Ԝᅭ Lev Nikolayevich Tolstoy (1828~1910)
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Walk in the Light and Twenty-Three Tales 1St Edition Kindle
WALK IN THE LIGHT AND TWENTY-THREE TALES 1ST EDITION PDF, EPUB, EBOOK Leo Tolstoy | 9781570754609 | | | | | Walk in the Light and Twenty-Three Tales 1st edition PDF Book Return to Book Page. Jan 28, Mamdouh Abdullah rated it it was amazing. Place of Death: Astapovo, Russia. Nov 10, Kat rated it liked it. Entertaining and full of wisdom. For a better shopping experience, please upgrade now. The heroic characters say things like "God's will be done" and "That's none of my business"; their hands are dirty with the hard work they've done in the fields, and their minds are so filled with the logistics of immediate tasks that they have no time for politics or pompous speculation. This collection of stories is a good introduction to his style, his passions and his humanity. Open Preview See a Problem? We're featuring millions of their reader ratings on our book pages to help you find your new favourite book. I became muslim after reading this book. Other editions. True, the hermits were holy enough without his help they can walk on water, for Christ's sake but is it so prideful for a man who wants to shepherd other men toward holiness to want to teach unlearned men Jesus' special prayer? Jul 02, Anne rated it really liked it Shelves: short-stories , russian-literature. But when someone tells us However, one must admit that his novels can be daunting. ON OFF. Accept all Manage Cookies. Uh-oh, it looks like your Internet Explorer is out of date. Thank you for this great book. -
What Men Live by Belief and the Individual in Leo Tolstoy and William James.Pdf
William James in Russian Culture Lexington Books Grossman, J. D., & Rischin, R. (2003). William James in Russian culture. Lanham Md.: Lexington Books. http://www.lexingtonbooks.com/Catalog/SingleBook.shtml?command=Search&db=^DB/ CATALOG.db&eqSKUdata=0739105264 WILLIAM JAMES IN RUSSIAN CULTURE LEXINGTON BOOKS Published in the Unitw Slates of Am erica by Lexington Books A Member of the Rowman & linlefi eld Publishing Group 4501 Forbes & ulevard, Suite 200, Lanham, Maryland 20706 PO Box 317 Oxford OXl 9UU, UK Copyright C 2003 by Lex.i nb"lon B ook.~ All rights reserve!/. No part of this publication may be reproduced , stored in a retrieval system, or lransmined in any form or by any means, electronic, mechanical, photocopying, recording. or otherwise, without the prior permission of the publisher. British Lib rary Cataloguing in Publication Information Available library of Congress Cataloging-in-Publication Data Wtl liam James in Russian culture I edited by Joan Delancy Grossman and Ruth Risdiin. p. cm. Includes bibliographical references and index. ISBN 0-7391-0526-4 Calk. paper) ~ ISBN 0-7391-0527-2 (pbk.: alk. paper) I. Russia-lnteliect ual life-ISOI-1917. 2. Russia (Fcde ration ) ~ l n tellectuallife- 1991- 3. James, William, l S42-1910--Inlluence. J. Grossman, Joan Delaney. II. Rischin, Ruth, 1932- DK1S9.2.W547 2003 191 -<1(21 2002015280 Printed in the United States of Am erica §TM The paper used in this publication ml't:ts the minimum requirements of American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSIINISO Z39.48-1992. 3 What Men Live By: Belief and the Individual in Leo Tolstoy and William James Donna Tussing Orwin HEN WILLIAM JAMF.s READ WAR AND PfACE.a nd Anna Karen ina in the sum W mer of 1896, he declared them to be "perfection in the representation of human lifc" (Letters, 2: 48). -
On Insanity. Written in 1910 the Year of Tolstoy's Death and Now Published
On Insanity Leo Tolstoy 1910 translated by Ludvig Perno C.W. Daniel Co. Ltd., London, 1936 Source: Collection of the State Library of Victoria, Australia I In the course of many months, and particularly of late, I have been receiving daily two or three letters ftJ which young people, especially young ladies, write to me saying that they have 1ecided to do away with themselves. For some reason or other they refer to me, hoping that I, by some advice of mine, shall save them from this. These letters are of three different types. The first, the most common type, is either that of a village schoolmistress who for the sake of serving common people wishes to give up her occupation to go to college, obviously thinking that the standard of her education is not high enough to enlighten the common people, and she imagines her desire to be so strong and elevated that she has decided to do away with herself if ft cannot be realised; of an exalted youth threatening to commit suicide if nobody comes forward to help him to develop his, as he feels, wonderful talents; of an inventor wishing to confer a blessing on mankind; of a poet feeling himself to be a genius; of a young lady preferring to die if she is unable to go to college; of a woman who has fallen in love with the husband of somebody else; or of a man who has fallen in love with a married woman. The writers of these letters differ according to their sex, age, or social position, but they all have one thing in common, namely, the blind, crude egoism which blots out everything else for them except their own personality. -
WHAT THEN MUST WE DO? by Leo Tolstoy Translated by Aylmer Maude
WHAT THEN MUST WE DO? By Leo Tolstoy Translated by Aylmer Maude Leo Tolstoy 2 What Then Must We Do? ‘What Then Must We Do?’ was first published in 1886. In ‘The World’s Classics’ Aylmer Maude’s translation as first published in 1925, revised in 1935 and reprinted in 1942. What Then Must We Do? 3 Leo Tolstoy CONTENTS Editors Note - 5 CHAPTER I - 12 CHAPTER II - 14 CHAPTER III - 17 CHAPTER IV - 20 CHAPTER V - 22 CHAPTER VI - 25 CHAPTER VII - 27 CHAPTER VIII - 29 CHAPTER IX - 32 CHAPTER X - 34 CHAPTER XI - 37 CHAPTER XII - 39 CHAPTER XIII - 41 CHAPTER XIV - 45 CHAPTER XV - 49 CHAPTER XVI - 53 CHAPTER XVII - 55 CHAPTER XVIII - 60 CHAPTER XIX - 67 CHAPTER XX - 70 CHAPTER XXI - 77 CHAPTER XXII - 83 CHAPTER XXIII - 86 CHAPTER XXIV - 88 CHAPTER XXV - 95 CHAPTER XXVI - 101 CHAPTER XXVII - 105 CHAPTER XXVIII - 110 CHAPTER XXIX - 113 CHAPTER XXX - 116 Leo Tolstoy 4 What Then Must We Do? CHAPTER XXXI - 122 CHAPTER XXXII - 126 CHAPTER XXXIII - 128 CHAPTER XXXIV - 130 CHAPTER XXXV - 136 CHAPTER XXXVI - 137 CHAPTER XXXVII - 142 CHAPTER XXXVIII - 146 CHAPTER XXXIX - 157 CHAPTER XL - 167 What Then Must We Do? 5 Leo Tolstoy EDITOR'S NOTE THE republication of this book in a translation which has been carefully revised affords me particular pleasure. It was the first of Tolstoy's works to grip my attention, and it caused me to seek his acquaintance, which in turn led to the work I have now been engaged on for many years, namely, the preparation of the 'World's Classics' series and the Centenary Edition of his works. -
Twenty-Three Tales by Tolstoy
TWENTY-THREE TALES BY TOLSTOY TRANSLATED BY L. AND A. MAUDE Originally published by FUNK & WAGNALLS COMPANY NEW YORK 1907 Scanned and edited by Harry Plantinga, 1995 This etext is in the public domain. PREFACE THIS volume is divided into seven parts. First we have Tales for Children, published about the year 1872, and reminding us of the time when Tolstoy was absorbed in efforts to educate the peasant children. This section of the book contains the two stories which of all that he has written Tolstoy likes best. In What is Art? he claims no place among examples of good art for any of his own productions 'except for the story God sees the Truth, but Waits, which seeks a place in the first class (religious art), and A Prisoner in the Caucasus, which belongs to the second (universal art).' In the first of these the subject (a favourite one with Tolstoy) is the forgiveness of injuries. The second deals with the simplest feelings common to all men: fear and courage, pity, endurance, &c.' expressed with that individuality, clearness, and sincerity, which Tolstoy says are the signs of true art. Part II contains a series of stories written for the people; and among them What Men Live By, probably the most widely circulated of all Tolstoy's tales. It is founded on the oft-repeated legend of an angel sent by God to live for a while among men. Part III consists of a Fairy Tale, Iván the Fool, which contains in popular form Tolstoy's indictment of militarism and commercialism. -
The London School of Economics and Political Science
The London School of Economics and Political Science LOVE IN A TIME OF EMPIRE An Engagement with the Political Thought of Tolstoy, Tagore and Camus Liane Marie Hartnett A thesis submitted to the Department of International Relations of the London School of Economics for the degree of Doctor of Philosophy, London, September 2018. DECLARATION I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 77,173 words. 1 ABSTRACT Hannah Arendt once wrote, ‘Love, by its very nature, is unworldly, and it is for this reason rather than its rarity that it is not only apolitical but antipolitical, perhaps the most powerful of all antipolitical human forces’. Situated in the interstices of intellectual history, international political theory and literature, this thesis is my attempt to think through this claim. I do this via an engagement with the thought of three liminal literary figures, namely, Leo Tolstoy (1828-1910), Rabindranath Tagore (1861-1941) and Albert Camus (1913-1960). -
Unit I David Hume
Unit I David Hume ―Hume is our Politics, Hume is our Trade, Hume is our Philosophy, Hume is our Religion.‖ This statement by nineteenth century philosopher James Hutchison Stirling reflects the unique position in intellectual thought held by Scottish philosopher David Hume. Part of Hume‘s fame and importance owes to his boldly skeptical approach to a range of philosophical subjects. In epistemology, he questioned common notions of personal identity, and argued that there is no permanent ―self‖ that continues over time. He dismissed standard accounts of causality and argued that our conceptions of cause-effect relations are grounded in habits of thinking, rather than in the perception of causal forces in the external world itself. He defended the skeptical position that human reason is inherently contradictory, and it is only through naturally-instilled beliefs that we can navigate our way through common life. In the philosophy of religion, he argued that it is unreasonable to believe testimonies of alleged miraculous events, and he hints, accordingly, that we should reject religions that are founded on miracle testimonies. Against the common belief of the time that God‘s existence could be proven through a design or causal argument, Hume offered compelling criticisms of standard theistic proofs. He also advanced theories on the origin of popular religious beliefs, grounding such notions in human psychology rather than in rational argument or divine revelation. The larger aim of his critique was to disentangle philosophy from religion and thus allow philosophy to pursue its own ends without rational over-extension or psychological corruption. In moral theory, against the common view that God plays an important role in the creation and reinforcement of moral values, he offered one of the first purely secular moral theories, which grounded morality in the pleasing and useful consequences that result from our actions. -
The Gospel in Tolstoy: Selections from His Short Stories,Spiritual
Leo Tolstoy This is a preview. Get entire book here. The Gospel in Tolstoy Selections from His Short Stories, Spiritual Writings, and Novels Leo Tolstoy Edited by Miriam LeBlanc With Artwork by Fritz Eichenberg Plough Publishing House This is a preview. Get entire book here. Published by Plough Publishing House Walden, New York Robertsbridge, England Elsmore, Australia www.plough.com Copyright © 2015 by Plough Publishing House All rights reserved. PRINT isbn: 978-0-87486-670-4 epub isbn: 978-0-87486-671-1 mobi isbn: 978-0-87486-672-8 pdf isbn: 978-0-87486-673-5 Cover woodcut by Karl Mahr, 1923 for Gemeinschafts-Verlag Eberhard Arnold, Sannerz / Leipzig Artwork in the book interior is wood engravings by Fritz Eichenberg. The artwork on the frontispiece and on page 140 is from Eichenberg’s illustrations for Tolstoy’s Resurrection (New York: The Heritage Press, 1963). Eichenberg prepared the other engravings (on pages 2, 50, 106, 208, and 252) for the Catholic Worker newspaper. Artwork is copyright © 2015 by the Estate of Fritz Eichenberg. Used with permission. Translations are by Louise and Aylmer Maude, Constance Garnett, and David Patterson, as described in “Note on the Translations” (page 326). The extract from David Patterson’s translation of Tolstoy’s Confession (W. W. Norton, 1983) is copy- right © 1983 by David Patterson and used with permission. This is a preview. Get entire book here. To the Reader Although more than a century has passed since his death, for millions of readers the works of Leo Tolstoy (1828– 1910) have only grown in their power and appeal. -
Tolstoy, Chekhov, and the Question of Property
Space and Storytelling in Late Imperial Russia: Tolstoy, Chekhov, and the Question of Property MATTHEW MANGOLD Leo Tolstoy and Anton Chekhov, both social writers, told stories to confront contradictions in the cultural practices they shared with their readers. Their turn to storytelling as a means of social commentary is especially clear in how they responded to changes in spatial experience after the peasant reforms, a period in which the relationship between people and the space of the Russian Empire transformed dramatically. Tolstoy’s “How Much Land Does a Man Need” (1886) and “Kholstomer” (1886), and Chekhov’s “The Man in a Case” (1898) and “Gooseberries” (1898), create a problematics of space of late nineteenth- century Russia by addressing historical circumstances like urban crowding, the peasant commune, peasant migration, imperial expansion, and rural property.1 As they inscribe into public discourse spatial vocabularies, ethical quandaries, and a range of spatial experiences common during Russia’s rapid modernization, these writers operate in equal parts as storytellers, social critics, and citizens of the growing empire. Responses to their works might then strive to address how social and historical contexts shape them, layers of their textuality on which new critical, formalist, or biographical readings do not regularly sustain focus.2 Theoretical debates emerging in the late twentieth century about complex My deep gratitude goes to Edyta Bojanowska for carefully reading and commenting on this article through each stage of revision. I also thank Ekaterina Pravilova for her supportive remarks on the initial version I presented at the 2013 ASEEES conference in Boston. Comments at the Slavics Without Borders meeting at Princeton University were enormously helpful in later stages. -
Visual Art Techniques in Lev Tolstoy's Fiction
Color, Line, and Narrative: Visual Art Techniques in Lev Tolstoy’s Fiction By © 2018 Megan H. Luttrell M.A., University of Kansas, 2013 B.A., University of Vermont, 2010 Submitted to the graduate degree program in Slavic Languages and Literature, and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chair: Ani Kokobobo ________________________________ Vitaly Chernetsky ________________________________ John Pultz ________________________________ Svetlana Vassileva-Karagyozova ________________________________ Oleksandra Wallo Date Defended: 14 December 2018 The dissertation committee for Megan Hilliard Luttrell certifies that this is the approved version of the following dissertation: Color, Line, and Narrative: Visual Art Techniques in Lev Tolstoy’s Fiction ________________________________ Chair: Ani Kokobobo Date approved: 14 December 2018 ii ABSTRACT This dissertation investigates Tolstoy’s anxiety over the written word and its ability to communicate truth to the reader. I examine how Tolstoy compensates for the shortcomings of language by borrowing techniques from painting, sculpture, and drawing, and how the visual nature of his work shifts in connection with his philosophy. I identify two visual extremes in Tolstoy’s art and thought, the juxtaposition of which sets up two ends of a spectrum upon which I measure the aesthetic gradations of War and Peace, Anna Karenina, Confession, and The Death of Ivan Ilych. I call Tolstoy’s earlier aesthetic “painterly” in nature, drawing from the numerous qualities of spatial literature it contains as well as its inclusion of a rich color palette and various ekphrastic passages. I begin my discussion of this “painterly” aesthetic in an examination of the 1857 short story “Lucerne.” I then trace the shifts in Tolstoy’s visuality toward what I term his “draughtsmanly” aesthetic. -
Christian Calendar and Symbolism of Numbers in the Late Literary Prose of Leo Tolstoy
Advances in Social Science, Education and Humanities Research, volume 333 Humanities and Social Sciences: Novations, Problems, Prospects (HSSNPP 2019) Christian Calendar and Symbolism of Numbers in the Late Literary Prose of Leo Tolstoy Masolova E.A. Ganicheva T.B. Department of Philology Department of Foreign Languages of Technical Faculties Novosibirsk State Technical University Novosibirsk State Technical University Novosibirsk, Russia Novosibirsk, Russia [email protected] [email protected] Abstract – The article touches upon the issue of the role of the makes it possible to avoid the biased assessments and Christian calendar and the symbolism of numbers in Tolstoy late judgments. literary prose. The authors prove that Leo Tolstoy relates the life of his characters with the dates of the Christian calendar and the In 1881 N.N. Strakhov admired the evangelical spirit in Biblical numerical symbolism that perform a prospective function. Tolstoy’s story “What Men Live by” [2, p. 407]. In Soviet The appeal of Tolstoy to the Christian calendar is aimed at the literary studies, in contrast to the pre-revolutionary literary proof of the New Testament’s salvation. The absence of the dates criticism, it was not customary to talk about the Christian of the Christian calendar is not an indicator of the unjust life of his beginning of Tolstoy short stories. characters, but usually it reflects their moral and physical death. In Tolstoy’s short stories the Christian calendar “helps” his Recently, in Tolstoy short stories, N. D. Sat distinguished characters to start living according to the Gospel. The oblivion of the parable beginning, the plot scheme based on the model of religious holidays by Tolstoy’s characters is an additional charge “the Christian behavior – the spiritual enlightenment – the of people immorality. -
The Influence of Henry Georges Philosophy on Lev Nikolaevich Tolnst Tle Period of Developing Economic Thought (1881-1897)
The Influence of Henry Georges Philosophy on Lev Nikolaevich Tolnst Tle Period of Developing Economic Thought (1881-1897) Kenneth C Wenzer Cemsrjir the Sb4a ofE~wsmiks and d Hea" GmW FeuWiox PfAxiea At least firom the tame of Obsr. Nswy OssAgs FWAMO d AMIS Plato's Repuic, people have longed for a simple and more harmonious world, free of constaints and iniquitie The pursut of ocial perfection has taken dispatcw and apparenty incompatible forms, religious and secular, radical and -c O ftrensuch thinking imagines the earth as a gift from a God or te gods. Utopians and dreamers believe in an interplay of air, water, and land within a transcendant or immanent system giving birth, providing sustenance, and embracing death A humanity attunsed to these forces will find peace and happiness. The harmony of nature so utopians insist, can be discovered by observation; but it can also be discerned tirough HO GOV introspection, for nature has implanted herself in the psyche Those who search for utopia have recoiled from the iniquities of land monopolization, the squalor of cities, the cruelties of factories, and the quickened pace which has atomized society and alienated the individual. Henry George and Lcv Niklevich Tolstoy committed themselves to that quest for individual and social perfictibility for a more economically and The Period of Developing Economic Thought 233 socially just society. Both looked to a return to the land and a fervent belief in a beneficent God to strengthen this social improvement. In this instance, the New World thinker took on the role of teacher, and the Old World sage became his student, for Tolstoy regarded himself as a disciple of George.