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Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
H'mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 H’mong Ancient Methods of Indigo Dyeing and Beeswax Batik in Cat CAT Village, Hoang Lien Commune, SAPA Town, Lao Cai Province, Vietnam Le Thi Hanh Lien1*, Nguyen Thi Hai Yen2, Dao Thi Luu3, Phi Thi Thu Hoang4, Nguyen Thuy Linh5 1, 2, 3, 4 Institute of Geography, Vietnam Academy of Science and Technology, 18 Hoang Quoc Viet Road, Nghia Do, CauGiay District, Ha Noi, Vietnam 5Management Development Institute of Singapore *Corresponding author: lehanhlien2017[at]gmail.com Abstract: Indigo dyeing and beeswax batik are the two traditional crafts that have long been associated with the H’Mong people in Sa Pa in general, Cat Cat village in particular and still preserved until the presentday. Through many stages of making indigo dye combined with sophisticated techniques and the ingenuity, meticulousness of the artisans in each motif and pattern, unique beeswax batik and indigo dyeing products have been created bringing the cultural identity of the H’mong people. These handicraft products have become a highlight to attract tourists to learn and discover local cultural values and they are meaningful souvenirs for visitors after each trip. In recent years, the development of the community-based tourism model in Cat Cat village has brought many benefits to the local community. Meanwhile, it has also contributed to creating opportunities for the development and restoration of H’mong traditional crafts. Keywords: indigo dyeing, beeswax batik, H’Mong, Cat Cat, Sa Pa 1. Introduction cultural and religious life of the H'Mong. -
Double Corduroy Rag
E-newes - coming to you monthly! Get connected: Visit schachtspindle.com for helpful Each issue includes a project, hints, project ideas, product manuals and informa- tion. Follow our blog, like us on Facebook, pin us on helpful tips & Schacht news. Pinterest, visit Schacht groups on Ravelry, follow us TM on Twitter. News from the Ewes DECEMBER 2014 Blanket Weaving in the Southwest. We What is a countermarche loom liked Loie Stenzel’s suggestion for us- and why do we love it for rugs? Project ing patterned as well as solid fabrics, Double Corduroy Rag Rug Before I tell you why we love our countermarche so I spent some time by Chase Ford Cranbrook loom for rug weaving, I want to give you familiarizing myself After weaving off the mohair blanket a very brief overview of three systems for creating with the color pal- sheds. on the Cranbrook Loom (see pictures ettes that appeared On jack looms, on our Facebook), Jane and I decided in the blankets in when the treadle is that a double corduroy rug would be Wheat’s book. I depressed, some shafts fun to try. Corduroy is a pile weave that found several colors raise and the others is created by weaving floats along with and prints of a light- remain stationary. Jack a ground weave. The floats are cut after weight 100% cotton looms are the most weaving to form the pile. Corduroy can fabric to sample Rug sample popular style of looms be either single or double. Generally, with. in the U.S. and is the system we use for our Wolf and Standard Floor Looms. -
The “African Print” Hoax: Machine Produced Textiles Jeopardize African Print Authenticity
The “African Print” Hoax: Machine Produced Textiles Jeopardize African Print Authenticity by Tunde M. Akinwumi Department of Home Science University of Agriculture, Abeokuta, Nigeria Abstract The paper investigated the nature of machine-produced fabric commercially termed African prints by focusing on a select sample of these prints. It established that the general design characteristics of this print are an amalgam of mainly Javanese, Indian, Chinese, Arab and European artistic tradition. In view of this, it proposed that the prints should reflect certain aspects of Africanness (Africanity) in their design characteristics. It also explores the desirability and choice of certain design characteristics discovered in a wide range of African textile traditions from Africa south of the Sahara and their application with possible design concepts which could be generated from Macquet’s (1992) analysis of Africanity. This thus provides a model and suggestion for new African prints which might be found acceptable for use in Africa and use as a veritable export product from Africa in the future. In the commercial parlance, African print is a general term employed by the European textile firms in Africa to identify fabrics which are machine-printed using wax resins and dyes in order to achieve batik effect on both sides of the cloth, and a term for those imitating or achieving a resemblance of the wax type effects. They bear names such as abada, Ankara, Real English Wax, Veritable Java Print, Guaranteed Dutch Java Hollandis, Uniwax, ukpo and chitenge. Using the term ‘African Print’ for all the brand names mentioned above is only acceptable to its producers and marketers, but to a critical mind, the term is a misnomer and therefore suspicious because its origin and most of its design characteristics are not African. -
Glossary of Carpet and Rug Terms
Glossary of Carpet and Rug Terms 100% Transfer - The full coverage of the carpet floor adhesive into the carpet backing, including the recesses of the carpet back, while maintaining full coverage of the floor. Absorbent Pad (or Bonnet) Cleaning - A cleaning process using a minimal amount of water, where detergent solutions are sprayed onto either vacuumed carpet, or a cotton pad, and a rotary cleaning machine is used to buff the carpet, and the soil is transferred from the carpet to the buff pad, which is changed or cleaned as it becomes soiled. Acrylic/Modacrylic - A synthetic fiber introduced in the late 1940's, and carpet in the late 1950's, it disappeared from the market in the late 1980's due to the superior performance of other synthetics. Acrylics were reintroduced in 1990 in Berber styling to take advantage of their wool-like appearance. Modacrylic is a modified acrylic. While used alone in bath or scatter rugs, in carpeting it's usually blended with an acrylic. Acrylics are known for their dyeability, wearability, resistance to staining, color retention and resistance to abrasion. They're non-allergenic, mildew proof and moth proof. Adhesive - A substance that dries to a film capable of holding materials together by surface attachment. Anchor Coat - A latex or adhesive coating applied to the back of tufted carpet, to lock the tufts and prevent them from being pulled out under normal circumstances. Antimicrobial - A chemical treatment added to carpet to reduce the growth of common bacteria, fungi, yeast, mold and mildew. Antistatic - A carpet's ability to dissipate an electrostatic charge before it reaches a level that a person can feel. -
Wool Carpet Care & Maintenance Guide
Wool Carpet Care & Maintenance Guide Why Choose Wool? Wool is a Natural Fiber - Soft and Warm There is no denying that consumer preference for stylish, quality natural products can be seen in all areas of interior design. Wool sets the bar for all other carpets and has advantages that synthetics cannot match. Nothing compares to the luxury of a soft wool carpet under your feet. Also, the natural crimp of wool creates millions of tiny pockets that trap air and act as an ideal insulator. Wool is Naturally Stain Resistant The surface of a wool fiber is covered by a thin protective membrane that prevents water from readily penetrating into your carpet. This same membrane which is so waterproof still allows the fiber to absorb moisture in vapor form and as a result, makes it resistant to static electricity. Wool is Easy to Clean Wool is a naturally soil and stain resistant fiber. Its fundamental structure is that of overlapping scales which keep dust and dirt near the surface of the pile, where it can easily be released by vacuuming. Wool is Durable & Naturally Resilient The natural crimp of wool allows it to spring back quickly after compression and retain its original shape. This crucial characteristic ensures woolen carpets look good for longer, even in high traffic areas. Wool is Environmentally Friendly Wool is sustainable, biodegradable and a rapidly renewable resource that has the least environmental impact of all the carpet fibers. It is the only carpet fiber made without petroleum. Wool is Naturally Flame Retardant The high moisture content of the fiber will not support combustion making it difficult to ignite and self- extinguishable. -
Frankenstein; Or, the Modern Prometheus
KICK Students’ magazine Publisher University of Osijek Faculty of Humanities and Social Sciences Publisher address Lorenza Jägera 9 31000 Osijek Language editing Ljubica Matek Editors Ljubica Matek Juraj Gerovac Vanessa Kupina Zvonimir Prtenjača Tomislav Berbić Proofreading Ljubica Matek Juraj Gerovac Zvonimir Prtenjača Tomislav Berbić Vanessa Kupina Cover design Ena Vladika ISSN 2623-9558 Br. 2, 2019. Printed by Krešendo, Osijek Printing run 100 copies The magazine is published twice a year. The magazine was published with the support of the Faculty of Humanities and Social Sciences Osijek. Contents EDITORIAL ...................................................................................................... V Dr. Ljubica Matek, Assistant Professor Hope as the Main Driving Force of Humanity in the Grimdark Universe of Warhammer 40,000 ................................................. 7 Marcel Moser A New Approach to Religion in the Fantasy Genre .................................13 Juraj Gerovac A Capitalist Future in The Time Machine: A Social Statement and the Representation of the Bourgeois and the Proletariat ................21 Robert Đujić Voldemort or Grindelwald: Who Takes Place as the Number One Villain? ......................................................................................................27 Maligec Nikolina Man is not Truly Two, but Three: Psychoanalytical Approach to Personalities in The Strange Case of Dr Jekyll and Mr Hyde ..............35 Katarina Stojković Nature vs. Nurture in the Case of the Monster in -
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IS 854 (1991): Handloom Cotton Turkish, Honeycomb and Huckaback Towels and Towelling Cloth (Amalgamating IS 855:1979 and IS 856:1971) [TXD 8: Handloom and Khadi]
इंटरनेट मानक Disclosure to Promote the Right To Information Whereas the Parliament of India has set out to provide a practical regime of right to information for citizens to secure access to information under the control of public authorities, in order to promote transparency and accountability in the working of every public authority, and whereas the attached publication of the Bureau of Indian Standards is of particular interest to the public, particularly disadvantaged communities and those engaged in the pursuit of education and knowledge, the attached public safety standard is made available to promote the timely dissemination of this information in an accurate manner to the public. “जान का अधकार, जी का अधकार” “परा को छोड न 5 तरफ” Mazdoor Kisan Shakti Sangathan Jawaharlal Nehru “The Right to Information, The Right to Live” “Step Out From the Old to the New” IS 854 (1991): Handloom cotton turkish, honeycomb and huckaback towels and towelling cloth (Amalgamating IS 855:1979 and IS 856:1971) [TXD 8: Handloom and Khadi] “ान $ एक न भारत का नमण” Satyanarayan Gangaram Pitroda “Invent a New India Using Knowledge” “ान एक ऐसा खजाना > जो कभी चराया नह जा सकताह ै”ै Bhartṛhari—Nītiśatakam “Knowledge is such a treasure which cannot be stolen” IS 854:1991 (Amalgamating IS 855 : 1979 and IS 858 : 1971) Indian Standard HANDLOOM COTTON TURKISH, HONEYCOMB AND HUCKABACK TOWELS AND TOWELLING CLOTH-SPECIFICATION ( Second Revision ) UDC 677’074 0 BIS 1991 BUREAU OF INDIAN STANDARDS MANAK BHAVAN, 9 BAHADUR SHAH ZAFAR MARG NEW DELHI 110002 November 199 1 Price Group 3 Handloom and Khadi Sectional Committee, TX 08 FOREWORD This Indian Sta ndard ( Second Revision ) was adopted by the Bureau of lndian Standards, after the draft finalLed by the Handloom and Khadi Sectional Committee had been approved by the Textile Division Council. -
Rug Care Instructions
RUG CARE INSTRUCTIONS WOOL RUGS Wool rugs are extremely durable, making them well suited to entries, hallways, kitchens and dining rooms. Lanolin, a naturally occurring oil in wool, makes wool rugs more resistant to stains than other materials. Shedding is inherent to wool rugs and occurs primarily within the first 3-6 months. All our wool rugs use long-fiber wool, which is less prone to shedding than shorter fibers. CARE INSTRUCTIONS: • Rotate the rug every 3 months to avoid uneven fading and wear. • Vacuum regularly in one direction (not back and forth) using suction only, no bristles. Regular vacuuming will reduce shedding over time. • Avoid pulling loose yarns. If necessary, clip them to be even with the pile height. • Spot clean as needed using a damp (not wet) cloth with plain water; don’t use soap or cleaning products, as they could damage or fade the rug. • For larger, deeper stains, send the rug to a professional service with experience cleaning fine rugs. • To preserve the life of the rug, we recommend using a rug pad. SILK/SILK BLEND RUGS Silk rugs are prized for their exquisite luster and rich texture. Silk fibers lend themselves to dense knotting and can be used to create rugs with highly detailed patterns. CARE INSTRUCTIONS: • Rotate the rug every 3 months to avoid uneven fading and wear. • Vacuum as needed using suction only, no bristles. • Vacuum at least once a week, twice if in a high-traffic area. Use suction only, no bristles. • Do not pull any loose threads; use scissors to trim protruding ends. -
Providencia When Taking Risks Brings Rewards
Dover Digital Printing - Success Story Dover Digital Printing - Success Story Providencia When taking risks brings rewards hen the pandemic struck Mexico in March, digital print group Providencia saw business fall away. But instead of battening When expertise becomes the product Wdown the hatches and retreating from the storm, Providencia Providencia continued to invest in new machines as the business grew, and did what it always does – it took a risk. The company innovated a new they developed an unmatched expertise in printing directly onto fabrics. product and opened a new division, and in the six months that followed it From this came another innovation – the launching of ProvidenciaPrints to has printed more than 50 million anti-viral facemasks. In the words of Jose provide a vertical digital printing service for external customers. As one of Antonio Torre Lamuño Providencia’s CEO, “We were brave, and I think the most advanced digital printing companies in the Americas, Providencia that’s part of the success of Providencia.” had the technology, innovation and human resources to create a unique offering – a full range of solutions for printing on both synthetic and natural fibres. Building up – a vertical strategy When Providencia opened its doors some 62 years ago, it made one product “At this point we were ready to buy our most important machine yet – the from one fabric – acrylic blankets. The company was launched in 1958 by MS LaRIO,” explains Jose Antonio. “This put us in a unique position as we Jose Antonio’s grandparents. “My father was President of the company after had the first LaRIO on the continent.” continuing to grow, having just bought a 320 width Mini Lario. -
Busana Pesta Malam Dengan Sumber Ide Rumah Gaya Eropa Klasik Dalam Pergelaran Busana Dimantion
BUSANA PESTA MALAM DENGAN SUMBER IDE RUMAH GAYA EROPA KLASIK DALAM PERGELARAN BUSANA DIMANTION PROYEK AKHIR Diajukan Kepada Fakultas Teknik Universitas Negeri Yogyakarta Untuk Memenuhi Sebagian Persyaratan Guna Memperoleh Gelar Ahli Madya Program Studi Teknik Busana Oleh : Astriyani Danu Ekawati NIM. 14514134003 PROGRAM STUDI TEKNIK BUSANA JURUSAN PENDIDIKAN TEKNIK BOGA DAN BUSANA FAKULTAS TEKNIK UNIVERSITAS NEGERI YOGYAKARTA 2017 PERSETUJUAN Proyek Akhir yang berjudul “Busana Pesta Malam Dengan Sumber Ide Rumah Gaya Eropa Klasik Dalam Pergelaran Busana Dimantion“ yang disusun oleh Astriyani Danu Ekawati, NIM 14514134003 ini telah disetujui oleh pembimbing untuk disajikan. Yogyakarta, April 2017 Dosen Pembimbing, Dra. Enny Zuhni Khayati, M.Kes. NIP. 19600427 198503 2 001 iii PERNYATAAN Dengan ini saya menyatakan bahwa dalam Proyek Akhir ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar Ahli Madya atau gelar lainnya di suatu Perguruan Tinggi, dan sepanjang pengetahuan saya juga tidak terdapat karya atau pendapat yang pernah ditulis oleh orang lain, kecuali secara tertulis diacu dalam naskah ini dan disebutkan dalam daftar pustaka. Yogyakarta, April 2017 Yang menyatakan, Astriyani Danu Ekawati 14514134003 iv PERSEMBAHAN Puji syukur kehadirat Allah SWT berkat ridho-Nya, laporan Proyek Akhir ini dapat terselesaikan dengan baik. Sehubungan dengan hal ini, saya ingin mengucapkan terimakasih kepada seluruh pihak yang telah memberikan masukan, saran, do’a dan semangat kepada saya untuk dapat menyelesaikan karya Proyek Akhir ini. Oleh karena itu Karya Proyek Akhir ini saya persembahkan untuk : 1. Kedua orangtua yang selalu menyayangi, mendoakan serta memberi dukungan sepenuhnya selama kuliah serta dalam keberhasilan Proyek Akhir ini. 2. Ibu Dra. Enny Zuhni Khayati, M.Kes. selaku Dosen Pembimbing yang telah memberi bimbingan, masukan dan saran demi terselesaikannya Laporan Proyek Akhir ini. -
Engineering of Tearing Strength for Pile Fabrics
Volume 6, Issue 1, Spring2009 Engineering of Tearing Strength for Pile Fabrics Kotb N.1, El Geiheini A.2, Salman A.3, Abdel –Samad A.3 1. Faculty of Education, Technical Department, Helwan University, Egypt 2. Faculty of Engineering, Textile Department, Alexandria University, Egypt. 3. Faculty of Applied Arts, Textile Department, Helwan University, Egypt The corresponding author [email protected] ABSTRACT The tearing strength has a great correlation with the fabric serviceability, since the threads are broken singly during the test, which is the common mode of the fabric failure during usage. The aim of this work is to study some factors affecting the tearing strength of pile fabrics. Nine factors were studied concerning machine settings, fabric structure, yarn type, and yarn count. Fractional Factorial Experiments on production scale were applied. Two groups were obtained and tested; before and after back sizing, each of them had 32 samples. Tearing strength was measured using the Trapezoidal method. Significant Regression Relations were obtained concerning these factors and the fabric tearing strength. Based on the statistical analysis, significant factors were identified. The tearing strength is affected to a great extent by type and count of weft yarns, weft density, ground structure, and tension on ground yarns, while pile shape and pile designation shifting have lesser effects. Keywords: Tearing strength, Pile, Three positions, Face-to-Face, Regressions 1. Introduction Tearing occurs when stresses imposed on a fabric result in a concentration of stress at a Tearing strength is an indicator of the point, leading individual yarns to failure (1). useful life for clothing, furniture, and Only one or at most a few yarns share the military fabrics (8).