DOCSLIB.ORG

Ella Wheeler Wilcox - Poems

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Classic Poetry Series Ella Wheeler Wilcox - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ella Wheeler Wilcox(5 November 1850 - 30 October 1919) Ella Wheeler Wilcox was an American author and poet. Her best-known work was Poems of Passion. Her most enduring work was " Solitude", which contains the lines: "Laugh, and the world laughs with you; Weep, and you weep alone". Her autobiography, The Worlds and I, was published in 1918, a year before her death. <b>Biography</b> Ella Wheeler was born in 1850 on a farm in Johnstown, Wisconsin, east of Janesville, the youngest of four children. The family soon moved north of Madison. She started writing poetry at a very early age, and was well known as a poet in her own state by the time she graduated from high school. Her most famous poem, "Solitude", was first published in the February 25, 1883 issue of The New York Sun. The inspiration for the poem came as she was travelling to attend the Governor's inaugural ball in Madison, Wisconsin. On her way to the celebration, there was a young woman dressed in black sitting across the aisle from her. The woman was crying. Miss Wheeler sat next to her and sought to comfort her for the rest of the journey. When they arrived, the poet was so depressed that she could barely attend the scheduled festivities. As she looked at her own radiant face in the mirror, she suddenly recalled the sorrowful widow. It was at that moment that she wrote the opening lines of "Solitude": Laugh, and the world laughs with you; Weep, and you weep alone. She sent the poem to the Sun and received $5 for her effort. It was collected in the book Poems of Passion shortly after in May 1883. In 1884, she married Robert Wilcox of Meriden, Connecticut, where the couple lived before moving to New York City and then to Granite Bay in the Short Beach section of Branford, Connecticut. The two homes they built on Long Island Sound, along with several cottages, became known as Bungalow Court, and they would hold gatherings there of literary and artistic friends. They had one child, a son, who died shortly after birth. Not long after their marriage, they both became interested in theosophy, new thought, and spiritualism. www.PoemHunter.com - The World's Poetry Archive 1 Early in their married life, Robert and Ella Wheeler Wilcox promised each other that whoever went first through death would return and communicate with the other. Robert Wilcox died in 1916, after over thirty years of marriage. She was overcome with grief, which became ever more intense as week after week went without any message from him. It was at this time that she went to California to see the Rosicrucian astrologer, Max Heindel, still seeking help in her sorrow, still unable to understand why she had no word from her Robert. She wrote of this meeting: In talking with Max Heindel, the leader of the Rosicrucian Philosophy in California, he made very clear to me the effect of intense grief. Mr. Heindel assured me that I would come in touch with the spirit of my husband when I learned to control my sorrow. I replied that it seemed strange to me that an omnipotent God could not send a flash of his light into a suffering soul to bring its conviction when most needed. Did you ever stand beside a clear pool of water, asked Mr. Heindel, and see the trees and skies repeated therein? And did you ever cast a stone into that pool and see it clouded and turmoiled, so it gave no reflection? Yet the skies and trees were waiting above to be reflected when the waters grew calm. So God and your husband's spirit wait to show themselves to you when the turbulence of sorrow is quieted. Several months later, she composed a little mantra or affirmative prayer which she said over and over "I am the living witness: The dead live: And they speak through us and to us: And I am the voice that gives this glorious truth to the suffering world: I am ready, God: I am ready, Christ: I am ready, Robert.". Wilcox made efforts to teach occult things to the world. Her works, filled with positive thinking, were popular in the New Thought Movement and by 1915 her booklet, What I Know About New Thought had a distribution of 50,000 copies, according to its publisher, Elizabeth Towne. The following statement expresses Wilcox's unique blending of New Thought, Spiritualism, and a Theosophical belief in reincarnation: "As we think, act, and live here today, we built the structures of our homes in spirit realms after we leave earth, and we build karma for future lives, thousands of years to come, on this earth or other planets. Life will assume new dignity, and labor new interest for us, when we come to the knowledge that death is but a continuation of life and labor, in higher planes". Her final words in her autobiography The Worlds and I: "From this mighty storehouse (of God, and the hierarchies of Spiritual Beings ) we may gather wisdom and knowledge, and receive light and power, as we pass through this www.PoemHunter.com - The World's Poetry Archive 2 preparatory room of earth, which is only one of the innumerable mansions in our Father's house. Think on these things". Ella Wheeler Wilcox died of cancer on October 30, 1919 <b>Poetry</b> A popular poet rather than a literary poet, in her poems she expresses sentiments of cheer and optimism in plainly written, rhyming verse. Her world view is expressed in the title of her poem "Whatever Is—Is Best", suggesting an echo of Alexander Pope's "Whatever is, is right." None of Wilcox's works were included by F. O. Matthiessen in The Oxford Book of American Verse, but Hazel Felleman chose no fewer than fourteen of her poems for Best Loved Poems of the American People, while Martin Gardner selected "Solitude" and "The Winds of Fate" for Best Remembered Poems. She is frequently cited in anthologies of bad poetry, such as The Stuffed Owl: An Anthology of Bad Verse and Very Bad Poetry. Sinclair Lewis indicates Babbitt's lack of literary sophistication by having him refer to a piece of verse as "one of the classic poems, like 'If' by Kipling, or Ella Wheeler Wilcox's 'The Man Worth While.'" The latter opens: It is easy enough to be pleasant, When life flows by like a song, But the man worth while is one who will smile, When everything goes dead wrong. Her most famous lines open her poem "Solitude": Laugh and the world laughs with you, Weep, and you weep alone; The good old earth must borrow its mirth, But has trouble enough of its own. "The Winds of Fate" is a marvel of economy, far too short to summarize. In full: One ship drives east and another drives west With the selfsame winds that blow. 'Tis the set of the sails, And Not the gales, That tell us the way to go. www.PoemHunter.com - The World's Poetry Archive 3 Like the winds of the sea are the ways of fate; As we voyage along through life, 'Tis the set of a soul That decides its goal, And not the calm or the strife. Ella Wheeler Wilcox cared about alleviating animal suffering, as can be seen from her poem, Voice of the Voiceless. It begins as follows. I am the voice of the voiceless; Through me the dumb shall speak, Till the deaf world’s ear be made to hear The wrongs of the wordless weak. From street, from cage, and from kennel, From stable and zoo, the wail Of my tortured kin proclaims the sin Of the mighty against the frail. <b>Legacy</b> Her quote "Love lights more fires than hate extinguishes" is inscribed on a paving slab in Jack Kerouac Alley in San Francisco (next to the City Lights Bookstore). Ella Wheeler Wilcox's name provided the unlikely inspiration for doggerel by the English humorist Richard Murdoch, which he set to the opening bars of Alexandre Luigini's Ballet égyptien. The first stanza of her poem "The Man Worth While" can be found in Disney's Hollywood Studios, in the boiler room portion of the queue for The Twilight Zone Tower of Terror. Oliver's Stone movie JFK starts with a quote from her: "To sin by silence when we should protest makes cowards out of men". The first stanza of "The Man Worth While" is parodied in the movie Caddyshack when the character Judge Smails (played by Ted Knight) reads the following at the christening of his yacht: "It's easy to grin when your ship comes in / And you've got the stock market beat. / But the man worthwhile is the man who can smile / When his shorts are too tight in the seat." www.PoemHunter.com - The World's Poetry Archive 4 The opening lines in her poem "Solitude" are recited in Park Chan-wook's film Oldboy. Her poem "Over the Banisters" was adapted into a song for Judy Garland in the film "Meet Me in St. Louis". Her poem "I like cigars beneath the stars" was set to music by an "E. C. Walker," possibly British and not the politician E. C. Walker. The song was recorded by the Huelgas Ensemble in 2010. www.PoemHunter.com - The World's Poetry Archive 5 "It Might Have Been" We will be what we could be.
Recommended publications
  • The Origins and Operations of the Kansas City Livestock

    The Origins and Operations of the Kansas City Livestock

    REGULATION IN THE LIVESTOCK TRADE: THE ORIGINS AND OPERATIONS OF THE KANSAS CITY LIVESTOCK EXCHANGE 1886-1921 By 0. JAMES HAZLETT II Bachelor of Arts Kansas State University Manhattan, Kansas 1969 Master of Arts Oklahoma State University stillwater, Oklahoma 1982 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 1987 The.s; .s I q 8111 0 H~3\,.. ccy;, ;i. REGULATION IN THE LIVESTOCK TRADE: THE ORIGINS AND OPERATIONS OF THE KANSAS CITY LIVESTOCK EXCHANGE 1886-1921 Thesis Approved: Dean of the Graduate College ii 1286885 C Y R0 I GP H T by o. James Hazlett May, 1987 PREFACE This dissertation is a business history of the Kansas City Live Stock Exchange, and a study of regulation in the American West. Historians generally understand the economic growth of the late nineteenth and early twentieth centuries, and the business institutions created during that era, within the perspective of "progressive" history. According to that view, Americans shifted from a public policy of laissez faire economics to one of state regulation around the turn of the century. More recently, historians have questioned the nature of regulation in American society, and this study extends that discussion into the livestock industry of the American West. 1 This dissertation relied heavily upon the minutes of the Kansas City Live Stock Exchange. Other sources were also important, especially the minutes of the Chicago Live Stock Exchange, which made possible a comparison of the two exchanges. Critical to understanding the role of the Exchange but unavailable in Kansas City, financial data was 1Morton Keller, "The Pluralist State: American Economic Regulation in Comparative Perspective, 1900-1930," in Thomas K.
  • Rider's Review

    Rider's Review

    OCCULT REVIEW A MONTHLY MAGAZINE DEVOTED TO THE INVESTIGATION OF SUPER­ NORMAL PHENOMENA AND THE STUDY OP PSYCHOLOGICAL PROBLEMS E d i t e d b y RALPH SHIRLEY “ Nullius addictus jurare in verba magislri" Price Nin k pbn ce net ; poet free, T b n pen c e. Annual Subscription, N in e S h illin g s (Two Dollars twenty-five Cents). A merican A gents : The International News Company, 85 Duane Street, New York ; The Macoy Publishing Company, 45-49 John Street, New York ; The Western News Company, Chicago. Subscribers in India can obtain the Magazine from A. H. Wheeler A Co., 15 Elgin Road, Allahabad; Wheeler’s Building, Bombay; and#39 Strand, Calcutta; or from the Tkeosophisi Office, Adyar, Madras. All communications to the Editor should be addressed c/o the Publishers, William R id e r A Son, L td ., Cathedral House, Paternoster Row, London, E.C. 4. Contributors are specially requested to put their name and address, legibly written, on all manuscripts submitted. V o l . XXX. DECEMBER 1919 No. 6 NOTES OF THE MONTH IN a series of,very remarkable essays,* which are well described as “ outspoken,” the Dean of St. Paul’s grapples, from a very independent standpoint, with many problems of the present day, a number of which are, indeed, not related to one another, except ,, by the fact that they may, almost all of them, be „ designated as topical. Perhaps the only two not ' falling under this head are those dealing with Cardinal Newman and St. Paul. The two last essays of the book are certainly not likely to attract less attention than the remainder; though it may be questioned whether the Dean is not at his best in some of the others, notably on Our Present Discontents, on the Birth Rate, and on the Future of the English Race.
  • A Climate: a Philosophical Study

    A Climate: a Philosophical Study

    A CLIMATE A Philosophical Study by WATSUJI TETSURO translated by GEOFFREY BOWNAS Lecturer, Oxford University Published by PRINTINGBUREAU, JAPANESE GOVERNMENT A CLIMATE A Philosophical Study by WATSUJI TETSURO translated by GEOFFREY BOWNAS Lecturer, Oxford University Published by PRINTINGBUREAU, JAPANESE GOVERNMENT Unesco, at the 9th session of its General Conference held in New Delhi in 1956, decided to launch the Major Project on the Mutual Appreciation of Eastern and Western Cultural Values. In accordance with this decision this Commission has been carrying on since 1958, within the framework of the project, a programme of publishing modern Japanese philosophical works into foreign languages. In 1959, we put out an English translation of "The Ways of Thinking of Eastern Peoples" by Nakamura Hajime; and in 1960 "A Study of Good" by Nishida Kitaro. The present 7101- ume, "A Climate" by Watsuji Tetsuro, is the third of the series and is to be followed in 1962 by an English version of "Time and Eternity" by Hatano Seiichi. Watsuji Tetsuro, one of the foremost scholars in the field of ethics in Japan, attempted in his present book to expound his views in concrete and easy terms on "the function of climate as a factor within the structure of human existence", which represents an aspect of his profound thought. It is our sincere wish that this programme will prove to be a contribution to the development of mutual understanding among the peoples of the world, as well as a closer cultural link between the East and West. Japanese National Commission for Unesco Unesco, at the 9th session of its General Conference held in New Delhi in 1956, decided to launch the Major Project on the Mutual Appreciation of Eastern and Western Cultural Values.
  • Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation

    Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation

    Adjustment to Misfortune—A Problem of Social-Psychological Rehabilitation Dedicated to the memory of Kurt Lewin TAMARA DEMBO, Ph.D.,2 GLORIA LADIEU LEVITON, Ph.D.,3 AND BEATRICE A. WRIGHT, Ph.D.4 AT PARTICULAR times in the history of To investigate the personal and social science, particular problems become ripe for problems of the physically handicapped, two investigation. A precipitating event brings groups of subjects were needed—people who them to the attention of a single person and were considered handicapped and people sometimes to that of several at the same time. around them. Therefore, as subjects of the It is therefore understandable that during research both visibly injured and noninjured World War II the need was felt to investigate people were used. Interviews were employed as the problems of social-psychological rehabilita­ the primary method of investigation, the tion of the physically handicapped and that great majority of the 177 injured persons someone should look for a place and the means interviewed being servicemen or veterans of to set up a research project that would try to World War II. More than half the subjects solve some of these problems. In pursuit of had suffered amputations and almost one such a goal a research group was established fourth facial disfigurements. The injured man at Stanford University on February 1, 1945. was asked questions designed to elicit his expectations, experiences, and feelings in his Conducted partially under a contract between dealings with people around him. Sixty-five Stanford University and the wartime Office noninjured people also were interviewed in of Scientific Research and Development (rec­ regard to their feelings toward the injured man.
  • The Grotesque in the Fiction of Joyce Carol Oates

    The Grotesque in the Fiction of Joyce Carol Oates

    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1979 The Grotesque in the Fiction of Joyce Carol Oates Kathleen Burke Bloom Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Bloom, Kathleen Burke, "The Grotesque in the Fiction of Joyce Carol Oates" (1979). Master's Theses. 3012. https://ecommons.luc.edu/luc_theses/3012 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Kathleen Burke Bloom THE GROTESQUE IN THE FICTION OF JOYCE CAROL OATES by Kathleen Burke Bloom A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy March 1979 ACKNOWLEDGEMENTS I would like to thank Professors Thomas R. Gorman, James E. Rocks, and the late Stanley Clayes for their encouragement and advice. Special thanks go to Professor Bernard P. McElroy for so generously sharing his views on the grotesque, yet remaining open to my own. Without the safe harbors provided by my family, Professor Jean Hitzeman, O.P., and Father John F. Fahey, M.A., S.T.D., this voyage into the contemporary American nightmare would not have been possible.
  • Download 1 File

    Download 1 File

    i^VM. ROJLL/i\ presentee to Zbe librae? of tbe Wnlversitie of Toronto be > V fluL EiU^AjCt^co ^"h^^h^^faLj^ / x,^ f M^i I /' TOLSTOY Demy 8vo, cloth, 12s. 6d. net. A Literary History of Russia. By A. BrCckner, Professor of Slavonic Languages and Literature in the University of Berlin. Edited by Ellis H. Minns. Translated by H. Havelock. "One of the greatest Slavonic scholars has in this volume his say on the greatest Slavonic literature. ' ' Athenecum. "The author's learning is amazing, and his digestion of the life-work of critics, scholars, theologians, biographers, historians, politicians, controversialists, dramatists, poets, and novelists is extraordinary. In living and picturesque phrases Herr BrUckner hits off the leading cha- racteristics and value of hundreds of writers and of over a thousand works." Daily Ntws. LONDON: T. FISHER UNWIN. '3& TOLSTOY ft BY ROMAIN ROLLAND AUTHOR OF "JEAN CHRISTOPHE " Translated by BERNARD MIALL 501792 it. i-e. 4-^ T. FISHER UNWIN LONDON: ADELPHI TERRACE LEIPSIC: INSELSTRASSE 20 1911 (All rights reserved.) PREFACE To those of my own generation, the light that has but lately failed was the purest that illumined their youth. In the gloomy twilight of the later nineteenth century it shone as a star of consolation, whose radiance attracted and appeased our awaken- ing spirits. As one of the many for there are many in France to whom Tolstoy was very much more than an admired artist : for whom he was a friend, the best of friends, the one true friend in the whole of European art I wish to lay before this sacred memory my tribute of gratitude and of love.
  • A Don West Reader West End Press

    A Don West Reader West End Press

    Lincoln Memorial University LMU Digital Commons Copyright-Free Books Collection Special Collections 1985 In a Land of Plenty: A Don West Reader West End Press Don West Constance Adams West Follow this and additional works at: https://digitalcommons.lmunet.edu/csbc Part of the Appalachian Studies Commons, and the Poetry Commons Recommended Citation End Press, West; West, Don; and West, Constance Adams, "In a Land of Plenty: A Don West Reader" (1985). Copyright-Free Books Collection. 1. https://digitalcommons.lmunet.edu/csbc/1 This Book is brought to you for free and open access by the Special Collections at LMU Digital Commons. It has been accepted for inclusion in Copyright-Free Books Collection by an authorized administrator of LMU Digital Commons. For more information, please contact [email protected]. With sketches Constance Adams West No Grants This book is not supported any grant, governmental, corporate or PS 3545 .E8279 16 1985 private. It is paid for, directly or indirectly, by the people who support and In a land of plenty have Don West's vision, and it both reflects and proves their best - The publisher No Purposely this book is not copyrighted. Poetry and other creative efforts should be levers, weapons to be used in the people's struggle for understanding, human rights, and decency. "Art for Art's Sake" is a misnomer. The poet can never be neutral. In a hungry world the struggle between oppressor and oppressed is unending. There is the inevitable question: "Which side are you on?" To be content with as they are, to be "neutral," is to take sides with the oppressor who also wants to keep the status quo.
  • Lutheran Church of the Atonement (Tune in to 101.3)

    Lutheran Church of the Atonement (Tune in to 101.3)

    Lutheran Church of the Atonement (Tune in to 101.3) March 14, 2021 Lent 4 WELCOME GATHERING SONG Amazing Grace 1 Amazing grace! how sweet the sound that saved a wretch like me! I once was lost, but now am found; was blind, but now I see. 2 'Twas grace that taught my heart to fear, and grace my fears relieved; how precious did that grace appear the hour I first believed! 3 Through many dangers, toils, and snares I have already come; 'tis grace has brought me safe thus far, and grace will lead me home. 4 The Lord has promised good to me; his word my hope secures; he will my shield and portion be as long as life endures. Text: John Newton, 1725-1807, alt., sts. 1-4; anonymous, st. 5 GREETING The grace of our Lord Jesus Christ, the love of God, and the communion of the Holy Spirit be with you all. And also with you. PRAYER OF THE DAY Let us pray, O God, rich in mercy, through your Son you reconciled this world and rescued us from the hopelessness of death. Lead us into your light, that we may reflect your love, through Jesus Christ, our Savior and Lord, who lives ad reigns with you and the Holy Spirit one God, now and forever. Amen READING Ephesians 2:1-10 A reading from Ephesians 1You were dead through the trespasses and sins 2in which you once lived, following the course of this world, following the ruler of the power of the air, the spirit that is now at work among those who are disobedient.
  • Understanding Music Past and Present

    Understanding Music Past and Present

    Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.
  • The Complete Stories

    The Complete Stories

    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
  • October 2019 Writings Based on God’S Word

    October 2019 Writings Based on God’S Word

    Vol. 74, #10 Oct 2019 Blessed be the name of God for ever and ever: for wisdom and might are his: And he changeth the times and the seasons: he removeth kings, and setteth up kings: he giveth wisdom unto the wise, and knowledge to them that know understanding: Daniel 2:20-21 INSIDE THIS ISSUE The Faith of Moses page 3 Monthly Sermon page 4 Counting the Cost page 6 "Because you came, I met Jesus..." page 6 ACCFS: The Church and Singleness page 8 Are You Ready and Available? page 10 Adorning Ourselves with the Ornament of a Meek and Quiet Spirit page 46 Remembering Our Spiritual Heritage page 62 The Light of Hope page 63 Correspondence For November issue (news from Sept 16-Oct 15) To Our Readers Due: October 20, 2019 Our Future The Silver Lining “And I saw in the right hand of him that sat on the throne a book 1523 County Road 400N written within and on the backside, sealed with seven seals. And I saw Congerville, IL 61729 a strong angel proclaiming with a loud voice, Who is worthy to open the book, and to loose the seals thereof? And no man in heaven, nor in USPS 496780 earth, neither under the earth, was able to open the book, neither to look thereon. And I wept much, because no man was found worthy to open Published Monthly by the Apostolic and to read the book, neither to look thereon.”Rev. 5:1-4 Christian Church of America As we read in Revelation, we get a window into the future.
  • Best Russian Short Stories the Modern Library

    Best Russian Short Stories the Modern Library

    - 5 \ % 'b, THE MODERN LIBRARY OF THE WORLD'S BEST BOOKS BEST RUSSIAN SHORT STORIES THE MODERN LIBRARY OF THE WORLD’S BEST BOOKS OSCAR WILDE DOSTOYEVSKY Picture of Dorian Gray Poor People STRINDBERG MAETERLINCK Married A Miracle of St. An¬ tony and Others KIPLING Soldiers Three SCHOPENHAUER Studies in Pessimism STEVENSON Treasure Island SAMUEL BUTLER The Way of All Flesh H. G. WELLS The War in the Air GEORGE MEREDITH Diana of the Crossways IBSEN G. B. SHAW A Doll’s House and Others An Unsocial Socialist GEO. MOORE ANATOLE FRANCE Confessions of a Young The Red Lily Man DE MAUPASSANT THOMAS HARDY Mile. Fifi and Others The Mayor of Caster- NIETZSCHE bridge Thus Spake ZarathuS' BEST RUSSIAN tra SHORT STORIES Otheb Titles in Pbepabation ANTON P. CHEKHOV Russia’s Greatest Short-Story Writer 1/ BEST RUSSIAN SHORT STORIES COMPILED AND EDITED By THOMAS SELTZER ll |^| BONI AND LIVERIGHT, INC. PUBLISHERS ’. NEW YORK Printed in the United States of America COPYRIGHT, 1917, BY BONI AND LIVERIGHT, INC. JUL 20 !9!7 ©Cl. A 4679 83 ft "V'U'O i. INTRODUCTION CONCEIVE the joy of a lover of nature who, leaving the art galleries, wanders out among the trees and wild flowers and birds that the pictures of the galleries have sen¬ timentalised. It is some such joy that the man who truly loves the noblest in letters feels when tasting for the first time the simple delights of Russian literature. French and English and German authors, too, occasionally, offer works of lofty, simple naturalness; but the very keynote to the whole of Russian literature is simplicity, naturalness, veraciousness.