Ella Ella and Louis Again Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Ella Ella and Louis Again Mp3, Flac, Wma Ella Ella And Louis Again mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Ella And Louis Again Country: South Africa Style: Easy Listening, Vocal, Swing MP3 version RAR size: 1475 mb FLAC version RAR size: 1522 mb WMA version RAR size: 1943 mb Rating: 4.9 Votes: 474 Other Formats: AUD FLAC AIFF ADX WMA DMF MIDI Tracklist Hide Credits Don't Be That Way A1 Written-By – Goodman*, Sampson*, Parish* Makin' Whoopee A2 Written-By – Kahn*, Donaldson* They All Laughed A3 Written-By – George & Ira Gershwin Comes Love A4 Written-By – Tobias*, Brown*, Stept* Autumn In New York A5 Written-By – Duke* Let's Do It (Let's Fall In Love) B1 Written-By – Porter* Stompin' At The Savoy B2 Written-By – Razaf*, Goodman*, Webb*, Sampson* I Won't Dance B3 Written-By – Hammerstein-Kern, Fields - McHugh*, Harbach* Gee, Baby, Ain't I Good To You? B4 Written-By – Razaf*, Redman* Let's Call The Whole Thing Off C1 Written-By – George & Ira Gershwin These Foolish Things (Remind Me Of You) C2 Written-By – Maschwitz*, Link*, Marvell*, Strachey* I've Got My Love To Keep Me Warm C3 Written-By – Berlin* Willow Weep For Me C4 Written-By – Ronell* I'm Puttin' All My Eggs In One Basket C5 Written-By – Berlin* A Fine Romance D1 Written-By – Fields*, Kern* Ill Wind D2 Written-By – Arlen*, Koehler* Love Is Here To Stay D3 Written-By – George & Ira Gershwin I Get A Kick Out Of You D4 Written-By – Porter* Learnin' The Blues D5 Written-By – Silvers* Credits Bass – Ray Brown Drums – Louie Bellson* Guitar – Herb Ellis Piano – Oscar Peterson Producer – Norman Granz Trumpet – Louis Armstrong (tracks: A5, B2, B4, C4, D3, D5) Vocals – Ella Fitzgerald (tracks: all except A2, B1, C4, D4), Louis Armstrong (tracks: all except A1, B2, D1) Notes Label A1 - F.D. & H.* A2 - Keith Prowse A3, A4 & A5 - Chappell* B1, B3 & B4 - Chappell* B2 - Robbins* C1, C3 & C5 - Chappell* C2 - Boosey* & Hawkes* C4 - F.D. & H.* D1, D3 & D4 - Chappell* D2 - Peter Maurice D5 - Barton* Other versions Category Artist Title (Format) Label Category Country Year Ella* And Louis* - Ella Ella* And Verve MGV 4006-2 And Louis Again MGV 4006-2 US 1957 Louis* Records (2xLP, Album, Gat) Ella Fitzgerald & Louis Verve Ella Fitzgerald 440 065 390-2, Armstrong - Ella And Records, 440 065 390-2, & Louis US 2003 MGV-4006-2 Louis Again (2xCD, Verve MGV-4006-2 Armstrong Album, Mono, RM) Records Ella Fitzgerald And Ella Fitzgerald Louis Armstrong - Ella Verve 065 390-2 And Louis 065 390-2 Europe 2003 And Louis Again Records Armstrong (2xCD, Album, RE) Ella Fitzgerald, Louis Ella Fitzgerald, Armstrong - Ella And WaxTime In 950620 Louis 950620 Europe 2018 Louis Again (LP, Color Armstrong Album, Ltd, 180) Ella* And Louis* - Ella Jazz Ella* And And Louis Again 5286328 Heritage 5286328 US 2003 Louis* (2xCD, Album, Club, Society RE, Jaz) Related Music albums to Ella And Louis Again by Ella Louis Armstrong And Ella Fitzgerald - Louis Meets Ella Ella Fitzgerald & Louis Armstrong - Ella And Louis Again Vol. 1 Benny Goodman And His Orchestra - The Golden Age Of Benny Goodman Louis Armstrong Meets Oscar Peterson - Louis Armstrong Meets Oscar Peterson Ella Fitzgerald - Ella Fitzgerald At The Opera House Ella Fitzgerald & Louis Armstrong - "World Star Music" Ella & Louis - Ella & Louis Various - Les Rois Du Jazz.
Recommended publications
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Bright Moments!
    Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough .
    [Show full text]
  • Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log On, Get Your Coffee, Listen, Relax
    Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log on, get your coffee, listen, relax. • “I Got a Crush on You” recorded by Nat Adderley in 1960 on Work Song. Written in 1928 for Treasure Girl. • “Nice Work If You Can Get It” recorded by Sarah Vaughn in 1950 on Sarah Vaughn with George Treadwell and his All Stars. Written in 1937 for Damsels in Distress. • “Isn’t It A Pity” recorded by Cheryl Bentyne in 2010 on The Gershwin Songbook. Written in 1933 for Pardon My English. • “I Loves You, Porgy” recorded by Billie Holiday, accompanied by Bobby Tucker. Written in 1935 for Porgy & Bess. • “Let’s Call The Whole Thing Off” recorded by Ella Fitzgerald and Louis Armstrong with the Oscar Peterson Trio in 1957 on Ella and Louis Again. Written in 1937 for Shall We Dance. • “They Can’t Take That Away From Me” recorded by Frank Sinatra in 1962 on Sinatra and Swingin’ Brass. Written in 1937 for Shall We Dance. • “Do It Again” recorded by Beverly Kenney accompanied by Ellis Larkins in 1958 on Beverly Kenney Sings for Playboys. Written in 1922 for The French Doll. • “Love is Here to Stay” recorded in 1955 by Carmen McRae. Written in 1937 for The Goldwyn Follies. • “My One and Only” recorded in 1950 by Ella Fitzgerald with Ellis Larkin on Ella Sings Gershwin. Written in 1927 for Funny Face. • “I Got Rhythm” recorded in 1964 in Sweden by Sarah Vaughn. Written in 1930 for Girl Crazy. Class Begins at 930AM The Gershwins Part 1: “I Got Rhythm” Course Agenda showing the music 1.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Zu Ella Fitzgerald Vom 2.12.2019
    Ella Fitzgerald Story auf Radio 700 vom Montag, den 2.12.2019, 18.55 - 21.00 Uhr Autoren: Klaus Huckert/Uwe Lorenz Einleitungsmusik: A Tisket, A Tasket Anmoderation: In der heutigen Sendung des Jazz-Cocktails wollen wir uns mit dem Star des Vocal- Jazz Ella Fitzgerald beschäftigen. Im 20.Jahrhundert prägte keine andere Stimme den Jazz so sehr wie die von Ella. Ihre Beinamen waren „The Queen of Jazz“ oder „The first Lady of Jazz“ bzw. auch „The first Lady of Song“. Zur Eröffnung haben wir bereits ihren ersten Millionen-Hit „A Tisket, A Tasket“ aus dem Jahr 1938 gehört. In der fast sechzig Jahren währenden Welt-Karriere nahm die Sängerin mehrere hundert Platten auf, erhielt 14 Grammys und eine Vielzahl an Ehrungen. Schnelle Tempi im Bebop-Gesang, melancholischer Grundton bei Balladen, mitreißender Groove bei Swing-Nummern und hochinteressante Scat-Einlagen kennzeichneten ihren Stil. Basis ihres Könnens war eine Genauigkeit in der Intonation und glasklare Töne, wie man sie heute selten findet. Ihr Repertoire umfasste den Swing, Bebop, Blues, Bossa Nova und Gospel. Musik aus dem genannten Repertoire (Swing, Bebop, Blues, Bossa Nova und Gospel) z.B. „Please don’t talk about it when I am gone“ (Swing“) CD „Count Basie/Ella Fitzgerald: The perfect Match“, „One note Samba“ (CD „Ella & Pass …Again“) Track 14, „St. Louis Blues“ (CD „Ella & Basie The Perfect Match Track 10), „Mack the Knife“ (Swing) (CD Ella in Berlin, (10er Pack REEL TO REEL) …….. Die Anfangsjahre von Ella Fitzgerald (Take 1) Ella Jane Fitzgerald – geboren 1917 in Newport News/Virginia, verstorben 1996 in Beverly Hills/Kalifornien -, hatte eine relativ schwierige Kindheit.
    [Show full text]
  • Ella Fitzgerald from Wikipedia, the Free Encyclopedia
    Ella Fitzgerald From Wikipedia, the free encyclopedia Background information Birth name Ella Jane Fitzgerald Born April 25, 1917 Newport News, Virginia, United States Died June 15, 1996 (aged 79) Beverly Hills, California, United States Genres Swing, bebop, traditional pop, vocal jazz Occupation(s) Singer, actress Instruments Vocals Years active 1934–1993 Labels Capitol, Decca, Pablo, Reprise, Verve, Brunswick, HMV Website ellafitzgerald.com Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After tumultuous teenage years, Fitzgerald found stability in musical success with performances on many stages in the Harlem area, including her rendition of the nursery rhyme "A-Tisket, A-Tasket" that helped boost her to fame. In 1942, Fitzgerald left the amateur performances behind, signed a deal with Decca Records, and started her solo career by redefining the art of scat singing. It was not until her manager, Norman Granz, built Verve Records based on her vocal abilities that she recorded some of her more widely noted works. Under this label, Fitzgerald focused more on singing than scatting, providing perhaps her most career-defining works in her interpretation of the Great American Songbook. While Fitzgerald appeared in movies and as guests on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and Bill Kenny and the Ink Spots were some of her most notable acts outside of her solo career.
    [Show full text]
  • Teaching Jazz As American Culture Lesson Plans
    TEACHING JAZZ AS AMERICAN CULTURE LESSON PLANS NEH SUMMER INSTITUTE The Center for the Humanities Washington University in St. Louis July 2-27, 2007 contents Foreword ……………………………………………………………………………… iv Gerald Early, Merle Kling Professor of Modern Letters, Department of English iv Director, The Center for the Humanities Jazz and Biography ………………………………………………………………… 1 Robert Edwards, Annie Joly, Frank Kovarik, Alice Lee, and Gerry Liebmann Jazz and Fiction ……………………………………………………………………… 21 Ken Froehlich, T. J. Gillespie, Judith Nador, Melissa Papianou, and Elizabeth Patterson Jazz and Gender …………………………………………………………………… 45 Amy Dilts, Aimee Hendrix, Hope Rias, and Franklin Webster Jazz and Race ………………………………………………………………………… 59 Robert Evans, Allen Stith, Herbert West, and Keith Westbrook Jazz and the Urban Landscape …………………………………………………… 72 Monica Freese, John Gornell, Patrick Harris, Mark Halperin, and Jerome Love Jazz and the Visual Imagination …………………………………………………… 85 Judy Gregorc, Rob Matlock, Martha Jewell Meeker, Ellen Rennard, Laura Rochette, and Larissa Young iii foreword Teaching Jazz as American Culture and as an attractive form of identity for young people. But jazz also represents a markedly different story Now, a word or two before you go. I must make from, say, country and western, rock and roll, rhythm clear to you once again why we were all here and what and blues, hip hop and rap. None of these forms of we all tried to accomplish in these last four weeks. It music has so dramatically lost its popularity and none was never my intention to encourage you to make your has become a conservatory music. It is the ways in students fans of jazz. It was never even my intention which jazz serves as a paradigm for the formation of to make any of you jazz fans who were not inclined to mass taste and the ways in which it is not a paradigm, be so.
    [Show full text]
  • The Audio Beat - Louis Armstrong and Ella Fitzgerald • Ella and Louis Again; Ella Fitzgerald • Clap Hands, Here Comes Charlie! 11.07.11 09:28
    The Audio Beat - Louis Armstrong and Ella Fitzgerald • Ella and Louis Again; Ella Fitzgerald • Clap Hands, Here Comes Charlie! 11.07.11 09:28 Music Reviews Louis Armstrong and Ella Fitzgerald • Ella and Louis Again Verve/Speakers Corner MGV 4006-2 Double 180-gram-LP set 1957/2011 Music Sound Ella Fitzgerald • Clap Hands, Here Comes Charlie! Verve/Speakers Corner V6-4053 Single 180-gram LP 1961/2010 Music Sound by Marc Mickelson | July 11, 2011 f I were forced to make the case for someone, anyone, to be crowned the greatest jazz singer ever, I could most easily make it for Ella Fitzgerald. (To make things easier, I would simultaneously relegate Frank Sinatra to the "pop" category.) Her career was long and rich. She recorded iconic albums with the best jazz musicians and arrangers of her day and collections of tunes from the twentieth century's most renowned songwriters. Her vast discography bursts with classics spanning more than four decades. She possessed a pellucid voice and wide range, she enunciated perfectly, and she could keep up with the most swinging sidemen. What she lacked in emotive powers she made up for with sheer joy, which even her lesser recordings demonstrated. The sun always seemed to be shining when Ella was in front of the microphone. Ella and Louis Again was one of five LPs she recorded in 1957. A collection of duets with Louis Armstrong, another sunny presence, it was the follow-up to 1956's Ella and Louis. The two of them had recorded together in the 1940s, but it was this pair of later albums that cemented their unique interplay -- gravely voiced Armstrong adding some yang to Ella's crystal-clear yin.
    [Show full text]
  • Louis Armstrong
    Louis Armstrong Louis Armstrong (August 4, 1901 – July 6, 1971),[1] nicknamed Satchmo[2] or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His ca- reer spanned from the 1920s to the 1960s, covering many different eras of jazz. Coming to prominence in the 1920s as an “inventive” trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from col- lective improvisation to solo performance. With his in- stantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing. Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong’s influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African- American entertainers to “cross over”, whose skin color was secondary to his music in an America that was ex- tremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, Handcolored etching Louis Armstrong (2002) by Adi Holzer but took a well-publicized stand for desegregation dur- ing the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper ech- elons of American society which were highly restricted in the care of his grandmother, Josephine Armstrong, and for black men of his era.
    [Show full text]
  • Dennis M. Drake Compact Disc Mastering Credits-Polygram Group of Labels
    DENNIS M. DRAKE COMPACT DISC MASTERING CREDITS-POLYGRAM GROUP OF LABELS Artist Title Product # Allman Brothers Band “Dreams” 4 CD Set 839417-2 “Beginnings” 827588-2 “Brothers and Sisters” 825092-2 “Live at the Ludlow Garage” 843260-2 “Wipe the Windows, Check the Oil, Dollar Gas” 831595-2 “Win, Lose or Draw” 827586-2 “At the Fillmore East” 2 CD Set 823273-2 Gregg Allman Band “Playin’Up a Storm” 831942-2 “Laid Back” 831941-2 Duane Allman “An Anthology” 831444-2 Louis Armstrong and “Louis Armstrong Meets Oscar Peterson” 825713-2 Oscar Peterson Fred Astaire “The Irving Berl-in Songbook” 829172-2 Bee Gees “Tales from the Brothers Glibb” 843912-2 4 CD Set 843913-2 “A History in Song 1967-1990 843914-2 843915-2 Chuck Berry “Concerto in B Goodell 836074-2 “From St. Louie to Frisco” 836073-2 “Chuck Berry in Memphis” 836071-2 “Live at FillmoreAuditorium” 836072-2 “Chuck Berry’s Golden Hits” 826256-2 Arthur Brown “The Crazy World of Arthur Brown” 833736-2 James Brown “CD of JB” 825714-2 ”CD of JB II’ 831700-2 “Motherlode” 837126-2 “Roots of a Revolution” 2 CD Set -2 “Startime” 4 CD Set 849108-2 Eric Burdon “Star Portrait” 2 CD Set 825231-2 Kenny Burrell “For Charlie Christian and Benny Goodman” 831087-2 Betty Carter “The Betty Carter Album” 835682-2 “The Audience With Betty Carter” 835684-2 2 CD Set Eric Clapton “Crossroads” 4 CD Set 835268-2 11461 Ocean Boulevard” 811697-2 “There’s One in Every Crowd” 829649-2 “No Reason to Cry” 813582-2 “Another Ticket” 827579-2 “Backless” 813581-2 “Eric Clapton” 825093-2 “E.C.
    [Show full text]
  • Sommaire Catalogue Jazz / Blues Octobre 2011
    SOMMAIRE CATALOGUE JAZZ / BLUES OCTOBRE 2011 Page COMPACT DISCS Blues .................................................................................. 01 Multi Interprètes Blues ....................................................... 08 Jazz ................................................................................... 10 Multi Interprètes Jazz ......................................................... 105 SUPPORTS VINYLES Jazz .................................................................................... 112 DVD Jazz .................................................................................... 114 L'astérisque * indique les Disques, DVD, CD audio, à paraître à partir de la parution de ce bon de commande, sous réserve des autorisations légales et contractuelles. Certains produits existant dans ce listing peuvent être supprimés en cours d'année, quel qu'en soit le motif. Ces articles apparaîtront de ce fait comme "supprimés" sur nos documents de livraison. BLUES 1 B B KING B B KING (Suite) Live Sweet Little Angel – 1954-1957 Selected Singles 18/02/2008 CLASSICS JAZZ FRANCE / GEFFEN (SAGAJAZZ) (900)CD 18/08/2008 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GACFBH=YYZZ\Y: #:GAAHFD=VUU]U[: Live At The BBC 19/05/2008 CLASSICS JAZZ FRANCE / EMARCY The birth of a king 10.CLASS.REP(SAGAJAZZ) (899)CD 23/08/2004 CLASSICS JAZZ FRANCE / SAGA (949)CD #:GAAHFD=U[XVY^: #:GACEJI=WU\]V^: One Kind Favor 25/08/2008 CLASSICS JAZZ FRANCE / GEFFEN Live At The Apollo(ORIGINALS (JAZZ)) (268)CD 28/04/2008 CLASSICS JAZZ FRANCE / GRP (899)CD #:GACFBH=]VWYVX:
    [Show full text]
  • Opera and Jazz
    MSVMA/MMEA SUMMER WORKSHOP 2014 VOCAL JAZZ AND OPERA - HOW DIFFERENT ARE THEY? DUANE SHIELDS DAVIS, PRESENTER ! ! CONSIDERATIONS! Bel canto (beautiful singing) ! Aural verses learned tradition ! Microphone ! Technique Considerations - Classical vs Jazz! • sotto voce or not! • resonance ! • vocal timbre! • use of breath! • onset! • vocal agility! • vibrato! • intonation and pitch! • rhythmic flexibility! • vowels and consonants! • improvisation! • throwing notes away (ghosting)! • vulnerability! ! Words of others! • Sherrill Milnes! • Renee Fleming! • Audra McDonald! • Jessye Norman! ! Repertoire for reading: • Humming Chorus - Puccini! • Overture to the Marriage of Figaro - Mozart - arr. Ward Swingle! • All the Things You Are - Kern / Hammerstein arr. Ward Swingle! • Va Pensiero (Chorus of the Hebrew Slaves) - Nabucco - Verd! • ! MSVMA/MMEA SUMMER WORKSHOP 2014 VOCAL JAZZ AND OPERA - HOW DIFFERENT ARE THEY? DUANE SHIELDS DAVIS, PRESENTER ! LISTENING! ! (selected from the following) 1. Audra McDonald How Glory Goes How Glory Goes 2000 ! 2. Audra McDonald Crazy He Calls Me Lady Day at Emerson’s Bar and Grill 2000 ! 3. David Daniels / Martin Katz Sweeter Then Roses Serenade 2000 ! 4. Eileen Farrell Vissi d’art (from Tosca) Great Performances - Puccini Arias 1959 5. Eileen Farrell My Foolish Heart My Very Best 1994 ! 6. Ella Fitzgerald & Louis Armstrong I Won’t Dance Ella and Louis Again 1957 ! 7. Houston Grand Opera cast of Porgy and Bess Summertime Porgy and Bess 1976 ! 8. Miles Davis Summertime Porgy and Bess 1958 ! ! MSVMA/MMEA SUMMER WORKSHOP 2014 VOCAL JAZZ AND OPERA - HOW DIFFERENT ARE THEY? DUANE SHIELDS DAVIS, PRESENTER 9. New York Voices w/ U.S. Army Blues Jazz Ensemble Summertime ! 25th Anniversary Concert 2006 10. Gold Company Summertime ! While We Were Young 2000 11.
    [Show full text]