DOCSLIB.ORG

The Price at ACT Encore Arts Seattle

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Price at ACT Encore Arts Seattle May 30–June 22, 2014 ©Sebastien Scandiuzzi ES064 covers.indd 2 4/18/14 3:57 PM UW MEDICINE | STORIES UWMEDICINE.ORG ad proofs.indd 1 3/26/13 2:48 PM May-June 2014 Volume 10, No. 6 Photo: Benjamin Benschneider Benjamin Photo: Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Deb Choat, Robin Kessler, Kim Love Design and Production Artists Mike Hathaway Advertising Sales Director Marty Griswold, Seattle Sales Director Gwendolyn Fairbanks, Ann Manning, Lenore Waldron Seattle Area Account Executives Staci Hyatt, Marilyn Kallins, ALL GOOD Tia Mignonne, Terri Reed San Francisco/Bay Area Account Executives Denise Wong Executive Sales Coordinator Jonathan Shipley THINGS. Ad Services Coordinator www.encoreartsseattle.com Original art from contemporary Northwest artists Locally made jewelry and handcrafted gifts Uncommon objects | Art and design books Paul Heppner SAM BOOKS, GALLERY & SHOP Publisher 1st Ave between Union and University Leah Baltus 206.654.3120 visitsam.org/shops Editor-in-Chief Marty Griswold Sales Director Joey Chapman Account Executive A New Orleans French Quarter Dining Experience Dan Paulus A New Orleans French Quarter Dining Experience Art Director SAM 020614 good 1_3s.pdf Queen Anne Lake Union Jonathan Zwickel Queen Anne Lake Union Senior Editor toulouse toulouse Mercer Gemma Wilson Ave Anne Queen Mercer Elliot Ave Queen Anne Ave Anne Queen Elliot Ave Associate Editor Seattle Center Seattle Center Amanda Manitach Broad Denny Broad Denny Visual Arts Editor Alaskan Way Pike Alaskan Way Downtown Pike Amanda Townsend SeattleDowntown Seattle 4th Events Coordinator 99 4th 99 I5 www.cityartsonline.com I5 Pinoneer Square Pinoneer Square Toulouse Petit 90 ToulouKitchen se& LoungePetit 90 Paul Heppner Kitchen & Lounge President Mike Hathaway Vice President Erin Johnston Communications Manager Genay Genereux Accounting Fifth Most Popular Restaurant in the Nation Corporate Office 425 North 85th Street Seattle, WA 98103 Tenth Most Popular in the World p 206.443.0445 f 206.443.1246 [email protected] – Trip Advisor's 2012 Traveler's Choice Award 800.308.2898 x105 www.encoremediagroup.com Encore Arts Programs is published monthly by Encore Media Breakfast Lunch Happy Hour Dinner Late Night Group to serve musical and theatrical events in Western Breakfast Lunch Happy Hour Dinner Late Night Washington and the San Francisco Bay Area. All rights reserved. 601 Queen Anne Ave North, Seattle | toulousepetit.com | 206.432.9069 ©2014 Encore Media Group. Reproduction ad proofs.indd 1 601 Queen Anne Ave North, Seattle | toulousepetit.com | 206.432.9069 2/6/14 10:32 AM without written permission is prohibited. encoreartsseattle.com 3 TP 061713 kitchen 1/3s.pdf CONTENTS May 30–June 22, 2014 The Price A1 A-1 Title Page A-2 Welcome to ACT A-3 Coming Soon to ACT A-4 About the Play A-8 Who’s Who A-10 ACT Partners A-16 ACT Board & Staff ©Sebastien Scandiuzzi ES064 covers.indd 2 4/18/14 3:57 PM ENCORE ARTS NEWS FROM CITY ARTS MAGAZINE opened and you’re like, ‘When did that Seeing Green happen?’” Stone34 is the first Kinetic artist Casey Curran captures project in Seattle’s Deep Green Pilot a building’s eco-goals in brass. Program, which requires participating BY GEMMA WILSON buildings to reduce both energy and INSIDE CASEY CURRAN’S Capitol Hill studio apartment, intricate wire water usage by creations hang from the wall and sheets of brass, rolled like plastic 75 percent. The wrap, lay on an enormous worktable. At the center of the room, an building’s green array of plants—Northwest natives, foxgloves, dandelions and ivy—sit features include on low black tables, rendered in painstaking detail from cold-work rooftop rainwater Casey Curran in brass. Some shine under a dark, irregular patina, oxidized by a capture, public his home studio. combination of salt and ammonia. bike racks and Not only has each leaf and petal been crafted by hand, Curran has landscaping with also hand-made wire coils that bring power to the entire piece—his first edible plants like hops, lavender, thyme, blueberries, oregano, major commission and his largest, most complicated project to date. strawberries and kiwi fruit. In April, the 7-foot by 8-foot finished piece was installed in the A little over a year ago, the building’s developer, Skanska USA, lobby of Stone34, a new mixed-use building at the corner of N. 34th approached Curran and asked him to submit a proposal for an St and Stone Way in Fremont. Thick Corten steel wraps the building’s installation. “Casey reminded us of how nature is always going to be lobby, laser-cut to appear cracked open, with Curran’s flora bursting vibrant,” says Skanska development associate Marlene Bailey. “At the out. “Almost like when you’re walking on the sidewalk and a flower’s least opportunity it’s going to burst into life and breathe.” broken through,” he says. Curran also works full-time as the paint studio supervisor at Cornish Curran’s installation connects to the building’s power grid, College of the Arts (his alma mater), designs sets for theatre company programmed to slowly change the position of the flowers every 10–15 Saint Genet and is preparing for a show at Roq La Rue Gallery this minutes. When energy use is high, the flowers wilt. When energy-use summer. But he put in hundreds of hours over the last five months on minimums are met, they blossom. the Stone34 piece. “When you walk into the building, we don’t want you to really In the past Curran has created mechanical sculptures that move, but notice movement,” Curran says. “It should have that natural quality this time he worked with a programmer and an electrical engineer. “I’m to it, where you put a flower in the window and then an hour later it’s very analog,” he says. “They made it so I didn’t electrocute myself.” n MIGUEL EDWARDS MIGUEL 4 ENCORE STAGES Finally, my new “bathroom from the place we rented in Bali” bathroom. Whatever inspires you, bring your personal A FREE aesthetic to life with the Northwest’s most design session, trusted remodeler. 67 years of designing, in your home. building and making the rooms you’ve always SIGN UP ONLINE NOW. wanted in the home you actually have. neilkelly.com/seattle OR CCB #001663 | WA L&I NEILKCI 18702 18702 L&I NEILKCI | WA OR CCB #001663 0146 NEIKEL performing arts seattle Virginia Woolf April 8.375x10.875.indd 1 3/5/14 1:26 PM Untitled-21 1 3/18/14 1:53 PM Order Early ENCORE ARTS NEWS FROM CITY ARTS MAGAZINE for Best Selection! Tickets from $27 CDN Courageous Curiosity Ana Maria Pinto da Silva digs into ideas with provocative slideshow parties. EIGHT YEARS AGO, Ana Maria Pinto da Silva I literally did not know one single person here. founded the Seattle chapter of PechaKucha My friend Paul had gone through my graduate 20x20, an inclusive presentation format that degree program with me at the Harvard School brings people together to share ideas in more of Design and he was good friends with the than 730 cities around the world. She’s since founders of PechaKucha in Tokyo; he founded orchestrated 52 free events on art, design, the San Francisco chapter. He was like, You inspiration, change—drawing recent crowds of should start a PechaKucha in Seattle. It’ll be a 300+. Pinto da Silva works by day as designer great way for you to get to know people. And it at Microsoft; PechaKucha is her labor of love. was true! LEAH BALTUS PechaKucha is a story about friendship, a story about community. It’s also a story about mischief How would you describe the format of and yes-ness. We had an event called Going PechaKucha? Rogue on my 40th birthday. The first presenter The end result of an evening of PechaKucha is was a burlesque artist who did a burlesque Under the Tents in Vanier Park, Vancouver, Canada that you feel like you went to a wonderful party. act while she was doing her presentation. The June 11 – Sept 20 Each person gets six minutes and 40 seconds audience was going nuts. The next presenter was 1-877-739-0559 • bardonthebeach.org exactly—20 slides, 20 seconds each. It doesn’t doing a presentation on cakes and quilts. You matter if you’re Bill Gates or Bill Gates’ intern— would have thought, cakes and quilts right after that’s exactly as much time as you get. a burlesque dancer? Her cakes were so insane, What’s amazing is that no one is good at so exquisite, her quilts were so fascinating that it. Very few people have that pattern down. she’s getting offers of marriage yelled out from Proven But what people are really curious about is the audience. each other. They want to know who you are. BardOnBeach SIFG14 1_6v.pdf PechaKucha presentations might be about You’re doing a poetry event in April. It’s RESULTS someone’s work or fascination with something, a great, diverse line-up. What are you but because the format makes you vulnerable, expecting? you have to be yourself. I have no idea! We’ve never Even people who are really done an all-poetry event. accomplished I never review people’s are human—and you can “Because the presentations. I invite them see yourself in that. You can and that’s it. I say yes. It’s their say, Hey! I could probably format makes six minutes and 40 seconds. I present! I have something trust them. that I’m working on that’s you vulnerable, I’m working with Kathleen worthy.
Load more

Recommended publications
  • Inside This Issue... of the Theatre, Are Part of What Makes Summer Shows 1-3 Having a Professional Theatre in Our Alumni News 4 Community Such a Good Idea
    Issue No. 94 Summer 2014 MESSAGE FROM THE ARTISTIC DIRECTOR The Funniest Backstage Farce! JUN 12–29, 2014 Solvang Festival Theater There are few things in life more enjoyable than Solvang Festival Theater SUN MON TUE WED THU FRI SAT being of service to people JUN 12 13 14 PREVIEW PREVIEW OPENING through our work. To 8pm 8pm 8pm fully invest ourselves in a 15 16 17 18 19 20 21 8pm 8pm 8pm 8pm 8pm purpose whose outcome 22 23 24 25 26 27 28 is for the edification, 8pm 8pm 8pm 8pm 8pm 29 enlightenment, or simple enjoyment of 8pm others, is surely an investment which Show Advisory: A comedy appropriate for consistently delivers the most gratifying children 12 and older due to the more returns. What we celebrate during this adult storyline and sexual innuendo. golden anniversary season is more than Generously sponsored by the making of theatre, we celebrate a Dr. Esteban Fuertes & Alan Foster, Dene & Emily Hurlbert, fifty year relationship of service through By Michael Frayn Royce & Ann Foxworthy Lewellen art to the communities of the Central Coast and beyond. We celebrate being The dizziest, funniest, backstage Michael Frayn wrote the comedy in and Broadway. At press time, there your theatre company. The conversations farce ever written, Noises Off careens 1982 after watching – from the wings were no fewer than 36 productions of inspired and relationships supported by us through the roller coaster lives of – a performance of Chinamen, a farce Noises Off playing in the United States coming to the reflective surface of the a hapless troupe of provincial actors that he had written for Lynn Redgrave.
    [Show full text]
  • About the Cast
    ABOUT THE CAST BURTON CURTIS (Watchman) has performed as Pierrot in Stephen Wadsworth’s productions of Molière’s Don Juan (McCarter Theatre, Shakespeare Theatre Company, The Old Globe, and Seattle Rep). He also portrayed Dumas in Wadsworth’s productions of Marivaux’s Triumph of Love (Long Wharf Theatre, Missouri Rep, and Seattle Rep). Burton originated the role of Eddie Wicket in the west coast premiere of Louis Broom’s Texarkana Waltz (Circle X Theatre Co., L.A. and the Empty Space Theatre, Seattle). He also created the dual roles of Brother Mills and Heathcliff in Wuthering! Heights! The! Musical! and performed in The Complete History of America (Abridged) (Empty Space and Actors Theatre of Louisville). Other roles include Tom in The Glass Menagerie (Tacoma Actors Guild) and Freddy in Noises Off (Village Theatre, Issaquah). He played the title role in Jillian Armenante’s production of Camille and Little Mary in a “gender blind” production of The Women (Annex Theatre, Seattle). Film credits include Crocodile Tears, Money Buys Happiness, and Great Uncle Jimmy as well as Gus Van Sant’s Even Cowgirls Get the Blues. Burton is also a director and choreographer and has received awards for his work on the stage from the Seattle Post Intelligencer and Seattle Weekly. He was listed by Backstage West among “100 Actors We Love.” He received his BFA in theater from Baylor University and now resides in Seattle. Burton is delighted to be making his Getty debut and is thrilled to be joining Mr. Wadsworth in yet another exciting project. NICHOLAS HORMANN (Chorus Leader) has worked in the American theater for thirty-five years, beginning on Broadway with the New Phoenix Repertory Company.
    [Show full text]
  • Part 2 Lucas Hnath
    MARCH 2019 A DOLL'S HOUSE PART 2 BY DIRECTED BY LUCAS HNATH BRADEN ABRAHAM MARCH 15 - APRIL 28, 2019 2018/19 SEASON A THOUSAND SPLENDID SUNS | A PEOPLE’S HISTORY | IN THE HEIGHTS | LAST OF THE BOYS THE WOMAN IN BLACK | A DOLL’S HOUSE, PART 2 | NINA SIMONE: FOUR WOMEN | TINY BEAUTIFUL THINGS March 2019 Volume 15, No. 5 MARCH 2019 Paul Heppner President Mike Hathaway Contents Senior Vice President Feature Kajsa Puckett 3 Sensory-Friendly Vice President, Sales & Marketing Performances Genay Genereux Accounting & Office Manager 9 Empowerment through Teen Activism Production Susan Peterson 12 A Man of the People: Vice President, Production Edwin Lindo and Jennifer Sugden Estelita’s Library Assistant Production Manager Intermission Brain Transmission Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers 15 Test yourself with our trivia quiz! Sales Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Encore Stages is an Encore Arts Devin Bannon, Brieanna Hansen, Amelia Heppner, Ann Manning Program that features stories about Seattle Area Account Executives our local arts community alongside information about performances. Carol Yip Sales Coordinator Encore Arts Programs are publications of Encore Media Group. We also publish Marketing specialty publications, including the Shaun Swick Official Seattle Pride Guide and the Senior Designer & Digital Lead SIFF Guide and Catalog. Learn more Ciara Caya at encoremediagroup.com Marketing Coordinator Encore Media Group Encore Stages features the 425 North 85th Street following organizations: Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas.
    [Show full text]
  • Book-It Repertory Theatre Encore Arts Seattle
    SEPTEMBER 2016 SEPT 7–OCT 2, 2016 By William Shakespeare | Directed by Sheila Daniels 2016 SUMMER 2016 FALL 2016–2017 2017 SPRING WOODEN O TOUR INDOOR SEASON TOUR Hamlet Romeo and Juliet The Winter’s Tale Romeo and Juliet Love’s Labour’s Lost Medea The Taming of Bring Down the House, Parts 1 & 2 the Shrew A Midsummer Night’s Dream ES016 covers.indd 2 8/24/16 4:30 PM September 2016 Volume 13, No. 1 Paul Heppner Publisher SEPTEMBER 2016 Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Contents Mike Hathaway 3 Dialogue Sales Director Encore Stages in Brieanna Bright, Joey Chapman, Ann Manning, Rob Scott conversation with Seattle Area Account Executives Teen Tix Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives 7 Intermission Brain A WORLD PREMIERE Sara Keats Stages Editor Transmission STAGING OF THE NOVEL Jonathan Shipley Test yourself with our BY RUTH OZEKI Stages Editor; Associate Online Editor trivia quiz SEPT 14 – OCT 9, 2016 Ad Services Coordinator Carol Yip TICKETS ON SALE NOW Sales Coordinator Encore Stages is a publication of Encore Media Group. We also publish Leah Baltus Encore Arts Programs, the monthly BOOK-IT.ORG Editor-in-Chief arts & culture magazine City Arts, and Paul Heppner custom publications, including the Publisher Official Seattle Pride Guide and the Dan Paulus Art Director SIFF Guide and Catalog. EAP 1_6 V template.indd 1 8/10/16 1:44 PM Jonathan Zwickel Senior Editor Gemma Wilson Associate Editor Encore
    [Show full text]
  • Jul 11–Aug 11, 2019 Summer 2019
    JUL 11–AUG 11, 2019 SUMMER 2019 By William Shakespeare By William Shakespeare Directed by Mary Machala Directed by Leah Adcock-Starr 2019 SUMMER 2019–2020 2020 SPRING WOODEN O INDOOR SEASON TOUR Romeo & Juliet The Tempest Hamlet Twelfth NIght The Rivals Romeo & Juliet Troilus & Cressida Macbeth Summer 2019 Volume 15, No. 7 In This Issue Arts, culture and community Feature are our priority here at Encore 3 Pacific Northwest Ballet and it is these three pillars on Thinks Outside the Box which we were founded almost with OUTSIDE/IN 50 years ago. Since then a lot has changed. Dialogue Though we have evolved and 9 A Conversation extended our reach to new places with Choreographers and digital platforms, we are still 12 David Hsieh on the Encore that you have come Kim’s Convenience to expect over the years—the Encore program you hold in your Intermission Brain hands, enhancing your experience Transmission at every performance. 15 Test yourself with our Enjoy the show. trivia quiz! PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories about KAJSA PUCKETT Vice President, our local arts community alongside Sales & Marketing information about performances. GENAY GENEREUX Accounting & Encore Stages is a publication of Office Manager Encore Media Group. We also publish Production specialty publications, including SUSAN PETERSON Vice President, Production the SIFF Guide and Catalog, Official JENNIFER SUGDEN Assistant Production Seattle Pride Guide, and GSBA Manager ANA ALVIRA, STEVIE
    [Show full text]
  • (Don't) Wear Glasses: the Performativity of Smart Girls On
    GIRLS WHO (DON'T) WEAR GLASSES: THE PERFORMATIVITY OF SMART GIRLS ON TEEN TELEVISION Sandra B. Conaway A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Kristine Blair, Advisor Julie Edmister Graduate Faculty Representative Erin Labbie Katherine Bradshaw © 2007 Sandra Conaway All Rights Reserved iii ABSTRACT Kristine Blair, Advisor This dissertation takes a feminist view of t television programs featuring smart girls, and considers the “wave” of feminism popular at the time of each program. Judith Butler’s concept from Gender Trouble of “gender as a performance,” which says that normative behavior for a given gender is reinforced by culture, helps to explain how girls learn to behave according to our culture’s rules for appropriate girlhood. Television reinforces for intellectual girls that they must perform their gender appropriately, or suffer the consequences of being invisible and unpopular, and that they will win rewards for performing in more traditionally feminine ways. 1990-2006 featured a large number of hour-long television dramas and dramedies starring teenage characters, and aimed at a young audience, including Beverly Hills, 90210, My So-Called Life, Buffy the Vampire Slayer, Freaks and Geeks, and Gilmore Girls. In most teen shows there is a designated smart girl who is not afraid to demonstrate her interest in math or science, or writing or reading. In lieu of ethnic or racial minority characters, she is often the “other” of the group because of her less conventionally attractive appearance, her interest in school, her strong sense of right and wrong, and her lack of experience with boys.
    [Show full text]
  • Encore Stages Encore Arts Seattle
    SEPTEMBER 2018 SEPT 12–OCT 7 By William Shakespeare Directed by Rosa Joshi Produced in partnership with upstart crow collective Sarah Harlett as Richard in Bring Down the House, photo by John Ulman. 2018 SUMMER WOODEN O 2018–2019 INDOOR SEASON 2019 SPRING TOUR King Lear Richard III Romeo and Juliet The Merry Wives Arms and the Man Macbeth of Windsor All’s Well That Ends Well She Stoops to Conquer As You Like It September 2018 Volume 15, No. 1 FALL 2018 Paul Heppner President Contents Mike Hathaway Feature Vice President 3 Millennial and Generation Z Kajsa Puckett arts patrons take a larger role Vice President, Marketing & Business Development 9 The importance of authentic casting Genay Genereux Accounting & Office Manager Dialogue Sept 13 Production 13 Jérémy Jolley on the Susan Peterson development of Seattle Design & Production Director Oct 14 Modern Orchestra Jennifer Sugden by Charlotte Bronte Assistant Production Manager Intermission Brain Transmission Adapted & Directed by Julie Beckman Ana Alvira, Stevie VanBronkhorst 15 Test yourself with our Production Artists and Graphic Designers trivia quiz! Sales Amelia Heppner, Marilyn Kallins, Terri Reed Encore Stages is an Encore Arts San Francisco/Bay Area Account Executives Program that features stories about CENTER THEATRE• SEATTLE CENTER Joey Chapman, Brieanna Hansen, our local arts community alongside BOOK-IT.ORG • 206.216.0833 Ann Manning, Wendy Pedersen information about performances. Seattle Area Account Executives Encore Arts Programs are publications Carol Yip of Encore Media Group. We also publish Sales Coordinator City Arts, a monthly arts & culture magazine, and specialty publications, Marketing including the Offical Seattle Pride Guide Shaun Swick Senior Designer & Digital Lead and the SIFF Guide and Catalog.
    [Show full text]
  • Timon of Athens at Seattle Shakespeare Company Encore
    JANUARY 2018 JAN 9–FEB 4, 2018 By William Shakespeare Directed by John Kazanjian 2017 SUMMER 2017 FALL 2017–2018 2017 SPRING WOODEN O TOUR INDOOR SEASON TOUR Pericles Romeo and Juliet Julius Caesar Romeo and Juliet Much Ado About Nothing The Government Inspector Twelfth Night Timon of Athens The Merchant of Venice Shakespeare in Love January 2018 INTERNATIONAL Volume 14, No. 4 GUITAR NIGHT Wednesday, Jan. 24 7:30 pm | $19–$44 IGN brings together the world’s foremost guitarists for a special evening of solos, Paul Heppner duets, and quartets. The tour’s ECA Publisher WINTER 2018 engagement will feature Lulo Reinhardt, Sara Keats Calum Graham, Marek Pasieczny, and Encore Stages Editor Michael Chapdelaine. Susan Peterson HARLEM QUARTET & Design & Production Director Contents ALDO LÓPEZ-GAVILÁN Ana Alvira, Robin Kessler, Feature Thursday, Mar. 8 Stevie VanBronkhorst 7:30 pm | $19–$49 Production Artists and Graphic Design 3 Danielle Mohlman reflects Cuban piano prodigy Aldo Mike Hathaway López-Gavilán joins the on her one-woman Sales Director Harlem Quartet in this dynamic cross-cultural program to bring millennial collaboration. The program will consist of Brieanna Bright, Joey Chapman, audiences to the theater in Latin jazz and classical repertoire, as well as Ann Manning original compositions by Mr. López-Gavilán. Seattle Area Account Executives the age of Netflix. THE MYSTICAL Amelia Heppner, Marilyn Kallins, Terri Reed Dialogue ARTS OF TIBET San Francisco/Bay Area Account Executives Thursday, May 11 Carol Yip 10 SassyBlack on place, 7:30 pm | $15–$44 Sales Coordinator communication, As part of a 5-day ECA and creativity.
    [Show full text]
  • SHAKESPEARE's FEMALE Icons
    The start ow SHAKESPEARE's FEMALE IcoNs Volume XXXI 2012 Vol. XXXI Digital Facsimile The Upstart Crow: A Shakespeare journal, Volume XXXI, 2012 is published by Clemson Universicy Digital Press. © 2013 Clemson Univcrsicy ISSN: 0886-2168 ~ EDITOR ·~ \ Elizabeth Rivlin CLEMSON UNIVERSITY DIGITAL PRESS ASSOCIATE EDITORS Ray Barfield, Wayne Chapman, Jonathan Field, Martin Jacobi, Michael LeMahieu, Chantelle MacPhee, Brian McGrath, Lee Morrissey, and Will Stockton BOOK REVIEW EDITOR Will Stockton, Clemson University ADVISORY BOARD James Berg, Pam Brown, Patricia Cahill, Ann C. Christensen, Katherine Conway, Herbert Coursen, Mary Agnes Edsall, John R. Ford, Walter Haden, Chris Hassel, Maurice Hunt, Natasha Korda, Paul Kottman, Richard Levin, Jeremy Lopez, Bindu Malieckal, John McDaniel, Ian Frederick Moulton, Peter Pauls, Kaara Peterson, Jeanne Roberts, and Jyotsna Singh BUSINESS MANAGER Kristin Sindorf ACCOUNTING FISCAL ANALYST Beverly Pressley EDITORIAL ASSISTANTS Charis Chapman and Jared Jamison EDITORIAL CORRESPONDENCE Editor, 1he Upstart Crow, Department of English, Clemson University, Strode Tower, Box 340523, Clemson, SC 29634-0523. Tel. (864) 656-3151. Fax (864) 656-1345. SUBSCRIPTION RATES Please note: after Volume XXXI, "'ubscription will no longer be available although copies of most volumes may be purchased from the online store to which visitors to our website will be directed. PDF facsimiles of all volumes, in the ncar future, wiU be available free for viewing on an open-access basis. Queries on existing subscriptions should be directed to The Business Manager at the same address as given above. Meanwhile, rates for the present (and last) volume of 1he Upstart Crow are as follows: 1-year subscription for individuals (Vol. XXXI): $17 1-year subscription for institutions (Vol.
    [Show full text]
  • She Stoops to Conquer Seattle Shakespeare Company Encore
    Oct 15–Nov 10, 2019 FALL 2019 Center Theatre at Seattle Center Directed bmy Anni e • e e ar Lpar e T e sp aue ake e Sh am illi t hW y TB Sweet William Nov 15–17, 2019 With Michael Pennington Isaac Studio Theatre at Taproot Theatre Seattle Shakespeare’s new series featuring leading artists and performers sharing their unique perspective on Shakespeare and classical theatre. MFA IN Fall 2019 | Volume 16, No. 2 ARTS LEADERSHIP FEATURE In This Issue Feature 3 ‘Indecent,’ or What it Means to Create Queer Jewish Theatre in Seattle Dialogue 9 Meet the Host of Tiny Tots Concert Series 13 We’re Celebrating 50 Years Empowering a new wave of Arts, Culture and Community of socially responsible Intermission Brain arts professionals Transmission 12 Test yourself with our Online and in-person trivia quiz! information sessions Upcoming Events seattleu.edu/artsleaderhip/graduate 15 Fall 2019 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories Encore Ad 8-27-19.indd 1 8/27/19 1:42 PM KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Guide and Catalog, Official Seattle Manager ANA ALVIRA, STEVIE VANBRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers
    [Show full text]
  • Colorblind Shakespeare
    Vol. XXVII Contents Essays Sharon O’Dair Virtually There: Shakespeare and Tourism in the Twenty-First Century .......................................................................................5 John R. Ford Confessions of a Shakespearean Tourist: Discovering Natural Perspectives in the Secret Pleasures of Repertorial Recognition .............................................................................................24 Marguerite Tassi Sportful Malice, or What Maria Wills: Revenge Comedy in Twelfth Night .........................................................................32 David Lucking To Tell My Story: Narrating Identity in Shakespeare ...........52 Michael W. Shurgot Watching Richard Watching Buckingham: 3.7 of Richard III and Performance Criticism ...................................................... 67 Performance Reviews Peter J. Smith Looking Up: The 2008 Season at London’s Globe Theatre ....................................................................................................78 John R. Ford A Fool’s Stage: Royal Shakespeare Company Productions from Stratford, England, 2007 .............................................92 Silver Damsen Chicago Shakespeare Theater Season 2007-2008 ...........98 Michael W. Shurgot Oregon Shakespeare Festival 2007 .........................111 Mark Robert Dodd Measure for Measure at the 2007 Idaho Shakespeare Festival; Or, As the Director Likes It ................................124 Book Reviews Ellen McKay Robert Shaughnessy, ed., The Cambridge Companion to Shakespeare
    [Show full text]
  • Dakin Matthews
    We l c o m e t o Dear Theatregoers... After the smashing success of this summer’s remarkable Shakespeare Festival, plus Moonlight and Magnolias and The Lady with All the Answers, we might well be inclined to give a huge sigh of relief and accomplish- ment and relax. But that’s hardly going to be possible, given the double-bill we offer at the moment. To welcome my beloved colleagues Terrence McNally and Graciela Daniele back to this theatre is a consummation devoutly to be wished, since he last graced our halls with The Full Monty; and she hasn’t worked her magic since The Snow Ball. But that they’ve come to celebrate the irresistibly dynamic Chita Rivera: The Dancer’s Life, rolling out the events of the our industry’s signature dance icon, not only makes us proud, but initiates lines at the box office any theatre administrator weeps to see. And just next door, in the crucible we call the Cassius Carter Centre Stage is Associate Artist Dakin Matthews, plumbing today’s headlines concerning the church’s most devastating moral crisis with The Prince of L.A., a witty and wise work he not only wrote, but in which he plays its central character, guided by the sure hand of his most astute critic and talented wife, Anne McNaughton. This year past, and the one ahead for all the world seem to be the incarnation of “the good old days!” We are thrilled you are here to share the rewards with us. JACK O’BRIEN Artistic Director Welcome to the first round of our Winter 2005/6 Season.
    [Show full text]