Bftrkeley and LOS ANGELES 1945 SIERRA POPOLUCA FOLKLORE and BELIEFS
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Ancient Ceramic Musical Instruments from Coastal Oaxaca, Mexico Guy David Heppa, Sarah B
This article was downloaded by: [Arthur Joyce] On: 15 May 2014, At: 09:17 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK World Archaeology Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rwar20 Communing with nature, the ancestors and the neighbors: ancient ceramic musical instruments from coastal Oaxaca, Mexico Guy David Heppa, Sarah B. Barberb & Arthur A. Joycea a Department of Anthropology, University of Colorado b Department of Anthropology, University of Central Florida Published online: 13 May 2014. To cite this article: Guy David Hepp, Sarah B. Barber & Arthur A. Joyce (2014): Communing with nature, the ancestors and the neighbors: ancient ceramic musical instruments from coastal Oaxaca, Mexico, World Archaeology To link to this article: http://dx.doi.org/10.1080/00438243.2014.909100 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Fieldwork and Linguistic Analysis in Indigenous Languages of the Americas
Fieldwork and Linguistic Analysis in Indigenous Languages of the Americas edited by Andrea L. Berez, Jean Mulder, and Daisy Rosenblum Language Documentation & Conservation Special Publication No. 2 Published as a sPecial Publication of language documentation & conservation language documentation & conservation Department of Linguistics, UHM Moore Hall 569 1890 East-West Road Honolulu, Hawai‘i 96822 USA http://nflrc.hawaii.edu/ldc university of hawai‘i Press 2840 Kolowalu Street Honolulu, Hawai‘i 96822-1888 USA © All texts and images are copyright to the respective authors. 2010 All chapters are licensed under Creative Commons Licenses Cover design by Cameron Chrichton Cover photograph of salmon drying racks near Lime Village, Alaska, by Andrea L. Berez Library of Congress Cataloging in Publication data ISBN 978-0-8248-3530-9 http://hdl.handle.net/10125/4463 Contents Foreword iii Marianne Mithun Contributors v Acknowledgments viii 1. Introduction: The Boasian tradition and contemporary practice 1 in linguistic fieldwork in the Americas Daisy Rosenblum and Andrea L. Berez 2. Sociopragmatic influences on the development and use of the 9 discourse marker vet in Ixil Maya Jule Gómez de García, Melissa Axelrod, and María Luz García 3. Classifying clitics in Sm’algyax: 33 Approaching theory from the field Jean Mulder and Holly Sellers 4. Noun class and number in Kiowa-Tanoan: Comparative-historical 57 research and respecting speakers’ rights in fieldwork Logan Sutton 5. The story of *o in the Cariban family 91 Spike Gildea, B.J. Hoff, and Sérgio Meira 6. Multiple functions, multiple techniques: 125 The role of methodology in a study of Zapotec determiners Donna Fenton 7. -
A Critique of the Separation Base Method for Genealogical Subgrouping, with Data from Mixe-Zoquean*
Journal of Quantitative Linguistics 2006, Volume 13, Numbers 2 – 3, pp. 225 – 264 DOI: 10.1080/09296170600850759 A Critique of the Separation Base Method for Genealogical Subgrouping, with Data from Mixe-Zoquean* Michael Cysouw, Søren Wichmann and David Kamholz Max Planck Institute for Evolutionary Anthropology, Leipzig ABSTRACT Holm (2000) proposes the ‘‘separation base’’ method for determining subgroup relationships in a language family. The method is claimed to be superior to most approaches to lexicostatistics because the latter falls victim to the ‘‘proportionality trap’’, that is, the assumption that similarity is proportional to closeness of relationship. The principles underlying Holm’s method are innovative and not obviously incorrect. However, his only demonstration of the method is with Indo-European. This makes it difficult to interpret the results, because higher-order Indo-European subgrouping remains controversial. In order to have some basis for verification, we have tested the method on Mixe-Zoquean, a well-studied family of Mesoamerica whose subgrouping has been established by two scholars working independently and using the traditional comparative method. The results of our application of Holm’s method are significantly different from the currently accepted family tree of Mixe-Zoquean. We identify two basic sources of problems that arise when Holm’s approach is applied to our data. The first is reliance on an etymological dictionary of the proto-language in question, which creates problems of circularity that cannot be overcome. The second is that the method is sensitive to the amount of documentation available for the daughter languages, which has a distorting effect on the computed relationships. -
A Linguistic Look at the Olmecs Author(S): Lyle Campbell and Terrence Kaufman Source: American Antiquity, Vol
Society for American Archaeology A Linguistic Look at the Olmecs Author(s): Lyle Campbell and Terrence Kaufman Source: American Antiquity, Vol. 41, No. 1 (Jan., 1976), pp. 80-89 Published by: Society for American Archaeology Stable URL: http://www.jstor.org/stable/279044 Accessed: 24/02/2010 18:09 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sam. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for American Archaeology is collaborating with JSTOR to digitize, preserve and extend access to American Antiquity. http://www.jstor.org 80 AMERICAN ANTIQUITY [Vol. 41, No. 1, 1976] Palomino, Aquiles Smith, Augustus Ledyard, and Alfred V. -
Were-Jaguars and Crocodilians: a Need to Redefine
Takkou-Neofytou, R 2014 Were-Jaguars and Crocodilians: A Need to Redefine. pia Papers from the Institute of Archaeology, 24(1): 25, pp. 1-12, DOI: http:// dx.doi.org/10.5334/pia.472 GENERAL Were-Jaguars and Crocodilians: A Need to Redefine Richard Takkou-Neofytou* The general consensus amongst scholars is that anthropomorphic and zoomorphic Formative art, usually associated with the Olmecs but extending to post-Columbian civilisations, are depictions of humans and/or jaguars known as were-jaguars (De La Fuente 2000: 258). More recently, there has been discussion concerning what is actually being depicted through this Mesoamerican art form. In this paper, I will argue that the art form is much more complex than first anticipated with motifs of different deities amalgamated into one depiction, thereby extolling ceremonial influence to other animals worshipped in a religion based on animism, whilst also looking critically at some anthropomorphic images of the jaguar. Introduction art under the umbrella of the jaguar. Colin Upon entering the Mexico gallery at the McEwan, the former curator of this gallery, British Museum, it occurred to me that the writes (McEwan 2009: 136): Museum was endorsing a particular view of Olmec art history; a view that is quite conten- This massive ceremonial axe (celt) tious since the issue surrounding the genre combines characteristics of the cai- of the type of art in question has not yet been man and the jaguar, the most pow- settled. Of course, I refer to the ‘were-jaguar’ erful predators inhabiting the rivers and its feline components (see figures 1 and and forests of the tropical lowlands. -
LIN 631 Linguistic Description of American Languages
Course: LIN 631 Linguistic description of American languages: Typological properties of Mesoamerican languages Term: Fall 2007 Text: Readings on reserve Meetings: T/R15:30 -16:50 in 118 Baldy Instructor: Dr. Jürgen Bohnemeyer – Office 627 Baldy Phone 645-2177 ext 727 E-mail [email protected] Office hours T 11:00-11:30 and R 10:00-11:00 Overview: The seminar covers Mesoamerican (MA) and adjacent languages. 1 The MA linguistic and cultural area stretches from the Valley of Mexico in the North to the northern Honduran border on the Caribbean coast and well into Costa Rica on the Pacific Coast. The MA languages comprise five unrelated families: Otomanguean; Aztecan (a branch of the larger Uto-Aztecan language family); Totonacan; Mixe- Zoquean; and Mayan. A number of MA languages are isolates or of uncertain genealogical grouping; these include Purépecha (or Tarascan), Huave, Oaxaca Chontal (or Tequistlatec), and Xinca. The MA languages have long been recognized as forming a sprachbund or linguistic area. Several millennia of intensive contact have changed the members of the various unrelated language families so as to enhance their compatibility in formal and semantic categories. Phenomena that are pervasive in the MA area include head-marking; ergative and split-intransitive traits in both morphology and syntax; alignment-hierarchy (or “obviation”) effects in argument linking; verb-initial and verb-final constituent orders; morpho-syntactic alienable-inalienable distinctions in adnominal possession; (numeral, nominal, and possessive) classificatory systems; and lack of deictic tense coupled with rich systems of aspectual and modal marking. Polysynthesis, in the sense that syntactic relations and processes tend to have morphological reflexes at the word level and in the sense that content words, in combination with the necessary inflections and function words, can constitute clauses by themselves (independently of their lexical category), is widespread in most MA language families, the most important exception being Otomanguean. -
FINAL OBSTRUENT VOICING in LAKOTA: PHONETIC EVIDENCE and PHONOLOGICAL IMPLICATIONS Juliette Blevins Ander Egurtzegi Jan Ullrich
FINAL OBSTRUENT VOICING IN LAKOTA: PHONETIC EVIDENCE AND PHONOLOGICAL IMPLICATIONS Juliette Blevins Ander Egurtzegi Jan Ullrich The Graduate Center, Centre National de la Recherche The Language City University of New York Scientifique / IKER (UMR5478) Conservancy Final obstruent devoicing is common in the world’s languages and constitutes a clear case of parallel phonological evolution. Final obstruent voicing, in contrast, is claimed to be rare or non - existent. Two distinct theoretical approaches crystalize around obstruent voicing patterns. Tradi - tional markedness accounts view these sound patterns as consequences of universal markedness constraints prohibiting voicing, or favoring voicelessness, in final position, and predict that final obstruent voicing does not exist. In contrast, phonetic-historical accounts explain skewed patterns of voicing in terms of common phonetically based devoicing tendencies, allowing for rare cases of final obstruent voicing under special conditions. In this article, phonetic and phonological evi - dence is offered for final obstruent voicing in Lakota, an indigenous Siouan language of the Great Plains of North America. In Lakota, oral stops /p/, /t/, and /k/ are regularly pronounced as [b], [l], and [ɡ] in word- and syllable-final position when phrase-final devoicing and preobstruent devoic - ing do not occur.* Keywords : final voicing, final devoicing, markedness, Lakota, rare sound patterns, laboratory phonology 1. Final obstruent devoicing and final obstruent voicing in phonological theory . There is wide agreement among phonologists and phoneticians that many of the world’s languages show evidence of final obstruent devoicing (Iverson & Salmons 2011). Like many common sound patterns, final obstruent devoicing has two basic in - stantiations: an active form, involving alternations, and a passive form, involving static distributional constraints. -
Wayeb Notes No. 25
f No. 25, 2007 WAYEB NOTES ISSN 1379-8286 THE ARMADILLO STOOL Brian Stross The University of Texas at Austin Abstract This paper is a brief inquiry into the cultural importance of seats, and the cultural importance of armadillos in Mesoamerica, focusing primarily on the Maya region. Stimulated by a carved stone armadillo found in Central American Honduras whose function was not known, the author finds Mesoamerican reasons from language as well as size and form for identifying it as a stone ceremonial stool. Seating and seats were important to the Classic Maya nobility, just as the short-legged stool is still an important item of household furniture for many modern day Maya and neighboring peoples. Identification of the stone armadillo as a ceremonial stool informs a brief discussion of forms and functions of the Mesoamerican seat in past and present times, and of the role of the armadillo in Mesoamerican thought.1 Introduction Relatively new to the southern United States, the armadillo is widely found in Mexico and Central America, and it occurs in even greater numbers and variety in South America. Local peoples associate it with the underworld and with fertility, among other things, but its association with seating is what first piqued my interest in the animal, and drew my attention to the lack of attention given in Mesoamerican studies to seats and seating. Leafing through an illustrated book of Indian art in Middle America (Dockstader 1964), I noticed a picture of what could have been a zoomorphic carved stone seat representing an 1 Orthography here employed for Mayan languages is for each language referenced by a subset of the standardized set of letters approved by Academia de las Lenguas Mayas de Guatemala in 1986 for transcribing. -
Popol Vuh: the Mayan Book of the Dawn of Life
www.TaleBooks.com POPOL VUH: THE MAYAN BOOK OF THE DAWN OF LIFE translated by Dennis Tedlock with commentary based on the ancient knowledge of the modern Quiche Maya PREFACE Are 4u ua nuta4alibal, nupresenta chiquiuach ri nantat, comon chuchkajauib mu4hulic uleu, mu4hulic poklaj, mu4hulic bak. PREFACE You cannot erase time. -ANDRES XILOJ THE TRANSLATOR of the Popol Vuh, as if possessed by the story the Popol Vuh tells, must wander in darkness and search long for the clear light. The task is not a matter of deciphering Maya hieroglyphs, since the only surviving version of the Popol Vuh is a transcription into alphabetic writing, but the manuscript nevertheless abounds with ambiguities and obscurities. My work took me not only into dark corners of libraries but into the forests and tall cornfields and smoky houses of highland Guatemala, where the people who speak and walk and work in the pages of the Popol Vuh, the Quiche Maya, have hundreds of thousands of descendants. Among them are diviners called "daykeepers," who know how to interpret illnesses, omens, dreams, messages given by sensations internal to their own bodies, and the multiple rhythms of time. It is their business to bring what is dark into "white clarity," just as the gods of the Popol Vuh first brought the world itself to light. The Quiche people speak a Mayan language, say prayers to Mayan mountains and Mayan ancestors, and keep time according to the Mayan calendar. They are also interested citizens of the larger contemporary world, but they find themselves surrounded and attacked by those who have yet to realize they have something to teach the rest of us. -
Language EI Country Genetic Unit Speakers RI Acatepec Tlapanec 5
Language EI Country Genetic Unit Speakers RI Acatepec Tlapanec 5 Mexico Subtiapa-Tlapanec 33000 1 Alacatlatzala Mixtec 4.5 Mexico Mixtecan 23000 2 Alcozauca Mixtec 5 Mexico Mixtecan 10000 3 Aloápam Zapotec 4 Mexico Zapotecan 2100 4 Amatlán Zapotec 5 Mexico Zapotecan 6000 5 Amoltepec Mixtec 3 Mexico Mixtecan 6000 6 Ascunción Mixtepec Zapotec 1 Mexico Zapotecan 100 7 Atatláhuca Mixtec 5 Mexico Mixtecan 8300 8 Ayautla Mazatec 5 Mexico Popolocan 3500 9 Ayoquesco Zapotec 3 Mexico Zapotecan < 900 10 Ayutla Mixtec 5 Mexico Mixtecan 8500 11 Azoyú Tlapanec 1 Mexico Subtiapa-Tlapanec < 680 12 Aztingo Matlatzinca 1 Mexico Otopamean > < 100 13 Matlatzincan Cacaloxtepec Mixtec 2.5 Mexico Mixtecan < 850 14 Cajonos Zapotec 4 Mexico Zapotecan 5000 15 Central Hausteca Nahuatl 5 Mexico Uto-Aztecan 200000 16 Central Nahuatl 3 Mexico Uto-Aztecan 40000 17 Central Pame 4 Mexico Pamean 4350 18 Central Puebla Nahuatl 4.5 Mexico Uto-Aztecan 16000 19 Chaopan Zapotec 5 Mexico Zapotecan 24000 20 Chayuco Mixtec 5 Mexico Mixtecan 30000 21 Chazumba Mixtec 2 Mexico Mixtecan < 2,500 22 Chiapanec 1 Mexico Chiapanec-Mangue < 20 23 Chicahuaxtla Triqui 5 Mexico Mixtecan 6000 24 Chichicapan Zapotec 4 Mexico Zapotecan 4000 25 Chichimeca-Jonaz 3 Mexico Otopamean > < 200 26 Chichimec Chigmecatitlan Mixtec 3 Mexico Mixtecan 1600 27 Chiltepec Chinantec 3 Mexico Chinantecan < 1,000 28 Chimalapa Zoque 3.5 Mexico Zoque 4500 29 Chiquihuitlán Mazatec 3.5 Mexico Popolocan 2500 30 Chochotec 3 Mexico Popolocan 770 31 Coatecas Altas Zapotec 4 Mexico Zapotecan 5000 32 Coatepec Nahuatl 2.5 -
Spoken Language Iconicity: an Articulatory-Based Analysis of 66 Languages
國 立 交 通 大 學 外國語文學系暨外國文學與語言學碩士班 碩 士 論 文 口語象似性: 66 種語言構音為本的分析 Spoken Language Iconicity: An Articulatory-based Analysis of 66 Languages 研 究 生: 朱易安 指導教授: 賴郁雯 博士 呂佳蓉 博士 中華民國一百零七年二月 口語象似性: 66 種語言構音為本的分析 Spoken Language Iconicity: An Articulatory-based Analysis of 66 Languages 研 究 生:朱易安 Student: Ian Joo 指導教授:賴郁雯 Advisor: Yuwen Lai 呂佳蓉 Chiarung Lu 國 立 交 通 大 學 外國語文學系暨外國文學與語言學碩士班 碩 士 論 文 A Thesis Submitted to Graduate Program of Foreign Literatures and Linguistics Department of Foreign Languages and Literatures National Chiao Tung University in partial fulfilment of the requirements for the Degree of Master in Foreign Literatures and Linguistics February 2018 Hsinchu, Taiwan 中華民國一百零七年二月 口語象似性: 66 種語言構音為本的分析 指導教授:賴郁雯 博士 學生:朱易安 呂佳蓉 博士 國立交通大學 外國語文學系暨外國文學與語言學碩士班 詞彙的聲音跟語意是否具有相關性? 例如,圓唇母音會不會在代表圓形的事物的字 詞中比平唇母音更常出現? 本論文調查 66 種沒有譜系關係的語言,選取 100 個基本詞 彙分析,研究顯示 36% 的字詞與特定聲音有很強的正或負相關。這個結果與前人研究 中的感知實驗和/或其類型研究吻合。例如:表達圓形的身體部位的詞素 (‘臍’,‘脖’, ‘乳’,‘膝’) 常有圓唇母音,本文推測肇因於圓唇和圓型之間的構音類似性。代表口腔運 動的詞素跟類似的構音動作有相互關係 (例如 ‘吹’ = 唇字音,擦音,圓唇母音)。這些關 係再次證明口語裡的語音與語意的匹配不是隨機的,而呈現某種程度的象似性。 關字: 象似性,類型學,聲音象,語音學,語意學 i Spoken Language Iconicity: An Articulatory-based Analysis of 66 Languages Advisor: Dr. Yuwen Lai Student: Ian Joo Dr. Chiarung Lu Graduate Program of Foreign Literatures and Linguistics National Chiao Tung University Abstract Is the phonetic form of a lexical item related to its semantic value in any way? For ex- ample, do rounded vowels occur more frequently in lexical items that refer to round objects than unrounded vowels do? Based on a wordlist of 100 basic lexical terms from 66 genealog- ically unrelated languages, I have investigated whether each term tends to be represented by morphemes containing or not containing certain sounds. -
An Anthropology of Geographic Orders and Imaginations in the Sierra Mixe
Territorial Practices: An Anthropology of Geographic Orders and Imaginations in the Sierra Mixe Emiliano Zolla Márquez University College London Territorial Practices: an Anthropology of Geographic Orders and Imaginations in the Sierra Mixe Declaration of Originality I, Emiliano Zolla Márquez, confirm that the work presented in my thesis is my own work. Where information has been derived from other sources, I confirm that this has been indicated. 2 Territorial Practices: an Anthropology of Geographic Orders and Imaginations in the Sierra Mixe 3 Territorial Practices: an Anthropology of Geographic Orders and Imaginations in the Sierra Mixe Acknowledgments This thesis would not have been possible without the help and generosity of a large number of people in Oaxaca, Mexico City and London. In London I benefited from the kind and attentive help of Dr. Nanneke Redclift, my thesis supervisor. She not only advice me before and after returning from the field, but provided me with a wonderful space of intellectual liberty. I thank her thorough reading of countless versions of the thesis and for all the support received during my stay at UCL. I would also like to express my gratitude to my friends and fellow PhD students at the Department of Anthropology for their comments, intellectual encouragement and especially, for sharing the joys and miseries of writing a doctoral thesis. Piero di Giminiani, Inge Mascher, Sergio González Varela, Juan Rojas, David Jobanputra, Natalie Pilato, Tom Rodgers, Sophie Haines, Nico Tassi, Natasha Beranek and David Orr made my days much easier and constantly reminded me that there was more in life than my laptop.