Report on Hitler's Alleged Top Hat and Frock Coat
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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Filhos De Nazistas: Os Impressionantes Retratos De Família Da Elite Do Nazismo / Tania Crasnianski ; Tradução Fernando Scheibe
DADOS DE COPYRIGHT Sobre a obra: A presente obra é disponibilizada pela equipe Le Livros e seus diversos parceiros, com o objetivo de oferecer conteúdo para uso parcial em pesquisas e estudos acadêmicos, bem como o simples teste da qualidade da obra, com o fim exclusivo de compra futura. É expressamente proibida e totalmente repudíavel a venda, aluguel, ou quaisquer uso comercial do presente conteúdo Sobre nós: O Le Livros e seus parceiros disponibilizam conteúdo de dominio publico e propriedade intelectual de forma totalmente gratuita, por acreditar que o conhecimento e a educação devem ser acessíveis e livres a toda e qualquer pessoa. Você pode encontrar mais obras em nosso site: lelivros.love ou em qualquer um dos sites parceiros apresentados neste link. "Quando o mundo estiver unido na busca do conhecimento, e não mais lutando por dinheiro e poder, então nossa sociedade poderá enfim evoluir a um novo nível." Copyright © 2016 Éditions Grasset & Fasquelle Copyright © 2018 Editora Nemo/Vestígio Título original: Enfants de nazis Todos os direitos reservados pela Editora Nemo/Vestígio. Nenhuma parte desta publicação poderá ser reproduzida, seja por meios mecânicos, eletrônicos, seja via cópia xerográfica, sem a autorização prévia da Editora. GERENTE EDITORIAL Arnaud Vin EDITOR ASSISTENTE Eduardo Soares ASSISTENTE EDITORIAL Paula Pinheiro PREPARAÇÃO Sonia Junqueira REVISÃO Aline Sobreira CAPA Diogo Droschi (sobre imagem de ullstein bild Dtl./Getty Images) DIAGRAMAÇÃO Larissa Carvalho Mazzoni Dados Internacionais de Catalogação na Publicação (CIP) Câmara Brasileira do Livro, SP, Brasil Crasnianski, Tania Filhos de nazistas: os impressionantes retratos de família da elite do nazismo / Tania Crasnianski ; tradução Fernando Scheibe. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Examples of Great Falsifications in 20Th-Century History
The Manipulated Past Andrzej Krajewski, PhD When many people strongly believe in a falsehood, the fraud starts to take on a life on its own, and there is a real danger that it will not only change the way the past is seen but also shape the future. On 13 March 1881, Ignacy Hryniewiecki, a Pole associated with the Russian anarchist organization Narodnaya Volya (People’s Will), threw a bomb that killed Alexander II. The investigation carried out after the assassination of the tsar showed that among the conspirators was a Jewish woman Hesia Helfman. At the time, a rumour spread like wildfire across the empire that it was the Jews who had killed the ruler. With the permission of the authorities, there were about 250 pogroms (acts of cruelty and killings aimed at a large group of people , mainly the Jews, because of their race or religion) in the western governorates. A decade later Nicholas II ascended the throne and revolutionary turmoil began to grow in Russia. According to the French ambassador to St Petersburg, Maurice Paléologue, Nicholas II’s secret police (Okhrana) constantly warned him ‘about the conspiracies being set up in the darkness of the ghettos’. All that was missing were documents confirming these reports of Jewish plots. The conquest of the world by the Jews The Russians were informed about the rise of the Jewish conspiracy in a series of articles in the newspaper Russkoye Znamia. In August 1903 it began to publish records from the secret – as it was claimed – part of the proceedings of the First Zionist Congress, which took place in Basel in 1897. -
Jewish Costume - History and Influences
Vojislava Radovanović JEWISH COSTUME - HISTORY AND INFLUENCES Along with dwellings, furniture, tools, arms and other appliances for everyday use, garments and ornaments are integral parts of the material cul- ture of a nation. Costume is an ethnic feature which is on one hand directly conditioned by the climate, and on the other hand, it is indirectly influenced by other forms of the existing cultural system. Besides its basic protective function, clothing has always been a status symbol through which religious views, as well as traditional and social relations have been reflected. Clothes have also been a reliable indicator of the community's attitude toward out- side influences and its aesthetic ideals. According to archeological findings, preserved engravings and Biblical testimonies, Jewish garments of the Talmudic times were of simple shapes and did not differ from those worn by the neighboring nations living in the countries within the same climatic zone.1 The basic garments were known as: the simlah or salmah, the ezor and the kethoneth. The simlah was actually a long piece of cloth, usually of rectangular shape. It was a simple cover which was draped over or wrapped around a person's body. Worn in such a way, the simlah resembled the Roman pallium. It also served as a blanket, while the Israelites used it as a food carry-on bag. The simlah was worn by most Middle Eastern nations due to its simplicity and variety of applications. The ezor was the simplest form of woven gar- ment, while the kethoneth was of a better defined shape, usually made in the form of a Roman tunic with long or short sleeves. -
Culture of Azerbaijan
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CULTURE OF AZERBAIJAN CONTENTS I. GENERAL INFORMATION............................................................................................................. 3 II. MATERIAL CULTURE ................................................................................................................... 5 III. MUSIC, NATIONAL MUSIC INSTRUMENTS .......................................................................... 7 Musical instruments ............................................................................................................................... 7 Performing Arts ....................................................................................................................................... 9 Percussion instruments ........................................................................................................................... 9 Wind instruments .................................................................................................................................. 12 Mugham as a national music of Azerbaijan ...................................................................................... 25 IV. FOLKLORE SONGS ..................................................................................................................... 26 Ashiqs of Azerbaijan ............................................................................................................................ 27 V. THEATRE, -
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© Scandia 2010 http://www.tidskriftenscandia.se/ Wile E. Coyote in the Bunker Film, History, and the Haunted Unlife of Adolf Hitler on the Silver Screen Vinzenz Hediger Natürlich war Hitler ein Mensch. Was soll er denn sonst gewesen sein? Ein Elefant? (Of course Hitler was a human being. What else would he have been? An elephant?) – German literary critic Marcel Reich-Ranicki, a Holocaust survivor, on Downfall, after it was widely criticized for depicting Hitler “as a human being” I For some time now professional historians have been aware, or have been made aware, that writing history is not least a literary endeavour. In his semi- nal work, Metahistory of 1973, Hayden White subjected the works of a number of classic nineteenth-century European historians from Europe, from Jules Michelet to Jacob Burckhardt, to a structural analysis.1 White defined a his- torical work as a verbal structure in the form of narrative prose discourse. Historians, he claimed, use emplotments – models that are structurally ho- mologous to literary plot devices such as romance, tragedy, satire, and comedy. Rather than merely relate the “facts”about the past, then, historians dramatize history, and thus explain history in affective and emotional terms. A few years after Metahistory, in 1981 the French philosopher Paul Ricoeur published the first volume of his three-volume study Temps et récit, which explored the re- lationship of narrative structure and the experience of time.2 Taking a classic statement by Augustine about the elusive nature of time as his starting-point, Ricoeur anchored White’s analysis in both hermeneutics and philosophical anthropology, and argued, through a re-reading of Aristotle’s Poetics, that nar- rative is a technique for configuring and apprehending the experience of time. -
From Noble Dress to Jewish Attire: Jewish Appearances in the Polish-Lithuanian Commonwealth and the Holy Roman Empire
Cornelia Aust From Noble Dress to Jewish Attire: Jewish Appearances in the Polish-Lithuanian Commonwealth and the Holy Roman Empire Abstract: This article examines the different styles of attire that had emerged by the eighteenth century among Jews in Poland and German-speaking lands. It ar- gues that Jews in both regions developed their attire from older styles of dress that had fallen out of fashion among German burghers and Polish noblemen, re- spectively. Nevertheless, the distinguishability of Jews and Christians and distinc- tions among Jews according to social status, gender, and geographic origin were never clear-cut issues. Picturing a Hasidic Jew in Jerusalem or New York today, with a long black coat, a silk or satin caftan on Sabbath, and a black (fur) hat, many believe that this or similar attire has been the typical dress of (East European) Jews throughout time.1 However, dress and appearance have always undergone continual change and are a rather fluid marker of identity and belonging. Though Jewish law traditionally prescribes that Jews be distinguishable from their non-Jewish neighbors, and Christian and Jewish authorities have since the thirteenth century explicitly stipulated distinctive dress, such normative prescriptions do not allow for the conclusion that Jewish men and women have always been recognizable by their dress. Likewise, the fact that Jews were sometimes forced to wear distinctive signs does not mean that they were other- wise invisible as Jews or could pass as Christians when not wearing a discrimi- natory sign.2 Nevertheless, by the end of the eighteenth century there seems to have been a clear sense of a “Jewish attire”. -
Irish Chemical News 2014 Issue 1
The Institute of Chemistry of Ireland Irish Chemical News Feature Articles: The State of Chemical Education in Thiosugar Synthesis Ireland Prof Eoin Scanlan Peter Childs 2014 Issue 1 IRISH CHEMICAL NEWS Editorial Welcome to the new issue of Irish Chemical News. We have two feature articles in this issue and one written by last year’s Boyle Higgins awardee – Dr Shelia Willis of The Forensic Science Laboratory. One is written by Prof. Eoin Scanlan, who is in the Organic Chemistry Section of the School of Chemistry at TCD. His article describes his recent work in thiosugar synthesis. The second article is authored by Peter Childs from Limerick. He gives a review of the state of Science education in Ireland. The winning entry in this year's Schools Newsletter competition, which the Institute sponsors, is also included. Entitled 'How do Adolescents see Chemistry?', it was won by a team from The Royal Belfast Academical Institution.'. One of the aims of this issue is that it can be distributed as widely as possible, to members and non-members alike, to highlight the activities of the Institute and hopefully to grow our membership. All our readers are encouraged to visit the website, http://www.chemistryireland.org/index.html, regularly. Details of membership rates can also be found there. We still need volunteers for articles that can be featured in ICN. There is a bias towards academic articles, so we especially ask our industrial members to participate. If you wish to contribute to the next issue, or have ideas of article types you wish to see, please do not hesitate to contact the editorial team (Robert Baker, Margaret Franklin or Brian Murray). -
Martin Broszat
Martin Broszat (August 14, 1926 – October 14, 1989) was a Germanhistorian specializing in modern German social history whose work has been described by The Encyclopedia of Historians as indispensable for any serious study of Nazi Germany.[1] Broszat was born in Leipzig, Germany and studied history at the University of Leipzig (1944–1949) and at the University of Cologne (1949–1952).[1] He married Alice Welter in 1953 and had three children.[1] He served as a professor at the University of Cologne (1954–1955), at the Institute of Contemporary History in Munich (1955–1989) and was a Professor Emeritus at the University of Konstanz (1969–1980).[1] He was head of the Institut für Zeitgeschichte (Institute of Contemporary History) between 1972 and 1989.[1] Work[edit] Early Work[edit] In 1944, as a university student, Broszat joined the Nazi Party.[2] Broszat's protégé Ian Kershaw wrote about the relationship between Broszat's party membership and his later historical work: "Broszat's driving incentive was to help an understanding of how Germany could sink into barbarity. That he himself had succumbed to the elan of the Nazi Movement was central to his motivation to elucidate for later generations how it could have happened. And that the later murder of the Jews arose from Nazism's anti-Jewish policies, but that these played so little part in the idealism of millions who had been drawn into support for the Nazi Movement (or in his own enthusiasm for the Hitler Youth), posed questions he always sought to answer. It amounted to a search for the pathological causes of the collapse of civilization in German society. -
Jewish History and Social Studies Nazism, Fascism and the Second
Books Received 75 East Peace Keeping. Study Paper 1). many American organizations which Attempts clarification of some previously were founded to assist the immigrants. neglected facts, analyses and observa' Wigoder, Geoffrey. The Story of the tions. considered essential for the realis Synagogues. London: Weidenfeld & 1\i tic discussion of the Middle East. It looks colson. 1986. 208pp. Gloss. Ind. IlIus. closely .at long-standing and deeply £20.00. rooted mter-Arab conflicts, which, if Copiously illustrated history of the Syna moderated, could encourage a concerted gogue from the third to the twentieth search for Israeli! Arab peace. century, synonymous with the Diaspora Jewish History and settlement. It documents the Svna and Social StudIes gogue's pivotal importance as the ce'ntre of Jewish community life. and describes Halpern, Ben. A Clash of Heroes: the varied styles of architecture, furnish Brandels, Weizmann and Amerlcan ing and expressively creative arc. Zlonism. New York/Oxford: Oxford University Press. 1987. x + 301pp. Notes. Nazism, Fascism and Ind. (Studies in Jewish History). £27.50. the Second World War ISBN: 0-19-504062-7. Synthesizing biography and history, Pro· Broszat, Martin. Hitler and the Collapse fessor Halpern examines the conflict be· of Weimar Germany. Trans. from the tween these two dominant personalities German by V. R. Berghahn. Leaming which led to sharp divisions in American ton Spa: Berg, 1987. x + 157pp. Bib!. Zionism. Each leader exemplified the Ind. £13.00; £5.95. characteristic values of his followers and Pinpointed throughout is the growth of each deprecated the personal styles and Nazism within the larger context of Ger standards of the other. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.