Are World Expos Worth Hosting?
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Sowing the Seeds
The UAE pavilion designed by Sir Norman Foster to resemble sand dunes at the Milan Expo 2015 SOWING THE SEEDS Could the $880 million Expo 2015 be a mere exercise in vanity or is there any substance to its message? GC visits Milan as a precursor to Expo 2020 in Dubai BY IVAN CARVALHO PHOTOGRAPHY BY JESSICA PEPPER-PETERSON very five years countries come together for an Energy for Life highlights the latest developments in agriculture extravagant show unlike any other: the world’s fair. and sustainable food production to prepare the world for the Since 1851, when London’s Hyde Park hosted the challenge of providing for a global population expected to top first edition and erected the impressive Crystal Palace to greet nine billion in 2050. visitors, the universal exposition has served as a showcase for Organisers are optimistic that the six-month event, which nations to display their industrial prowess and present their runs until October, will give a much-needed shot in the arm vision of the future. to a local economy looking to shake off years of recession. A Once great gatherings where major technological advances business destination for those in finance, fashion and furniture, were unveiled to an eager public, in today’s instant access world hopes are high in Milan for a big influx of tourists, who normally of the internet the fair has evolved into an elaborate exercise stop in the Lombard capital for a brief stint of shopping before of nation branding, where countries fly the flag and promote spending the bulk of their money at more popular sightseeing tourism more than trade. -
Vermont History Expo Photographs and News
Vermont History Expo Photograph & News Media Collection, 2000-2012 FB-79 Introduction This collection contains selected newspaper and magazine articles, professional and amateur photographs, and slides of the Vermont History Expo during the years 2000 through 2012. It is housed in two document storage boxes and three archival storage boxes (3.25 linear feet). The core of the collection was transferred to the VHS Library by Sandra Levesque, Expo Coordinator working under contract to the VHS, in 2007. The remainder of the materials have been added from VHS office files. Organizational Sketch The Vermont Historical Society began hosting the Vermont History Expo at the Tunbridge Fairgrounds in Tunbridge, Vermont, for one weekend each June beginning in 2000. The event featured displays by participating local historical societies, museums, historical organizations, period crafters, demonstrators, and re-enactors. In addition there were historic presentations and speakers, musicians, heirloom animal displays and presentations, an authors’ tent, parade, and country auction. Thousands attended the weekend-long event which was held annually until 2008; the event resumed as a biannual event in 2010. The event had its genesis in the Heritage Weekend sponsored by the Cabot Creamery and the Vermont Historical Society in 1999. This event, an open house of historical societies in Washington and Orange Counties for one weekend in June, grew into the Vermont History Expo the following year. Sandra Levesque was the coordinator hired by the VHS to run the event between 1999 and 2006. The Expo event was preceded by a series of workshops for local historical societies on how to create effective displays. -
Le Legs Intellectuel Des Expos, La Tribune De L'eau, Expo Zaragoza
1 2 Bureau International des Expositions (ed.) Le legs intellectuel des Expos, La Tribune de l’Eau, Expo Zaragoza 2008 The intellectual legacy of Expos, The Water Tribune, EXPO 2008 ZARAGOZA © Bureau International des Expositions 34, avenue d’Iéna, 75116 Paris Le BIE remercie les auteurs dont les textes figurent dans ce recueil de lui avoir donné l’aimable autorisation de les reproduire. Tous droits de traduction, de reproduction et d’adaptation réservés pour tous pays (à des fins commerciales), la loi du 11 mars 1957 n’autorisant, aux termes des alinéas 2 et 3 de l’article 41, d’une part, que les « copies ou reproductions strictement réservées à l’usage privé du copiste et non destinées à une utilisation collective », et, d’autre part, que les analyses et les courtes citations dans un but d’exemple et d’illustration, « toute représentation ou reproduction intégrale, ou partielle, faite sans le consentement de l’auteur ou des ayants droit ou ayants cause, est illicite » (alinéa 1er de l’article 40). Ne peut être vendu. Les points de vues exprimées par les auteurs n’engagent que la pensée de ceux-ci et non les avis et opinions du Bureau International des Expositions. The points of view expressed by the authors represent their way of looking at things and not the opinions or convictions of the International Exhibitions Bureau. © 2009 Bureau International des Expositions 3 4 Préface M. Vicente González Loscertales, Secrétaire Général du Bureau International des Expositions Cette année, le Bureau International des Exposition a choisi de consacrer son Bulletin annuel au thème: « Le legs intellectuel des Expos - La Tribune de l’Eau, Expo 2008 Zaragoza » Le legs des Expos est un des éléments les plus importants qui permet à celle-ci de faire perdurer leur message international bien après leur clôture. -
Towards the Expo 2015
Towards the Expo 2015 1 Towards the Expo 2015 An Expo is a large international event that aims at the enrichment of human knowledge and technological progress, to promote cooperation and dialogue with international press. Given the importance of these major events, for almost a century now the need has arisen to standardise some aspects, such as duration, frequency and above all quality. The Bureau International des Expositions (BIE), established in 1928 with the International Convention of Paris is the international organisation responsible for establishing the parameters that control the Expo; the objective of the BIE is therefore to guarantee continuity of these events and maintain the level of international prestige earned over the years, selecting venues and dates and organising new Expos. The members of this organisation, with official headquarters in Paris, are all the States that have signed the convention. There are two different types of Expo: "Universal Expositions" (World Expo) and "International Expositions" (International Expo). The Expositions in the first category involve topics that concern the whole of humanity and therefore are global in nature. States, International Organisations, NGOs, Companies and other institutions can participate in these events, there is no limit to the size of the Exposition venue, and participants arrange the set-up of their own pavilions. Since 1996 these events have lasted six months and take place every five years. A Universal Expo will take place in Milan in 2015. 122 On the other hand the “International Expositions" take place in the period between the two Universal Expos and last for three months. The possible participants are the same as for a Universal Expo while the theme is more specific. -
The EXPO MILANO Ex-Ante Control Mechanism in Italy
The EXPO MILANO ex-ante control mechanism in Italy Country case: The EXPO MILANO ex-ante control mechanism in Italy Description Public Procurement Following several corruption scandals that occurred in 2013 and Principle: Evaluation, 2014 in the procurement and construction processes of EXPO2015 Accountability Milano, the President of ANAC (Autoritá Nationale Anticorruzione – National Anti-corruption Authority of Italy) was committed Procurement Stage: functions of supervision and guarantee of the fairness and Post-award transparency of the procurement procedures related to the implementation of the event in June 2014. As part of this Audience: Policy Maker, assignment in July 2014 ANAC established a special operational unit Procuring Entity (UOS) to monitor the projects of the EXPO 2015. With the establishment of the UOS several rules, procedures and control mechanisms were set as to monitor and exercise “a priori” control of the procurement processes (Linee Guida ANAC 17.07.2014). The establishment of ex ante control mechanisms, although not a common practice for Supreme Audit Institutions in OECD countries (only Chile, Italy and Portugal exercise it with regularity) seems adequate for the enforcement of additional integrity measures, necessary to be addressed at the development stage of the project. In fact, this approach could prove useful mainly in specific contexts, such as EXPO 2015, that have already been affected by instances of corruption which have not only contaminated existing tenders but also threaten to undermine future contracting procedures. Indeed, to be effective, ex ante controls of documents concerning the award and performance of public contracts for works, services and supplies of goods, by an entity separate from the contracting authority, cannot cover all public tenders but must focus on individual, specific cases with a “high risk of corruption”. -
Delivering a Sustainable Expo
DELIVERING A SUSTAINABLE EXPO Expo 2020 Dubai Sustainability Report 2018 “We pay the utmost care and attention to our environment for it is an integral part of the country, our history and our heritage. Our forefathers and our ancestors lived in this land and coexisted with its environment, on land and sea, and instinctively realised the need to preserve it.” LATE SHEIKH ZAYED BIN SULTAN AL NAHYAN Founder of the UAE “Protection of the environment and achievement of sustainable development in the UAE is a national duty; it has its own institutional structures, integrated legislature and advanced systems.” HIS HIGHNESS SHEIKH KHALIFA BIN ZAYED AL NAHYAN President of the United Arab Emirates “We are building a new reality for our people, a new future for our children, and a new model of development.” HIS HIGHNESS SHEIKH MOHAMMED BIN RASHID AL MAKTOUM Vice-President and Prime Minister of the UAE and Ruler of Dubai “The civilised, advanced nation we seek to build and the sustainable development we are keen to achieve both require concerted efforts from all sectors of the community and from all public and private entities and organisations. They require consistent and harmonious work in order to achieve our goals and promote and underpin our nation’s status with its distinct role regionally and internationally.” HIS HIGHNESS SHEIKH MOHAMED BIN ZAYED AL NAHYAN Crown Prince of Abu Dhabi and Deputy Supreme Commander of UAE Armed Forces INTRODUCTION HIS HIGHNESS SHEIKH AHMED BIN SAEED AL MAKTOUM President, Dubai Civil Aviation Authority Chairman of the Expo Dubai 2020 Higher Committee It gives me great pleasure to introduce the first Expo 2020 Dubai Sustainability Report (2018) as we build up to the World Expo in 2020. -
Concepts and Categories in the History of World Expositions: Introductory Remarks
CORE Metadata, citation and similar papers at core.ac.uk Provided by OpenstarTs Guido Abbattista Concepts and Categories in the History of World Expositions: Introductory Remarks This collection of essays presents the results of a two-year project carried out in 2012- 2013 at the University of Trieste by a group of researchers from various disciplines working under the direction of this author. We hope the variety of approaches and methods that in- spired the studies may convincingly illustrate some of the original and interesting perspec- tives from which national, international, universal and world expositions can be explored. World’s fairs and expositions have aroused increasing interest among scholars in the last two decades. As the authors of a 2006 essential bibliography point out, research on the history of international exhibitions and world’s fairs is burgeoning and […] sources on the topic have proliferated enormously in recent years. As a consequence, the field has grown tremendously and now involves disciplines as diverse as History, Cultural Geography, Urban Studies, Art History and the History of Architecture, among others.1 Scholars now have a growing number of specialized publications and reference texts in several languages at their disposal, including an Encyclopedia of World’s Fairs and Expositions2 as well as works on particular expositions, single national experiences or on 1 A. C. T. Geppert, J. Coffey and T. Lau,International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography (Fresno, CA: Freie Universität Berlin-California State University, 2006), last accessed 1 August 2014, http://www.fresnostate.edu/library/subjectresources/specialcollections/world- fairs/ExpoBibliography3ed.pdf. -
Program Summary the Usa Pavilion at Expo Milano 2015
PROGRAM SUMMARY THE USA PAVILION AT EXPO MILANO 2015 Visit us at usapavilion2015.net Contact us at [email protected] USA PAVILION AT EXPO MILANO 2015 Millions from around the Embracing the fact that we KEY OBJECTIVES world are heading to Europe need to feed a planet of more ©Biber Architects 2014 in 2015 for the most exciting than 9 billion people nutritiously Showcase U.S. leadership in the global food arena as responsible world’s fair in decades, by 2050, we’ll convene around and diverse; Expo Milano 2015: Feeding the big issues that affect us the Planet, Energy for Life. all, like food security, safety, Celebrate our nation’s rich agricultural history and regional A European center of business, and sustainability. We’ll use food cultures; culture, and media, Milan will the power of conversation and welcome 25 to 30 million visitors collaboration to strengthen Underscore America’s role in advancing food security and sus- for this once-in-a-lifetime bilateral ties between the tainability through science, technol- event. As one of the 140-plus United States and Europe ogy, innovation and free trade; participating countries, the and the rest of the global Foster awareness of and enthusi- United States is presenting a community to tackle together asm for American cuisine, chefs, dynamic pavilion whose theme the enormous challenges products and purveyors; American Food 2.0: United to ahead. We’ll proudly introduce Highlight American talent, Feed the Planet will enlighten people from around the world products, ingenuity and entrepre- and surprise all who attend. to the gorgeous mosaic of neurship and the U.S. -
World's Fairs: 1850- 1900." Metropolitan Museum of Art Bulletin 56:3 (Winter 1998/1999): 3-56
World’s Fairs: A Guide to Selected English-Language Resources Compiled for the Center for the Study of Global Change by Kira Homo John Russell Jason Schultz Claudia Silverman Skye Thomsen Under the Direction of Robert Goehlert Indiana University Bloomington 2005 Table of Contents Reference Sources ........................................................................3 Primary Sources............................................................................ 5 Bibliography Comprehensive Resources (multiple fairs) ................................ 9 Chronological Bibliography (individual fairs) .............................. 18 Index .......................................................................................... 86 1 2 Reference Sources Bertuca, David J., Donald K. Hartman, et al. The World's Columbian Exposition: A Centennial Bibliographic Guide. Westport, CT: Greenwood Press, 1996. Burke, Bridget J. “World's Fairs and International Expositions: Selected References 1987-1993.” Fair Representations: World's Fairs and the Modern World. Robert Rydell and Nancy E. Gwinn, eds. Amsterdam: VU University Press, 1994. Cagle, William R., Rebecca Campbell Cape, et al. The Grand Event: International Expositions, 1851-1904. Bloomington: Lilly Library, Indiana University Libraries, 2001. Dybwad, G. L. and Joy V. Bliss. Annotated Bibliography: World's Columbian Exposition, Chicago, 1893: Supplement with 440 Illustrations and Price Guide, Master Index for Both Volumes Including Subjects, Master Source List with 140 New Entries, over 3500 -
Sub-Saharan Africa at EXPO 2015: Diversity Or Stereotypes? Many
Sub-Saharan Africa at EXPO 2015: Diversity or stereotypes? D.A. Peskov, graduate student, Institute of Ethnology and Anthropology of Russian Academy of Sci- ences. The article considers standardized pavilions of Sub-Saharan African countries at the 2015 Milan Uni- versal Exposition from the standpoint of differentiation from the existing common image. Uniform perception of a group of countries seriously undermines the attraction of each member both for visitors and investors. Analyzed were both exterior and interior of expositions - the only opportunity to show- case country's uniqueness - as well as memorial stamps of participant nations and national days' cele- brations at the EXPO. Declared by countries on the EXPO's site values and participation reasons are compared with the realities discovered on site. Assessment is provided to employed exhibiting and po- sitioning strategies; successful and less so differentiation attempts are reviewed. Keywords: world expositions, country image, territory branding, Sub-Saharan Africa Many countries put a lot of efforts into creation of an appealing image. Presently with the increase of world tourism and its revenues as well as economical and other ties among the nations, and thanks to ever increasing globalization and integration, more and more funds and attention is dedicated to the question of image. At times extra ef- forts are applied in order to dispel existing unfavorable view of a country or to create state's image from scratch, as it happens in the case of newly formed countries. In the public eye in spite of their multiplicity/multitude Sub-Saharan African countries appear homogeneous, which serves badly to their tourism and investment po- tential. -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
What Remains History and Locations of World Fairs
WHAT REMAINS HISTORY AND LOCATIONS OF WORLD FAIRS This is a chronological list of exhibitions and fairs held throughout the world that gained international attention. A few regional fairs are included if they were significant to the author or for showcasing emerging technology. This list is a compilation from various sources, trying to respect the capitalization traditions from the countries of origin. When controversy arises about the date or name of a fair (should the 1849 fair held in Birmingham, United Kingdom be referred to as “Exhibition of Industrial Arts and Manufacturers” or “Exposition of British Society”) a choice has been made so the checklist remains an index of fairs. Brown text indicates that the fair occurred before the Bureau international des expositions (BIE) on November 22, 1928 or was not sanctioned by them. Purple text also shows the fair was not sanctioned, but indicates there is a link to additional information researched by the author. Black text indicates a BIE sanctioned fair. Blue text indicates a link to additional information about a sanctioned fair. 1790's 1791 Prague, Bohemia; First Industrial Exhibition 1798 Paris, France; L'Exposition publique des produits de l'industrie française 1800's 1801 Paris, France; L'Exposition publique des produits de l'industrie française (Second Exposition) 1802 Paris, France; L'Exposition publique des produits de l'industrie française (Third Exposition) 1806 Paris, France; L'Exposition publique des produits de l'industrie française (Fourth Exposition) 1810's 1819 Paris,