DOCSLIB.ORG

The Carroll News-Vol. 82, No. 10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Carroll News-Vol. 82, No. 10 John Carroll University Carroll Collected The aC rroll News Student 3-26-1992 The aC rroll News-Vol. 82, No. 10 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News-Vol. 82, No. 10" (1992). The Carroll News. 1036. http://collected.jcu.edu/carrollnews/1036 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Serving the John Carroll University Community Vol. 82, No. 10 John Carroll University, University Heights, Ohio 44118 March 26,1992 JCU moves Dolan residents Cause of fire remains unknown Chris Kazor Dry cleaning services were The cause of the fire has thus News Ed1tor provided for the third floor stu- far eluded the University Heights In the aftennath of the Dolan dents in order to clean the clothes police and frre depanrnents. Ac­ Hall fire, displaced third floor that had been damaged by the cording to Detective Lieutenant residents were given rooms for smoke and soot from the fire. James Daugherty of the Univer- the remainder of the semester, "Although the University slly Heights Police Department, while the cause of the fire con­ doesn'tassumeany responsibility the fire has for right now been tinued to remain unknown. for personal lost, we thought by classified as a fire of "undeter­ Of the 57 displaced residents picking up the dry cleaning we minable origin." ·photo b)l Bnnclte Soaalla on the third floor of Dolan, most could get people settled more Daughertydidrepeat.,however, Robert Mahoney, right, answers a question from Frank Navratil, were placed in Murphy Hall, with quickly," said Byrnes. that the possibility of arson has dean of the School of Business. at the Mellen Series 13 placed in Pacelli Hall, and a Cleaning people moved into been eliminated. He added that few each an East, Gnu, and Millor the dorm on Mon. March 16, the thereisevidencetheflremayhave Halls. All students were moved dayafterthefrre,andbeganpulling smoldered for some time in Ford's Speaker discusses by this past Sunday. Room ar­ down the ceiling which has to be room before it fully ignited. rangements were made so that all replaced. This past Monday, the Despite the Jack of success in Diebold's strength roommates were able to stay to­ cleaners began entering students' determining a cause, effortS are John It Thome Diebold corporation 1s a leader in gether, unless a request was made rooms and throwing out ruined continuing. News Writer the industry dedicated to quality to the contrary. items. "Extensive photographs were In continuation of the Mellen and stands behind its products Cindy Ford, the third floor JCU had insurance people taken," said Daugheny. "These Series, Robert W. Mahoney, chief fully. resident assistant, in whose room come in to make damage assess- will be reviewed by the state fire executive officer of Diebold In- Their product line includes the frre took place, has taken the ments last week. As of press time marshall who should be able to corporated, spoke to a large num- ATM banking machines, which flfSt floor Dolan room of Jesuit Tuesday night a figure had not yet make a report in two to three ber of students, faculty, and theyinttoducedinthe1970s,along novice Greg Hyde. Hyde, mean­ been returned. weeks." membersofthebusinesscommu- with a number of other banking while, has moved to room 218 of nity on Thurs. March 19 in the machines. They also specialize in Bernet Hall. This room is normally New officers hold New Conference Room. electronic security systems. reserved for the assistant to the Mahoney began his speech with "Diebold is a sttong financial dean, but the former assistant left a brief history of the company, but company," Mahoney stressed last ::;em ester to take a job, and the first SU meetin quickly began speaking about manytimesthroughoutthcc;peech. po;;oo; wa fiE!Wf rilEd tMS -. 1'he bill was taken to a vOle and Diebold .. be - ->today 8Ad The~· ~-. mester. leaving the room vacant News Writer passed without debate. tomorrow. creased steadily for the past 39 Donna Byrnes, director of The new Student Union offic­ New Student Union Pres1dent Diebold Incorporated was es- years. Accordmg to Mahoney, housing, said that the events of ers opened the 1992-93 session Kevin Biacsi and Greek Council tablished in Cincinnati in 1859 by Diebold is a company for the stock last week went smoothly, and that this past Tuesday. The meeting President Louis Lacouture pre­ Charles Diebold. The company holder who is looking "for the she was pleased with the coop­ was brief, as only two bills were sented a bill to the senate that set out to make "the finest safes in long term investment." eration that was demonstrated presented. recommended "that the adminis­ the world." Mahoney, who is originally "Considering we needed to A bill concerning the need for tration allow Greek Council to Mahoney gave examples of from New York but now calls the move 57 people in a week, it says two signatures on any check further promote Greek life on Diebold's quality. Safes made by Cleveland area his home, joined a lot about the residents of Dolan," wriuen by any of the four classes campus." Diebold survived the fire of Chi- the staff of Diebold in 1982 as a Byrnes said. "They were very co­ was presented by Monica Lacouture stated the need for a cago in 1871 and last year's vicepresident Hequicklymoved operative." Coreman. "fonnal recognition" of the ef­ bombing of Kuwait up the ladder to become the The bill stated a "need to See UNION, page 6 According to Mahoney, the See DIEBOLD, page 6 WIIAT'S INSIDE: standardize the four classes' ac­ counting methods." Jr()JllJlWI •••••••••••••••• ~ 1992-1993 Class Election Candidates · Democratic The bill requires the signatures of the president as well as the Senior Class Secretary: Jason Kopc1..ak Secretary: Dianna DeFazio · looks treasurer of each class when President: Sandra Crapis Kathy McCullough Regina Hoover maybe writing a check from that class's deceiving account. John Hogan Treasurer: John Petrus On Campus Senator: WORLD VIEW•••••••• 8 "IL' s just to safeguard the ttea­ Matt Santa On Campus Senator: Ronald Alexander surer ," Core man said. Vice President: Molly Moser Jus tin Kopczak Kara Escovar rulingFrance's party ! The bill was presented only as !Secretary: Scou Webber Ami Reed Susan Graham suffers; vote aprecautionarymeasuretoprevent [Treasurer: Chris Dashner Christine Rees Megan Matyjasik any problems that may occur from viewed as ~n Campus Senator: Curtis Ross Erin O'Malley any spending done by the indi­ protest Diann Dellafiora Off Campus Senator: Dennis Percy CAMPUS LIFE••••••• 9 vidual classes. "There was no situation that ~fr Campus Senator: Rob Bertrand Karen Quinn presented a need for it [the bill)," Michelle Goldbach Kevin Robinson Ryan Rex Coreman said. Nicole Neumann Erin Shaughnessy A friendly amendment was Mary Lou Sferra Sophomore Class O« Campus Senator: AIDS made before the bill was taken to Derek Smith President: Airne Gillespie Heather Brooks a vote. The senate asked that it be SPOR'r8..•.••.••••.•• 16 Phil Kangas Noreen Cayayan Streaks stated in the billlhat this process begin with the next senate. General Junior Class Tara Meyer Fred D'Onofrio expecting to" vie for elections to determine the new President: Moe McGuinness Vice President: Adele Fini class officers that will sit in the ~ [Vice President: Joe Brunnell Jack.i Liautaud Rozlyn Pinto senate will be held April 6-7. Joe Parks Dominic Offredo Page2 EDITORIAL The Carroll News, March 26, 1992 editorial •. What should represent JCU JCU meets Jack Daniel's. Small signs bearing this message appeared last week all over tables in the cafeteria. The idea was to advertise a tee-shirt which bears John Carroll's name imposed on the Jack Daniel's Whiskey logo. The table-tent signs displayed the mandatory "JOHN CARROLL UNIVERSITY/ DIRECTOR OF STUDENT ACITVITIES" stamp of approval, but the Office of Student Activities said that it did not stamp the ad. In fact, Lisa Heckman, director of student activities, said that she would never approve an advertisement for something the school disagreed with. And~ the school does not want its name associated with alcohol abuse. The John Carroll student sales representative of the DYTEC marketing company (the people who are marketing this product) said that someone, a male student, stamped the sign when he came to the Office of Student Activities. It seems likely that both parties are telling the truth since no male (or for that matter no student) has the authority to stamp these signs. And, until It's Hard To See the Haze When You Are In It Monday, the rubber stamp of approval was notalway s locked in a cabinet. Dean of Students Joe Farrell is currently making arrangements with the commentary university's legal counsel to copyright the university's name and logo. Although the details of this plan have not been formulated, the idea is A fond farewell from the EIC to prevent individuals and corporations (from outside of the university) What do you do with 600 business cards The hardest lesson to learn was criti­ from profiting from the university's name and/or logo. that are no longer valid? cism, unleashed through the CN, at the CN This seems wise, but it should be extended. The university's name It is all I have to worry about now, since and by the CN. Without a sensitivity, should not be used to promote or be associated with destructive or immoral today marks my last official day as editor­ criticism becomes hannful.
Load more

Recommended publications
  • Interview with Lush's Frontwoman Miki Berenyi
    Interview with Lush's frontwoman Miki Berenyi musicophile97.blogspot.co.uk/2016/08/interview-with-lushs-frontwoman-miki.html It’s a regular Tuesday night in everything but the fact that I am currently sat opposite Miki Berenyi, the returned frontwoman of Lush. After nearly a 20-year break, the 90s favourite indie kids make their return. Much has changed for the band in the interim: Elastica’s Justin Welch replaces Chris Acland on drums after Acland committed suicide in 1996; Berenyi all but disappeared from the music scene to start a family and hold down a regular job. In spite of this, she remains the same at the core: she sips on white wine that she brought over, and intermittently takes a few drags on an e-cigarette. When she speaks of how it feels to be back, Berenyi says it’s ‘really quite odd actually […] I was losing sleep about having agreed to do this. I suddenly thought, “fuck, I haven’t played in twenty years, this is going to be a disaster.” And actually, it was really good to just go into the studio and sing and play guitar and think, “ok, I can still do this!”’ In spite of having been out of the game for so long, there is a clear sense of anticipation to play live again [I spoke to Berenyi before Lush’s headline shows at the Roundhouse]. ‘It’s a bit weird cos we haven’t played yet […] I went on the radio and they were like “ooh so how’s it going?” and all I can really talk about is rehearsals.
    [Show full text]
  • From Reluctance to Reunion Interview | Under the Radar
    Lush: From Reluctance to Reunion Interview | Under the Radar undertheradarmag.com /interviews/lush/ Lush From Reluctance to Reunion Jul 01, 2016 By Frank Valish Photography by James Loveday Issue # 57 - M83 Back in 2014, when Lush's Miki Berenyi and Emma Anderson spoke with Under the Radar about the band's seminal albums Split and Lovelife, the idea of getting the band back together was something of a pipe dream. The London outfit, which formed out of friendship in the late '80s, rode a wave of shoegaze and Britpop to success in the decade that followed. But after disbanding in the wake of the suicide of founding drummer Chris Acland in 1996, Berenyi and Anderson moved on—they had children and got day jobs. Other than Anderson's stint in Sing-Sing in the late '90s and early '00s, they had been out of music completely. "It's so difficult," said Berenyi at the time. "There's part of me that thinks that it would be nice or it would be fun. I don't know. I feel very confused about the issue, if I'm honest. I don't play music. I'm not in a band. I haven't been 1/3 since Lush. The actual logistics of getting it together are pretty phenomenal. It scares me a bit." For Anderson, a single mother who found herself moving around a bit in the years prior, the demands of life made reformation tricky: "Having a young child is very, very time-consuming and exhausting and there's not a lot of brain space for anything else right now," she said at the time.
    [Show full text]
  • Lush - Miki Berenyi and Emma Anderson on 1996 Album “Lovelife” and the Last Days of the Band
    Lush - Miki Berenyi and Emma Anderson on 1996 Album “Lovelife” and the Last Days of the Band undertheradarmag.com /interviews/lush_- _miki_berenyi_and_emma_anderson_on_1996_album_lovelife_and_the_last_d/ "Lush was so tied up with Chris, and without him, it's just really, really difficult to consider [a reunion]." - Miki Berenyi Apr 28, 2015 By Frank Valish Issue #51 - September/October 2014 - alt-J The year was 1996. Lush had released its third full-length album, Lovelife. Although their shoegaze-crossed-with- pop songwriting never truly fit into Britain's chart-centric musical atmosphere, the band was finally getting its due, with Lovelife cracking the Top 10 on Britain's album charts and spawning three charting singles, "Single Girl," "Ladykiller," and "500 (Shake Baby Shake)." The band was in demand for concerts across the U.S. and Europe. On the surface, it seemed like things couldn't get any better. But within a year, it would all be over. 1/4 Lush formed in London in 1988, fronted by school friends Emma Anderson (guitars/vocals) and Miki Berenyi (vocals/guitars), along with Chris Acland (drums) and Steve Rippon (bass). After releasing a series of EPs that garnered Lush attention in the U.K., including 1990 cover stories for both Melody Maker and NME, Rippon left and was replaced by Philip King just prior to the release of the band's full-length debut. Spooky, released in 1992, was an album that showcased the dream-pop soundscapes and ethereal melodies of the band's two frontwomen and propelled Lush to recognition in America with a gig on 1992's Lollapalooza festival.
    [Show full text]
  • Lush: Shoegaze, Blind Spot and Reunions
    Lush: Shoegaze, Blind Spot and Reunions theskinny.co.uk /music/interviews/lush-interview Lush Editor's Choice "You know, I hate the term shoegazing." Emma Anderson laughs but she's frustrated rather than amused as she reflects on the continuing and uncomfortable packaging of the scene her band Lush helped kick-start a mere quarter century ago. That time might have flown but the lazy compartmentalising has remained. "The scene was ridiculed to some extent," she continues, "but if you go back to the 90s, a lot of stuff hasn’t stood the test of time very well at all, and I can see why this has. It has a slightly other-worldly quality, I guess. It's very musical. That might sound really silly but it's not lyric-driven, it's certainly not scene-driven. It's based in music and genuine, real emotion." Hear hear. And her band's lasting qualities go some considerable way towards explaining why their unexpected regrouping late last year was greeted with such immediate warmth. With the likes of Ride and Slowdive's returns leading to a thoughtful re-evaluation of their back catalogues, Lush begin again with their credibility secure, despite elements of a largely supportive press at the time throwing them the odd bitchy barb. As we talk by phone ahead of the band's first release in 20 years – the tremendous Blind Spot EP – and a run of live shows that include two headline performances at London's vast Roundhouse, Anderson recalls those slyly negative notices with bemusement. "This has come up quite a lot actually," she says.
    [Show full text]
  • The Guardian, July 22, 1992
    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 7-22-1992 The Guardian, July 22, 1992 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1992). The Guardian, July 22, 1992. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. The Guardian ISSUE NO. 2. VOL. 28 WRIGHT STATE UNIVERSITY WEDNESDAY, JULY 22, 1992 O RECYCLED PAP!!* Oops, watch that turn Students to pay more in the fall By THOMAS J. LUCENTE News Editor Wright State University, for the third time in the last four quarters, has raised tuition. Full-time, undergraduate stu- dents will begin paying $979 per quarter this fall. On July 13, the state Con- trolling Board voted to allow universities to raise their tu- ition as much as 9 percent. The previous cap was 7 percent. Am The cap increase came af- ter Gov. George Voinovich, a graduate of Ohio University and The Ohio State Univer- sity. cut $170.2 million from the budget for higher educa- Paige E. Mulhollan The Falrbom fire department had trouble maneuvering their truck earlier this month, tion. damaging the quad and a trash can. Voinovich, who ran for election as the "education gover- education could be facing an- nor," has now cut the higher educa- other 5 percent in cuts at the end tion budget three times since tak- of the calendar year if no im- INSIDE ing office in January 1991.
    [Show full text]
  • Chorus by Lush | Box Set Review
    Chorus by Lush | Box Set Review thelineofbestfit.com /reviews/albums/lushs-chorus-anthology-is-a-lexicon-of-love/ Ed Nash Chorus is the perfect title for an anthology of Lush’s relentlessly infectious songs. Their studio albums, 1992s Spooky, 1994s Split and 1996s Lovelife are topped and tailed by here two compilations, Gala and Topolino, as well as everything else they recorded. A mammoth 105 tracks are spread over five lovingly packaged discs. Prior to their very welcome live return next year - their first shows since the tragic passing of drummer Chris Acland twenty years ago - Chorus is timely reminder of how wonderful Lush were. Whether pedaling the space rock which saw them lumped in with Shoegaze initially or their spikier later material, the theme of love runs consistently through their songs. They wrote about it quite brilliantly, be that the rancour of “Bitter” or the melancholy of “Nothing Natural.” Calling themselves Lush proved to be a double edged sword. On one hand, it fitted with the beauty of their initially dreamy, gauzy songs. They didn’t look like your typical indie band either - Acland and bassist Phil King were such a pair of handsome devils they could have been Gap models. However the flipside to the name was their joy of enjoying a beer and letting their hair down, which unfairly saw singing guitarists Miki Berenyi and Emma Anderson being written about in gossip columns almost as much as they were for their music. For all their down to earthness (Berenyi was hilariously dismissive about her treatment at the hands of male musicians in the recent Girl In A Band documentary), Lush were incredibly serious about the music they made, which shines through in Chorus.
    [Show full text]
  • What Happened to the Female Stars of Britpop?
    Home News Sport Weather Shop Earth Travel Search Music Menu My Music What happened to the female stars of Britpop? By Fraser McAlpine Monday 13th November 2017 The indie bands that came to dominate Britpop emerged from a healthy alternative culture that was politically involved, progressive in outlook and inclusive of female input, from the alien techno of Björk to the literate blues of PJ Harvey. So it's a shame that now, 25 years after the formation of Elastica, that moment in popular culture is so often reduced to a boorish bunfight between blokes from the north (Oasis) and blokes from the south (Blur), or a testosterone-driven clash of classes. It was all of those things and several more complicated stories too, and nowhere near as male-dominated as it appears in the retelling. Here are seven bands whose contribution should not be overlooked. 1. Elastica [LISTEN] Justine Frischmann: Why I dropped music for art Elastica formed in mid-1992, when Justine Frischmann and Justin Welch decided they needed a group to reflect the interests of people like them. They made one album of sharp post-punk with lyrics confidently tackling erectile disfunction, scenesters and making out in cars, and it sold faster than any debut album since Definitely Maybe (a record it held for over 10 years). There followed a messy period, with band members leaving and arriving and a scrappy second album The Menace in 2000, after which the band split up. Guitarist Donna Matthews continues to make music under her own name, and works as a Christian missionary to the homeless.
    [Show full text]
  • Lush Gala Mp3, Flac, Wma
    Lush Gala mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gala Country: UK Released: 1990 Style: Alternative Rock MP3 version RAR size: 1686 mb FLAC version RAR size: 1241 mb WMA version RAR size: 1218 mb Rating: 4.9 Votes: 110 Other Formats: AU VQF MP2 DMF AAC ASF TTA Tracklist Hide Credits Sweetness And Light 1 5:19 Written-By – Anderson* Sunbathing 2 3:09 Written-By – Anderson* Breeze 3 2:47 Written-By – Anderson*, Berenyi* De-Luxe 4 3:31 Written-By – Anderson* Leaves Me Cold 5 2:56 Written-By – Berenyi* Downer 6 2:40 Written-By – Anderson* Thoughtforms 7 2:45 Written-By – Anderson* Baby Talk 8 2:18 Written-By – Berenyi* Thoughtforms 9 2:45 Written-By – Anderson* Scarlet 10 3:27 Written-By – Anderson*, Berenyi* Bitter 11 2:02 Written-By – Berenyi* Second Sight 12 2:40 Written-By – Berenyi* Etheriel 13 3:25 Written-By – Anderson*, Berenyi* Hey Hey Helen 14 2:29 Written-By – Andersson*, Ulvaeus* Scarlet 15 3:54 Written-By – Anderson*, Berenyi* Companies, etc. Record Company – Columbia House – W2 26463 Copyright (c) – 4AD Phonographic Copyright (p) – 4AD Manufactured By – Columbia House Credits Artwork [Design] – Chris Bigg , Vaughan Oliver Bass – Steve Rippon Drums – Chris Acland Engineer – Ed Buller (tracks: 1 to 3), Guy Fixsen, John Fryer (tracks: 8 to 13), Lincoln Fong (tracks: 4 to 7), Robin Guthrie (tracks: 4 to 7, 14, 15) Guitar, Backing Vocals – Emma Anderson Percussion – Phil Overhead (tracks: 1 to 3) Photography By – Jim Friedman Producer – John Fryer (tracks: 8 to 13), Lush (tracks: 8 to 13), Robin Guthrie (tracks: 4 to 7, 14, 15), Tim Friese-Greene (tracks: 1 to 3) Vocals, Guitar – Miki Berenyi Notes Tracks 1 to 3 are from BAD 0013, 'Sweetness And Light', released October 1990.
    [Show full text]
  • Embargoed Until 4Pm (Uk Time) Tuesday 6Th November 2018
    EMBARGOED UNTIL 4PM (UK TIME) TUESDAY 6TH NOVEMBER 2018 From four individual parts, with distinct musical pasts but also overlapping histories, a new unified chapter begins with Piroshka and the quartet’s thrilling debut album Brickbat, released 15th February via Bella Union and available to preorder here. The four band members are former Lush vocalist/guitarist Miki Berenyi, former Moose guitarist KJ "Moose" McKillop, Modern English bassist Mick Conroy and former Elastica drummer Justin Welch. The band have shared a first track “Everlastingly Yours”, which is premiering via Stereogum and streaming HERE, and announced a number of live dates, including a sold–out Lexington show later this month and a 6–date UK tour in Spring 2019. Dates/info below: Tuesday 27th November – LONDON – Lexington **(SOLD–OUT!)** Friday 29th March – MANCHESTER – Soup Kitchen tickets Saturday 30th March – GLASGOW – Stereo tickets Sunday 31st March – LEEDS – Brudenell Social Club tickets Thursday 4th April – LONDON – Oslo tickets Friday 5th April – CAMBRIDGE – Portland Arms tickets Saturday 6th April – BRISTOL – Rough Trade tickets Thursday 25th April – PARIS – Backstage tickets Friday 26th April – AMSTERDAM– Paradiso tickets Saturday 27th April – BERLIN – Privatclub tickets Sunday 28th April – COPENHAGEN – Vega tickets Wednesday 1st May – Brussels – Les Nuits Botanique @ Botanique Rotonde tickets (photocredit Neil Stewart) The album is named after the word for a missile, which nails the record’s heavyweight lyrics if not the music’s gorgeous, bittersweet and euphoric pop. Think of Brickbat as a wolf in sheep’s clothing – which suits the name Piroshka, the Hungarian take on the wolf-terrorised fairytale hero Little Red Riding Hood.
    [Show full text]
  • Rank Your Records: Emma Anderson Ranks Lush's Five Albums
    Rank Your Records: Emma Anderson Ranks Lush’s Five Albums noisey.vice.com /en_us/article/689e7x/rank-your-records-lush-emma-anderson In Rank Your Records, we talk to members of bands who have amassed substantial discographies over the years and ask them to rate their releases in order of personal preference. Of all the shoegazers left from the original scene that celebrated itself, the one reunion that seems most unlikely was Lush. Unlike My Bloody Valentine, Slowdive, and Ride before them, Lush actually had circumstances that suggested they would never get back together. The band split after co-founding member and drummer Chris Acland committed suicide. That devastating blow was enough reason to keep the band from ever reuniting, but co-singer/songwriter Miki Berenyi moved away from music altogether in the subsequent years. (The band's other co-singer/songwriter, Emma Anderson, went on to form indie-pop outfit Sing-Sing, while bassist Phil King continued to play off and on with the Jesus & Mary Chain.) And so it was a pleasant surprise this past September, when the band announced they’d be reforming 19 years after they last performed (Elastica’s Justin Welch will take over drums). In a statement, Berenyi explained their decision to reform, saying, “The opportunities and practicalities of reforming Lush meant that for 20 years it was an impossible undertaking. But we all loved what we did, and the time is finally right for us to do it again.” The time is definitely right for Lush to come back. Though to some, the shoegazing era of the late 1980s and early 90s has always lived on, the demand for the return of the original bands has been overwhelming.
    [Show full text]
  • Vived Through All the Ups and Downs of The
    WARNER SET LAUNCHES COSTELLO BLITZKRIEG (Continued from page 1) has been ill- served by conventional With his London tour dates loom- Costello adds, "We weren't looking shenanigans in London, I had left play, but it doesn't mean it's the ideal music marketing methods on either ing, Costello recalls that he "hatched for radio play. It was sort of saying, `If Warner Bros. in Burbank [Calif.] with reality," he says. side of the Atlantic. this plan" for the limited- edition EPs you've decided to ignore me, I'll ignore a whole stack of radio recordings, "I've very rarely tended to talk like At Costello's initiative, Warner at 6 a.m. the day of his return from you right back.' " from which I very quickly selected the this, and this is not a crying -in -your- Bros. is due to release Dec. 3 an the States. The first of the singles, He says that Phil Straight, director highlights." beer situation," he says. "But I think unusual and limited-edition boxed set "Little Atoms," was released little of international artist development at The five CD maxi -singles were the industry has made it impossible of five CD maxi -singles (or EPs, as more than a month later. He chose his WEA U.K., "did a lot of great work recorded for broadcast from the Trou- for bands to go forward into the age Costello prefers to describe them). collaborators "because they were seeing it through, and I think we saw badour in Los Angeles, the Fillmore that we are now, unless they want to Each contains five songs recorded it through in style." in San Francisco, the Supper Club in be grand old men taking laps of honor.
    [Show full text]
  • Album Review: Lush - Chorus / Releases / Releases // Drowned in Sound
    Album Review: Lush - Chorus / Releases / Releases // Drowned In Sound drownedinsound.com/releases/19148/reviews/4149637/ by Dom Gourlay December 11th, 2015 Often misrepresented and rarely afforded the respect they deserved, Lush were a breath of fresh air in a very male- heavy dominated scene. Having formed in 1987 - initially as The Baby Machines - it took a change in personnel and eventually musical direction to bring them to the attention of lauded independent label 4AD and the rest is history – albeit a chequered one and mainly for reasons beyond their control. Indeed, the Lush story traverses every conceivable emotion throughout their 11-year-existence. From the excitable joy of those early shows to the anticipation surrounding debut LP Spooky, through to friendship, love and heartbreak - mostly the subject matter for their songs - to indignation suffered at the hands of an occasionally negative media hellbent on portraying the band - and singing/songwriting duo Miki Berenyi and Emma Anderson in particular - as hedonistic blaggers rather than the creditable musicians they were and have become rightfully recognised as today. And it culminated in sadness and tragedy due to the passing of drummer Chris Acland aged just 30 in October 1996 which orchestrated the grief-stricken band's break-up. It brought a solemn end to a band who'd never been afforded an easy ride from day one. Back in the pre-internet era when word of mouth or simply getting off one's backside and going to a show were the most common ways of discovering new music, Lush arrived in an unprecedented blaze of glory.
    [Show full text]