Christopher Plummer, Who Celebrates His 90Th Birthday This Month
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Narendra Modi Takes Oath As Prime Minister of India for the Second Term
# 1 Indian American Weekly: Since 2006 VOL 13 ISSUE 22 ● NEW YORK / DALLAS ● MAY 31 - JUNE 06, 2019 ● ENQUIRIES: 646-247-9458 www.theindianpanorama.news IAF chief Dhanoa is new chairman of chiefs Narendra Modi Takes Oath as Prime of staff committee Minister of India for the Second Term Amit Shah inducted into Cabinet 36 ministers sworn in for a second term 20 MPs take oath of office as cabinet ministers for the first time 24 cabinet ministers, ministers of state sworn in Nine sworn in as MoS (Independent charge) Air Chief Marshal B S Dhanoa on Wednesday , May 29, received the baton Smriti Irani, 5 other women in Modi government of Chairman of Chiefs of Staff Committee from outgoing Navy Chief Admiral Sunil NEW DELHI (TIP): Narendra Modi Lanba who retires on May 31. took oath of office and secrecy as the NEW DELHI (TIP): "Air Chief Prime Minister of India for a second Marshal Birender Singh Dhanoa will consecutive term amid thunderous be the Chairman COSC with effect applause from a select gathering in the from May 31 consequent to sprawling forecourt of the Rashtrapati relinquishment of charge by Bhavan, May 30th evening. Admiral Sunil Lanba upon President Ram Nath Kovind superannuation," a Defense ministry administered the oath to Modi, 24 spokesperson said. Cabinet colleagues, nine Ministers of The Chairman of Chiefs of Staff State (Independent Charge) and 24 Committee is tasked with ensuring Ministers of State. The loudest cheer synergy among the three services was reserved for BJP chief Amit Shah, and evolve common strategy to deal whose induction means the party will with external security challenges have to elect a new president. -
'Radhe' to Support the Nation's Fight Against Covid-19
ZEE Entertainment and Salman Khan Films’ - ‘Radhe’ to support the Nation’s fight against Covid-19 Company and the Production House to jointly provide support towards Covid Relief MUMBAI, 5th May 2021: As India continues to battle the second wave of the Covid-19 pandemic, Zee Entertainment Enterprises Ltd. (ZEE), a leading Global Content Company, along with Salman Khan Films (SKF), have pledged to provide support towards Covid relief work across the Nation, including donation of essential medical equipment ranging from oxygen cylinders, concentrators and ventilators. This support will stem from the revenues garnered from the multi-platform release of the much-awaited film ‘Radhe’ on 13th May 2021. ZEE and SKF have partnered with India’s largest and most trusted donation platform – GiveIndia, to activate the much-required relief efforts. The recent surge of cases across the Country has led to a severe strain on medical facilities due to a shortage of critical life-saving equipment. The contribution from the revenue generated by the film’s multi-format release across theatres, ZEE’s pay per view service - ZEEPlex and India’s leading OTT platform - ZEE5, will assist GiveIndia in procuring the mentioned essential medical supplies to support the healthcare system. ZEE and SKF will also work towards providing support to the families of daily wage earners who are an integral part of the overall media & entertainment ecosystem. Commenting on this noble step, the Company’s Spokesperson said, “The Nation is going through an extremely challenging situation and as a responsible corporate, ZEE stays committed towards taking all the necessary steps to strengthen the fight against Covid-19. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
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Use and Abuse of Female Body in Popular Hindi Films: a Semiotic Analysis of Item Songs
Use and Abuse of Female Body in Popular Hindi Films: A Semiotic analysis of Item Songs *Dr. G. K. Sahu Assistant Professor Dept. of Mass Communication Aligarh Muslim University Aligarh- 202002 & **Sana Abbas Research Scholar Dept. of Mass Communication Aligarh Muslim University Aligarh-202002 India Abstract The item songs have become an important element of Bollywood movies. Women are featured as a commodity, only to satisfy male urge and their bodies are featured in a way as if they are meant for male consumption. In an environment where a plethora of movies are releasing every year, putting a peppy item song in a movie, is a good trick to gain the attention of viewers . Brazen lyrics are used to enhance the popularity of these songs. Many established film makers in the industry are using this trick to gain huge financial returns. They are attracting and engaging audiences by using as well as abusing female body in their films. The paper makes an attempt to analyze the item songs by employing semiotic method to examine the use and abuse of female body in Hindi films. Key Words: Hindi Films, Item Songs, Female Body, Use & Abuse, Portrayal, Commoditization. www.ijellh.com 14 Introduction Cinema and dance have had a long history of engagement. Cinema enlisted dance from its very beginnings – the spectacular display of movement. The shared investment in movement ensured a spontaneous intermediality (transgression of boundaries) between early cinema and dance. Songs with dance have always played a crucial role in Hindi movies. The role of song and its demand changed with the entry of „item songs‟. -
THE ISSUE of NATIONAL INTEGRATION in BOLLYWOOD with SPECIAL REFERENCE to LAGAAN and CHAK DE! INDIA By: Shashi Prajapati
Episteme: an online interdisciplinary, multidisciplinary & multi-cultural journal Bharat College of Arts and Commerce, Badlapur, MMR, India Volume 8, Issue 2 September 2019 THE ISSUE OF NATIONAL INTEGRATION IN BOLLYWOOD WITH SPECIAL REFERENCE TO LAGAAN AND CHAK DE! INDIA By: Shashi Prajapati Abstract: India is a country of diverse identity where each individual identifies himself/herself with regard to his/ her class, caste, religion, gender, language, region etc. Sometimes these identities lead to the conflicting situations especially when one is obsessed with any particular identity. This may sometimes lead to the threat to our national integrity. In such a case, maintaining the togetherness becomes a tough task. The contribution of Bollywood in this regard is not encouraging especially in the last few decades. The obsession of Bollywood with hero worship has done the huge damage to our society. Most of the films in the name of national integration create a narrow vision of Hindu-Muslim harmony. Films based on public participation are rare to find. Keeping these facts into consideration, the present paper picks up two classic Bollywood movies of 21st century - Lagaan and Chak De! India which relate the story of public participation. Keywords: National Integration, Nation building process, Patriarchy, Bollywood. 60 BCAC-ISSN-2278-879 Episteme: an online interdisciplinary, multidisciplinary & multi-cultural journal Bharat College of Arts and Commerce, Badlapur, MMR, India Volume 8, Issue 2 September 2019 Introduction The date, 14th August 1947, doesn't mark the independence of India and Pakistan alone. There were 565 princely states formerly under the British control, became independent too. These princely states had two options; either to form an independent country of its own or to merge with India or Pakistan. -
Anne Hathaway INTE O Rem D’Souza
PVR MOVIES FIRST VOL. 32 YOUR WINDOW INTO THE WORLD OF CINEMA JUNE 2018 21 LITTLE-KNOWN THINGS ABOUt…. GUEST RVIEW ANNE HATHAWAY INTE O REM D’SOUZA THE BEST NEW MOVIES PLAYING THIS MONTH: VEERE DI WEDDING, RACE 3, ISLE OF DOGS AND SANJU GREETINGS ear Movie Lovers, Motwane’s vigilante drama “Bhavesh Joshi” are among the much-awaited films that hit the screen this month. Here’s the June issue of Movies First, your exclusive window to the world of cinema. Meet rising star John Boyega and join us in wishing Hollywood icon Meryl Streep a happy birthday. Take a peek into Colin Trevorrow’s all-new, edgy “Jurassic World,” while also rewinding to its original “Jurassic World” We really hope you enjoy the issue. Wish you a fabulous (2015) the Steven Spielberg adventure that changed the month of movie watching. face of sci-fi forever. Regards All eyes are on director Remo D’Souza, whose revelations about Salman Khan starrer “Race 3” will get your pulse racing. Raj Kumar Hirani’s biographical film “Sanju”, Kareena Gautam Dutta Kapoor’s boisterous “Veere di Wedding” and Vikramaditya CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS Tap for... Tap for... Movie OF THE MONTH UP CLOSE & PERSONAL Tap for.. -
Discourses of Merit and Agrarian Morality in Telugu Popular Cinema
Communication, Culture & Critique ISSN 1753-9129 ORIGINAL ARTICLE Looking Back at the Land: Discourses of Agrarian Morality in Telugu Popular Cinema and Information Technology Labor Padma Chirumamilla School of Information, University of Michigan, Ann Arbor, MI 48109, USA This article takes Anand Pandian’s notion of “agrarian civility” as a lens through which we can begin to understand the discourses of morality, merit, and exclusivity that color both popular Telugu film and Telugu IT workers’ understanding of their technologically enabled work. Popular Telugu film binds visual qualities of the landscape and depictions of heroic technological proficiency to protagonists’ internal dispositions and moralities. I examine the portrayal of the landscape and of technology in two Telugu films: Dhee … kotti chudu,and Nuvvostanante Nenoddantana, in order to more clearly discern the nature of this agrarian civility and—more importantly for thinking about Telugu IT workers— to make explicit its attribution of morality to “merit” and to technological proficiency. Keywords: Information Technology, Morality, Telugu Cinema, Merit, Agrarian Civility. doi:10.1111/cccr.12144 InachasesceneinthepopularTelugufilmDhee … kotti chudu,anameless gangster—having just killed off his rival’s family—is fleeing to Bangalore from Hyderabad, driving along roads surrounded by rocky, barren outcrops, and shriveled patches of trees. The rival’s boss confronts him unexpectedly on the deserted road, quickly and seemingly instantaneously surrounding him with his own men and vehicles, before killing him in retaliation. The film then quickly moves on to its main character, a rather comedic scam artist, and its main spaces, in the city of Hyderabad.1 This particular stretch of barren landscape—scene to the violence that underlies a significant revenge plot woven into the film’s story—is not returned to. -
2 Apar Gupta New Style Complete.P65
INDIAN LAWYERS IN POPULAR HINDI CINEMA 1 TAREEK PAR TAREEK: INDIAN LAWYERS IN POPULAR HINDI CINEMA APAR GUPTA* Few would quarrel with the influence and significance of popular culture on society. However culture is vaporous, hard to capture, harder to gauge. Besides pure democracy, the arts remain one of the most effective and accepted forms of societal indicia. A song, dance or a painting may provide tremendous information on the cultural mores and practices of a society. Hence, in an agrarian community, a song may be a mundane hymn recital, the celebration of a harvest or the mourning of lost lives in a drought. Similarly placed as songs and dance, popular movies serve functions beyond mere satisfaction. A movie can reaffirm old truths and crystallize new beliefs. Hence we do not find it awkward when a movie depicts a crooked politician accepting a bribe or a television anchor disdainfully chasing TRP’s. This happens because we already hold politicians in disrepute, and have recently witnessed sensationalistic news stories which belong in a Terry Prachet book rather than on prime time news. With its power and influence Hindi cinema has often dramatized courtrooms, judges and lawyers. This article argues that these dramatic representations define to some extent an Indian lawyer’s perception in society. To identify the characteristics and the cornerstones of the archetype this article examines popular Bollywood movies which have lawyers as its lead protagonists. The article also seeks solutions to the lowering public confidence in the legal profession keeping in mind the problem of free speech and censorship. -
A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R. -
PAK KILLING FIELDS International Organizations Term Pakistan As Killing Field for Minorities
NEW YORK • WASHINGTON D.C. • CHICAGO • ATLANTA • CALIFORNIA VOL 26, No. 1356 October 2, 2020 50¢ Periodical Postage PAK KILLING FIELDS International organizations term Pakistan as killing field for minorities ‘Ekal Foundation’ Embarks on a Trailblazing Goal Details on page 17 Jaswant Singh dies; Prez, PM pay tributes IND-AM running for Lt. Governor Details on page 6 of Virginia Saudi Arabia: Details on page 5 G-20 gathering to be virtual Top 5 issues: How 50-plus Details on page 6 Americans vote Details on page 20 CONTENTS GENEVA: Underscoring that Pakistan is known as tent in Pakistan Occupied parts of Indian Union Terri- Bollywood -------------------------- 34 Classifieds ------------------------ 36 the "killing field" for the minorities, India slammed tories of Jammu and Kashmir and Ladakh, deliberate Community Post -------------- 17-28 Islamabad, which has "institutionalized" enforced dis- economic policies have also subjugated them to a life Edit Page --------------------------- 38 appearance as a tool of "subjugation against dissent of extreme poverty. A simple demand for land rights Horoscope --------------------------- 9 This week’s question and criticism", adding that the country remains a safe could lead to imprisonment for 40 years as has been Immigration Post ------------30-31 Did India receive maximum harbor for terrorists. the fate for political activists such as Baba Jan and oth- Life Style ------------------------ 12-13 support of Trump's In a right to reply to the statement made by Paki- ers. "In contrast, full-scale -
Jumanji Next Level Release Date
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