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Mckinney Macartney Management Ltd
McKinney Macartney Management Ltd MICK COULTER BSC - Director of Photography NASTY WOMEN (Feature Film) Director: Chris Addison. Producer: Roger Birnbaum and Rebel Wilson. Starring: Anne Hathaway and Rebel Wilson. Metro-Goldwyn-Mayer. SHETLAND (Series 4) Director: Rebecca Gatward. Producer: Eric Coulter. Starring: Douglas Henshall, Stephen Robertson and Alison O’Donnell. BBC Scotland. THE ESCAPE Director: Paul J. Franklin. Producers: Jessica Malik and Jessica Parker. Starring: Art Malik, Ben Miller and Olivia Williams. Parri Passu Films. BITCH aka SUKA Director: Krzysztof Lang. Producers: Wojciech Pałys and Mariusz Łukomski. Starring: Olga Bołądź, Piotr Adamczyk, Marieta Żukowska, Marcin Korcz Katarzyna Figura, Piotr Głowacki and Marian Dziędziel. Monolith Films. MALEFICENT (UK shoot) Director: Robert Stromberg. Producer: Don Hahn, Scott Michael Murray and Joe Roth. Starring: Angelina Jolie, Elle Fanning, Juno Temple, Sharito Copley and Imelda Staunton. Moving Picture Company / Walt Disney Pictures. SINGULARITY (UK shoot) Director: Roland Joffé. Producer: Paul Breuls, Guy Louthan and Ajey Jhankar. Starring Josh Hartnett, Bipasha Basu, Claire van der Boom, Billie Brown and James Mackay. Corsan NV. THE BANK JOB Director: Roger Donaldson. Producers: Steven Chasman and Charles Rosen. Starring: Jason Statham, Saffron Burrows, Stephen Campbell Moore and David Suchet. Skyline Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 MICK COULTER Contd … 2 LOVE ACTUALLY Director: Richard Curtis. Producers: Duncan Kenworthy, Tim Bevan and Eric Fellner. Starring: Alan Rickman, Hugh Grant, Liam Neeson, Bill Nighy, Colin Firth Emma Thompson, Laura Linney, Martine McCutcheon and Rowan Atkinson. -
Smiles Better West of Minsk
REVIEW Frank Cottrell Boyce is on the scene of the third Merseyside Festival Of Comedy Smiles Better west of Minsk. And a queue is the best audience in the world. Everyone in a queue is bored, you need only tell the slightest knock-knock joke to be treated like a pro- phet of better days. But the people of this city have an even longer tradi- tion and culture of waiting around: wives waiting for their seafaring husbands to return; dockers waiting for their ship to come in; mer- chant seamen waiting to go home. And in the meantime, a few jokes and a few songs. Then of course there's the Irish connection. Now I'm not saying that Sterne, Swift and Wilde are in the same league as Chegwin, Tarbuck and As- key, but the prestige of verbal performance is a feature of Irish culture. All dominated cultures have their ways of reasserting pride. For the Irish in Britain it was the smart reply and this has stuck in Liverpool. Then there's Catholicism. Catholics are still not in the majority in Liverpool but all of Liverpool's key cultural figures have Catholic roots with the exception of Mrs Hemans (author of 'The Boy Stood On The Burning Deck') and Gladstone. Where the personal columns of left-wing magazines are filled with sensitive guys looking for mountain bikes or lesbian couples looking for sperm, the personal column of the Liverpool Echo is filled with thank-you letters to the Sacred Heart and to St Jude (one in today's is signed, 'Grateful Protestant'). -
The One-Line Review Roxy
Share Report Abuse Next Blog» Create Blog Sign In The One-Line Review A concise guide to the cinematic and televisual arts Search Roxy (2010) powered by Iain Stott USA Short Film Writer/Director/Cinematographer: Shirley Petchprapa A...B..C...D...E...F...G..H...I J...K...L..M...N...O...P..Q..R Cast: Damien Puckler, Roxy Puckler S...T...U..V...W..X...Y...Z There are echoes of J.D. Salinger’s A Perfect Day for Bananafish (1948) in Shirley Petchprapa’s intensely sensual and ethereally The Year in Film beautiful self-financed short film, which wallows in the poetry of the Play for Today (1970-1984) every day, finding the beauty in acts as simple as a man watching Obscure, Forgotten, Unloved television, running a bath, and even just cleaning his teeth, whilst his Beyond the Canon dog, Roxy – the film’s real star – lolls around with effortless elegance. The 50 Greatest Films Iain.Stott 1000 Essential Films Hidden Gems Films of the Decade Lists, Collections, Top Tens, Home Older Post etc The Large Association of Movie Blogs LABELS Adam Elliot (5) Alan Bennett (7) Alan Bleasdale (2) Alan Clarke (5) Alastair Sim (4) Alec Guinness (3) Alexander Mackendrick (1) Alfred Hitchcock (7) Algeria (1) Alison Steadman (5) Amy Adams (3) Andrew Dickson (3) Angus MacPhail (3) Animated Feature Documentary (1) Animated Feature Film (20) Animated Short Film (21) Animated Short Televsion Film (1) Anthony Dod Mantle (6) Apichatpong Weerasethakul (2) Argentina (10) Arthur Askey (3) Astaire and Rogers (2) Atom Egoyan (4) Audrey Hepburn (1) Australia (18) Austria (14) -
The Quality of Mersey
September 1985 Marxism Today 43 ly in abeyance. One gets the feel of that in some of the accounts of designing paper THE QUALITY OF MERSEY backs in America in the 1940s when a lot of progressive writers and artists and pub lishers combined to get the best of the new Ian Williams fiction to a working class readership at the cheapest possible prices and with the best Is there a school of 'Liverpool Writers'? time, and employment in such conditions of innovative design. Do the Bleasdale's, Bainbridges, and Bea breeds a casual attitude both to propriety Of course there is no longer, if there ever tles have anything in common? Is it just and to property, in which Samuel Smiles' was, a unified 'reading public', and today accident of birth that connects Brookside 'Self Help' transmutes to 'Help Yourself. publishing is more constituency based - and Eddy Braben, Morecambe and Wise's Similarly, while the dominance of docks feminist, black, locally based - or commer scriptwriter, with Carla Lane or Willy and shipping produced a centralised and cially targetted: airport bookstall interna Russell. Do Alexei Sayle, Craig Charles, dangerously dependent economy, port tional espionage, railway bookstall ro Adrian Henri, Brian Patten and Roger work itself, with its myriad of occupational mance. Penguin's, now part of Pearson McGough share anything but the sound of divisions, produced a complex multi- pic, a multi-national publishing con an adenoidal cold? layered caste system complicated by divi glomerate, have become completely mar There are characteristics which disting sions between the various ethnic and reli ket-orientated. -
John Byrne's Scotland Paul Elliott, University of Worcester
Its Only Rock and Roll: John Byrne’s Scotland Paul Elliott, University of Worcester …I was brought up in Ferguslie Park housing scheme and found myself at the age of fourteen or so rejoicing in that fact and not really understanding why…Only later did I realise that I had been handed the greatest gift a budding painter/playwright could ever have…an enormous ‘treasure trove’ of language, oddballs, crooks, twisters, comics et al…into which I could dip a hand and pull out a mittful of gold dust. (Byrne 2014: 23) John Patrick Byrne was born six days into 1940 and grew up in the Ferguslie Park area of Glasgow. His father earned a living through a series of laboring and manual jobs and his mother was an usherette at the Moss Park Picture House. Byrne took to painting and drawing from an early age and recounts his mother stating that he began drawing in the pram as she wheeled him around the housing estate where they lived. As evidenced by the quote above, Byrne constantly drew on the people he met and saw in his early childhood for his art, and much of his later work can be seen to reflect this child-like vision of the world. When he was in his late childhood, Byrne’s mother was diagnosed with schizophrenia and taken to the Riccartsbar Mental Hospital in Paisley. This had an enormous impact on the young artist’s development and his creative output would be peppered with images of feminine abandonment and women with fragile mental states. -
Channel 4'S 25 Year Anniversary
Channel 4’s 25 year Anniversary CHANNEL 4 AUTUMN HIGHLIGHTS Programmes surrounding Channel 4’s anniversary on 2nd November 2007 include: BRITZ (October) A two-part thriller written and directed by Peter Kosminsky, this powerful and provocative drama is set in post 7/7 Britain, and features two young and British-born Muslim siblings, played by Riz Ahmed (The Road to Guantanamo) and Manjinder Virk (Bradford Riots), who find the new terror laws have set their altered lives on a collision course. LOST FOR WORDS (October) Channel 4 presents a season of films addressing the unacceptable illiteracy rates among children in the UK. At the heart of the season is a series following one dynamic headmistress on a mission to wipe out illiteracy in her primary school. A special edition of Dispatches (Why Our Children Can’t Read) will focus on the effectiveness of the various methods currently employed to teach children to read, as well as exploring the wider societal impact of poor literacy rates. Daytime hosts Richard and Judy will aim to get children reading with an hour-long peak time special, Richard & Judy’s Best Kids’ Books Ever. BRITAIN’S DEADLIEST ADDICTIONS (October) Britain’s Deadliest Addictions follows three addicts round the clock as they try to kick their habits at a leading detox clinic. Presented by Krishnan Guru-Murphy and addiction psychologist, Dr John Marsden, the series will highlight the realities of addiction to a variety of drugs, as well as alcohol, with treatment under the supervision of addiction experts. COMEDY SHOWCASE (October) Channel 4 is celebrating 25 years of original British comedy with six brand new 30-minute specials starring some of the UK’s best established and up and coming comedic talent. -
Film Stars Don't Die in Liverpool
Presents FILM STARS DON’T DIE IN LIVERPOOL Directed by Paul McGuigan / Based on the memoir by Peter Turner Starring ANNETTE BENING, JAMIE BELL and JULIE WALTERS PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download soon via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/film-stars-dont-die-in-liverpool Film Stars Don’t Die In Liverpool releases in cinemas 1 March 2018 DistriButed in Australia By Transmission Films 1 ABOUT THE PRODUCTION In late September 1981 Peter Turner received a phone call that would change his life forever. His former lover, Hollywood actress Gloria Grahame, had collapsed in a Lancaster hotel. She refused medical attention and instead reached out to Turner, who at Grahame’s request took her to his warm if chaotic family home in Liverpool. The pair had met a few years previously, their paths crossing in a Primrose Hill guesthouse in which they were lodging. Turner was an aspiring actor, Grahame a fading star. She had made her name in the Hollywood studio system, often playing the moll, the floozy or as Turner notes in his memoir ‘the tart with the heart,’ appearing in a string of film noirs, including the likes of the sad and hauntingly romantic In a Lonely Place with Humphrey Bogart (shot by her husband at the time, Nicholas Ray) and the Fritz Lang classic The Big Heat opposite Lee Marvin. Gloria shone in the likes of Crossfire, for which she was Oscar nominated, Naked Alibi and Sudden Fear, while her turn in The Bad and The Beautiful scooped her an Oscar win for Best Supporting Actress. -
Sculptors and Plumbers: the Writer and Television1 Jonathan Powell. (Royal Holloway: University of London) 1 I Would Like to Be
1 Sculptors and plumbers: The writer and television1 Jonathan Powell. (Royal Holloway: University of London) 1 I would like to begin by thanking the organizing committee for inviting me to deliver this keynote speech and I am delighted that the opportunity has led to its subsequent publication in this special edition of the Journal of Screenwriting. I am acutely aware that I face you as a practitioner, albeit one who has transferred from industry to academia. In preparation, I have done my best to at least acquaint myself with some of the arguments and frameworks within which this group operates. To this end, I have elected the work of Messrs. Caughie, Maras, Price and MacDonald as my primary gurus and guides. Nevertheless, as a practitioner, it is inevitable that I will speak from a partial, personal point of view. I will centre the framework of my thoughts around the position of the writer within television, as well as on my experiences in a particular period of the mid-1980s. This period saw the rise of what was known, at the time, as the television novel or authored serial, occurring before the contemporary incarnation of the ‘ongoing series’ that has achieved the position of global dominance that we observe today. However, I began by wondering why my immediate response, when offered the opportunity to speak at the 2015 Screenwriting Research Network Conference in London, was to jump in and join the debate. The answer was simple. I felt at home within the SRN group, with its emphasis on unearthing the processes that contribute to the formation of a script and with teasing out an understanding of the place of the script in the process of production. -
Working Paper Manchester / Liverpool
Shr ink ing Cit ies -------------------------------------------------------------------------------- MANCHESTER / LIVERPOOL II LIVERPOOL / MANCHESTER ARBEITSMATERIALIEN WORK ING PAPERS PABOCIE MATEPIALY ------------------------------------------------------------------------------------ MANCHESTER / LIVERPOOL MANCHESTER / LIVERPOOL II --------------------------------------------- March 2004 -------------------------------------------------------------------------------------------------------------- Shrinking Cities A project initiated by the Kulturstiftung des Bundes (Federal Cultural Foundation, Germany) in cooperation with the Gallery for Contemporary Art Leipzig, Bauhaus Foundation Dessau and the journal Archplus. Office Philipp Oswalt, Eisenacher Str. 74, D-10823 Berlin, P: +49 (0)30 81 82 19-11, F: +49 (0)30 81 82 19-12, II [email protected], www.shrinkingcities.com TABLE OF CONTENTS -------------------------------------------------------------------------------------------------------------- 3INTRODUCTION Philipp Misselwitz 5MAP OF THE M62 REGION 6STATISTICAL DATA: MANCHESTER / LIVERPOOL Ed Ferrari, Anke Hagemann, Peter Lee, Nora Müller and Jonathan Roberts M62 REGION 11 ABANDONMENT AS OPPORTUNITY Katherine Mumford and Anne Power 17 CHANGING HOUSING MARKETS AND URBAN REGENERATION: THE CASE OF THE M62 CORRIDOR Brendan Nevin, Peter Lee, Lisa Goodson, Alan Murie, Jenny Phillimore and Jonathan Roberts 22 CHANGING EMPLOYMENT GEOGRAPHY IN ENGLAND’S NORTH WEST Cecilia Wong, Mark Baker and Nick Gallent MANCHESTER 32 MANCHESTER CITY -
Alan Bleasdale
Alan Bleasdale Television A TALE OF TWO CITIES (Mammoth Screen/Lookout Point) Current 10 part adaptation of the classic Dickens’ novel, to be directed by Mike Newell THE SINKING OF THE LACONIA (Talkback Thames) 2010 2 parter telling the true story of the sinking of the Laconia liner by a German U-boat through the eyes of six survivors Nominated for a BAFTA for Best Drama Serial Starring Lindsay Duncan and Brian Cox OLIVER TWIST (Diplomat Films) 1999 4 part adaptation Starring Robert Lindsay, Julie Walters, Keira Knightley, Michael Kitchen SOFT SAND, BLUE SEA (Diplomat Films/Channel 4 Films) 1998 A poignant tale of childhood in modern society Produced by Alan Bleasdale and Keith Thomson Written by Keith Thompson Directed by Pip Broughton MELISSA (Diplomat Films/Channel 4) 1997 5 parter starring Hugh Quarshie, Jennifer Ehle, Tim Dutton and Julie Walters JAKE'S PROGRESS (Diplomat Films) 1995 4 part family drama Starring Robert Lindsay and Julie Walters GBH (Channel 4) 1991 Nominated for a BAFTA for Best Drama Serial 7 parter starring Robert Lindsay, Lindsay Duncan, Julie Walters and Michael Palin THE MONOCLED MUTINEER (BBC) 1986 4 parter based on the 1978 book of the same name by William Allison and John Fairley about the life of Percy Toplis, deserter in WW1 Starring Paul McGann, Cherie Lunghi, Jerome Flynn, Timothy West SCULLY (Granada Television) 1984 7 part drama series set in a Liverpool school based on a BBC Play for Today episode Starring Andrew Schofield BOYS FROM THE BLACK STUFF (BBC) 1982 Seminal 5 part serial created by Alan Bleasdale about a group of Liverpudlian tarmac layers Starring Bernard Hill, Michael Angelis, Alan Igbon, Tom Georgeson Film NO SURRENDER (Channel Four Films) 1985 Black comedy set in Liverpool on New Year’s Eve Starring Michael Angelia, Bernard Hill, Joanne Whalley Theatre ON THE LEDGE (National Theatre and Tour) 1993 ARE YOU LONESOME TONIGHT (West End) 1985 HAVING A BALL (West End and Tour) 1981 . -
From Reverential to “Radical” Adaptation: Reframing John Le Carré As “Quality” Television Brand from a Perfect
From Reverential to ‘Radical’ Adaptation Reframing John le Carré as ‘Quality’ Television Brand from A Perfect Spy (BBC 2, 1987) to The Night Manager (BBC 1, 2016) Dr Joseph Oldham, University of Hull To cite this article, please use the version published in Adaptation, Volume 10, Issue 3 (23 November 2017): https://doi.org/10.1093/adaptation/apx005. Introduction John le Carré is an author who has historically enjoyed a productive relationship with the BBC, primarily through an acclaimed trio of adaptations of his Cold War novels Tinker Tailor Soldier Spy (BBC 2, 1979), Smiley’s People (BBC 2, 1982) and A Perfect Spy (BBC 2, 1987), produced and broadcast as part of the BBC's classic serial strand. When, after a long hiatus, the BBC eventually screened a fourth le Carré adaptation, The Night Manager (BBC 1, 2016), much surrounding discourse referred back to these previous productions, positioning the new serial as a welcome reunion between two icons of British culture. Jasper Rees in The Telegraph, for example, described how ‘when a novel by John le Carré makes its way onto the small screen, expectation reaches for the sky’. Tinker Tailor was usually positioned as setting a high bar for the new production to clear, along with (to a lesser extent) Smiley’s People, both cited by Rees as being ‘still the espionage dramas against which all contenders must be measured’. By comparison, A Perfect Spy was largely overlooked in such commentary. Despite being screened 29 years apart, however, the television adaptations of A Perfect Spy and The Night Manager have many elements in common. -
INVESTIGATING the STYLE, FORM and GENRE of PERIOD DRAMA in 2010S BRITISH TELEVISION
A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy December 2020 HERITAGE AND POST-HERITAGE: INVESTIGATING THE STYLE, FORM AND GENRE OF PERIOD DRAMA IN 2010s BRITISH TELEVISION WILL STANFORD This image is unavailable. Please consult reference on page ii for further information. ABBISS ii ABSTRACT This project analyses six period drama productions in British television of the 2010s, expanding Claire Monk’s term of ‘post-heritage’ into a critical framework. Its case studies establish a cycle of progressive representations of the past in recent television drama, which operate against the assumptions of ‘heritage’ nostalgia forwarded by earlier scholars. The post-heritage framework consists of five guiding elements: interrogation, subversion, subjectivity, self-consciousness and ambiguity. These inform the analysis of the project’s case studies, while also allowing the existence of post-heritage elements to be recognised in earlier period drama productions. The thesis is split into three distinct parts, which allow the heritage and post-heritage elements of the case studies to be associated with the characteristics and theoretical concepts of television drama. The first chapter of each part evaluates the institutional context of its case study, identifying its impact upon production through textual examples from the programme. The second chapter of each part focuses on close analysis, demonstrating the extent to which post- heritage elements can assist innovation in television drama. Part I focuses on televisual style, identifying the naturalist, realist and modernist aesthetics of television drama. Scholarly sources are used to connect these with periods of British television history.