TPTV Schedule September 3Rd - 9Th 2018
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Film Club Sky 328 Newsletter Freesat 306 FEB/MAR 2021 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 FEB/MAR 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, It’s been really heart-warming to read all your lovely letters and emails of support about what Talking Pictures TV has meant to you during lockdown, it means so very much to us here in the projectionist’s box, thank you. So nice to feel we have helped so many of you in some small way. Spring is on the horizon, thank goodness, and hopefully better times ahead for us all! This month we are delighted to release the charming filmThe Angel Who Pawned Her Harp, the perfect tonic, starring Felix Aylmer & Diane Cilento, beautifully restored, with optional subtitles plus London locations in and around Islington such as Upper Street, Liverpool Road and the Regent’s Canal. We also have music from The Shadows, dearly missed Peter Vaughan’s brilliant book; the John Betjeman Collection for lovers of English architecture, a special DVD sale from our friends at Strawberry, British Pathé’s 1950 A Year to Remember, a special price on our box set of Together and the crossword is back! Also a brilliant book and CD set for fans of Skiffle and – (drum roll) – The Talking Pictures TV Limited Edition Baseball Cap is finally here – hand made in England! And much, much more. Talking Pictures TV continues to bring you brilliant premieres including our new Saturday Morning Pictures, 9am to 12 midday every Saturday. Other films to look forward to this month include Theirs is the Glory, 21 Days with Vivien Leigh & Laurence Olivier, Anthony Asquith’s Fanny By Gaslight, The Spanish Gardener with Dirk Bogarde, Nijinsky with Alan Bates, Woman Hater with Stewart Granger and Edwige Feuillère,Traveller’s Joy with Googie Withers, The Colour of Money with Paul Newman and Tom Cruise and Dangerous Davies, The Last Detective with Bernard Cribbins. -
The Roots Music Magazine Including Rock'n'roll, R&B, Soul, Jazz, Folk
www.tftw.org.uk £1/19/11d - £2.00 - €3.00 - $3.75 The Roots Music Magazine including Rock'n'Roll, R&B, soul, jazz, folk, The Roots Music Networking Group country and 58 much more ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK The sound of Robb Davis’s double bass being slapped as Brian ‘Bunter’ Clark’s drums whacked the offbeat, Claire Hamlin from the Alabama Slammers, her fingers pounding the keyboards, and John Spencely’s guitar starting to riff as the House Band kicked off ‘Tales From The Woods’ rock party at the ‘Inn On The Green’ in Portobello, W11. The beginning of a real night of fifties Rock’n'Roll with many singers sitting in throughout the evening including Cliff Edmunds (the Avengers), a perfect rendering of ‘Move It’ and ‘Brand New Cadillac’; Pete Stockton ‘Girl Of My Best Friend’; Dave Sampson (the Hunters) sang ‘Love Me’; Danny Rivers, ‘Can’t You Hear My Heart’ plus Ray Lee (Dream Lover) and of course Rockin' Gerry Champion of the 2i’s coffee bar, rocked ‘I Go Ape’. Everybody was here not only to celebrate Keith’s birthday but also to thank him for all his great efforts in keeping the faith and attracting musicians from that magic time, way back when I was really young and played or jived the night away in Soho town. We even had a Skiffle group and Allan Bailey, (Soho Leg-ends) sang ‘Rock Island Line’. A friend shouted in my ear that “No tea chest bass sounded as good as the ones made for PG Tips!” In fact Ken Major had brought his original one from back in 1956. -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
Tom Hanks Halle Berry Martin Sheen Brad Pitt Robert Deniro Jodie Foster Will Smith Jay Leno Jared Leto Eli Roth Tom Cruise Steven Spielberg
TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND MARION COTILLARD KIRSTEN DUNST STEVE BUSCEMI ELIJAH WOOD RESSE WITHERSPOON MICKEY ROURKE AUDREY HEPBURN STEVE CARELL AL PACINO JIM CARREY SHARON STONE MEL GIBSON 2017-18 CATALOG SAM NEILL CHRIS HEMSWORTH MICHAEL SHANNON KIRK DOUGLAS ICE-T RENEE ZELLWEGER ARNOLD SCHWARZENEGGER TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG CONTENTS 2 INDEPENDENT | FOREIGN | ARTHOUSE 23 HORROR | SLASHER | THRILLER 38 FACTUAL | HISTORICAL 44 NATURE | SUPERNATURAL MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN 45 WESTERNS SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO 48 20TH CENTURY TELEVISION LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA 54 SCI-FI | FANTASY | SPACE DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW 57 POLITICS | ESPIONAGE | WAR SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST 60 ART | CULTURE | CELEBRITY MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE 64 ANIMATION | FAMILY WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND 78 CRIME | DETECTIVE -
RAF Wings Over Florida: Memories of World War II British Air Cadets
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2000 RAF Wings Over Florida: Memories of World War II British Air Cadets Willard Largent Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the European History Commons, and the Military History Commons Recommended Citation Largent, Willard, "RAF Wings Over Florida: Memories of World War II British Air Cadets" (2000). Purdue University Press Books. 9. https://docs.lib.purdue.edu/purduepress_ebooks/9 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. RAF Wings over Florida RAF Wings over Florida Memories of World War II British Air Cadets DE Will Largent Edited by Tod Roberts Purdue University Press West Lafayette, Indiana Copyright q 2000 by Purdue University. First printing in paperback, 2020. All rights reserved. Printed in the United States of America Paperback ISBN: 978-1-55753-992-2 Epub ISBN: 978-1-55753-993-9 Epdf ISBN: 978-1-61249-138-7 The Library of Congress has cataloged the earlier hardcover edition as follows: Largent, Willard. RAF wings over Florida : memories of World War II British air cadets / Will Largent. p. cm. Includes bibliographical references and index. ISBN 1-55753-203-6 (cloth : alk. paper) 1. Largent, Willard. 2. World War, 1939±1945ÐAerial operations, British. 3. World War, 1939±1945ÐAerial operations, American. 4. Riddle Field (Fla.) 5. Carlstrom Field (Fla.) 6. World War, 1939±1945ÐPersonal narratives, British. 7. Great Britain. Royal Air ForceÐBiography. I. -
Highway Patrol Dragnet Popeye and Pals the Tom And
Daniel Boone EFFECTIVE 3/21/21 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Toon In With Me Popeye and Pals 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Jetsons 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Have Gun, Will Travel 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie Columbo 8:30p 9:00p Gomer Pyle, U.S.M.C. -
Highway Patrol the Facts of Life Rawhide SUBJECT to CHANGE Alfred Hitchcock Presents Lost in Space Star Trek
Daniel Boone EFFECTIVE 9/30/19 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a The Facts of Life The Beverly Hillbillies ALF 6:00a 6:30a Diff'rent Strokes The Beverly Hillbillies ALF 6:30a 7:00a The Beverly Hillbillies Bat Masterson Saved by the Bell (E/I) 7:00a 7:30a My Three Sons Bat Masterson Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Trackdown Saved by the Bell (E/I) 8:00a 8:30a Leave It to Beaver Trackdown Saved by the Bell (E/I) 8:30a 9:00a Have Gun, Will Travel Saved by the Bell (E/I) 9:00a Perry Mason 9:30a Have Gun, Will Travel Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a Diagnosis Murder Wagon Train 11:30a The Flintstones 11:30a 12:00p 12:00p In the Heat of the Night The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Wanted: Dead or Alive 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p The Rifleman The Monkees 5:00p Charlie's Angels 5:30p The Rifleman The Monkees 5:30p 6:00p The Flintstones 6:00p The Three Stooges The Love Boat 6:30p The Flintstones 6:30p 7:00p M*A*S*H M*A*S*H 7:00p Wonder Woman 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C. -
Real Estate Poses Appraiser in Case of Resale? These Are Just Samples of the Questions That May
M \\( IIKSTKli IIKUAl.D \\idii. m I;i \ .Imu' i:i, Unmarried couples joining the ranks of home owners CDBG panel debates Carol Kamm’s dogs Senior pair The American dream of owning your own home is they grasp the legal implications of the purchase," a bouse for $50,000 that, two years later, is worth getting more and more powerful — and now pulling in Gresham emphasizes, for there are crucial issues $75 000, whereupon you lose your job and can t pay possible re-entry regs dorft mind the sun led Tech nine single men and single women who would be locked out involved. your share of the mortgage? Who chooses an of achieving the dream were they not buying the home Y o u r Jointly purchased and owned real estate poses appraiser in case of resale? These are just samples of the questions that may ... page 3 ... page 13 page 11 with a friend. These unmarried couples do not M o n e y ' s critical ownership issues that must be spelled out — in necessarily have a "romantic" relationship. They a contract, in advance of the purchase — both lawyers arise to haunt you both. may simply be singles buying homes together W o r t h and real estate brokers agree. A contract is obviously essential. Your lawyers will because they want a house both can live in and "No matter what happens between the two, the advise you on what form of joint ownership to choose perhaps also profit from as an investment. Sylvia Porter mortgage has to be paid," warns Gresham. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
The Meaning of the Western Movie
sCott a. mCConnEll The Meaning of the Western Movie emember Shane, Bonanza and The Lone of the country. Ranger? In novel, film and television, west- For more than 150 years, especially since erns once ruled the range. Until the 1960s 1900 when the frontier period was ending, the Rwesterns were the most popular fiction genre and American West was revealed in the western novel. remained popular until the 1970s. In his book The Influential among these were Whispering Smith Searchers the western historian Glenn Frankel tells (Frank Spearman, 1906), Riders of the Purple Sage us that western novels “consistently outsold all gen- (Zane Grey, 1912), Destry Rides Again (Max Brand, res, including the closest competitor, the detective 1930) and True Grit (Charles Portis, 1968). With the story—whose protagonist was, after all, just another arrival of television in the United States in 1947, version of the Western hero”. Frankel notes that “of the western and its view of America dominated the 300 million paperbacks sold in 1956, one third the small screen for many years. Some of the most were westerns”. influential shows and stars during the television Western films were similarly popular. As Frankel western heyday included The Lone Ranger (star- reports, “Westerns by the mid-1950s accounted for ring Clayton Moore), Rawhide (Clint Eastwood), one third of the output of the major studios and half Bonanza (Michael Landon) and Gunsmoke (James the output of the smaller independents.” Incredibly, Arness). “well over seven thousand Westerns have been To most people, however, westerns are movies. made”. The American Film Institute (AFI) has defined Westerns were even more popular on television. -
The Western by Eric Patterson the Cowboy Member of the Disco Group the Encyclopedia Copyright © 2015, Glbtq, Inc
The Western by Eric Patterson The cowboy member of the Disco group The Encyclopedia Copyright © 2015, glbtq, Inc. Village People wears a Entry Copyright © 2008 glbtq, Inc. costume derived from Reprinted from http://www.glbtq.com those found in the Hollywood Western to create an instantly The Western is a distinctive American narrative genre that has developed over more recognizable than two centuries and now is recognized and consumed worldwide. Its most familiar hypermasculine persona. expressions are in literature, popular fiction, film, and television, but it also is This image created by important in painting, photography, music, sport, and advertising. Flickr contributor Jackie from Monouth County, New Jersey appears Heroic Western narratives have served to justify transformation and often destruction under the Creative of indigenous peoples and ecosystems, to rationalize the supposedly superior Commons Attribution 2.0 economic and social order organized by European Americans, and particularly to License. depict and enforce the dominant culture's ideals of competitive masculine individualism. The celebration of male power, beauty, and homosocial relationships in Westerns is compelling to many readers and viewers. Although the form of masculinity idealized in the Western is in opposition to the majority's stereotypical constructions of male homosexuality, both man-loving men and those who claim to reject same-sex attraction have found a great deal of interest in the narrative. Development and Form of the Western The national fantasy of the Western has its roots in the seventeenth and eighteenth centuries in the wars between Native Americans and European colonists. It developed during the rapid westward movement of settlers and the continuing conflict with native peoples after the American Revolution.