nara C Term I No Title Materials and Methods Period/Century Owner Te r m

164 ◎ Kujaku Myō’ō (Mahāmāyūrī Vidyārājñī) Ink and colors on silk Kamakura period, 13th century Hōryūji Temple, Nara C Term I

165 Fugen () Ink and colors on silk Kamakura period, 13th century Hōkiji Temple, Nara C Term II

166 Enma Ten () Mandala Ink and colors on silk Kamakura period, 13th–14th century Hōryūji Temple, Nara C Term II

168 Hossō Mandala Ink and colors on silk Kamakura period, ca. 1235 Hōryūji Temple, Nara C Term I

169 Hossō Mandala Ink and colors on silk Kamakura period, 13th century Hōryūji Temple, Nara C Term II

170 -1 ◉ Seated Yakushi (Bhais.ajyaguru) Gilt bronze Asuka period, 7th century Hōryūji Temple, Nara E

170 -2 ◉ Pedestal for Seated Yakushi (Bhais.ajyaguru) Wood with pigments Asuka period, 7th century Hōryūji Temple, Nara E

Two Standing Kannon (Avalokiteśvara) Statues 171 ◎ Gilt bronze Asuka period, 7th century Hōryūji Temple, Nara E Known as Attendants of the Golden Hall Yakushi(Bhais.ajyaguru)

172 ◎ Standing Kannon (Avalokiteśvara) Gilt bronze Asuka period, 7th century Hōryūji Temple, Nara E

Sword: forged bronze with lacquered gold leaf 173 Bronze Sword with Constellation of Seven Stars Asuka period, 7th century Hōryūji Temple, Nara Tachi Scabbard: wood with black lacquer E and gilt bronze fittings

Sword: forged bronze with lacquered gold leaf 174 Bronze Sword Asuka period, 7th century Hōryūji Temple, Nara Tachi Scabbard: wood with black lacquer E and gilt bronze fittings

175 ◉ The Four Heavenly Kings (Shitennō): Kōmokuten (Virūpāks.a) Wood with pigments Asuka period, 7th century Hōryūji Temple, Nara E

176 ◉ The Four Heavenly Kings (Shitennō): Tamonten (Vaiśravan. a) Wood with pigments Asuka period, 7th century Hōryūji Temple, Nara E

Phoenixes 177 ◉ Wood with pigments Asuka period, 7th century Hōryūji Temple, Nara Part of a Golden Hall Heavenly Canopy E

Decorative Metal Fittings Openwork forged bronze with 178 ◉ Asuka period, 7th century Hōryūji Temple, Nara Part of a Golden Hall Heavenly Canopy gilding E

Heavenly Beings 179 ◉ Wood with pigments Asuka period, 7th century Hōryūji Temple, Nara Part of a Golden Hall Heavenly Canopy E

Lady Tachibana Shrine: wood with The Shrine of Lady Tachibana and Amida (Amitābha) Triad 181 ◉ lacquer and pigments Asuka period, 7th–8th century Hōryūji Temple, Nara E Known as Lady Tachibana’s Private Objects of Worship Amida triad: gilt bronze

Standing Kannon (Avalokiteśvara) 182 ◎ Wood with lacquered gold foil Asuka period, 7th century Hōryūji Temple, Nara One of the Statues Known as the Six Kannon E

Standing Seishi (Mahāsthāmaprāpta) 183 ◎ Wood with lacquered gold foil Asuka period, 7th century Hōryūji Temple, Nara One of the Statues Known as the Six Kannon E

Standing Monju (Mañjuśrī) 184 ◎ Wood with lacquered gold foil Asuka period, 7th century Hōryūji Temple, Nara One of the Statues Known as the Six Kannon E

Standing Fugen (Samantabhadra) 185 ◎ Wood with lacquered gold foil Asuka period, 7th century Hōryūji Temple, Nara One of the Statues Known as the Six Kannon E

Standing Nikkō (Sūryaprabha) 186 ◎ Wood with lacquered gold foil Asuka period, 7th century Hōryūji Temple, Nara One of the Statues Known as the Six Kannon E

Standing Gakkō () 187 ◎ Wood with lacquered gold foil Asuka period, 7th century Hōryūji Temple, Nara One of the Statues Known as the Six Kannon E

188 Seated Yakushi (Bhais.ajyaguru) Wood with lacquered gold foil Asuka period, 7th century Kentokuji Temple, Mie E

Mural No. 6, Transformation Tableau of Amida (Amitābha) 189 Ink and colors on paper ca. 1884 Tokyo National Museum Term I Preaching One of the Copies of the Murals from the Golden Hall B

Mural No. 6, Transformation Tableau of Amida (Amitābha) 190 Ink and colors on paper 1940–1951 Hōryūji Temple, Nara Term II Preaching One of the Copies of the Murals from the Golden Hall B

192 Inverted Bowl (Fukubachi) Gilt bronze Heian period, 1158 Hōryūji Temple, Nara E

The Hōryūji Pagoda’s Central Pillar Foundation Deposits Bronze with gilding; forged brass; 193 Shōwa era, 20th century Tokyo National Museum (Reproduction) cast sahari;cast bronze; E

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