DOCSLIB.ORG

Understudy Videos, 1981-2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Understudy Videos, 1981-2013 Oregon Shakespeare Festival ARCHIVES DIVISION Understudy Videos, 1981-2013 Collection Number V0001 2 The processing of this collection was made possible by a grant from the National Historical Publications & Records Commission 3 Collection Number: V0001 Title: Oregon Shakespeare Festival Understudy Videos Dates: 1981-2013 Creator: Oregon Shakespeare Festival Summary/Abstract: Created to assist the acting understudies with learning their roles, the OSF Understudy Video Collection consists of recordings of main-stage performances at the Festival between 1981 and 2013. The collection includes some rehearsal footage, fight calls and dance calls. Not all productions from this time period are represented in the collection. Quantity/Physical Description: Approximately 16 cubic feet, consisting of VHS tapes, DVs, Mini DVs, DVDs, HDVs, Hi-8 tapes, Blu-ray disks, Beta tapes and one VHS-C tape. Repository: Oregon Shakespeare Festival Archives Restrictions on Access: Due to rules outlined by Actors’ Equity, (the union of professional actors and stage managers) the understudy videos are restricted to OSF employees and researchers whose project has been pre-approved by the Archives staff. The Archives does not have access to Beta, HI-8, DV or Mini DV players. Please contact Reference and Records Archivist Debra Griffith for alternative options and assistance with videos currently only available in these formats. Since 2010 the Festival has arranged for high-definition recordings of its main-stage productions for archival documentation only. Viewing access to these recordings will be given to OSF company members, and to outside researchers pending a review of the proposed project by the Lead Archivist, the Executive Director and the Associate Producer, Company. Restrictions on Use: Production videos are for viewing only, and copying is prohibited. Videos may be viewed by appointment in the Archives, in the Quiet Green Room, or another OSF location with suitable equipment. They may not be taken off of the OSF campus. Use of high-definition recordings is strictly limited to viewing in the Archives only. Any other viewing arrangements will be considered on a case-by-case basis and will require written approval from the OSF Executive Director and the Associate Producer, Company. As with the understudy videos, high definition recordings are for viewing only and copying is prohibited. Preferred Citation: [Box Number, Name of Production, Date], V0001 Oregon Shakespeare Festival Understudy Videos, 1981-2013, Oregon Shakespeare Festival Archives, Ashland, OR 97520, (541) 482-2111 Acquisition: Understudy videos are obtained from Kimberley Barry, OSF Producer-Stage Management, at the conclusion of each season. 4 Other Finding Aid: There is an Excel spreadsheet inventory of the materials in this collection. Revisions: Revised by Records and Reference Archivist Debra Griffith, November 2013. Physical Characteristics and Technical Requirements: Patrons may view materials on VHS and DVD with care in the Archives or another location on the OSF campus. The Archives does not have access to Beta, HI-8, DV or Mini DV players. Please contact Reference and Records Archivist Debra Griffith for alternative options and assistance with videos currently only available in these formats. Please note that the videos for the 2004 productions of Daughters of the Revolution and Mothers Against were recorded in London, and a UK compatible VHS player is not available in the Archives at this time. Note: Beginning in 2013 statement explaining what the digitized access copy available column means have been digitized as part of an ongoing systematic digitization initiative by OSF. Materials have been transferred according to professional archival preservation standards by an outside vendor. Processing Information: Not all videos have been individually viewed by the Archives staff, therefore content and completeness cannot be guaranteed. Information regarding content has been provided when known, and the Archives staff encourages ongoing patron feedback about the condition and quality of the videos. Processed by: Gwyn Hervochon, Processing Archivist, July 2011 Arrangement: The Oregon Shakespeare Festival Understudy Videos are grouped according to media type, and then arranged chronologically by production year and alphabetically by production title within each season. Historical Note: The OSF Understudy Videos offer an insightful record of live theatrical productions as performed by a major American repertory company. In the 1980s, an increasingly demanding schedule sparked the practice of recording performances to assist the acting understudies with learning their roles. The videos are traditionally created during a dress rehearsal or early performance, with a single camera capturing the entire stage in one steady shot. Early contractual agreements between Actors’ Equity and OSF allowed for the recording of these videos, but stipulated that the tapes must be destroyed at the end of the run as a protective measure on behalf of the actors and designers. Later agreements allowed the videos to be retained for archival purposes, and Archivist Kit Leary began collecting the videos in 1988. Media formats of master tapes and user copies have evolved over the years from VHS and Beta to include HI-8, Mini DV, and DVD. Currently, the active understudy videos are managed by Kimberley Barry, Producer-Stage Management, and are transferred to the Archives when the OSF season closes. Scope and Content: The OSF Understudy Video Collection predominantly consists of recordings of main-stage performances at the Festival since 2008. Also included are two performances at OSF Portland (Lips Together, Teeth Apart, 1993 and Fifth of July, 1994) and the remounted productions of Daughters of the Revolution and Mothers Against in London in 2004. 5 Additionally the collection contains some rehearsal footage, fight calls, and dance calls. Since 2010 the Festival has arranged for high-definition recordings of its main-stage productions for archival documentation only. Since 2010, high definition videos on either on video and/or Blu- Ray disc. The collection is physically arranged according to media type and then chronologically by year: Box 1-29: Beta and VHS, 1981-2005 Box 30-38: Hi-8 and Mini DV, 1994-2002 Box 39-44: Mini DV, 2002-2010 Box 45-47: DVD and Blu-Ray, 1998-2010 Box 48: DV, 2010-2011 Box 49: DV and Mini DV, 2011-2012 Box 50: DVD, 2012 Although the bulk of the collection dates from 1988-2013, the following full-production recordings made prior to 1988 are included in the collection: 1981 Death of a Salesman 1981 Twelfth Night 1985 An Enemy of the People 1985 King Lear There are no understudy videos for the following productions: 1988 Ghosts 1988 Orphans 1988 The Marriage of Bette and Boo 1989 Henry IV, Part Two 1989 Hunting Cockroaches 1989 Much Ado About Nothing 1989 Not About Heroes 1989 The Road to Mecca 1989 The Two Gentlemen of Verona 1990 At Long Last Leo 1990 Henry V 1990 The Comedy of Errors 1990 The Second Man 1990 The Voice of the Prairie 1990 The Winter's Tale 1991 Some Americans Abroad 1992 As You Like It 1992 La Bête 1993 Richard III 1993 The Illusion 1997 Blues for an Alabama Sky 6 1997 Nora 1997 The Turn of the Screw 2006 Bus Stop Not all videos have been individually viewed by the Archives staff, therefore content and completeness cannot be guaranteed. Information regarding content has been provided when known, and the Archives staff encourages ongoing patron feedback about the condition and quality of the videos. Collection Inventory The collection inventory is arranged chronologically and then alphabetically by production title within each year. Items that have been transferred as part of an ongoing initiative to digitize all analog materials are indicated by a “Yes” in the “Digitized Access Copy Available” column. Box Date Production Media Digitized # Descriptive Access Tapes/Disks Notes On Items Copy Available 1 1981 Death of a Beta 1 Acts I & II Salesman 1 1981 Twelfth Night Beta 1 1 1985 An Enemy of the VHS 2 I and II, for Bill People Patton 1 1985 King Lear Beta Yes 1 full show, 3/6/85, Beta II 2 1988 Boy Meets Girl VHS 1 2 1988 Enrico IV (The VHS 1 performance #2 Emperor) poor quality tape 2 1988 Henry IV, Part I VHS 2 Act I and Act II 2 1988 Iceman Cometh, VHS 1 The 2 1988 Love's Labors VHS 2 Part I and Part II Lost 2 1988 Penny for a Song VHS 1 2 1988 Romeo and Juliet VHS 1 2 1988 Twelfth Night VHS 2 part 1 and part 2 3 1989 All My Sons VHS 1 2nd preview, 2/23/89 3 1989 All My Sons VHS 1 3/2/1989 3 1989 And a Nightingale VHS 1 opening Sang 7 Box Date Production Media Digitized # Descriptive Access Tapes/Disks Notes On Items Copy Available 3 1989 Breaking the VHS 1 Silence 3 1989 Cyrano de VHS 1 opening, 2/24/89 Bergerac 3 1989 Much Ado About VHS 1 3rd show, Nothing 6/25/89 3 1989 Pericles, Prince VHS 1 of Tyre 3 1990 Aristocrats VHS 1 2nd preview 3 1990 Comedy of Errors VHS 1 3rd preview, 6/12/90 3 1990 Comedy of Errors VHS 1 3 1990 God's Country VHS 1 4 1990 God's Country VHS 1 2nd tech 4 1990 House of Blue VHS 2 Leaves 4 1990 Merry Wives of VHS 1 Windsor, The 4 1990 Peer Gynt VHS 1 4 1990 Peer Gynt VHS 1 full show 4 1990 Winter's Tale, The VHS 1 3rd preview, 6/17/90 4 1990 Winter's Tale, The VHS 1 6/23/1990 4 1991 Henry VI, part VHS 1 1st preview One 4 1991 Julius Caesar VHS 1 4 1991 Major Barbara VHS 1 5 1991 Merchant of VHS 2 Venice, The 5 1991 Other People's VHS 1 Money 5 1991 Our Town VHS 1 2/26/91 (#4) 5 1991 Taming of the VHS Yes 1 3rd performance, Shrew, The 6/23/91 5 1991 Two Rooms VHS 1 5 1991 Woman in Mind VHS 1 5 1992 All's Well That VHS 2 Ends Well 5 1992 Firebugs VHS 1 Opening Night 5 1992 Heathen Valley VHS 1 preview I 8 Box Date Production Media Digitized # Descriptive Access Tapes/Disks Notes On Items Copy Available 6 1992 Heathen Valley VHS 1 preview II 6 1992 Henry VI (The VHS 1 Acts 1 & 2 Conclusion of) 6 1992 Henry VI (The VHS 1 Opening Night Conclusion of) 6 1992 Ladies of the VHS 2 Act I and Act II Camellias, The 6 1992 Othello VHS 1 6 1992 Othello VHS 1 (copy) 6 1992 Playboy Of The VHS 1 Western World 6 1992 Playboy Of The VHS 1 long blank intro.
Load more

Recommended publications
  • Inside This Issue... of the Theatre, Are Part of What Makes Summer Shows 1-3 Having a Professional Theatre in Our Alumni News 4 Community Such a Good Idea
    Issue No. 94 Summer 2014 MESSAGE FROM THE ARTISTIC DIRECTOR The Funniest Backstage Farce! JUN 12–29, 2014 Solvang Festival Theater There are few things in life more enjoyable than Solvang Festival Theater SUN MON TUE WED THU FRI SAT being of service to people JUN 12 13 14 PREVIEW PREVIEW OPENING through our work. To 8pm 8pm 8pm fully invest ourselves in a 15 16 17 18 19 20 21 8pm 8pm 8pm 8pm 8pm purpose whose outcome 22 23 24 25 26 27 28 is for the edification, 8pm 8pm 8pm 8pm 8pm 29 enlightenment, or simple enjoyment of 8pm others, is surely an investment which Show Advisory: A comedy appropriate for consistently delivers the most gratifying children 12 and older due to the more returns. What we celebrate during this adult storyline and sexual innuendo. golden anniversary season is more than Generously sponsored by the making of theatre, we celebrate a Dr. Esteban Fuertes & Alan Foster, Dene & Emily Hurlbert, fifty year relationship of service through By Michael Frayn Royce & Ann Foxworthy Lewellen art to the communities of the Central Coast and beyond. We celebrate being The dizziest, funniest, backstage Michael Frayn wrote the comedy in and Broadway. At press time, there your theatre company. The conversations farce ever written, Noises Off careens 1982 after watching – from the wings were no fewer than 36 productions of inspired and relationships supported by us through the roller coaster lives of – a performance of Chinamen, a farce Noises Off playing in the United States coming to the reflective surface of the a hapless troupe of provincial actors that he had written for Lynn Redgrave.
    [Show full text]
  • About the Cast
    ABOUT THE CAST BURTON CURTIS (Watchman) has performed as Pierrot in Stephen Wadsworth’s productions of Molière’s Don Juan (McCarter Theatre, Shakespeare Theatre Company, The Old Globe, and Seattle Rep). He also portrayed Dumas in Wadsworth’s productions of Marivaux’s Triumph of Love (Long Wharf Theatre, Missouri Rep, and Seattle Rep). Burton originated the role of Eddie Wicket in the west coast premiere of Louis Broom’s Texarkana Waltz (Circle X Theatre Co., L.A. and the Empty Space Theatre, Seattle). He also created the dual roles of Brother Mills and Heathcliff in Wuthering! Heights! The! Musical! and performed in The Complete History of America (Abridged) (Empty Space and Actors Theatre of Louisville). Other roles include Tom in The Glass Menagerie (Tacoma Actors Guild) and Freddy in Noises Off (Village Theatre, Issaquah). He played the title role in Jillian Armenante’s production of Camille and Little Mary in a “gender blind” production of The Women (Annex Theatre, Seattle). Film credits include Crocodile Tears, Money Buys Happiness, and Great Uncle Jimmy as well as Gus Van Sant’s Even Cowgirls Get the Blues. Burton is also a director and choreographer and has received awards for his work on the stage from the Seattle Post Intelligencer and Seattle Weekly. He was listed by Backstage West among “100 Actors We Love.” He received his BFA in theater from Baylor University and now resides in Seattle. Burton is delighted to be making his Getty debut and is thrilled to be joining Mr. Wadsworth in yet another exciting project. NICHOLAS HORMANN (Chorus Leader) has worked in the American theater for thirty-five years, beginning on Broadway with the New Phoenix Repertory Company.
    [Show full text]
  • Part 2 Lucas Hnath
    MARCH 2019 A DOLL'S HOUSE PART 2 BY DIRECTED BY LUCAS HNATH BRADEN ABRAHAM MARCH 15 - APRIL 28, 2019 2018/19 SEASON A THOUSAND SPLENDID SUNS | A PEOPLE’S HISTORY | IN THE HEIGHTS | LAST OF THE BOYS THE WOMAN IN BLACK | A DOLL’S HOUSE, PART 2 | NINA SIMONE: FOUR WOMEN | TINY BEAUTIFUL THINGS March 2019 Volume 15, No. 5 MARCH 2019 Paul Heppner President Mike Hathaway Contents Senior Vice President Feature Kajsa Puckett 3 Sensory-Friendly Vice President, Sales & Marketing Performances Genay Genereux Accounting & Office Manager 9 Empowerment through Teen Activism Production Susan Peterson 12 A Man of the People: Vice President, Production Edwin Lindo and Jennifer Sugden Estelita’s Library Assistant Production Manager Intermission Brain Transmission Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers 15 Test yourself with our trivia quiz! Sales Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Encore Stages is an Encore Arts Devin Bannon, Brieanna Hansen, Amelia Heppner, Ann Manning Program that features stories about Seattle Area Account Executives our local arts community alongside information about performances. Carol Yip Sales Coordinator Encore Arts Programs are publications of Encore Media Group. We also publish Marketing specialty publications, including the Shaun Swick Official Seattle Pride Guide and the Senior Designer & Digital Lead SIFF Guide and Catalog. Learn more Ciara Caya at encoremediagroup.com Marketing Coordinator Encore Media Group Encore Stages features the 425 North 85th Street following organizations: Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas.
    [Show full text]
  • Book-It Repertory Theatre Encore Arts Seattle
    SEPTEMBER 2016 SEPT 7–OCT 2, 2016 By William Shakespeare | Directed by Sheila Daniels 2016 SUMMER 2016 FALL 2016–2017 2017 SPRING WOODEN O TOUR INDOOR SEASON TOUR Hamlet Romeo and Juliet The Winter’s Tale Romeo and Juliet Love’s Labour’s Lost Medea The Taming of Bring Down the House, Parts 1 & 2 the Shrew A Midsummer Night’s Dream ES016 covers.indd 2 8/24/16 4:30 PM September 2016 Volume 13, No. 1 Paul Heppner Publisher SEPTEMBER 2016 Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Contents Mike Hathaway 3 Dialogue Sales Director Encore Stages in Brieanna Bright, Joey Chapman, Ann Manning, Rob Scott conversation with Seattle Area Account Executives Teen Tix Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives 7 Intermission Brain A WORLD PREMIERE Sara Keats Stages Editor Transmission STAGING OF THE NOVEL Jonathan Shipley Test yourself with our BY RUTH OZEKI Stages Editor; Associate Online Editor trivia quiz SEPT 14 – OCT 9, 2016 Ad Services Coordinator Carol Yip TICKETS ON SALE NOW Sales Coordinator Encore Stages is a publication of Encore Media Group. We also publish Leah Baltus Encore Arts Programs, the monthly BOOK-IT.ORG Editor-in-Chief arts & culture magazine City Arts, and Paul Heppner custom publications, including the Publisher Official Seattle Pride Guide and the Dan Paulus Art Director SIFF Guide and Catalog. EAP 1_6 V template.indd 1 8/10/16 1:44 PM Jonathan Zwickel Senior Editor Gemma Wilson Associate Editor Encore
    [Show full text]
  • Jul 11–Aug 11, 2019 Summer 2019
    JUL 11–AUG 11, 2019 SUMMER 2019 By William Shakespeare By William Shakespeare Directed by Mary Machala Directed by Leah Adcock-Starr 2019 SUMMER 2019–2020 2020 SPRING WOODEN O INDOOR SEASON TOUR Romeo & Juliet The Tempest Hamlet Twelfth NIght The Rivals Romeo & Juliet Troilus & Cressida Macbeth Summer 2019 Volume 15, No. 7 In This Issue Arts, culture and community Feature are our priority here at Encore 3 Pacific Northwest Ballet and it is these three pillars on Thinks Outside the Box which we were founded almost with OUTSIDE/IN 50 years ago. Since then a lot has changed. Dialogue Though we have evolved and 9 A Conversation extended our reach to new places with Choreographers and digital platforms, we are still 12 David Hsieh on the Encore that you have come Kim’s Convenience to expect over the years—the Encore program you hold in your Intermission Brain hands, enhancing your experience Transmission at every performance. 15 Test yourself with our Enjoy the show. trivia quiz! PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories about KAJSA PUCKETT Vice President, our local arts community alongside Sales & Marketing information about performances. GENAY GENEREUX Accounting & Encore Stages is a publication of Office Manager Encore Media Group. We also publish Production specialty publications, including SUSAN PETERSON Vice President, Production the SIFF Guide and Catalog, Official JENNIFER SUGDEN Assistant Production Seattle Pride Guide, and GSBA Manager ANA ALVIRA, STEVIE
    [Show full text]
  • (Don't) Wear Glasses: the Performativity of Smart Girls On
    GIRLS WHO (DON'T) WEAR GLASSES: THE PERFORMATIVITY OF SMART GIRLS ON TEEN TELEVISION Sandra B. Conaway A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Kristine Blair, Advisor Julie Edmister Graduate Faculty Representative Erin Labbie Katherine Bradshaw © 2007 Sandra Conaway All Rights Reserved iii ABSTRACT Kristine Blair, Advisor This dissertation takes a feminist view of t television programs featuring smart girls, and considers the “wave” of feminism popular at the time of each program. Judith Butler’s concept from Gender Trouble of “gender as a performance,” which says that normative behavior for a given gender is reinforced by culture, helps to explain how girls learn to behave according to our culture’s rules for appropriate girlhood. Television reinforces for intellectual girls that they must perform their gender appropriately, or suffer the consequences of being invisible and unpopular, and that they will win rewards for performing in more traditionally feminine ways. 1990-2006 featured a large number of hour-long television dramas and dramedies starring teenage characters, and aimed at a young audience, including Beverly Hills, 90210, My So-Called Life, Buffy the Vampire Slayer, Freaks and Geeks, and Gilmore Girls. In most teen shows there is a designated smart girl who is not afraid to demonstrate her interest in math or science, or writing or reading. In lieu of ethnic or racial minority characters, she is often the “other” of the group because of her less conventionally attractive appearance, her interest in school, her strong sense of right and wrong, and her lack of experience with boys.
    [Show full text]
  • Encore Stages Encore Arts Seattle
    SEPTEMBER 2018 SEPT 12–OCT 7 By William Shakespeare Directed by Rosa Joshi Produced in partnership with upstart crow collective Sarah Harlett as Richard in Bring Down the House, photo by John Ulman. 2018 SUMMER WOODEN O 2018–2019 INDOOR SEASON 2019 SPRING TOUR King Lear Richard III Romeo and Juliet The Merry Wives Arms and the Man Macbeth of Windsor All’s Well That Ends Well She Stoops to Conquer As You Like It September 2018 Volume 15, No. 1 FALL 2018 Paul Heppner President Contents Mike Hathaway Feature Vice President 3 Millennial and Generation Z Kajsa Puckett arts patrons take a larger role Vice President, Marketing & Business Development 9 The importance of authentic casting Genay Genereux Accounting & Office Manager Dialogue Sept 13 Production 13 Jérémy Jolley on the Susan Peterson development of Seattle Design & Production Director Oct 14 Modern Orchestra Jennifer Sugden by Charlotte Bronte Assistant Production Manager Intermission Brain Transmission Adapted & Directed by Julie Beckman Ana Alvira, Stevie VanBronkhorst 15 Test yourself with our Production Artists and Graphic Designers trivia quiz! Sales Amelia Heppner, Marilyn Kallins, Terri Reed Encore Stages is an Encore Arts San Francisco/Bay Area Account Executives Program that features stories about CENTER THEATRE• SEATTLE CENTER Joey Chapman, Brieanna Hansen, our local arts community alongside BOOK-IT.ORG • 206.216.0833 Ann Manning, Wendy Pedersen information about performances. Seattle Area Account Executives Encore Arts Programs are publications Carol Yip of Encore Media Group. We also publish Sales Coordinator City Arts, a monthly arts & culture magazine, and specialty publications, Marketing including the Offical Seattle Pride Guide Shaun Swick Senior Designer & Digital Lead and the SIFF Guide and Catalog.
    [Show full text]
  • Timon of Athens at Seattle Shakespeare Company Encore
    JANUARY 2018 JAN 9–FEB 4, 2018 By William Shakespeare Directed by John Kazanjian 2017 SUMMER 2017 FALL 2017–2018 2017 SPRING WOODEN O TOUR INDOOR SEASON TOUR Pericles Romeo and Juliet Julius Caesar Romeo and Juliet Much Ado About Nothing The Government Inspector Twelfth Night Timon of Athens The Merchant of Venice Shakespeare in Love January 2018 INTERNATIONAL Volume 14, No. 4 GUITAR NIGHT Wednesday, Jan. 24 7:30 pm | $19–$44 IGN brings together the world’s foremost guitarists for a special evening of solos, Paul Heppner duets, and quartets. The tour’s ECA Publisher WINTER 2018 engagement will feature Lulo Reinhardt, Sara Keats Calum Graham, Marek Pasieczny, and Encore Stages Editor Michael Chapdelaine. Susan Peterson HARLEM QUARTET & Design & Production Director Contents ALDO LÓPEZ-GAVILÁN Ana Alvira, Robin Kessler, Feature Thursday, Mar. 8 Stevie VanBronkhorst 7:30 pm | $19–$49 Production Artists and Graphic Design 3 Danielle Mohlman reflects Cuban piano prodigy Aldo Mike Hathaway López-Gavilán joins the on her one-woman Sales Director Harlem Quartet in this dynamic cross-cultural program to bring millennial collaboration. The program will consist of Brieanna Bright, Joey Chapman, audiences to the theater in Latin jazz and classical repertoire, as well as Ann Manning original compositions by Mr. López-Gavilán. Seattle Area Account Executives the age of Netflix. THE MYSTICAL Amelia Heppner, Marilyn Kallins, Terri Reed Dialogue ARTS OF TIBET San Francisco/Bay Area Account Executives Thursday, May 11 Carol Yip 10 SassyBlack on place, 7:30 pm | $15–$44 Sales Coordinator communication, As part of a 5-day ECA and creativity.
    [Show full text]
  • SHAKESPEARE's FEMALE Icons
    The start ow SHAKESPEARE's FEMALE IcoNs Volume XXXI 2012 Vol. XXXI Digital Facsimile The Upstart Crow: A Shakespeare journal, Volume XXXI, 2012 is published by Clemson Universicy Digital Press. © 2013 Clemson Univcrsicy ISSN: 0886-2168 ~ EDITOR ·~ \ Elizabeth Rivlin CLEMSON UNIVERSITY DIGITAL PRESS ASSOCIATE EDITORS Ray Barfield, Wayne Chapman, Jonathan Field, Martin Jacobi, Michael LeMahieu, Chantelle MacPhee, Brian McGrath, Lee Morrissey, and Will Stockton BOOK REVIEW EDITOR Will Stockton, Clemson University ADVISORY BOARD James Berg, Pam Brown, Patricia Cahill, Ann C. Christensen, Katherine Conway, Herbert Coursen, Mary Agnes Edsall, John R. Ford, Walter Haden, Chris Hassel, Maurice Hunt, Natasha Korda, Paul Kottman, Richard Levin, Jeremy Lopez, Bindu Malieckal, John McDaniel, Ian Frederick Moulton, Peter Pauls, Kaara Peterson, Jeanne Roberts, and Jyotsna Singh BUSINESS MANAGER Kristin Sindorf ACCOUNTING FISCAL ANALYST Beverly Pressley EDITORIAL ASSISTANTS Charis Chapman and Jared Jamison EDITORIAL CORRESPONDENCE Editor, 1he Upstart Crow, Department of English, Clemson University, Strode Tower, Box 340523, Clemson, SC 29634-0523. Tel. (864) 656-3151. Fax (864) 656-1345. SUBSCRIPTION RATES Please note: after Volume XXXI, "'ubscription will no longer be available although copies of most volumes may be purchased from the online store to which visitors to our website will be directed. PDF facsimiles of all volumes, in the ncar future, wiU be available free for viewing on an open-access basis. Queries on existing subscriptions should be directed to The Business Manager at the same address as given above. Meanwhile, rates for the present (and last) volume of 1he Upstart Crow are as follows: 1-year subscription for individuals (Vol. XXXI): $17 1-year subscription for institutions (Vol.
    [Show full text]
  • She Stoops to Conquer Seattle Shakespeare Company Encore
    Oct 15–Nov 10, 2019 FALL 2019 Center Theatre at Seattle Center Directed bmy Anni e • e e ar Lpar e T e sp aue ake e Sh am illi t hW y TB Sweet William Nov 15–17, 2019 With Michael Pennington Isaac Studio Theatre at Taproot Theatre Seattle Shakespeare’s new series featuring leading artists and performers sharing their unique perspective on Shakespeare and classical theatre. MFA IN Fall 2019 | Volume 16, No. 2 ARTS LEADERSHIP FEATURE In This Issue Feature 3 ‘Indecent,’ or What it Means to Create Queer Jewish Theatre in Seattle Dialogue 9 Meet the Host of Tiny Tots Concert Series 13 We’re Celebrating 50 Years Empowering a new wave of Arts, Culture and Community of socially responsible Intermission Brain arts professionals Transmission 12 Test yourself with our Online and in-person trivia quiz! information sessions Upcoming Events seattleu.edu/artsleaderhip/graduate 15 Fall 2019 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories Encore Ad 8-27-19.indd 1 8/27/19 1:42 PM KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Guide and Catalog, Official Seattle Manager ANA ALVIRA, STEVIE VANBRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers
    [Show full text]
  • Colorblind Shakespeare
    Vol. XXVII Contents Essays Sharon O’Dair Virtually There: Shakespeare and Tourism in the Twenty-First Century .......................................................................................5 John R. Ford Confessions of a Shakespearean Tourist: Discovering Natural Perspectives in the Secret Pleasures of Repertorial Recognition .............................................................................................24 Marguerite Tassi Sportful Malice, or What Maria Wills: Revenge Comedy in Twelfth Night .........................................................................32 David Lucking To Tell My Story: Narrating Identity in Shakespeare ...........52 Michael W. Shurgot Watching Richard Watching Buckingham: 3.7 of Richard III and Performance Criticism ...................................................... 67 Performance Reviews Peter J. Smith Looking Up: The 2008 Season at London’s Globe Theatre ....................................................................................................78 John R. Ford A Fool’s Stage: Royal Shakespeare Company Productions from Stratford, England, 2007 .............................................92 Silver Damsen Chicago Shakespeare Theater Season 2007-2008 ...........98 Michael W. Shurgot Oregon Shakespeare Festival 2007 .........................111 Mark Robert Dodd Measure for Measure at the 2007 Idaho Shakespeare Festival; Or, As the Director Likes It ................................124 Book Reviews Ellen McKay Robert Shaughnessy, ed., The Cambridge Companion to Shakespeare
    [Show full text]
  • Dakin Matthews
    We l c o m e t o Dear Theatregoers... After the smashing success of this summer’s remarkable Shakespeare Festival, plus Moonlight and Magnolias and The Lady with All the Answers, we might well be inclined to give a huge sigh of relief and accomplish- ment and relax. But that’s hardly going to be possible, given the double-bill we offer at the moment. To welcome my beloved colleagues Terrence McNally and Graciela Daniele back to this theatre is a consummation devoutly to be wished, since he last graced our halls with The Full Monty; and she hasn’t worked her magic since The Snow Ball. But that they’ve come to celebrate the irresistibly dynamic Chita Rivera: The Dancer’s Life, rolling out the events of the our industry’s signature dance icon, not only makes us proud, but initiates lines at the box office any theatre administrator weeps to see. And just next door, in the crucible we call the Cassius Carter Centre Stage is Associate Artist Dakin Matthews, plumbing today’s headlines concerning the church’s most devastating moral crisis with The Prince of L.A., a witty and wise work he not only wrote, but in which he plays its central character, guided by the sure hand of his most astute critic and talented wife, Anne McNaughton. This year past, and the one ahead for all the world seem to be the incarnation of “the good old days!” We are thrilled you are here to share the rewards with us. JACK O’BRIEN Artistic Director Welcome to the first round of our Winter 2005/6 Season.
    [Show full text]