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07. Hallmark 2011-12.Pdf
Know that the life of this world is only play and amusement pomp and mutual boasting among you, and rivalry in respect of wealth and children, as the likeness of vegetation after rain, thereof the growth is pleasing to the tiller; afterwards it dries up and you see it tutrning yellow: then it becomes straw. But in the Hereafter (there is) Forgiveness from Allah and (His) Good Pleasure (for the believers, good-doers), whereas the life of this worls is only a deceiving enjoyment Al-Hadeed 57:20 Army Burn Hall College for Boys The Hallmark 2011-12 Q U M O A N ND ON ASCE CONTENTS Message of the Chairman Board of Governors ....................................................................................... 7 Message of the Deputy Chairman Board of Governors ......................................................................... 9 Principal’s Message .................................................................................................................................... 10 From the Editor’s Pen ................................................................................................................................ 12 The College Faculty ................................................................................................................................... 14 VIEWS & REVIEWS ................................................................................................................................ 18 ANNUAL DAY AND PRIZE DISTRIBUTION Principal’s Report - Annual Parents Day and Prize Distribution Ceremony -
Pakistan's Military Elite Paul Staniland University of Chicago Paul
Pakistan’s Military Elite Paul Staniland University of Chicago [email protected] Adnan Naseemullah King’s College London [email protected] Ahsan Butt George Mason University [email protected] DRAFT December 2017 Abstract: Pakistan’s Army is a very politically important organization. Yet its opacity has hindered academic research. We use open sources to construct unique new data on the backgrounds, careers, and post-retirement activities of post-1971 Corps Commanders and Directors-General of Inter-Services Intelligence. We provide evidence of bureaucratic predictability and professionalism while officers are in service. After retirement, we show little involvement in electoral politics but extensive involvement in military-linked corporations, state employment, and other positions of influence. This combination provides Pakistan’s military with an unusual blend of professional discipline internally and political power externally - even when not directly holding power. Acknowledgments: Michael Albertus, Jason Brownlee, Christopher Clary, Hamid Hussain, Sana Jaffrey, Mashail Malik, Asfandyar Mir, Vipin Narang, Dan Slater, and seminar participants at the University of Texas at Austin have provided valuable advice and feedback. Extraordinary research assistance was provided by Yusuf al-Jarani and Eyal Hanfling. 2 This paper examines the inner workings of Pakistan’s army, an organization central to questions of local, regional, and global stability. We investigate the organizational politics of the Pakistan Army using unique individual-level -
King's Research Portal
King’s Research Portal DOI: 10.1080/01402390.2018.1497487 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Staniland, P., Naseemullah, A., & Butt, A. (2020). Pakistan’s military elite. Journal of Strategic Studies, 43(1), 74-103. https://doi.org/10.1080/01402390.2018.1497487 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Catalogue P.93 and 119)
SOUTH AsIAN MODERN ART 2020 23 july - 14 august 2020 SOUTH AsIAN MODERN ART 2020 The works will be on view at the gallery by appointment Please contact us by email to arrange a visit [email protected] 2 Laxman PAI There are several and interesting factors about this work. Firstly it’s date, 1949, two years after the Indian Independence, during b 1926 which time artists reflected the hopes and aspirations of the newly independent country. Painting the daily life of people on the street in Untitled (The Procession of India and celebrating its rich variation and history in a progressive Saint Xavier, Goa), 1949 language. Gouache and ink on paper Pai uses both western and eastern techniques in this work, perhaps Signed and dated in Devanagari he was looking at Japanese woodblocks and prints as the figures are lower left deliberately flattened and foreshortened. However, the subject is an Indian scene, specifically a Goan scene, one that millions have seen. 68.8 x 42.9 cm 27 1/8 x 16 7/8 in The figures are lined up, running backwards and forwards across the sheet in a procession. They are wearing uniforms and carrying Provenance banners and flags emblazoned with Christian iconography. At the Private collection, Paris top of the composition one can see a body being carried. This is no ordinary procession but the procession of the body of the patron saint £ 35,000.00 of Goa, Saint Francis Xavier. He was a Jesuit priest and missionary who spread Christianity throughout Asia, as far as Japan. -
Ti{Ematic and Stylistic Analysis of Gallery
TI{EMATIC AND STYLISTIC ANALYSIS OF SERIES OF PAINTINGS ON THE CEILING OF GALLERY SADEQUAIN Umaira Hussain UNIVERSITY COLLECE OF ART & DESIGN UNIVERSITY OF THE PIJNJAB, LAHORE July 20ll THEMATIC AND SryLISTIC ANALYSIS OF SERIES OF PAINTINGS ON THE CEILING OF GATLERY SADEQUAIN A Thesis submitl€d 10 the Universjty ofthe Punjab in Fulfilri€nt ofrhe Requir€ment for the Degre€ ofDoctor ofPhiloephy in An & Desigt Unairq Hussain IJNIVERSITY COLLEGE OF ART & DESIGN UNIVERSITY OF THE PUNJAB, LAHORE July 2011 Copy Right c 201I by Umaira Hussain Declaration I dabcth.tUhrh6i5.nrid.d Tt ndi. @td sr'tlL'Jh ANItlit oIsdi.t olPottttn&t @ th. C.llitg of Aa0.ry sad.q@in i5 Dy origi$l mlk I qicd n ou duing dE l.|N of Ph D d lI|G Uoi6ily Coucgp of An & D6igq U.itsity of tt Putjrh Ldor!. .ruly 201I islgn 11.7.20t7 SUTERVISOR'S CERTIFICATE OF APPROVAI llis i. to certify that the research work .leB. b€d in ths th6i! i6 trE ori8iral work of Mi Umana fluFin has been .aried dt udd fry diGt suPedtuim l hav. p€soMlly goe thrcud aU the dat! in ih. B.nusiPt and ertity iLs cor<h6 md auth.ntnrg. I turther.ertit that lh€ mlerial iftlud€d ln thi! $6is h6 noi b€cn ue€d in parr or tull in a mnsriPl alteady $bnittcd or in the Pri6 ol submi$ion in partlal / comPlete fulfillsBt oI the awatd ot any other degre trem an! odrer istitutim. I al$ qtily th.t the th6L hB ben PrcPaed unde. -
KARACHI BIENNALE CATALOGUE OCT 22 – NOV 5, 2017 KB17 Karachi Biennale Catalogue First Published in Pakistan in 2019 by KBT in Association with Markings Publishing
KB17 KARACHI BIENNALE CATALOGUE OCT 22 – NOV 5, 2017 KB17 Karachi Biennale Catalogue First published in Pakistan in 2019 by KBT in association with Markings Publishing KB17 Catalogue Committee Niilofur Farrukh, Chair John McCarry Amin Gulgee Aquila Ismail Catalogue Team Umme Hani Imani, Editor Rabia Saeed Akhtar, Assistant Editor Mahwish Rizvi, Design and Layouts Tuba Arshad, Cover Design Raisa Vayani, Coordination with Publishers Keith Pinto, Photo Editor Halima Sadia, KB17 Campaign Design and Guidelines (Eye-Element on Cover) Photography Credits Humayun Memon, Artists’ Works, Performances, and Venues Ali Khurshid, Artists’ Works and Performances Danish Khan, Artists’ Works and Events Jamal Ashiqain, Artists’ Works and Events Qamar Bana, Workshops and Venues Samra Zamir, Venues and Events ©All rights reserved. No part of this publication may be reproduced or used in any form or by any means graphic, electronic or mechanical including photocopying, recording, taping or information storage and retrieval system - without written permission of Karachi Biennale Trust ISBN Printed by Le Topical [email protected] [email protected] www.markings.com.pk Claremont House FOREWORD Sitaron say agay jehan aur bhi hain Abhi Ishaq kay imtehan aur bhi hain Many new worlds lie beyond the stars And many more challenges for the passionate and the spirited Allama Iqbal Artists with insight and passion have always re- by the state, have begun to shrink and many imagined the world to inspire fresh beginnings with turning points in Pakistan’s art remain uncelebrated hope. Sadequain communicated through public as they are absent from the national cultural murals, Bashir Mirza furthered the discourse with discourse. -
Pharm-D & Dpt Morning Admissions
UNIVERSITY OF KARACHI ENTRY TEST BASED BACHELORS/ PHARM-D & DPT MORNING ADMISSIONS - 2019 NTS TEST SCORE OF ALL APPEARED CANDIDATES (It is not an Admissions List) Date: 07-12-2018 SNO Form No Name Father Name Test Score 1 100011 HASSAAN ALI QAZI QAZI MINHAJ ALI 51 2 100012 MUHAMMAD AMMAD QURESHI MUHAMMAD ASIF QURESHI 51 3 100016 NABEEL AZIZ ANWAR_UL_HASSAN 52 4 100017 AREEB IQBAL IQBAL HUSSAIN RAYANI 65 5 100020 ANIQA QASIM QASIM MAHMOOD 59 6 100021 MUHAMMAD FAROOQ MUHAMMAD TAHIR 66 7 100025 AYESHA WAHAB KHAN KHALID MAHMOOD 75 8 100026 JAVERIA SHOAIB MUHAMMAD SHOAIB 61 9 100027 RAFAY AHMED RATHORE NOOR AHMED RATHORE 55 10 100028 ADIL HUSNAIN MUHAMMAD SIBTAIN 52 11 100036 DANISH SHEIKH MUHAMMAD RAFIQ 41 12 100037 DAWOOD KHAN JUMA KHAN 75 13 100040 AREEJ FATIMA JAVED JAVED IQBAL 64 14 100042 DANYAL AHMED REHAN AHMED 50 15 100045 HUZAIFA AWAIS M. AWAIS CHANNA 57 16 100046 MUHAMMAD FAHAD WADIWALA MUHAMMAD AFZAL WADIWALA 55 17 100055 RIJA AHSAN AHSAN RAZA 62 18 100056 SYEDA MUSFIRA MASROOR MASROOR-UN-NABI 65 19 100060 AIMAN AZAM SYED SHAMIM AZAM 60 20 100061 ZARYAB MASOOD MASOOD AHMED 42 21 100062 SYED MUHAMMAD BILAL FAHIM SYED FAHIM IQBAL 65 22 100063 UZAIR JAVED ABDUL JAVED 40 23 100064 BILAL YASEEN MUHAMMAD YASEEN 41 24 100066 ANSAB HUSSAIN MUHAMMAD IMTIAZ HUSSAIN 45 25 100067 FATIMA GHULAM DASTAGEER 26 26 100069 FAIZA PERVEEN MUHAMMAD SADIQ 54 UNIVERSITY OF KARACHI ENTRY TEST BASED BACHELORS/ PHARM-D & DPT MORNING ADMISSIONS - 2019 NTS TEST SCORE OF ALL APPEARED CANDIDATES (It is not an Admissions List) Date: 07-12-2018 SNO Form No Name -
Fake Paintings of Renowned Painters Being Sold in Capital Listen
AiA Art News-service Fake paintings of renowned painters being sold in Capital Listen ISLAMABAD: The fraud of sale of fake paintings of the renowned calligraphers and Painters with their fake signatures was going on in Islamabad. It was told that the fake paintings and pieces of calligraphy were being sold only at the price of Rs4000 to Rs6000 while the real price of these master pieces were in range of Rs50,000 to Rs80,000. The fake paintings and calligraphy pieces of Syed Sadequin, Abdul Rehman Chugtai Shakoor, Ahmed Pervez, Ustad Haji Muhammad Sharif, Anna Molka Ahmed, Zubaida Agha and Ismail Gulgee are included which are being sold in Islamabad. Painter Imran Hunazai said that though the renowned art galleries were avoiding to attribute the fake artwork with renowned painters yet the fake artwork of the renowned painters and calligraphists were being sold in the shops. Lecturer of National Collage of Arts Hassan Ali said the sale of fake art works of renowned painters and calligraphists is immoral but unfortunately no legal action was taken to stop this practice. He said there is always laboratory test conducted in the developed world to examine the authenticity of the art work of the renowned painter but there is no technology in Pakistan for this purpose due to which the painters and calligraphists affected financially. He said the incident of sale of fake artworks were more in Karachi than in Islamabad. It is to be mentioned that an MNA at his residence at parliament lodges last week purchased a fake paintings which were attributed to renowned painters and paid Rs6000 to each paintings whose real price in range of Rs75,000. -
ART of PAKISTAN Wednesday May 24 2017
ART OF PAKISTAN Wednesday May 24 2017 ART OF PAKISTAN Wednesday 24 May 2017 at 2pm 101 New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Friday 19 May 2017 +44 (0) 20 7447 7447 Tahmina Ghaffar Monday to Friday 8:30am to 6pm 11am to 3pm +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8382 +44 (0) 20 7447 7447 Sunday 21 May 2017 To bid via the internet please [email protected] 11am to 3pm visit bonhams.com As a courtesy to intending Monday 22 May 2017 PRESS ENQUIRIES bidders, Bonhams will provide a 9am to 4.30pm Please note that bids should be written Indication of the physical [email protected] Tuesday 23 May 2017 submitted no later than 4pm condition of lots in this sale if a 9am to 1.30pm on the day prior to the sale. request is received up to 24 Wednesday 23 May 2017 New bidders must also provide hours before the auction starts. 9am to 12pm proof of identity when submitting This written Indication is issued bids. Failure to do this may result subject to Clause 3 of the Notice in your bid not being processed. to Bidders. SALE NUMBER Telephone bidding can only be ILLUSTRATIONS 24249 accepted on lots with a Front cover: lot 18 low-estimate in excess of £1000. Back cover: lot 19 CATALOGUE Inside Front cover: lot 25 £30.00 Live online bidding is available Inside Frontispiece: lot 14 for this sale Inside Back cover: lot 27 Please email [email protected] with ‘live bidding’ in the subject IMPORTANT INFORMATION line 48 hours before the auction The United States Government to register for this service has banned the import of ivory into the USA. -
Advertisement Ittefaq Steel
1 2 - I E P - S A C 0 2 0 JOURNAL 2 for Cybersecurity Trends Connected and Autonomous Future Vehicles Direc ons Ad IEP-SAC Journal 2020-21 1 Advertisement IttefaqAd Steel Advertisement Ittefaq Steel Since its inception Al-Ittefaq has grown by leaps and bounds has been pursuing continuous growth through balancing, moderniza- tion and expansion of its production facilities. As a result the plant which at inception was capable of producing about 1,000 tons per month of structural steel through manual process now stands as one of the largest privately owned rolling mills in the GCC and the second largest in the Kingdom. Subsidiaries that includes…DRIC Plant having capacity to produce 1.4 Million Tons of DRI, 02 Melt Shops NASCO & ASCOproducing 02 Million Tons of Billets, 03 Rolling Mills in Dammam and 02 are in Jeddah having a combined capacity of 2.6 Million Tons of Re-Bars and having Down Stream Industries in Dammam, Riyadh and Jed- dah are vertically integrated. Quality activities of the ISPC are controlled and monitored from the beginning and this monitoring is sustained to the finished products till it is dispatched. The satisfaction of our customers is the biggest proof of the quality of our products. HEAD OFFICE : P.O.Box : 2705, Dammam 31461. Kingdom of Saudi Arabia Tel : +966 13 8579922 / 8576622 Fax : +966 13 8579014 Website : www.alittefaqsteel.com Email : [email protected] 2 IEP-SAC Journal 2020-21 In This Issue CONTENTS From the Chairman’s Desk ............................................................... 4 Message From Ambassador Of Pakistan ....................................... 6 Message From The President IEP Pakistan .................................... -
A Bridge Between
A BRIDGE BETWEEN TWO EPOCHS 2 translation of calligraphy surah of qadr 97 VERILY WE REVEALED IT IN THE NIGHT OF QADR . AND WHAT MAKES YOU KNOW WHAT THE NIGHT OF QADR IS ? THE NIGHT OF QADR IS BETTER THAN A THOUSAND MONTHS . THE ANGELS AND THE SPIRIT DESCEND IN IT BY THE PERMISSION OF THEIR LORD , CONCERNING EVERY WORK . [ IT IS ] PEACE UNTIL THE BREAK OF DAWN . HIS HIGHNESS AGA KHAN III , MOSAIC PORTRAIT IN LAPIS LAZULI ismail gulgee reproduced by kind permission of amin gulgee 4 A BRIDGE BETWEEN TWO EPOCHS CREATIVE DIRECTOR rashida noormohamed-hunzai PHOTOGRAPHS RESEARCHERS nizar habib, yasmin p. karim DESIGNER yasmin p. karim 2 0 1 4 6 A BRIDGE BETWEEN TWO EPOCHS rashida noormohamed-hunzai 8 GLORIOUS LIFE OF HAZRAT MAWLANA SULTAN MUHAMMAD SHAH C - AL-HUSAYNI, ALAYHI’S-SALAM, HIS HIGHNESS AGA KHAN III 04 ABOUT THIS PUBLICATION 12 SAYINGS OF HAZRAT MAWLANA SHAH KARIM AL-HUSAYNI, HIS HIGHNESS AGA KHAN IV, RELATED TO HIS GRANDFATHER 14 HONOURS 26 SPECIAL EVENTS 54 INVENTIONS CONTENTS 70 SAYINGS RELATED TO WOMEN 102 MESSAGES TO THE ISMAILIS OF AFRICA 108 STATUS OF WOMEN 118 THE CONCEPT OF MONOREALITY 132 CORRESPONDENCE 136 PHOTO CREDITS 137 ACKNOWLEDGEMENTS bout his u b l i c a ti o n ABrave indeed wouldT be a person toP undertake a book on Hazrat Mawlana Sultan Muhammad Shah al-Husayni, calayhi’s-salÀm! It would take much more than an ordinary literary talent to do justice to a life crammed with so many unprecedented events and achievements, a life which he himself describes as being so full that he was never for an instant bored! This publication therefore has very different objectives. -
Compositional Aesthetics of Sacred Text the Contribution of Pakistani Artists to Painterly Calligraphy
القلم Al-Qalam p-ISSN: 2071-8683, e-ISSN: 2707-0077 Volume:25, Issue:2, 2020 ; pp. 427-444 Compositional Aesthetics of Sacred Text the Contribution of Pakistani Artists to Painterly Calligraphy Dr. Aqsa Malik Assistant Professor, College of Art & Design. (Corresponding Author) Dr. Naela Aamir Associate Professor, College of Art & Design ABSTRACT KEYWORDS: Calligraphy has been an expression of Muslim artistic CALLIGRAPHY, identity since the arrival of Islam. It primarily grew PAINTERLY out of the significance of Qur’an as sacred text and CALLIGRAPHY , was driven by the aesthetics of ornament central to SACRED TEXT , Islamic art. Since Pakistan sought a national identity ISLAMIC ART , after Partition, art forms of the Islamic world became PAKISTANI ART , one of the main frontiers of expressing a unique SOUTH ASIA , identity. However, as the first few decades of MODERNISM, Pakistan coincided with a greater interaction with QUR'AN TEXT , the West, a new visual idiom developed in calligraphy ART IN PAKISTAN as well; the Painterlys Calligraphy. This paper . describes how Pakistani Calligraphers, spearheaded by creative imagination, broke from tradition and infused aesthetics of modern art in indigenous sensibility. After establishing the significance of Calligraphy in Islam, the paper features the pioneers of Painterly Calligraphy in Pakistan and analyses some of their works. Date of Publication: 31-12-2020 Volume 25, Issue, 2, 2020 | 427 Al-Qalam Compositional Aesthetics of Sacred Text…... Introduction Calligraphy is undoubtedly the most characteristic expression of Islamic art to the extent that it, in many ways, symbolizes the essence of Islam itself. It is founded upon the idea that the text of the Qur’an and its meaning are sacred and they contain the ultimate truth about existence as well as the guideline for the believers.