VIPNEWSPREMIUM > VOLUME 186 > JANUARY 2016
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Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
Open'er Festival
SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr. -
Gonzo Weekly #165
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 gave it, when we said that it was his best album since Scary Monsters back in 1980. Yes, I think that it probably was, although the 2002 album Heathen gives it a run for its money, but with the benefit of hindsight, it still lacked the hallmarks of a classic David Bowie album, mainly because it didn't break new ground. Between 1969 and 1980 Bowie released thirteen studio albums which basically defined the decade. With the possible exception of Lodger which was basically bollocks, IMHO, each of these albums not only broke new ground, but was a significant advance upon the one that came before it. Bowie defined the concept of the rock star as artist, and where he led many others followed. Each of his stylistic changes spawned a hundred imitators. In the wake of Ziggy Stardust and Aladdin Sane came dozens of glam bands, most of them totally missing the point, and schoolboys across the United My dear friends, Kingdom sported Ziggy haircuts. His plastic soul period not only persuaded his loyal legions that Luther Vandross was where it was at, but also meant that the 2016 is only a couple of weeks old, but we already high street outfitters were full of Oxford Bags and have the first major cultural event of the year. -
Aimoeilsillielve'rinee New Album
M&M Features Its Spring Jazz Special. Also, MTM Looks At The Sunshine Behind Eros Ramazzotti. See Pages 9-13 & 14. Europe's Music Radio Newsweekly . Volume 10 . Issue 20 . May 15, 1993 .2.95, US$ 5, ECU 4 Branson Discusses Virgin Bows With Exclusive Virgin Switch To FM Playlist UNITED KINGDOM Says Branson, "It is going to RichardBranson's 25 -year by Mike McGeever be much tougher for us [being on wish for a national rock station AM]. To me it seems strange that became reality at 12:15 on April Richard Branson is spearhead- a station playing such good music 30 with the launch of AOR Vir- inga campaignto move his is not able to do it on FM for lis- gin 1215 AM, the country's first recently launched AOR national teners who are used to hearing commercial rock network. "I've service Virgin 1215 AM to the music of the high quality sound been waiting for this moment FM band. Branson says he is to produced by CDs. We should for .25 years, along with many hold talks "in a few days" with have something like Radio 4's others," said Branson after he EUROPE JUMPS ON MUSIC VIDEO KARUSSELL - Music executives from BBC's director general John Birt [frequency].They havetalk officially launched thestation 10 countries got together in Hamburg recently to discuss setting up Karus about the possibility of swapping shows and don't need an FM fre- from one of his Virgin Megas- sell Musik & Video in their respective countries. Pictured OA are Poly - his station's AM slot with the cor- quency." tore record shops in Manch- Gram executives: Wolfgang Gramatke (Germany president), Werner poration'snews/talkRadio4 He contendsthatRadio 4 ester. -
European Festival Awards Winners
PRESS RELEASE Wednesday January 15, 2014 European Festival Awards Winners The best music festivals, artists and promoters of 2013 were revealed at the 5th annual European Festival Awards, which took place at Groningen’s De Oosterport in The Netherlands, marking the opening night of Eurosonic Noorderslag. The ceremony also included some of the hottest new European artists with performances from Irish band of the moment Kodaline, Germany’s Milky Chance and Prata Vetra from Latvia who closed the show. Germany proved it is a force to be reckoned within the festival scene, scooping a total of 5 awards; Best Indoor Festival going to Metal Hammer Paradise, Berlin Festival won Best Line Up, Melt! Festival got Best Medium-Sized Festival with the two most important industry-facing awards Promoter of the Year going to FKP Scorpio and the Lifetime achievement Award to Marek Lieberberg , founder of the twin Rock Am Ring and Rock Im Park festival. Eastern Europe also did well in this year’s awards with the highly coveted Best Major Festival Award going to Serbia’s EXIT Festival , who will celebrate their 15th Anniversary in 2014. B.my.Lake in Hungary took the Best New Festival title and FUSION Festival in Romania won the Best Small Festival Award . The host country of the awards also scooped an award with Holland’s Lowlands being named the Artists’ Favourite Festival . The Green Operations Award went to Way Out West in Sweden and Switzerland’s Paleo Festival won the new YES GROUP Health & Safety Innovation Award which recognises innovative ways festivals have enhanced health and safety within their spaces. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Music Festivals in Catalonia in a European Context. Factors of Competitiveness of a Dynamic Creative Industry
MUSIC FESTIVALS IN CATALONIA IN A EUROPEAN CONTEXT. FACTORS OF COMPETITIVENESS OF A DYNAMIC CREATIVE INDUSTRY. by Maria Ruiz de Cossío Advisor: Paloma Fernández Pérez Degree in International Business Faculty of Economics and Business University of Barcelona Academic year 2017-2018 2 FESTIVALES EN CATALUÑA EN UN CONTEXTO EUROPEO. FACTORES DE COMPETITIVIDAD DE UNA INDUSTRIA CREATIVA DINÁMICA. Este estudio pretende identificar el contexto y las características de los festivales de música en Cataluña, especialmente en un contexto geográfico más amplio, con el objetivo de evaluar hasta qué grado este modelo encaja dentro del marco europeo. Estos eventos se encuentran en una fase de crecimiento y popularidad entre el público sin precedentes, que ha sido facilitada por las nuevas tendencias turísticas, empresariales y de ocio y los ha llevado a ser los eventos culturales más populares en Europa. Son puntos clave en estrategias culturales y turísticas alrededor de Europa, dan trabajo a miles de personas y funcionan como dinamizadores económicos en las regiones donde se celebran. Este estudio analizará el contexto histórico y económico de los festivales Catalanes y Europeos, sus características y tendencias en la actualidad (estado del arte), el efecto que algunos fenómenos han tenido sobre ellos (como las tecnologías digitales, la recesión económica y el crecimiento en popularidad) y las diferencias que separan ambos ecosistemas y los hacen únicos. Palabras clave: Festivales de música, Industrias creativas, Gestión cultural, Gestión de eventos, Eventos culturales, Tendencias de ocio, Tendencias turísticas, Macro-eventos MUSIC FESTIVALS IN CATALONIA IN A EUROPEAN CONTEXT. FACTORS OF COMPETITIVENESS OF A DYNAMIC CREATIVE INDUSTRY. This study aims to identify the context and features of music festivals in Catalonia, especially in a broader geographical context, in order to assess the extent to which our model fits in the European framework. -
The VIP-Booking European Live Entertainment Book Advertising in the VIP Book Will Make You Visible to 10.000 Business Professionals All Over Europe
WWW.VIP-BOOKING.coM VIP- News›› ›› PREmiUM VOL. 117 SEPTEMBER 2009 briefly with the band Saxon – not during a gig and not their fault – whilst walking McGowan’s Musings: in front of the PA stacks in an empty hall I was almost knocked over by the howl So, unless somebody tells me different, on which emitted when some nameless per- the 13th of September, Elbow getting the son irresponsibly threw up all the faders at Bestival crowd to hum the theme to Star one time. It took a couple of weeks before Trek, boldly saw out another festival sea- I realised that the deafness was not tem- son – where does the time go!? If this was porary, checks revealed that I had lost sev- truly the last event of the season (although I eral of the frequencies in the left ear, and am getting reports of a later one, Loopallu, of late, after a few very loud festival bands in the Scottish Highlands) it certainly con- this summer I think things have got worse, cluded things in fine and optimistic form, I’m having tests tomorrow, the right one starting in 2004 with 6000 people, the sun still works so I can still hear those bloody shone on 40,000 people at this edition on seagulls and if you’re offering to buy me a the Isle of Wight. Bestival featured a fancy drink then you’re loud and clear! dress parade with an outer space theme, organiser BBC Radio 1 DJ Rob Da Bank, The report concerns the ultra loud My commented, “People come down here to Allan McGowan Bloody Valentine (the elderly lady I men- lose themselves for three days, and dress- tioned before was probably a headbang- ing up helps with that.” On the UK main- ing fan!) teaming up with earplug com- land and not far down the coast, dressing the pub, and for the second year he invited pany Earplugshop.com to finally give out up was the last thing that the organisers of friends to play the Oare Festival. -
NO RISK DISC Greentea Peng What’S New
4 juni 2021 - nr. 378 Het blad van/voor muziekliefhebbers NO RISK DISC Greentea Peng What’s New Billie Marten Flora Fauna ‘Flora Fauna’ is het derde album van singer/songwriter Billie Marten. Na twee akoestische folk albums, heeft ze haar kenmerkende sound uitgebreid met een sterke ruggengraat van bas en ritme. De liedjes markeren een periode van persoonlijke onafhankelijkheid voor Marten, terwijl ze leerde om goed voor zichzelf te zorgen en zich los te maken uit giftige relaties. Release: 21 mei James All the Colours of You ‘All the Colours of You’ is het zestiende studioalbum van de Britse rockband James. Het album is geproduceerd door de met een Grammy bekroonde Jacknife Lee (U2, REM, Taylor Swift, Snow Patrol, The Killers). Hij zorgde voor een frisse blik en een andere benadering, waardoor ‘All the Colours of You’ een fris en festivalklaar geluid heeft. Release: 4 juni Rise Against Nowhere Generation NO ‘Nowhere Generation’ is het negende studioalbum van de Amerikaanse rockband Rise Against. De muziek van de band is gevormd door het activisme en het gevoel van sociale RISK rechtvaardigheid van de bandleden. Dit zijn dan ook elementen die centraal staan in ‘Nowhere Generation’. DISC GREENTEA PENG Release: 4 juni Man Made (Universal) jeugd die niets wil voelen, maar tegelijkertijd LP, CD alles voelt en waarbij Peng zichzelf verliest in Gaspard Augé Greentea Peng is de artiestennaam van de in Zuid- antidepressiva. Die eerlijkheid fascineert. Pengs Escapades Londen geboren zangeres Aria Wells. De 26-jarige teksten zijn donker en persoonlijk en gaan over ‘Escapades’ is het debuutalbum van Gaspard Augé, vooral bekend Peng is met haar vele tatoeages een opvallende haar hoopvolle verlangen naar eenheid in een als de helft van Justice: het duo dat rock en rave verenigde in verschijning, maar meer nog imponeert ze door wereld vol patriarchale structuren, marginalisatie het midden van de jaren 2000. -
VIPNEWSPREMIUM > VOLUME 146 > APRIL 2012
11 12 6 14 4 4 VIPNEWS PREMIUM > VOLUME 146 > APRIL 2012 3 6 10 8 1910 16 25 9 2 VIPNEWS > APRIL 2012 McGowan’s Musings It’s been pouring with rain here for the last below normal levels. As the festival season weather! Still the events themselves do get couple of days, but it seems that it’s not the looms and the situation continues, we may covered in the News you’ll be glad to know. right type of rain, or there’s not enough of see our increasingly ‘green’ events having it because we are still officially in drought. to consider contingency plans to deal with I was very taken by the Neil McCormick River levels across England and Wales are the water shortages and yet more problems report in UK newspaper The Telegraph from lowest they’ve been for 36 years, since our caused by increasingly erratic weather. I’m the Coachella festival in California, as he last severe drought in 1976, with, according sure that many in other countries who still wrote, “The hairs went up on the back of my to the Environmental Agency, two-thirds picture England as a rain swept country neck…” as he watched the live performance ‘exceptionally ’ low, and most reservoirs where everybody carries umbrellas will find of Tupac Shakur…” This is perfectly it strange to see us indulging in rain dances understandable , as unfortunately, and not to over the next couple of months! put too fine a point on it, Tupac is actually dead. His apparently very realistic appearance Since the last issue of VIP News I have was made possible by the application of new journeyed to Canada, Estonia and Paris, and holographic projection technology. -
Steve Waksman [email protected]
Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i1.9en Live Recollections: Uses of the Past in U.S. Concert Life Steve Waksman [email protected] Smith College Abstract As an institution, the concert has long been one of the central mechanisms through which a sense of musical history is constructed and conveyed to a contemporary listening audience. Examining concert programs and critical reviews, this paper will briefly survey U.S. concert life at three distinct moments: in the 1840s, when a conflict arose between virtuoso performance and an emerging classical canon; in the 1910s through 1930s, when early jazz concerts referenced the past to highlight the music’s progress over time; and in the late twentieth century, when rock festivals sought to reclaim a sense of liveness in an increasingly mediatized cultural landscape. keywords: concerts, canons, jazz, rock, virtuosity, history. 1 During the nineteenth century, a conflict arose regarding whether concert repertories should dwell more on the presentation of works from the past, or should concentrate on works of a more contemporary character. The notion that works of the past rather than the present should be the focus of concert life gained hold only gradually over the course of the nineteenth century; as it did, concerts in Europe and the U.S. assumed a more curatorial function, acting almost as a living museum of musical artifacts. While this emphasis on the musical past took hold most sharply in the sphere of “high” or classical music, it has become increasingly common in the popular sphere as well, although whether it fulfills the same function in each realm of musical life remains an open question. -
Sustainability Report 2018
Sustainability Report 2018 We love energy. Energy moves us, unites us, and brings us closer to the world. We love this energy, the universal language, which comes in all shapes and colors. Which impels us, motivates us, and challenges us in this story of sharing and of victories. Which is from the sun, the water, the wind, and the people. Which transforms, reinvents and creates an increasingly clean, sustainable, and efficient future. A contagious energy that encourages us to explore, to amaze, and to innovate in a world in constant change. This is the energy we love. WE LOVE ENERGY Sustainability Report 3 WE LOVE ENERGY EDP 2018 THIS REPORT EDP - Energias de Portugal, S.A. (hereinafter referred to as EDP), with head office in Lisbon, Avenida 24 de Julho 12 and with its shares listed on the Euronext Lisbon stock exchange, results from the transformation of Electricidade de Portugal, E.P., incorporated in 1976 following the nationalization and consequent merger of the main companies in the electricity sector in Portugal. During 1994, as established by Decree-laws 7/91 and 131/94, the EDP Group (EDP Group or Group) was set up following the split of EDP, which led to a number of directly or indirectly wholly owned subsidiaries of EDP. The Group’s businesses are currently focused on the generation, transmission, distribution and supply of electricity and supply of gas. Although complementary, the Group also operates in related areas such as engineering, laboratory tests, professional training, energy services and property management. EDP Group operates essentially in the European (Portugal, Spain, France, Poland and Romania) and American (Brazil and the United States of America) energy sectors.