John Malcolm Brinnin Letters to John Matthew O'shea
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Simply Eliot
Simply Eliot Simply Eliot JOSEPH MADDREY SIMPLY CHARLY NEW YORK Copyright © 2018 by Joseph Maddrey Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-25-4 Brought to you by http://simplycharly.com Extracts taken from The Poems of T. S. Eliot Volume 1, The Complete Poems and Plays, The Complete Prose of T. S. Eliot: The Critical Edition, The Letters of T. S. Eliot, Christianity and Culture, On Poetry and Poets, and To Criticize the Critic, Copyright T. S. Eliot / Set Copyrights Limited and Reproduced by permission of Faber & Faber Ltd. Extracts taken from Ash Wednesday, East Coker and Little Gidding, Copyright T. S. Eliot / Set Copyrights Ltd., first appeared in The Poems of T. S. Eliot Volume 1. Reproduced by permission of Faber & Faber Ltd. Excerpts from Ash Wednesday, East Coker and Little Gidding, from Collected Poems 1909-1962 by T. S. Eliot. Copyright 1936 by Houghton Mifflin Harcourt Publishing Company. Copyright renewed 1964 by Thomas Stearns Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Extracts taken from Murder in the Cathedral, The Cocktail Party, The Confidential Clerk, and The Elder Statesman, Copyright T. -
Collection of John Malcolm Brinnin-Kimon Friar Correspondence and Brinnin Literary Manuscripts
Special Collections Department Collection of John Malcolm Brinnin-Kimon Friar Correspondence and Brinnin Literary Manuscripts 1933 - 1988 (bulk dates 1936 - 1950) Manuscript Collection Number: 257 Accessioned: Gift of Kimon Friar, June 1991. Extent: 4 linear ft. Content: Correspondence, photographs, phonograph recordings, poems, and short stories. Access: Written permission is required for access during the lifetime of the correspondents. Processed: June 1992 and revised July 2000 by Anita A. Wellner. for reference assistance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Biographical Notes Scope and Contents Note Arrangement Note Series Outline Contents List Biographical Notes John Malcolm Brinnin Poet and biographer John Malcolm Brinnin was born in Halifax, Nova Scotia, on September 13, 1916, to John A. Brinnin and Frances Malcolm Brinnin. When he was young his family moved to Detroit, Michigan. Brinnin graduated from the University of Michigan in 1942 and within a year entered graduate school at Harvard University. Brinnin, who was also a critic, anthologist, and teacher, taught at Vassar, Boston University, the University of Connecticut, and Harvard. He was Director of the Young Men's and Young Women's Hebrew Association Poetry Center (the 92nd Street Y) in New York City during one of the Center's most successful periods (1949-1956). Brinnin was the first person to bring Welsh poet Dylan Thomas to the United States and was responsible for all of Dylan Thomas's reading tours in this country. Brinnin's best known work, Dylan Thomas in America, published in 1955, provides a personal memoir of Dylan Thomas's trips to America as Brinnin observed them, and carries a moving account of the period of Thomas's death in 1953. -
DADA / USA. Connections Between the Dada Movement and Eight American Fiction Writers
TESIS DOCTORAL Título DADA / USA. Connections between the Dada movement and eight American fiction writers Autor/es Rubén Fernández Abella Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico DADA / USA. Connections between the Dada movement and eight American fiction writers, tesis doctoral de Rubén Fernández Abella, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2017 publicaciones.unirioja.es E-mail: [email protected] UNIVERSIDAD DE LA RIOJA Facultad de Letras y de la Educación Departamento de Filologías Modernas PHD THESIS DADA / USA CONNECTIONS BETWEEN THE DADA MOVEMENT AND EIGHT AMERICAN FICTION WRITERS Rubén Fernández Abella Supervisor: Dr. Carlos Villar Flor 2016 Contents Acknowledgements 4 1. Introduction 1. 1. Purpose and Structure 5 1. 2. State of the Art 11 1. 3. Theoretical Framework 19 2. A Brief History of Dada 2. 1. The Birth of Dada 28 2. 2. New York Dada 36 2. 3. Paris Dada: The Demise of the Movement? 42 2. 4. Dada and Surrealism 45 3. Dada, Language, and Literature 3. 1. Dada’s Theory of Language 49 3. 2. Dada and the Novel: A Survey of Dadaist Fiction 52 3. 2. 1. Hugo Ball: Flametti oder vom Dandysmus der Armen and Tenderenda der Phantast 55 3. 2. 2. Kurt Schwitters: “Die Zwiebel” and Franz Müllers Drahtfrühling 60 3. -
Sound and Meaning in Dylan Thomas's Poetry
SOUND AND MEANING IN DYLAN THOMAS'S POETRY THELMA LOUISE BAUGHAN MURDY A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTUL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA June, 1962 » Copyright by THELMA. LOUISE BAUGH/IN MJRDY 1962 — ACKNOWLEDGMENTS I wish to express my appreciation to the members of the supervisory committee, v^o read the manuscript and made valuable suggestions: Dr. Stephen F. Fogle, Dr. John T. Fain, Dr. T. Walter Herbert, and Dr. John R. Spencer. I am deeply indebted to Dr. Ants Oras for the combination of kindness and criticism which make for an outstanding research director. }ty other sources of assistance and encouragement were numer- ous and varied. I am grateful indeed to the Southern Fellowships Fund, for without its support I could not have undertaken the research project. Professor John Malcolm Brinnin, Professor Gene Baro, Professor Daniel G. Hoffman, Mr. Lloyd Frankenberg, Dr. Arthur L. Klein, Professor W. T. Weathers, Professor Clifton C. Hill, and Mr. James E. Hansen, among others, contributed important information to the study. The staff of the University of Florida Library— particularly those connected with the Interlibrary Loan Department helped make possible the annotated bibliography. I am above all appreciative of lay husband's understanding, encouragement— and patience. ill TO MAMA. AND DADEC TABLE OF COLITENTS Page ACKNOWLEDGMENTS iii LIST OF APPENDICES vi INTRODUCTION 1 CHAPTER I 17 CHAPTER II _ 49 CHAPTER III 100 -
Subjects, Objects, and the Fetishisms of Modernity in the Works of Gertrude Stein
Subjects, Objects, and the Fetishisms of Modernity in the Works of Gertrude Stein KATE LIVETT A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy UNSW Submitted for examination August 2006 Abstract This thesis reopens the question of subject/object relations in the works of Gertrude Stein, to argue that the fetishisms theorised by Karl Marx, Sigmund Freud, and later Walter Benjamin and Michael Taussig, and problematised by feminist critics such as Elizabeth Grosz, are central to the structure of those relations. My contribution to Stein scholarship is twofold, and is reflected in the division of my thesis into Part One and Part Two. Part One of this thesis establishes a model for reading the interconnections between subjects and objects in Stein’s work; it identifies a tension between two related yet different structures. The first is a fetishistic relation of subjects to objects, associated by Stein with materiality and nineteenth-century Europe, and the identity categories of the “genius” and the “collector”. The second is a “new” figuration of late modernity in which the processual and tacility are central. This latter is associated by Stein with America and the twentieth century, and was a structure that she, along with other modernist artists, was developing. Further, Part One shows how these competing structures of subject/object relations hinge on Stein’s problematic formulations of self, nation, and artistic production. Part Two uses the model established in Part One to examine the detailed playing- out of the tensions and dilemmas of subject/object relations within several major Stein texts. -
Tram Combs Correspondence
Special Collections Department Tram Combs Correspondence 1953 - 1965 Manuscript Collection Number: 178 Accessioned: Purchase, 1987, 1988. Extent: 275 items (.5 linear ft.) Content: Correspondence and typescripts. Access: The collection is open for research. Processed: 1991 by Anita A. Wellner. for reference assitstance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Biographical Note Scope and Contents Note Series List Contents List Biographical Note Tram Combs (Elisha Trammell, Jr.), born September 25, 1924, in Riverview, Alabama, was the son of Elisha Trammel Combs, a cotton mill superintendent. He attended the University of Washington from 1943-1944. In 1945 He received a certificate of professional competence in meteorology from the University of Chicago. During these years he also served in the U. S. Army Air Forces as a meteorologist, attaining the rank of 2nd lieutenant. In 1948 he graduated from the University of California with an A. B. He also did some course work at Harvard University and Massachusetts Institute of Technology in the area of electronics engineering. Combs worked for a brief period (1948-1951) as an oil chemist for Tidewater Associated Oil Company in Avon, California and later (1951-1952) managing his own Island Studios, Inc. Beginning in 1952 Tram Combs established his book shop in St. Thomas, Virgin Islands. His book shop specializes in material related to the middle and southern Americas. This was his occupation during the span of years of the correspondence in this collection. As a poet Combs has written a number of books of verse. -
Poetry Bibliography: 267 Items European Poetry: Primary Sources: 1
Poetry Bibliography: 267 items European Poetry: Primary sources: 1. A Choice of Anglo-Saxon Verse / by Richard Hamer. London: Faber & Faber. Call #: PR 1505 .H3 2. Seven Old English Poems /ed. John C. Pope. New York: W. W. Norton & Co., 1981. Call #: PR 1505 .S48 1981 3. English Lyrics before 1500 /by Theodore Silverstein. Evanston: Northwestern University Press, 1971. Call # PR 1203 .S54 1971b 4. Early English Christian Poetry /trans. Charles W. Kennedy. New York: Oxford University Press, 1952. Call #: PR 1508 .K38 5. The Complete Works of the Pearl Poet / trans. and introd. Casey Finch. Berkeley: University of California Press, 1993. Call #: PR 1972 .G35 A345 1993 6. Pearl: A New Verse Translation /by Marie Borroff. New York: W. W. Norton & Co., 1977. Call #: 2111 .A214 1977 7. The New Oxford Book of Sixteenth-Century Verse /ed. Emrys Jones. Oxford: Oxford University Press, 1991. Call #: PR 1205 .N49 1991 8. Sixteenth-Century Poetry: An Annotated Anthology /ed. Gordon Braden. London: Blackwell Publishing, 2005. Call #: Ref. PR 1205 .S589 2005 9. Poetry of the English Renaissance /ed. J. William Hebel and Hoyt H. Hudson. New York: Appleton-Century-Crofts, 1929. Call #: PR 1205 .H4/PR 1205 .H4 1929 10. The Anchor Anthology of Seventeenth-Century Verse (vols. 1-2)/ ed. Louis L. Martz (vol. 1) and Richard S. Sylvester (vol. 2). New York: Anchor Books; Doubleday Call #: PR 1209 .M26 v.1/v. 2 2 11. The Norton Anthology of Modern and Contemporary Poetry, 3rd edition (vols. 1-2)/ ed. Jahan Ramazani, Richard Ellmann, and Robert O'Clair. New York: W.W. -
The Poetry of John Ashbery and Cognitive Studies
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Chinese whispers Chinese rooms: the poetry of John Ashbery and cognitive studies https://eprints.bbk.ac.uk/id/eprint/40060/ Version: Full Version Citation: Kherbek, William (2014) Chinese whispers Chinese rooms: the poetry of John Ashbery and cognitive studies. [Thesis] (Unpub- lished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Chinese Whispers Chinese Rooms: The Poetry of John Ashbery and Cognitive Studies William Kherbek Birkbeck University of London Submitted for Degree of Doctor of Philosophy 1 Abstract This thesis examines the relationship of John Ashbery’s poetry to developments in cognitive studies over the course of the last sixty years, particularly the science of linguistics as viewed from a Chomskyan perspective. The thesis is divided into four chapters which position particular topics in cognitive studies as organising principles for examining Ashbery’s poetry. The first chapter concentrates on developments in syntactic theory in relation to Ashbery’s experiments with poetic syntax. The second chapter examines the notion of “intention” and “intentionality” in Ashbery’s writing from the perspective of cognitive “theory of context” writing, particularly the work of Deirdre Wilson and Daniel Sperber. The final two chapters consider cognitive questions using Ashbery’s poetry as a means of entry into controversial areas in formal cognitive studies. The third chapter examines his poetry in relation to temporality, suggesting that Ashbery’s experiments with time form “theories of consciousness” as they consciously manipulate readerly consciousness and attention. -
NEA Literature Fellowships
National Endowment for the Arts NEA Literature Fellowships 40 Year s of Supporting American Writers National Endowment for the Arts This year, the National Endowment for the Arts marks its 40th anniversary of leadership in the arts. The NEA is a public agency dedicated to supporting excellence in the arts, both new and established; bringing the arts to all Americans; and providing leadership in arts education. Established by Congress in 1965 as an independent agency of the federal government, the Arts Endowment is the largest national funder of the arts, bringing great art to all 50 states, including rural areas, inner cities, and military bases. National Endowment for the Arts NEA Literature Fellowships 40 Year s of Supporting American Writers March 2006 Credits This publication is published by: Photo Credits Dana Gioia: Photo by Vance Jacobs (page 1) National Endowment for the Arts John Steinbeck and Ralph Ellison: Photo by R. Philip Hanes, Jr. (page 3) Office of Communications Julia Alvarez: Photo by Bill Eichner (page 12) T. C. Boyle: Photo by Pablo Campos (page 13) Felicia Knight, Director Jared Carter: Photo by Diane Carter (page 14) Don Ball, Publications Manager/Editor Annie Dillard: Photo by Carin Clevidence (page 15) Rita Dove: Photo by Fred Viebahn (page 16) Designed by Nancy Bratton Design Andre Dubus: Photo by Marion Ettlinger (page 17) Cover Photo by Nancy Bratton Ernest J. Gaines: Photo by Dianne S. Gaines (page 18) Christina Garcia: Photo courtesy of Lavin Agency (page 19) Thanks to Amy Stolls, David Kipen, Jon Peede, Paulette Beete, Campbell Kaye Gibbons: photo by Marion Ettlinger (page 20) Irving, Pamela Kirkpatrick, and Garrick Davis for their contributions to John Haines: Photo by Peter Iseman (page 21) the publication.