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Writing Adolescence: Coming of Age in and Through
Writing Adolescence: Coming of Age in and Through What Maisie Knew, Lolita, and Wide Sargasso Sea Author[s]: Amy Lankester-Owen Source: MoveableType, Vol.1, ‘Childhood and Adolescence’ (2005) DOI: 10.14324/111.1755-4527.003 MoveableType is a Graduate, Peer-Reviewed Journal based in the Department of English at UCL. © 2005 Amy Lankester-Owen. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Writing Adolescence: Coming of Age in and Through What Maisie Knew, Lolita, and Wide Sargasso Sea Amy Lankester-Owen Introduction Adolescence, the transition from childhood to adulthood, is a turbulent time of rapid physical growth and sexual development. It also constitutes a critical phase in the formation of identity and vocation. In what follows I shall explore the ways in which representations of adolescence in three literary novels – Henry James’s What Maisie Knew (1897), Vladimir Nabokov’s Lolita (1955), and Jean Rhys’s Wide Sargasso Sea (1966) – both reflect and shape their authors’ writing lives. My analysis is supported throughout by psychological theories of adolescence, and draws in particular on the psychosocial developmental theory of Erik H. Erikson. In their autobiographies Henry James, Vladimir Nabokov, and Jean Rhys each participate in different ways in the literary tradition of ‘auto/biographical’ writing identified by Laura Marcus.[1] All three authors stress the importance of adolescence as a defining and critical period in their own writing lives. -
The Early Feminists' Struggle Against Patriarchy and Its Impetus to The
The early feminists’ struggle against patriarchy and its impetus to the nineteenth century american women’s rights movement in henry james’s the bostonians SKRIPSI Submitted as a Partial Fulfillment of Requirements For The Sarjana Degree in English Department By: Dessy Nuraini Anggariningsih NIM. C.0397025 FACULTY OF LETTERS AND FINE ARTS SEBELAS MARET UNIVERSITY SURAKARTA 2003 1 APPROVAL Approved to be examined before The Board of Examiners Faculty of Letters and Fine Arts Sebelas Maret University Thesis Consultant : 1. Dra. Endang Sri Astuti, MS ( ) First Consultant NIP. 130 902 533 2. Dra. Rara Sugiarti, M. Tourism ( ) Second Consultant NIP. 131 918 127 2 Approved by the Board of Examiners Faculty of Letters and Fine Arts Sebelas Maret Universuty On March 27th, 2003 The Board of Examiners: 1. Dra. Hj. Tri Retno Pudyastuti, M.Hum ( ) Chairman NIP. 131 472 639 2. Dra. Zita Rarastesa, MA ( ) Secretary NIP.132 206 593 3. Dra. Endang Sri Astuti, MS ( ) First Examiner NIP.130 902 533 4. Dra. Rara Sugiarti, M.Tourism ( ) Second Examiner NIP 131 918 127 Dean Faculty of Letters and Fine Arts Sebelas Maret University Dr. Maryono Dwi Rahardjo, SU NIP. 130 675 176 3 MOTTO “Verily, along with every hardship is relief. So, when you have finished your occupation, devote yourself for Allah’s worship. And to your Lord Alone tirn all your intention and hopes.” (Surat Al Insyoroh : 6 –7) A thousand miles begins at zero … 4 DEDICATION To my beloved Ibu’ and Bapak 5 ACKNOWLEDGMENT Alhamdulillaahirabbil ‘aalamiin. Nothing else can be uttered after long exhausting struggle have been done to complete this thesis. -
Roderick Hudson Ebook, Epub
RODERICK HUDSON PDF, EPUB, EBOOK Henry James | 400 pages | 01 Jul 1986 | Penguin Books Ltd | 9780140432640 | English | London, United Kingdom Roderick Hudson PDF Book Striker, the Yankee attorney, serves as a comic villain in Roderick Hudson's New England life, a provincial, puritanical antithesis Enabling JavaScript in your browser will allow you to experience all the features of our site. The final few chapters are somehow both completely superfluous page after page of 'the alps sto Very indirect plot spoilers here. Rowland Mallett believes Roderick has real genius -- this based solely on Roderick's bronze statuette that Rowland sees in his cousin Cecilia's garden. Why not perfect? View all 26 comments. The Portable Graham Greene. I haven't quite decided on a serious project for the rest of the year. Sinclair Lewis. The argument then touches briefly on The Marble Faun before turning to Roderick Hudson and its wary deployments of allegory Readers also enjoyed. Rowland admits that he is in love with Miss Garland. Finally, Roderick dies in a storm while on his way to Interlaken; Rowland and Sam find his dead body the next day. How then to reconcile the extravagance of 'Orlando Furioso' with HJ's much more down-to-earth story? Take a look at the figures of mothers. And with these words from the mouth of the elderly Italian cavalier, I have James to thank for helping me to understand the Hawthorne: "Ah, dear sir, Rome is Rome still: a place where strange things happen! Stay in Touch Sign up. Is it Orlando or Rinaldo who loves the modest maiden, we ask ourselves. -
The Tragic Muse, by Henry James 1
The Tragic Muse, by Henry James 1 The Tragic Muse, by Henry James The Project Gutenberg eBook, The Tragic Muse, by Henry James This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Tragic Muse Author: Henry James Release Date: December 10, 2006 [eBook #20085] Language: English Character set encoding: ISO-8859-1 The Tragic Muse, by Henry James 2 ***START OF THE PROJECT GUTENBERG EBOOK THE TRAGIC MUSE*** E-text prepared by Chuck Greif, R. Cedron, and the Project Gutenberg Online Distributed Proofreading Team Europe (http://dp.rastko.net/) THE TRAGIC MUSE by HENRY JAMES MacMillan and Co., Limited St. Martin's Street, London 1921 PREFACE I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that prime identification, I can but look on the present fiction as a poor fatherless and motherless, a sort of unregistered and unacknowledged birth. I fail to recover my precious first moment of consciousness of the idea to which it was to give form; to recognise in it--as I like to do in general--the effect of some particular sharp impression or concussion. -
What Does Feminism Want?
Continental Thought & Theory CT&T A journal of intellectual freedom Volume 1 | Issue 3: Feminism 567-592 | ISSN: 2463-333X What Does Feminism Want? Alison Horbury Abstract: Like Freud’s famous inquiry ‘what does a woman want?’, this paper asks a similar question of the signifier ‘feminism’ for if one aims to (re)imagine feminism for the new millennium one must first ask: what does Feminism want? This (imperfect) reference to Freud’s question hopes to draw attention to the particular and the universal underpinning the signifier feminism, a slipperiness that works idiosyncratically at the threshold of public and private politics which, though it is perhaps the most unifying aspect of feminism, nevertheless undermines it. To politicize the personal one must question the signifier that comes to universalize an indefinite article for, as I argue in this paper, what ‘a’ woman wants is beneath the bar of what Feminism wants when it is mounted in public discourse. To continue to invest publically in a signifier of personal politics—as Jacqueline Rose advocates (2014)—then, one must rephrase the question: of what does this signifier Feminism speak when it is mounted in public discourse? This paper considers some mechanisms by which this signifier generates and mobilizes desire, fantasy, and phobia in public politics where feminism’s knowledge product covers over or, in Rose’s terms, “sanitizes” those “disturbing insight[s]” (2014: x) of experience, “everything that is darkest, most recalcitrant and unsettling” (2014 xii), in the “furthest limits of conscious and unconscious life” (2014: x). Here, where this signifier constitutes an ideal-ego, its effects are inhibiting. -
Universe Micrcxilnris International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Pagc(s)". If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed cither blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with smalt overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
T. S. Eliot and the Language of Hysteria
VrcTOR Lr T. S. Eliot and the Language of Hysteria The search for a sureness of identity relies on the disturbance of the woman to give it form. -Jacqueline Rose N LATE DECEMBER 1925, Conrad Aiken underwent several painful I operations to correct a rectal fistula. Recovering in hospital, still "drugged profoundly with morphine," Aiken wrote to his friend and former Harvard classmate, T.S. Eliot, thanking him for his new book, Poems 190~1925. Aiken's letter is full of envious praise for the collection's homogeneity and his friend's assured sense of liter ary identity: "How the devil did you manage to discover your iden tity so early? One imagines that you might have sat, 'hat in hand, on the doorstep of the Absolute,' at the age of five-your mind and manners already distinct and distinguished. While the rest of us spend our lives trying to find out who we are." Eliot obviously thought the fullness of Aiken's praise rather too fulsome, some what excessive, for he replied, after a few days with a page torn out of the Midwives Gazette: instmctions to those about to take exams for nurseing [sic] certificates. At the top, T.S.E. had underlined the words Model An swers. Under this was a column descriptive of various forms of vaginal discharge, normal and abnormal. Here the words blood, mucous, and shreds of mucous had been underlined with a pen, and lower down also the phrase purulent offensive discharge. Otherwise no com ment. 324 • THE DALHOUSIE REVIEW Pained and mortified, Aiken replied the next day: Have you tried Kotex for it? Manufactured by the Dupont Powder Co. -
Henry James , Edited by Adrian Poole Frontmatter More Information
Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other Tales, 2 The American 1864–1869 3 Watch and Ward 24 A Passionate -
Joseph Conrad
Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore -
What Maisie Knew, by Henry James 1
What Maisie Knew, by Henry James 1 What Maisie Knew, by Henry James The Project Gutenberg EBook of What Maisie Knew, by Henry James #46 in our series by Henry James Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. What Maisie Knew, by Henry James 2 Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!**** Title: What Maisie Knew Author: Henry James Release Date: December, 2004 [EBook #7118] [Yes, we are more than one year ahead of schedule] [This file was first posted on March 12, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK WHAT MAISIE KNEW *** Etext created by Eve Sobol, South Bend, Indiana, USA WHAT MAISIE KNEW HENRY JAMES The litigation seemed interminable and had in fact been complicated; but by the decision on the appeal the judgement of the divorce-court was What Maisie Knew, by Henry James 3 confirmed as to the assignment of the child. -
What Maisie Knew : the Portrait of the Artist As a Young Girl Mastering Language Dennis Tredy
What Maisie Knew : The portrait of the Artist as a Young Girl Mastering Language Dennis Tredy To cite this version: Dennis Tredy. What Maisie Knew : The portrait of the Artist as a Young Girl Mastering Language. Cycnos, Lirces - université Côte d’Azur, 2017, Voyage vers la parole. L’Enfant, les Sens, l’Acquisition du Langage, 33 (1), pp.105-119. hal-03163749 HAL Id: hal-03163749 https://hal.archives-ouvertes.fr/hal-03163749 Submitted on 17 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. What Maisie Knew: The Portrait of the Artist as a Young Girl Mastering Language Dennis Tredy Université Sorbonne Nouvelle – Paris 3 Henry James’s 1897 novel, What Maisie Knew, a Bildungsroman centered on a small child whose plight is that of a helpless “bone of contention” (James 1908, 5)1 buffeted between divorcing parents, step- parents and other would-be guardians, is one of the author’s five major works focusing on the trials and tribulations of young English women of heightened awareness but of uncertain social status, all of which were written in the immediate aftermath of the author’s painful and spectacular failure as a would-be London playwright in the early 1890s. -
Why War: Psychoanalysis, Politics and the Return to Melanie Klein, Jacqueline Rose
Why War: Psychoanalysis, Politics and the Return to Melanie Klein, Jacqueline Rose DOWNLOAD http://bit.ly/1vDBAOq http://www.abebooks.com/servlet/SearchResults?sts=t&tn=Why+War%3A+Psychoanalysis%2C+Politics+and+the+Return+to+Melanie+Klein&x=51&y=16 Over the past decade, psychoanalysis has been a focus of continuing controversy for feminism, and at the centre of debates in the humanities about how we read literature and culture. In these essays, Jacqueline Rose continues her engagement with these issues while arguing for a shift of attention - from an emphasis on sexuality as writing to the place of the unconscious in the furthest reaches of or cultural and political lives. With essays on war, capital punishment and the dispute over seduction in relation to Freud, she opens up the field of psychopolitics. Finally in two extended essays on Melanie Klein and her critics, she suggests that it is time for a radical rereading of Klein's work. DOWNLOAD http://fb.me/2Q01qGYPP http://bit.ly/10749qE A Thousand Plateaus Capitalism and Schizophrenia, Gilles Deleuze, 1987, Philosophy, 610 pages. Suggests an open system of psychological exploration to cut through accepted norms of morality, language, and politics. Anti-Oedipus , Gilles Deleuze, FeГЊl?ix Guattari, Sep 1, 2004, Philosophy, 712 pages. A major philosophical work by perhaps the most brilliant philosophical mind at work in France today.' Fredric Jameson Gilles Deleuze (1925-1995) was Professor of Philosophy at. Romanticism, Pragmatism and Deconstruction , Kathleen Wheeler, Dec 8, 1993, Literary Criticism, 324 pages. This book is an examination of three major literary, critical and philosophical movements in European and Anglo-American literature.