How Canada Conquered the Comic Book Universe Invaders from the North: How Canada Conquered the Comic Book Universe

Total Page:16

File Type:pdf, Size:1020Kb

How Canada Conquered the Comic Book Universe Invaders from the North: How Canada Conquered the Comic Book Universe (Ebook free) Invaders from the North: How Canada Conquered the Comic Book Universe Invaders from the North: How Canada Conquered the Comic Book Universe YSxlSHq5K wYqe5Mwcl nWkSHDHeB TA82TZEwu ompy4KBhB Rt5wAOMqP vstT6wFWZ Ykymbr40P lEY68uC2G Invaders from the North: How Canada Conquered the Comic Book Universe 7RI7hUXl3 VZ-63032 zAuOFmvSj US/Data/Crafts-Hobbies-Home Tvq730QBp 4/5 From 879 Reviews cupEme8CS John Bell gQmhbYQON DOC | *audiobook | ebooks | Download PDF | ePub HK3TMQt0X qhg6ABX8M PfOmAV7Tr zQqcc7ly1 zLAxQ1kkl FAO4LNhKi ZiCBy1ORE xyuKII1e2 Short-listed for the 2007 CBA Libris Awards for Book Design of the Year What MpmM1hMTY do Superman, Prince Valiant, Cerebus the Aardvark, and Spawn have in wEm5NOxjn common? Their creators Joe Shuster, Harold Foster, Dave Sim, and Todd iYBMFXBZt McFarlane are Canadians. And while many of the cutting-edge talents of w43L6qC5T contemporary comix and graphic novels are also from Canada artists such as URGULDFXw Chester Brown, Seth, Dave Cooper, and Julie Doucet far too few Canadians FRy8oF8H6 realize their country had a remarkable involvement with the "funnies" long before. Invaders from the North profiles past and present comic geniuses, sheds light on unjustly neglected chapters in Canadas pop history, and demonstrates how this nation has vaulted to the forefront of international comic art, successfully challenging the long-established boundaries between high and low culture. Generously illustrated with black-and-white and colour comic covers and panels, Invaders from the North serves up a cheeky, brash cavalcade of flamboyant and outrageous personalities and characters that graphically attest to Canadas verve and invention in the world of visual storytelling..
Recommended publications
  • Toward an Aesthetics and Politics of Guilt in American
    UNIVERSITY OF CALIFORNIA Los Angeles Responsibility, Freedom, and the State: Toward an Aesthetics and Politics of Guilt in American Literature, 1929-1960 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Timothy Jeffrey Haehn 2014 © Copyright by Timothy Jeffrey Haehn 2014 ABSTRACT OF THE DISSERTATION Responsibility, Freedom, and the State: Toward an Aesthetics and Politics of Guilt in American Literature, 1929-1960 By Timothy Jeffrey Haehn Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2014 Professor Eleanor K. Kaufman, Chair This dissertation proposes a fundamental reassessment of guilt in twentieth-century American literature. I claim that guilt ought to be understood not so much in relation to the Holocaust or the history of U.S. race relations as in relation to the state. In readings of Mary McCarthy, Richard Wright, J. D. Salinger, Arthur Miller, and Saul Bellow, as well as the early Superman comics and fiction and criticism that invoke Fyoder Dostoevsky’s work, this project demonstrates how authors of fiction and popular culture mobilize feelings of responsibility and guilt to symbolize anxieties over the diminished role of the state as a vehicle for public relief. As the federal government jettisoned burdens that it had borne since the Depression, the writers in question depict various mechanisms employed by individuals to absorb state burdens and to compensate for the reduced availability of state-backed relief. With renewed emphasis on existential categories such as guilt, freedom, and anxiety, I trace tensions at the core of mid- twentieth-century narratives that situate them squarely within the problematics of antistatism.
    [Show full text]
  • Central Florida Future, Vol. 19 No. 14, October 9, 1986
    University of Central Florida STARS Central Florida Future University Archives 10-9-1986 Central Florida Future, Vol. 19 No. 14, October 9, 1986 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 19 No. 14, October 9, 1986" (1986). Central Florida Future. 659. https://stars.library.ucf.edu/centralfloridafuture/659 Weather: There's alot of sun behind those rain clouds Thursday, October 9, 1986 The Central Florida Future Volume 19 Number 14 - University of Central Florida/Orlando Twelve pages BOR forces credit Committee may hike union to re·locate health fee by Desiree McCartney Department of University NEWS EDITOR Relations, located next to the Fee could rise credit union's old location, is cramped due to lack of space. from 524 to 530 The UCF Federal Credit The move will allow the Union re-located to th~ department to be more spread Washington T. Student out. by Tim Ball Services Building last Hyde explained the move CENTRAL FLORIDA FUTURE Monday because UCF's does have some benefits. He Board of Regents policy said the credit union will now The Health Fee Committee involving space allocation.
    [Show full text]
  • ALEX ROSS' Unrealized
    Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade .
    [Show full text]
  • Alter Ego #78 Trial Cover
    TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.
    [Show full text]
  • Free Catalog
    Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.
    [Show full text]
  • Foregrounding Narrative Production in Serial Fiction Publishing
    University of Rhode Island DigitalCommons@URI Open Access Dissertations 2017 To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing Gabriel E. Romaguera University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Romaguera, Gabriel E., "To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing" (2017). Open Access Dissertations. Paper 619. https://digitalcommons.uri.edu/oa_diss/619 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. TO START, CONTINUE, AND CONCLUDE: FOREGROUNDING NARRATIVE PRODUCTION IN SERIAL FICTION PUBLISHING BY GABRIEL E. ROMAGUERA A DISSERTATION SUBMITTED IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2017 DOCTOR OF PHILOSOPHY DISSERTATION OF Gabriel E. Romaguera APPROVED: Dissertation Committee: Major Professor Valerie Karno Carolyn Betensky Ian Reyes Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2017 Abstract This dissertation explores the author-text-reader relationship throughout the publication of works of serial fiction in different media. Following Pierre Bourdieu’s notion of authorial autonomy within the fields of cultural production, I trace the outside influence that nonauthorial agents infuse into the narrative production of the serialized. To further delve into the economic factors and media standards that encompass serial publishing, I incorporate David Hesmondhalgh’s study of market forces, originally used to supplement Bourdieu’s analysis of fields.
    [Show full text]
  • Mcwilliams Ku 0099D 16650
    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
    [Show full text]
  • Superman Artist of the 1950S and 1960S— Wayne Boring
    S $49.99 (Different in Canada) UPERMAN IN THIS VOLUME: More than 700 daily strips featuring artwork by the predominant Superman artist of the 1950s and 1960s— Wayne Boring. The twenty-two stories were scripted by Superman co-creator Jerry Siegel, adapting then-current—and now classic—comic book tales by Robert Bernstein, Otto Binder, Leo Dorfman, Bill Finger, Edmond Hamilton, and himself. The covers are specially created by Pete Poplaski to evoke the look and artistic style of the times. Volume Two is an homage to Wayne Boring, and to Ira Schnapp, whose distinctive lettering defined DC’s style of the era. The Man of Steel’s newspaper adventures ran for EDITED AND DESIGNED BY more than twenty-five years, from 1939 until 1966, EISNER AWARD-WINNER DEAN MULLANEY yet only the first three years have ever been reprinted. INTRODUCTION BY SIDNEY FRIEDFERTIG THE The vast majority of the strips remain among the rarest of all collectibles. “When Superman comic book editor Mort Weisinger brought Jerry Siegel back to DC SILVER Superman • • • • • it meant coming full circle for Superman’s co-creator—from assembling his original strips AGE In a partnership between The Library of into a comic book story to transforming Superman comics into newspaper strips. The work American Comics and DC Comics, this second Superman was created in 1938 by two ambitious he produced upon his return was among the finest of his career. DAILIES volume of “The Silver Age” strips helps remedy Cleveland youngsters, Joe Shuster and Jerry Siegel. “The re-publication of these strips spans a chasm in Siegel’s canon and is a welcome that gap in the Superman mythos as part of a Their defender of the oppressed became an enduring addition to a complete library of his work.” comprehensive archival program to bring back into smash sensation in comics, radio, animation, television, —from the Introduction by Sidney Friedfertig print every one of the Superman newspaper strips.
    [Show full text]
  • Download Download
    Jumping on the “Comics for Kids” Bandwagon —Naomi Hamer Brit, Fanny. Jane, the Fox and Me. Illus. Isabelle 978-0-14-317779-1. Print. Arsenault. Trans. Christelle Morelli and Susan Lang, John. Lone Hawk: The Story of Air Ace Billy Ouriou. Toronto: Groundwood, 2012. 101 pp. Bishop; A Graphic Novel. Toronto: Penguin, 2011. $19.95 hc. ISBN 978-1-55498-360-5. Print. 97 pp. $15.00 pb. ISBN 978-0-14-317466-0. Davila, Claudia. Luz Makes a Splash. Toronto: Kids, Print. 2012. 96 pp. $16.95 hc. ISBN 978-1-55453-762-4. Robertson, David Alexander. 7 Generations: A Plains Print. Cree Saga. Illus. Scott B. Henderson. Winnipeg: Davila, Claudia. Luz Sees the Light. Toronto: Kids, HighWater, 2012. 136 pp. $32.00 hc. ISBN 978-1- 2011. 95 pp. $16.95 hc. ISBN 978-1-55453-581-1. 55379-355-7. Print. Print. Robertson, David Alexander. 7 Generations: The Pact. Dawson, Willow. Hyena in Petticoats: The Story Illus. Scott B. Henderson. Winnipeg: HighWater, of Suffragette Nellie McClung; A Graphic Novel. 2011. 30 pp. $12.95 pb. ISBN 978-1-55379-230-7. Toronto: Penguin, 2011. 95 pp. $15.00 pb. ISBN Print. On 1 October 2011, The Beguiling, Toronto’s landmark kids!” (Little Island Comics). The headline of a Globe comic book store, opened Little Island Comics, a sister and Mail article published during the opening week bookstore that, in focusing exclusively on material of the store announced that, “At Little Island Comics, geared to young readers under the age of twelve, They’re Giving Superheroes Back to the Kids” (Dixon).
    [Show full text]
  • Proposition 56 Could Fund Renovation Plans
    Did rush stay dry? Playing the field Comic career Questions surface at Interfraternity Field hockey squad opens against UOP SJSU cartoonist draws from life experiences Council meeting 0 CAMPUSPAGE 4 1 SPORTSPAGE 5 . FEATUREPAGE 6 Vollime 57, NO. 0 Serving the San Jose State University Community Since /934 Wednesday. September 10,1986 Proposition 56 could fund renovation plans By Paula Ray Christiansen He said Evans' information could be more Daily staff writer recent than his. 'Buildings do not stay static, Proposition 56. called "another bold step CSU budget priorities challenged The current budget for higher education, toward educational excellence" by Gov . based upon the measure passing in the Novem- needs do not stay static. We George Deukmejian, could mean financing for By Frank Michael Russell nues and passage of Proposition 56 on the ber election, lists plans for about $242 million have a selfish viewpoint, of the renovation ot the old Science Building and Daily staff writer November ballot than inadequate campus from the measure, No more than $250 million Dwight Bentel Hall. if passed in November. Academic senators questioned the input into the California State University of the total 54(8) million could be used the first course, regarding (SJSU), but These two buildings are among the many le \ el of influence faculty has in CSU budget system budget process. year. that stand to be renovated once sufficient funds decisum-making at Monday's meeting of SJSU funding concerns, including cuts The bonds could be repaid over a 20-year there are many other projects in are available, according to Handel Evans.
    [Show full text]
  • [Image] CEREBUS REX in Its Entirety
    CEREBUS REX in its entirety ---------------------------------------------- Cerebus Rex: Written by David R. Sanderson. Copyright 1991, 1992, 1995 David R. Sanderson Disclaimer: Cerebus and all related characters are copyrighted by Dave Sim. Cerebus Rex is a guide to Cerebus the Aardvark, and is not meant to infringe on any of Dave Sims rights or works. I do not discourage the redistribution of this guide, but do ask the following: 1) No monetary charge is to be made (as if anybody would pay money for this anyway.) It would be wrong to make money off of Sim's work (not to mention mine!) 2) All materials remain intact, including my name and this introductory material. _ ----------- _____| |_______________________ by: David R. CEREBUS REX (_____ _______________________ > Sanderson ----------- |_| Background: Cerebus started as the mascot for an ill-fated fanzine that Deni Loubert was trying to have published. The fanzine died at the press due to some alleged crooked business dealings by the printer. Deni and Dave Sim, Cerebus' creator, decided to try again. This time with a comic starring their cute fanzine mascot. They started a publishing firm called Aardvark-Vanaheim, the two names suggested by Deni's siblings. Dave was made President (and entire creative team), and Deni became publisher. The comic was to be called Cerberus the Aardvark, but Deni made a spelling error along the way. So we now have Cerebus the Aardvark. Some mistakes are for the best I think. Cerebus has grown into a well respected book with healthy sales, for an independent. It's sales peaked during the B&W explosion several years ago.
    [Show full text]
  • Hark! a Vagrant Free
    FREE HARK! A VAGRANT PDF Kate Beaton | 168 pages | 03 Nov 2011 | Vintage Publishing | 9780224094146 | English | London, United Kingdom Hark! A Vagrant — LiveJournal Log in No account? Create an account. Remember me. July 10th,am. New comic! Click to Hark! A Vagrant I'm going to try this, I think. I haven't been updating the lj, because I don't like seeing people link to it instead of my website Hark! A Vagrant is still my home base and main source of comics-related income! But then Hark! A Vagrant didn't want to leave it either, so I think I can work the lj like the tumblr and just post a leading image. Just a little change, no big deal! With the site, twitter, tumblr and lj I feel like things are all over the place, and I'd like to keep things as tight but accessible! Click the link! May 14th,am. I made a comic for my mother yesterday, who has believed in my abilities longer and more fiercely than anyone else. You can find it here. February 21st,pm. You can find them here on my tumblr. It's part one of two, and hopefully there's a word to the wise in there at least once. January 16th,am. I have been obsessing over Hark! A Vagrant history in the past while. It only seemed natural to come back to the world of Hark! A Vagrant old friends. I like the idea of recurring characters in this strip, and that's why you're seeing more of it! Though we might take them from 15th century to 14th century.
    [Show full text]