Art by Diana Roy Advertisement

Total Page:16

File Type:pdf, Size:1020Kb

Art by Diana Roy Advertisement Branching Out Canadian magazine for women Volume VI, Number 3, 1979 $1.25 Art by Diana Roy advertisement Equal Opportunities for Women in the Federal Public Service The first two female public servants were hired as matron Public Service in each department, occupational group and and deputy matron at the Kingston Penitentiary about 100 level will approximate the proportion of qualified and years ago. By the turn of the century, about 13% of public interested persons of both sexes available." servants were women, and already a pattern was developing Actions speak louder than words, however, and in order that was to continue unchanged for decades: women were to make sure that these good intentions were carried out, a confined to low level positions, nor was there any attempt to program was developed to implement the policy. disguise discriminatory practices. Although the Civil Service Act of 191 S provided for equal pay for equal work, deputy The Action Plan in action heads of departments could limit positions to one sex or the other. Women (what else is new?) were hired as Each department was required to develop a five-year "stenographers and typewriters", dead-end jobs, and men as action plan to promote equal opportunities for women. They "general clerks", the bottom rung on the promotional ladder. first undertook a situation review, collecting data about the Jn 1921 married women were barred from the public number of women in each occupational group. Generally, service unless they were self-supporting or there were no women were clustered in certain job ghettos (for example, other qualified candidates available. These restrictions were administrative support) and at lower levels of management relaxed during World War II, reinstated in 1947 and remained and professional categories. The departments then analysed in effect until 1955. Regulations concerning the employment of their own data, trying to identify the reasons for this clustering. women were made, and exceptions granted, only in the light Perhaps there were women whose lack of experience in more of public service requirements; no policies were based on the responsible positions could be remedied by new training concept of women's right to work or equality of opportunity or programs. Perhaps there were barriers to the advancement of advancement. women because the terms of eligibility to compete for positions were unnecessarily high; strategies to eliminate such The 60's: a time of change barriers were planned. Departments submit yearly reports on their action plans, of foment and agitation as The 60's were a decade showing progress to date and evaluating the success of position in society and in the women took stock of their programs and strategies undertaken. workplace and demanded that injustices and inequities be remedied. Kathleen Archibald noted in her report Sex and the Public Service (1969) that 83% of the women in the public The role of the Office of Equal Opportunities for Women service were secretaries, typists and clerks, many of Them with departmental action plans little opportunity for advancement within their category or for The EOW office monitors the assists departments in transfer out of it. One of her recommendations was that an for the Public Service Commission, and promotes equal opportunity program be set up within the Public Service developing and implementing programs, plans of particular interest to women. Commission to ensure equal opportunity for all. She spoke of special training the concept of equity: Changes are being made. Women made up only .4% of in the executive group in 1972, but 3% in 1977; "If an employer requires more evidence to decide a woman is employees service capable than to decide a man is capable, the fundamental idea they made up 14% of the administrative and foreign of equity is transgressed just as it is if a jury were to require group in 1972 and 22% of the same group in 1 977. Yet less evidence for a verdict of guilty against a non-Caucasian change is slow. Current cutbacks in budgets and staff years than a Caucasian." (p. 5) make change even more difficult, but EOW continues to be a priority. We look forward to a time when equal opportunities for women can cease to be a goal because it has become a Equal Opportunities: a slogan and a program reality. In 1971, the Office of Equal Opportunities for Women The following publications are available free of charge from was set up in the Public Service Commission. Some of the the Office of Equal Opportunities for Women, 1559 West objectives of the Office are: Tower, 300 Laurier West, Ottawa, Ontario, Kl A OM7: * to provide and analyse statistics concerning the Interaction: A quarterly publication for women in the public employment of women in the public service service to assist the Public Service Commission in identifying EOW 77: an annual publication highlighting EOW activities. and removing employment barriers These Days, Everybody Works: a series of booklets for high to assist departments in developing strategies to school girls about some non-traditional careers in the increase employment opportunities for women public service * to provide information about the EOW program to Filmography: information about films about, by and for employees and the public. women The federal government's policy on equal opportunities Legislation Review: an outline of federal and provincial for women was restated and expanded in 1975: "The legislation affecting female public servants government wishes to ensure that, within a reasonable period All of those publications are available in both French and of time, representation of male and female employees in the English. Branching Out Editor Columns Sharon Batt Assistant Editor 2 editorial Sharon Smith Mythology of Our Own Aritha van Herk Contributing Editors, Fiction Theme 3 letters Aritha van Herk, Heather Pringle Editorial Departments 4 printed matter Art: Cathy Hobart 33 law Books: Aritha van Herk Fiction: Heather Pringle, Anne O'Grady, Pornography: Helen Rosta, Marion Thorn Our Newest Battleground Eleanor Wachtel Film: Judith Mirus Law: Linda Duncan, Louise Dulude 38 legal notes Photography: Diana S. Palling Promises. Promises Louise Dulude Printed Matter: Sharon Smith 39 film Design Lane Chesko. Diana S. Palling, Festival Notebook Judith Mirus Barbara Hartmann 42 books Other Staff this Issue The Doll maker Marian Engel Mufty Mathewson. Isabel Moyse, Mary Ellen Gillan, Nora Corbett Language and Self Caterina Edwards Board of New Women's Magazine Society Vaginal Hype Cathy Hobart Thora Cartlidge, Sharon Batt, Sharon Smith Harlequin Politics Linda Hughes Epochal Conflicts Mary E. Sainsbury Tacit Surrender Patricia Preston Special Fiction Feature 9 A Word from the Authors Karen Lawrence * Copyright 1979 by the New Women's Magazine Societ> . Edmonton. Alberta. All rights reserved. Unless used in a 10 Please, Lady Bluebird review, the reproduction of this work in any form, by any Painter Rachel Wyatt means, including photocopying, recording, information storage and retrieval systems, et cetera, is forbidden without 12 The Birthmark Edna Alford the express permission of the publisher. Branching Out is published every two lo three months by the 18 "Emovora" Helene Holden New Women's Magazine Society, a Canadian Charitable Elizabeth Brewster Organization. Editorial office located at 8631-109 Street. 28 Illusions of Young Men Edmonton. Alberta. Phone (403) 433-4021. 30 His Family Frances Itani This issue published with financial assistance from Alberta Culture. Canada Council and the Alberta Law Foundation. Send all correspondence to Box 4098. Edmonlon. Alberta. T6E 4S8. Submissions should be typed, double-spaced and Poetry and Art accompanied by a stamped, self-addressed envelope. We review unsolicited manuscripts from Canadian women only. 17 Pieta'78 Mary di Michele Subscription rates in Canada. $6.00 for six issues. $11.00 for 23 Gallery Fantastique Diana Roy twelve issues for individuals; $10.00 for six issues. $20.00 for twelve issues for institutions. Add $1.00 per six issues for Roy U.S. rales. $2.00 per six issues for overseas rates. cover illustration: "Nuptual Valentine" by Diana Advertising rales available on request. acrylic on canvas, 47" x 61", 1978 Back issues of Branching Out are available on microfilm from photographed by Lauren Dale Micromedia Ltd.. Box 34. Station S. Toronto M5M 4L6. The magazine is on file with the International Women's History Archive housed at the Special Collection Library. Northwestern University. Evanston, IL 60201. Branching Out is a member of the Canadian Periodical Publishers' Association. The magazine is indexed in the Canadian Periodical Index. Typesetting by Superior Typeselling Ltd. Printed by Alpine Press. Edmonton. Second Class Mail Registration Number 3517. Volume VI. Number 3. 1979. ISSN 0382 - 5264 Volume VI, Number 3, 1979 EDITORS__________ mythology of our own Women are remaking their world Woman's role has traditionally been into a plan for the future. These with words. Women are writing within the family structure and stories are about us, about the things stories, writing good stories, writing clearly, women writers are trying to that concern us. It is to the the kinds of stories that we have come to terms with this in their possibilities of our world rather than wanted to hear for so long. Perhaps fiction. Just so must we attempt to simply the probabilities that we must this is one reason why women have understand our world; and for this look. The importance of art as a such a strong voice in Canadian reason, our writers can serve as vehicle for change is undeniable. fiction: we are now creating our own important guides. Fiction can lead us forward, can mythology, our own heroines, our As a story-teller, I have often felt provide us with a voice and a own environment. that my own liberation lies in my direction, a mythology of our own.
Recommended publications
  • The Grotesque in the Fiction of Joyce Carol Oates
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1979 The Grotesque in the Fiction of Joyce Carol Oates Kathleen Burke Bloom Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Bloom, Kathleen Burke, "The Grotesque in the Fiction of Joyce Carol Oates" (1979). Master's Theses. 3012. https://ecommons.luc.edu/luc_theses/3012 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Kathleen Burke Bloom THE GROTESQUE IN THE FICTION OF JOYCE CAROL OATES by Kathleen Burke Bloom A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy March 1979 ACKNOWLEDGEMENTS I would like to thank Professors Thomas R. Gorman, James E. Rocks, and the late Stanley Clayes for their encouragement and advice. Special thanks go to Professor Bernard P. McElroy for so generously sharing his views on the grotesque, yet remaining open to my own. Without the safe harbors provided by my family, Professor Jean Hitzeman, O.P., and Father John F. Fahey, M.A., S.T.D., this voyage into the contemporary American nightmare would not have been possible.
    [Show full text]
  • Download 1 File
    i^VM. ROJLL/i\ presentee to Zbe librae? of tbe Wnlversitie of Toronto be > V fluL EiU^AjCt^co ^"h^^h^^faLj^ / x,^ f M^i I /' TOLSTOY Demy 8vo, cloth, 12s. 6d. net. A Literary History of Russia. By A. BrCckner, Professor of Slavonic Languages and Literature in the University of Berlin. Edited by Ellis H. Minns. Translated by H. Havelock. "One of the greatest Slavonic scholars has in this volume his say on the greatest Slavonic literature. ' ' Athenecum. "The author's learning is amazing, and his digestion of the life-work of critics, scholars, theologians, biographers, historians, politicians, controversialists, dramatists, poets, and novelists is extraordinary. In living and picturesque phrases Herr BrUckner hits off the leading cha- racteristics and value of hundreds of writers and of over a thousand works." Daily Ntws. LONDON: T. FISHER UNWIN. '3& TOLSTOY ft BY ROMAIN ROLLAND AUTHOR OF "JEAN CHRISTOPHE " Translated by BERNARD MIALL 501792 it. i-e. 4-^ T. FISHER UNWIN LONDON: ADELPHI TERRACE LEIPSIC: INSELSTRASSE 20 1911 (All rights reserved.) PREFACE To those of my own generation, the light that has but lately failed was the purest that illumined their youth. In the gloomy twilight of the later nineteenth century it shone as a star of consolation, whose radiance attracted and appeased our awaken- ing spirits. As one of the many for there are many in France to whom Tolstoy was very much more than an admired artist : for whom he was a friend, the best of friends, the one true friend in the whole of European art I wish to lay before this sacred memory my tribute of gratitude and of love.
    [Show full text]
  • Genesys John Peel 78339 221 2 2 Timewyrm: Exodus Terrance Dicks
    Sheet1 No. Title Author Words Pages 1 1 Timewyrm: Genesys John Peel 78,339 221 2 2 Timewyrm: Exodus Terrance Dicks 65,011 183 3 3 Timewyrm: Apocalypse Nigel Robinson 54,112 152 4 4 Timewyrm: Revelation Paul Cornell 72,183 203 5 5 Cat's Cradle: Time's Crucible Marc Platt 90,219 254 6 6 Cat's Cradle: Warhead Andrew Cartmel 93,593 264 7 7 Cat's Cradle: Witch Mark Andrew Hunt 90,112 254 8 8 Nightshade Mark Gatiss 74,171 209 9 9 Love and War Paul Cornell 79,394 224 10 10 Transit Ben Aaronovitch 87,742 247 11 11 The Highest Science Gareth Roberts 82,963 234 12 12 The Pit Neil Penswick 79,502 224 13 13 Deceit Peter Darvill-Evans 97,873 276 14 14 Lucifer Rising Jim Mortimore and Andy Lane 95,067 268 15 15 White Darkness David A McIntee 76,731 216 16 16 Shadowmind Christopher Bulis 83,986 237 17 17 Birthright Nigel Robinson 59,857 169 18 18 Iceberg David Banks 81,917 231 19 19 Blood Heat Jim Mortimore 95,248 268 20 20 The Dimension Riders Daniel Blythe 72,411 204 21 21 The Left-Handed Hummingbird Kate Orman 78,964 222 22 22 Conundrum Steve Lyons 81,074 228 23 23 No Future Paul Cornell 82,862 233 24 24 Tragedy Day Gareth Roberts 89,322 252 25 25 Legacy Gary Russell 92,770 261 26 26 Theatre of War Justin Richards 95,644 269 27 27 All-Consuming Fire Andy Lane 91,827 259 28 28 Blood Harvest Terrance Dicks 84,660 238 29 29 Strange England Simon Messingham 87,007 245 30 30 First Frontier David A McIntee 89,802 253 31 31 St Anthony's Fire Mark Gatiss 77,709 219 32 32 Falls the Shadow Daniel O'Mahony 109,402 308 33 33 Parasite Jim Mortimore 95,844 270
    [Show full text]
  • Love, Death and the Search for Community in William Gaddis And
    Histoire(s) of Art and the Commodity: Love, Death, and the Search for Community in William Gaddis and Jean-Luc Godard Damien Marwood Submitted for the Degree of Doctor of Philosophy Discipline of English and Creative Writing The University of Adelaide December 2013 Table of Contents Abstract ................................................................................................................................................... iii Declaration............................................................................................................................................... iv Acknowledgements ................................................................................................................................... v Introduction ............................................................................................................................................... 3 Methodology ......................................................................................................................................... 7 Topography ........................................................................................................................................ 11 Godard, Gaddis .................................................................................................................................. 17 Commodity, Catastrophe: the Artist Confined to Earth ........................................................................... 21 Satanic and Childish Commerce / Art and Culture ............................................................................
    [Show full text]
  • Notre Dame Alumnus, Vol. 46, No. 01
    The Archives of The University of Notre Dame 607 Hesburgh Library Notre Dame, IN 46556 574-631-6448 [email protected] Notre Dame Archives: Alumnus NOTRE DAME rfS> New Alumni President DICK ROSENTHAL No End to Revitalization •^---M^-TS-' _ • soc. prof, of government search and special projects and international studies, in the UND Col. of Engi­ Compendium has been awarded the neering. UNIVERSITY "Science and Contemporary George Louis Beer Prize by Thomas L. Shaffer, prof, of Society," a volume of essays the American Historical As­ law, has received a §1,000 CALENDAR presented at a sjinposium soc, for the best work by a prize by the Emil Brown Feb. 8, Alumni Board Meet­ marking 100 years of sci­ young scholar in European Fund of L.A for his article ing, Center for Continuing ence at ND, UND Press. international history. on "Non-Estate Planning" Education. Josephine Massingbcrd Ford, Frederick W. Dow, Haycs- in the Dec. '66 issue of the Feb. 13, Communication assist, prof, of philosophy, Healey prof, of travel man­ ND L.AAVYER. The article .Arts Lecture: "Public Tele­ "A Trilogy on U'isdom and agement, has been appoint­ dealt with wills for young vision" by Dr. John Meany, Celibacy," qualifies other ed to a special advisory family men with minor S Library Auditorium and studies which have linked committee to study and children. Lounge. 8 pm. Christian celibacy with a recommend ways of in­ Feb. 15, Cardinal O'Hara Rev. John L. McKcnzie SJ, disparagement of women and creasing foreign travel to prof, of theology, was pre­ Memorial Symposium, "Con­ Gnosticism which prized the US.
    [Show full text]
  • NARRATIVA AD INFINITUM La Narrativa Transmedia De Doctor Who
    NARRATIVA AD INFINITUM La narrativa transmedia de Doctor Who | Título de trabajo Narrativa ad infinitum: La narrativa transmedia de Doctor Who | Estudios Comunicación Audiovisual | Tutor/a Dra. Inmaculada Gordillo Álvarez Firma con el visto bueno del tutor | Agradecimientos | La elaboración de este estudio no habría sido posible sin el apoyo de aquellos que me han ayudado a sacarlo adelante, bien con consejos o correcciones, bien con paciencia; pero sobre todo, con la ayuda desinteresada y la confianza que en más de una ocasión ha sido necesaria. Estoy en deuda con Juanma Asencio, mi “portavoz” en la Universidad de Sevilla mientras estaba de intercambio SICUE en la Pompeu Fabra, y quien ha hecho posible la entrega de este documento, entre otros quebraderos de cabeza que le habré causado. Gracias también a Rafa Cabeza, siempre dispuesto a escuchar mis problemas y a darles una solución optimista. Que el triángulo Draper-Olson-Holloway sea infinito donde la serie no pudo serlo. También en deuda con Sofia Izquierdo, cuyo inmenso conocimiento sobre Doctor Who ha sido clave para este trabajo. Agradecerle además sus lecturas desinteresadas y su apoyo en todo momento. Gracias a Raquel Crisóstomo por confiar en mi trabajo incondicionalmente, así como por las charlas tan enriquecedoras en las que las dudas no lo eran tanto; a Cristina Aguilera por estar ahí siempre, apostando por un trabajo que uno mismo olvida valorar; a Manu Montes por ser el apoyo moral que todo SICUE necesita, ese hombro virtual en el que apoyarse (o físico, después de muchas horas de Valencia en Fallas); a Carlos Scolari, por sus pequeñas masterclass ante cualquier duda; y a Alba Rosillo, por sus consejos y ayuda con el diseño gráfico de la presentación.
    [Show full text]
  • Ella Wheeler Wilcox - Poems
    Classic Poetry Series Ella Wheeler Wilcox - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ella Wheeler Wilcox(5 November 1850 - 30 October 1919) Ella Wheeler Wilcox was an American author and poet. Her best-known work was Poems of Passion. Her most enduring work was " Solitude", which contains the lines: "Laugh, and the world laughs with you; Weep, and you weep alone". Her autobiography, The Worlds and I, was published in 1918, a year before her death. <b>Biography</b> Ella Wheeler was born in 1850 on a farm in Johnstown, Wisconsin, east of Janesville, the youngest of four children. The family soon moved north of Madison. She started writing poetry at a very early age, and was well known as a poet in her own state by the time she graduated from high school. Her most famous poem, "Solitude", was first published in the February 25, 1883 issue of The New York Sun. The inspiration for the poem came as she was travelling to attend the Governor's inaugural ball in Madison, Wisconsin. On her way to the celebration, there was a young woman dressed in black sitting across the aisle from her. The woman was crying. Miss Wheeler sat next to her and sought to comfort her for the rest of the journey. When they arrived, the poet was so depressed that she could barely attend the scheduled festivities. As she looked at her own radiant face in the mirror, she suddenly recalled the sorrowful widow. It was at that moment that she wrote the opening lines of "Solitude": Laugh, and the world laughs with you; Weep, and you weep alone.
    [Show full text]
  • The Time Meddlers of Los Angeles DVD, VIDEO, AUDIO & BOOK
    The Time Meddlers of Los Angeles DVD, VIDEO, AUDIO & BOOK LIBRARY 2007 Edition . DVD, Video, Audio & Book. Catalogued by Ingrid de Beus. All items are the property of the Time Meddlers of Los Angeles. INSTRUCTIONS: Select each item you wish to check out with an X in the box, fill out the information slip below, and deliver to the librarian(s) or mail to TIME MEDDLERS OF LOS ANGELES, P.O. Box 4092, North Hollywood, CA 91617-0092 . BOOKS Virgin New Adv (7th) #59: Room With No Doors #18: The Face-Eater #1: Timewyrm: Genesys #60: Lungbarrow #19: The Taint #2: Timewyrm: Exodus #61: The Dying Days #20: Demontage #3: Timewyrm: Apocalypse #21: Revolution Man Virgin Missing Adv. #4: Timewyrm: Revelation #22: Dominion #1: Goth Opera (5) #5: Cat's Cradle: Time's Crucible #23: Unnatural History #2: Evolution (4) #6: Cat's Cradle: Warhead #24: Autumn Mist #3: Venusian Lullaby (1) #7: Cat's Cradle: Witch Mark #25: Interference: Book One #4: Crystal Bucephalus (5) #8: Nightshade #26: Interference: Book Two #5: State of Change (6) #9: Love And War #27: The Blue Angel #6: Romance of Crime (4) #10: Transit #28: Taking of Planet Five #7: Ghosts of N-Space (3) #11: The Highest Science #29: Frontier Worlds #8: Time of Your Life (6) #12: The Pit #30: Parallel 59 #9: Dancing the Code (3) #13: Deceit #31: Shadows of Avalon #10: The Menagerie (2) #14: Lucifer Rising #32: Fall of Yquatine #11: System Shock (4) #15: White Darkness #33: Coldheart #12: Sorcerer's Apprentice (1) #16: Shadowmind #34: The Space Age
    [Show full text]
  • Icons in Time, Persons in Eternity
    icons in time, persons in eternity Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non- representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia—inherent liveliness, expressive autonomy and self-subsisting form—are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art. Cornelia A. Tsakiridou is Associate Professor, Philosophy and Director, Diplomat-in-Residence Program, at La Salle University, Philadelphia, U.S.A.
    [Show full text]
  • Philosophical Witnessing: the Holocaust As Presence David N
    « Philosophical Witnessing » Lang - Philosophical Witnessing.indb 1 11 March 2009 10:29:47 AM the tauber institute for the study of european jewry series Jehuda Reinharz, General Editor Sylvia Fuks Fried, Associate Editor The Tauber Institute Series is dedicated to publishing compelling and innovative approaches to the study of modern European Jewish history, thought, culture, and society. The series features scholarly works related to the Enlightenment, modern Judaism and the struggle for emancipation, the rise of nationalism and the spread of antisemitism, the Holocaust and its aftermath, as well as the contemporary Jewish experience. The series is published under the auspices of the Tauber Institute for the Study of European Jewry�established by a gift to Brandeis University from Dr. Laszlo N. Tauber�and is supported, in part, by the Tauber Foundation and the Valya and Robert Shapiro Endowment. For the complete list of books that are available in this series, please see www.upne.com and www.upne.com/series/taub.html Berel Lang Philosophical Witnessing: The Holocaust as Presence David N. Myers Between Jew and Arab: The Lost Voice of Simon Rawidowicz Sara Bender The Jews of Białystock during World War II and the Holocaust Nili Scharf Gold Yehuda Amichai: The Making of Israel’s National Poet Hans Jonas Memoirs Itamar Rabinovich and Jehuda Reinharz, editors Israel in the Middle East: Documents and Readings on Society, Politics, and Foreign Relations, Pre-1948 to the Present Christian Wiese The Life and Thought of Hans Jonas: Jewish Dimensions
    [Show full text]
  • Legitimacy, Surrogacy and Betrayal in the Value of Art and Family in Honoré De Balzac's Le Cousin Pons and Donna Tartt's the Goldfinch
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses March 2017 Precarious Provenance: Legitimacy, Surrogacy and Betrayal in the Value of Art and Family in Honoré de Balzac's Le Cousin Pons and Donna Tartt's The Goldfinch Ryan Coburn University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the French and Francophone Literature Commons Recommended Citation Coburn, Ryan, "Precarious Provenance: Legitimacy, Surrogacy and Betrayal in the Value of Art and Family in Honoré de Balzac's Le Cousin Pons and Donna Tartt's The Goldfinch" (2017). Masters Theses. 461. https://doi.org/10.7275/9479761 https://scholarworks.umass.edu/masters_theses_2/461 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. PRECARIOUS PROVENANCE: LEGITIMACY, SURROGACY AND BETRAYAL IN THE VALUE OF ART AND FAMILY IN HONORÉ DE BALZAC’S LE COUSIN PONS AND DONNA TARTT’S THE GOLDFINCH A Thesis Presented By RYAN PAUL COBURN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment Of the requirements for the degree of MASTER OF ARTS February 2017 French and Francophone Studies PRECARIOUS PROVENANCE: LEGITIMACY, SURROGACY AND BETRAYAL IN THE VALUE OF ART AND FAMILY
    [Show full text]
  • {PDF EPUB} Doctor Who the Dimension Riders by Daniel Blythe Daniel Blythe
    Read Ebook {PDF EPUB} Doctor Who The Dimension Riders by Daniel Blythe Daniel Blythe. Daniel Blythe was born on 1969 in Maidstone, is a British author. Discover Daniel Blythe's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 51 years old? Popular As N/A Occupation Author Age 51 years old Zodiac Sign N/A Born Birthday Birthplace Maidstone Nationality. We recommend you to check the complete list of Famous People born on . He is a member of famous Author with the age 51 years old group. Daniel Blythe Height, Weight & Measurements. At 51 years old, Daniel Blythe height not available right now. We will update Daniel Blythe's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible. Physical Status Height Not Available Weight Not Available Body Measurements Not Available Eye Color Not Available Hair Color Not Available. Dating & Relationship status. He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children. Family Parents Not Available Wife Not Available Sibling Not Available Children Not Available. Daniel Blythe Net Worth. His net worth has been growing significantly in 2019-2020. So, how much is Daniel Blythe worth at the age of 51 years old? Daniel Blythe’s income source is mostly from being a successful Author. He is from .
    [Show full text]