The Winnats Pass Mystery
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Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
Mckinney Macartney Management Ltd
McKinney Macartney Management Ltd MICK COULTER BSC - Director of Photography NASTY WOMEN (Feature Film) Director: Chris Addison. Producer: Roger Birnbaum and Rebel Wilson. Starring: Anne Hathaway and Rebel Wilson. Metro-Goldwyn-Mayer. SHETLAND (Series 4) Director: Rebecca Gatward. Producer: Eric Coulter. Starring: Douglas Henshall, Stephen Robertson and Alison O’Donnell. BBC Scotland. THE ESCAPE Director: Paul J. Franklin. Producers: Jessica Malik and Jessica Parker. Starring: Art Malik, Ben Miller and Olivia Williams. Parri Passu Films. BITCH aka SUKA Director: Krzysztof Lang. Producers: Wojciech Pałys and Mariusz Łukomski. Starring: Olga Bołądź, Piotr Adamczyk, Marieta Żukowska, Marcin Korcz Katarzyna Figura, Piotr Głowacki and Marian Dziędziel. Monolith Films. MALEFICENT (UK shoot) Director: Robert Stromberg. Producer: Don Hahn, Scott Michael Murray and Joe Roth. Starring: Angelina Jolie, Elle Fanning, Juno Temple, Sharito Copley and Imelda Staunton. Moving Picture Company / Walt Disney Pictures. SINGULARITY (UK shoot) Director: Roland Joffé. Producer: Paul Breuls, Guy Louthan and Ajey Jhankar. Starring Josh Hartnett, Bipasha Basu, Claire van der Boom, Billie Brown and James Mackay. Corsan NV. THE BANK JOB Director: Roger Donaldson. Producers: Steven Chasman and Charles Rosen. Starring: Jason Statham, Saffron Burrows, Stephen Campbell Moore and David Suchet. Skyline Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 MICK COULTER Contd … 2 LOVE ACTUALLY Director: Richard Curtis. Producers: Duncan Kenworthy, Tim Bevan and Eric Fellner. Starring: Alan Rickman, Hugh Grant, Liam Neeson, Bill Nighy, Colin Firth Emma Thompson, Laura Linney, Martine McCutcheon and Rowan Atkinson. -
Download Source Notes
1 Chapter 1: The Year p. 9 In the autumn of 1850, in Hyde Park in London, there arose a most extraordinary structure: a giant iron and glass greenhouse covering nineteen acres of ground and containing within its airy vastness enough room for four St Paul’s Cathedrals: The story of London’s Great Exhibition is thoroughly and entertainingly told in Michael Leapman’s The World for a Shilling: How the Great Exhibition of 1851 Shaped a Nation. For historical context, The Year Is 1851 by Patrick Howarth provided much information. The sources for other details are specified below. p. 10 The Building Committee of the Royal Commission for the Great Exhibition of the Works of Industry of All Nations consisted of four men – Matthew Digby Wyatt, Owen Jones, Charles Wild, and the great engineer Isambard Kingdom Brunel: Hix, The Glass House, p. 133. p. 11 The whole was to be capped off by Brunel’s contribution: an iron dome two hundred feet across: New Yorker, ‘The Great Iron Ship’, 19 September 1953. p. 11 Into this unfolding crisis stepped the calm figure of Joseph Paxton: Although Paxton’s architecture has been much written about, for instance in The Works of Sir Joseph Paxton by George F. Chadwick, Joseph Paxton himself was rather neglected as a biographical subject until the publication in 2004 of the excellent A Thing in Disguise: The Visionary Life of Joseph Paxton by Kate Colquhoun, from which many of the facts here are taken. p. 12 This so captivated the American Frederick Law Olmsted that he modelled Central Park in New York on it: See Rybczynski, A Clearing in the Distance. -
A Stroll Through Tate Britain
A STROLL THROUGH TATE BRITAIN This two-hour talk is part of a series of twenty talks on the works of art displayed in Tate Britain, London, in June 2017. Unless otherwise mentioned all works of art are at Tate Britain. References and Copyright • The talk is given to a small group of people and all the proceeds, after the cost of the hall is deducted, are given to charity. • My sponsored charities are Save the Children and Cancer UK. • Unless otherwise mentioned all works of art are at Tate Britain and the Tate’s online notes, display captions, articles and other information are used. • Each page has a section called ‘References’ that gives a link or links to sources of information. • Wikipedia, the Oxford Dictionary of National Biography, Khan Academy and the Art Story are used as additional sources of information. • The information from Wikipedia is under an Attribution-Share Alike Creative Commons License. • Other books and articles are used and referenced. • If I have forgotten to reference your work then please let me know and I will add a reference or delete the information. 1 A STROLL THROUGH TATE BRITAIN • The Aesthetic Movement, 1860-1880 • Late Victorians, 1880-1900 • The Edwardians, 1890-1910 • The Great War and After, 1910-1930 • The Interwar Years, 1930s • World War II and After, 1940-1960 • Pop Art & Beyond, 1960-1980 • Postmodern Art, 1980-2000 • The Turner Prize • Summary West galleries are 1540, 1650, 1730, 1760, 1780, 1810, 1840, 1890, 1900, 1910 East galleries are 1930, 1940, 1950, 1960, 1970, 1980, 1990, 2000 Turner Wing includes Turner, Constable, Blake and Pre-Raphaelite drawings Agenda 1. -
The Papers of John Turner Walton Newbold, 1888-1943: an Introductory Guide
THE PAPERS OF JOHN TURNER WALTON NEWBOLD, 1888-1943: AN INTRODUCTORY GUIDE ROBERT DUNCAN WORKERS' EDUCATIONAL ASSOCIATION (SCOTLAND) The radical and socialist aspects of the complex political life of Walton Newbold have, directly or indirectly, attracted the attention of several historians of the British and international labour movement in recent years. While the secondary literature on Newbold is not extensive, the frequency of references to him in historical publications is hardly surprising, as this Lancashire-born, university-educated, 'birthright' Quaker from a wealthy Liberal background, with inherited private means at his disposal, was involved in a range of significant interests and causes for over thirty years, during which time he was associated, sometimes closely, with many leading public figures. To date, the extent and results of scholarly interest in the political career of Newbold have been uneven. There is no biography or major study, but a review of the relevant historiography reveals that serious attention has at least touched on the following concerns and roles: as a Quaker and Independent Labour Party investigative journalist in the pre-1914 peace movement, his exposure of the threatening influence of the private armaments industry and of capitalist militarism;1 his emergence as a Marxist intellectual and revolutionary propagandist from 1917, including defence of the Russian Revolution;2 his promotion of independent working-class education via the Plebs 1 For a brief critique of Newbold's expose journalism see Clive Trebilcock, 'Radicalism and the Armament Trust', in A.J.A. Morris (ed.) Edwardian radicalism 1900-1914 (London: Routledge and Kegan Paul, 1974), 180-201; also Douglas J. -
Smiles Better West of Minsk
REVIEW Frank Cottrell Boyce is on the scene of the third Merseyside Festival Of Comedy Smiles Better west of Minsk. And a queue is the best audience in the world. Everyone in a queue is bored, you need only tell the slightest knock-knock joke to be treated like a pro- phet of better days. But the people of this city have an even longer tradi- tion and culture of waiting around: wives waiting for their seafaring husbands to return; dockers waiting for their ship to come in; mer- chant seamen waiting to go home. And in the meantime, a few jokes and a few songs. Then of course there's the Irish connection. Now I'm not saying that Sterne, Swift and Wilde are in the same league as Chegwin, Tarbuck and As- key, but the prestige of verbal performance is a feature of Irish culture. All dominated cultures have their ways of reasserting pride. For the Irish in Britain it was the smart reply and this has stuck in Liverpool. Then there's Catholicism. Catholics are still not in the majority in Liverpool but all of Liverpool's key cultural figures have Catholic roots with the exception of Mrs Hemans (author of 'The Boy Stood On The Burning Deck') and Gladstone. Where the personal columns of left-wing magazines are filled with sensitive guys looking for mountain bikes or lesbian couples looking for sperm, the personal column of the Liverpool Echo is filled with thank-you letters to the Sacred Heart and to St Jude (one in today's is signed, 'Grateful Protestant'). -
The British and French Representatives to the Communist International, 1920–1939: a Comparative Surveyã
IRSH 50 (2005), pp. 203–240 DOI: 10.1017/S0020859005001938 # 2005 Internationaal Instituut voor Sociale Geschiedenis The British and French Representatives to the Communist International, 1920–1939: A Comparative Surveyà John McIlroy and Alan Campbell Summary: This article employs a prosopographical approach in examining the backgrounds and careers of those cadres who represented the Communist Party of Great Britain and the Parti Communiste Franc¸ais at the Comintern headquarters in Moscow. In the context of the differences between the two parties, it discusses the factors which qualified activists for appointment, how they handled their role, and whether their service in Moscow was an element in future advancement. It traces the bureaucratization of the function, and challenges the view that these representatives could exert significant influence on Comintern policy. Within this boundary the fact that the French representatives exercised greater independence lends support, in the context of centre–periphery debates, to the judgement that within the Comintern the CPGB was a relatively conformist party. Neither the literature on the Communist International (Comintern) nor its national sections has a great deal to say about the permanent representatives of the national parties in Moscow. The opening of the archives has not substantially repaired this omission.1 From 1920 to 1939 fifteen British communists acted as their party’s representatives to the à This article started life as a paper delivered to the Fifth European Social Science History Conference, Berlin, 24–27 March 2004. Thanks to Richard Croucher, Barry McLoughlin, Emmet O’Connor, Bryan Palmer, Reiner Tosstorff, and all who participated in the ‘‘Russian connections’’ session. -
Colorado Springs
Archdiocesan Committee Completes Revision of Curriculum for Parochial Students Member of Audit Bureau of Circulation Content* Copyrighted by the Catholic Press Society, Inc., 1951—Permission to Reproduce, Except on Articles Otherwise Marked, Given After 12 M. Friday Following Issue, New Study Course for Grade Schools The Rev. Edward A. Leyden, superintendent of schools aids to the teacher (such as partially developed units), text Washington, D. C., ^ d implemented in the Southeastern for the Denver archdiocese, announces that the Arch materials, visual aids, reading lists, and all other educational Curriculum committee, Atknta, Ga., have been integrated diocesan Course of Study Committee, comprised of repre activities to be used in striving to accomplish minimum in the basic pattern of the new course guide. sentatives of the various religious communities teaching grade-level achievement. The eight separate volumes are The course also suggests subject time allotments. DENVER CATHOLIC in the elementary schools of the Archdiocese of Denver, "wire-o” bound with Tuscan-stock cover. Each volume grade placernents, typical teaching-day programs, testing has completed and published a revised course of study averages 132 content pages. materials,' ' andnd suggested. procedures.. _The course meets all for tentative use in the parochial elementary schools of The present revision marks the fourth modification state requirements and national teaching norms. the Archdiocese of Denver, Diocese of Pueblo, and Diocese of the Archdiocesan Course of Study since its inception in A letter from Archbishop Urban J. Vehr recommends of Cheyenne. 1912. The course has been expanded to include new study the new course of studies as follows: The project marks the culmination of two years of units in the areas of history, geography, and citizenship, Reverend Dear Father and Beloved Sister: REGISTER study and research into grade school curricula in use in with........................................................... -
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The newspaper lying on the windowsill of the bothy said it all really: ‘Enchanting Secret Behind …’ Behind what? We may never know. Whether it was a deliberate move to preserve the spirit of a beautifully enduring mystery, or the fear of terminating some dream or hope that continues to sit loaded in my imagination like the pistol used in Percy’s getaway, I never did unfold the paper to reveal how the headline concluded. It probably sits there now, a taunting reminder of all we may never know about Toplis and the Mutiny in Etaples that this wily, cocky brigand may or may not have played a part in. Facts are scarce when it comes to Percy. He first entered the public consciousness in 1920 when for a brief spell he was the most wanted war deserter in England, tried and found guilty in absentia for the murder of taxi-driver, Sidney Spicer before being ambushed and gunned-down in Cumbria. 50 years later he was resurrected — this time as the hero of Bill Allison and John Fairley’s book, The Monocled Mutineer which painted a harsh and uncompromising picture of the riots that took place at the Etaples Training Ground in September 1917. He was and remains part-media creation, a patchwork of ideals and projections, a man fashioned from the slag of other men’s aspirations, a hero among unheroes, a cautionary tale derived from a less than cautious history. Anarchist? Activist? Spy? Violent criminal? I stroked my fingers over the moisture that a cooler, airish morning had left on the bothy window and signed it ‘Percy’. -
The One-Line Review Roxy
Share Report Abuse Next Blog» Create Blog Sign In The One-Line Review A concise guide to the cinematic and televisual arts Search Roxy (2010) powered by Iain Stott USA Short Film Writer/Director/Cinematographer: Shirley Petchprapa A...B..C...D...E...F...G..H...I J...K...L..M...N...O...P..Q..R Cast: Damien Puckler, Roxy Puckler S...T...U..V...W..X...Y...Z There are echoes of J.D. Salinger’s A Perfect Day for Bananafish (1948) in Shirley Petchprapa’s intensely sensual and ethereally The Year in Film beautiful self-financed short film, which wallows in the poetry of the Play for Today (1970-1984) every day, finding the beauty in acts as simple as a man watching Obscure, Forgotten, Unloved television, running a bath, and even just cleaning his teeth, whilst his Beyond the Canon dog, Roxy – the film’s real star – lolls around with effortless elegance. The 50 Greatest Films Iain.Stott 1000 Essential Films Hidden Gems Films of the Decade Lists, Collections, Top Tens, Home Older Post etc The Large Association of Movie Blogs LABELS Adam Elliot (5) Alan Bennett (7) Alan Bleasdale (2) Alan Clarke (5) Alastair Sim (4) Alec Guinness (3) Alexander Mackendrick (1) Alfred Hitchcock (7) Algeria (1) Alison Steadman (5) Amy Adams (3) Andrew Dickson (3) Angus MacPhail (3) Animated Feature Documentary (1) Animated Feature Film (20) Animated Short Film (21) Animated Short Televsion Film (1) Anthony Dod Mantle (6) Apichatpong Weerasethakul (2) Argentina (10) Arthur Askey (3) Astaire and Rogers (2) Atom Egoyan (4) Audrey Hepburn (1) Australia (18) Austria (14) -
The Quality of Mersey
September 1985 Marxism Today 43 ly in abeyance. One gets the feel of that in some of the accounts of designing paper THE QUALITY OF MERSEY backs in America in the 1940s when a lot of progressive writers and artists and pub lishers combined to get the best of the new Ian Williams fiction to a working class readership at the cheapest possible prices and with the best Is there a school of 'Liverpool Writers'? time, and employment in such conditions of innovative design. Do the Bleasdale's, Bainbridges, and Bea breeds a casual attitude both to propriety Of course there is no longer, if there ever tles have anything in common? Is it just and to property, in which Samuel Smiles' was, a unified 'reading public', and today accident of birth that connects Brookside 'Self Help' transmutes to 'Help Yourself. publishing is more constituency based - and Eddy Braben, Morecambe and Wise's Similarly, while the dominance of docks feminist, black, locally based - or commer scriptwriter, with Carla Lane or Willy and shipping produced a centralised and cially targetted: airport bookstall interna Russell. Do Alexei Sayle, Craig Charles, dangerously dependent economy, port tional espionage, railway bookstall ro Adrian Henri, Brian Patten and Roger work itself, with its myriad of occupational mance. Penguin's, now part of Pearson McGough share anything but the sound of divisions, produced a complex multi- pic, a multi-national publishing con an adenoidal cold? layered caste system complicated by divi glomerate, have become completely mar There are characteristics which disting sions between the various ethnic and reli ket-orientated.