Rolando - the Ransom Note Mix $ Soundcloud

Total Page：16

File Type：pdf, Size：1020Kb

LINKS # Facebook ! Twitter " Instagram PRESS $ SoundCloud ROLAND ROCHA RECORDS # Facebook Rolando - The Ransom Note Mix $ SoundCloud RIDER 2 x Technics 1210 mk 5g turntables (or 1210mk2) My Favourite Record: DJ Rolando 3 x Pioneer CDJ-2000 NEXUS (linked) 1 x Pioneer DJM-900 ALLEN & HEATH MIXERS NOT ACCEPTABLE BOOKING INQUIRIES Age Of The Jaguar: 5 Steps With DJ Rolando Nicole Palacio Los Angeles, California [email protected] DJ Rolando on Leaving Underground Resistance and Life After Detroit BIO legendary producer and DJ at the forefront of techno, A Rolando’s career spanning nearly 30 years is a testament of timeless talent. Growing up in a Hispanic district in southwest Detroit, Rolando was heavily influenced by his cultural Latin rhythms and percussion. Inspired from an early age by his musician father, he pursued his own interest in music, later discovering the innovative sounds of techno once he heard Jeff Mills in 1985 as "The Wizard". Through a mutual friend, he was introduced to Mike Banks and joined Underground Resistance in 1994. Although not his first release on UR, 1999’s 'Jaguar' turned perceptions of Techno on their head, breaking into other genres of dance music and becoming a classic in the boxes of DJs such as Tenaglia, Morillo, Oakenfold, and Gilles Peterson. The track has a long legacy of reworking and lives on fifteen years later inspiring audiences from all genres. From there, found the Los Hermanos project with Gerald Mitchell while touring the world as a respected solo DJ and community leader. As of November 2004, Rolando left both Underground Resistance and his Los Hermanos project behind to pursue solo work. In 2014, Rolando launched his own label R3 ( Roland Rocha Records) to exclusively release his own music. He holds residencies at the enigmatic Berghain in Berlin and legendary Rex Club in Paris, all while producing fresh music for R3 and remixes for labels like MDR and Ostgut Ton. His seminal sounds will continue to be heard on dancefloors worldwide to come..

Copy Link

Recommended publications

Detroit's Maritime Techno Underground
Detroit’s maritime techno underground. On the relationship between the 18th century pirates movement and concepts of social utopias, ideology, and cultural production in Detroit techno. A proseminar-paper for PS Cultural and Media Studies, course title: Pirates in (US-)American Culture, conducted by Mag.a Dr.in Alexandra Ganser, WS 2014/2015, by Christian Hessle, matriculation number: 9450392, e-mail: [email protected] due to 1 March 2015, 3676 words. 2 Table of Contents 1. Introduction...................................................................................................................3 2. Double consciousness....................................................................................................3 3. The black Atlantic..........................................................................................................4 4. The ancestors of Detroit techno: Funk, Fusion Jazz, and Afrofuturism........................5 5. The Belleville Three......................................................................................................6 6. The factory: from the ship to the city............................................................................6 7. Underground Resistance................................................................................................7 8. Drexciya.......................................................................................................................10 9. Conclusion...................................................................................................................12
[Show full text]
2021 Hard to Find the HTFR Weekly Wanted List
© 2021 Hard To Find The HTFR Weekly Wanted List - Prices valid from 28 Sep 2021 to 5 Oct 2021 If you have any of the records in this list for sale, we will pay at minimum the price specified email: [email protected] - Tel: 0121 622 3269 - Visit our website for details on how to sell to us - http://www.htfr.com/secondhand/ MR26666 100Hz EP3 Pacific FIC020 1999 British 12" £4.00 MR75274 16B Trail Of Dreams Stonehouse STR12008 1995 British 12" £2.00 MR18837 2 Funky 2 Brothers And Sisters Logic FUNKY2 1994 British Promo 12" £2.00 MR759025 3rd Core Mindless And Broken WEA International Inc. SAM00291 2000 British 12" £2.00 MR12656 4 Hero Cooking Up Ya Brain Reinforced RIVET1216 1992 British Promo 12" £2.00 MR14089 A Guy Called Gerald 28 Gun Badboy / Paranoia Columbia XPR1684 1992 British Promo 12" £8.00 MR169958 A Sides Punks Strictly Underground STUR74 1996 British 12" £4.00 MR353153 Aaron Carl Down (Resurrected) Wallshaker WMAC30 2009 American Import 12" £2.00 MR759966 Academy Of St. Martin-in-the-F Amadeus (Original Soundtrack Recording) Metronome 8251261ME 1984 Double Album £2.00 MR4926 Acen Close Your Eyes Production House PNT034 1992 British 12" £3.00 MR12863 Acen Trip Ii The Moon Part 3 Production House PNT042RX 1992 British 12" £3.00 MR16291 Age Of Love Age Of Love (Jam & Spoon) React 12REACT9 1992 British 12" £7.00 MR44954 Agent Orange Sounds Flakey To Me Agent Orange AO001 1992 British 12" £8.00 MR764680 Akasha Cinematique Wall Of Sound WALLLP016 1998 Vinyl Album £1.00 MR42023 Alan Braxe & Fred Falke Running Vulture VULT001 2000 French
[Show full text]
Discographie
Discographie I. Précurseurs musiques savantes Compilations An Anthology Of Noise & Electronic Music, Vol. 1-5 (Sub Rosa, 2000-2007) Le bruit dans la musique 1900-1950 Compilations Dada et la musique (Centre Georges Pompidou/A&T, 2005) Futurism & Dada Reviewed 1912-1959, (Sub rosa, 1995) Musica Futurista : The Art Of Noise (LTM, 2005) George Antheil, Ballet mécanique, dirigé par Daniel Spalding (Naxos, 2001) Belà Bartók, Le mandarin merveilleux, dirigé par Pierre Boulez (Deutsche Grammophon, 1997) John Cage, Sonatas And Interludes For Prepared Piano, interprété par Boris Berman (Naxos, 1999) John Cage, Imaginary Landscapes, dirigé par Jan Williams (Hat Hut, 1995) Henry Cowell, New Music : Piano Compositions By Henry Cowell, interprété par Sorrel Hays, Joseph Kubera, Sarah Cahill (New Albion Records, 1999) Charles Ives, Symphony n°2 etc., dirigé par Léonard Bernstein (Deutsche Grammophon, 1990) Erik Satie, Parade, dirigé par Manuel Rosenthal (Ades, 2007) Arnold Schoenberg, Pierrot lunaire, Lied der Waldtaube, Erwartung dirigé par Pierre Boulez (Sony, 1993) Edgard Varese, The Complete Works, dirigé par Riccardo Chailly (Decca, 1998) Musique et timbre, 1950 à nos jours Luciano Berio, Differences, Sequenzas III & VII, Due pezzi, Chamber Music (Lilith, 2007) György Ligeti, Requiem, Aventures, Nouvelles Aventures (Wergo, 1985) György Ligeti, Chamber Concerto, Ramifications, String Quartet n°2, Aventures, Lux aeterna, dirigé par Pierre Boulez (Deutsche Grammophon, 1983) Tristan Murail, Gondwana, Désintégrations, Time and Again (Disques Montaigne, 2003) Giacinto Scelsi, The Orchestral Works 2 (Mode, 2006) Krzysztof Penderecki, Anaklasis, Threnody, etc., dirigé par Wanda Wilkomirska (EMI, 1994) Karlheinz Stockhausen, Aus den sieben Tagen (Harmonia Mundi, 1988) Karlheinz Stockhausen, Stimmung (Hyperion, 1986) Iannis Xenakis, Orchestral Works, Vol.
[Show full text]
Detroit: Techno City 27 July – 25 September 2016 ICA Fox Reading Room Preview 26 July
ICA Press release: 26 May 2016 Detroit: Techno City 27 July – 25 September 2016 ICA Fox Reading Room Preview 26 July Techno! The New Dance Sound of Detroit (1988). Courtesy Neil Rushton and 10 Records LTD The next ICA Fox Reading Room exhibition will present a studied look at the evolution and subsequent dispersion of ‘Detroit Techno music’. This term, coined in the late 1980s, reflects the musical and social influences that informed early experiments merging sounds of synth-pop and disco with funk to create this distinct music genre. For the first time in the UK, a dedicated exhibition will chart a timeline of ‘Detroit Techno music’ from its 1970s origins, continuing through to the early 1990s. The genre’s origins begin in the disco parties of Ken Collier with influence from local radio stations and DJs, such as Electrifying Mojo and The Wizard (aka Jeff Mills). The ICA’s exhibition explores how a generation was inspired to create a new kind of electronic music that was evidenced in the formative UK compilation: Techno! The New Dance Sound of Detroit. Using inexpensive analogue technology, such as the Roland TR 808 and 909, DJs and producers including Juan Atkins, Blake Baxter, Eddie Fowlkes, Derrick May, and Kevin Saunderson, formed this seminal music genre. Although the music failed to gain mainstream audiences in the U.S, it became a phenomenon in Europe. This success established Detroit Techno, as a new strand of music which absorbed exterior European tastes and influences. This introduced a second wave of DJs and producers to the sound including Carl Craig, Richie Hawtin and Kenny Larkin.
[Show full text]
DEQ No.10 Interactive
Letter from the publisher: DEQ #10 I hate to be negative in such a positive publication, but ity, but instead I saw gaping mouths and sad faces. I found when the bubble goes pop! And the air comes out… we myself staring at the cover of the 12” record with Brown need to talk. in a fancy suit and Apollo Creed (actor Carl Weathers) in his red, white and blue satin boxing outfit. “How does it When was your personal bubble last broken? Was it a feel when there’s no destination too far?” Brown belted out. “friend” that stabbed you in the back? Was it a bad break “And somewhere on the way you might find who you are!” I up? Was it the death of a loved one? Whatever the situa- guess I never paid attention to the words until that moment. tion, it hurts. You scatter to regroup from the unthinkable. The gut wrenching pain deepens grooves in your brain and I thought about my life’s journey and about how much bet- brings you to your forever changed mental map. We can ter of a person I am through friendships with people from repair and reinflate the bubble, and it might look different, other cultures. Putting this magazine together and playing but ultimately it’s our address. nights with diverse people make me realize how truly lucky I am (and I’m sure you do as well.) Steven Reaume said so It’s easier than ever now to get consumed in our own lives. profoundly in his article, “When you risk everything to do We can have so much of what we want, when we want and what you love, it’s worth every bit.” the way we want it.
[Show full text]
Tõmbas Kor- Rammile Ja Ruumilahendustele Maailma Kontekstis Samuti Rikkalik
SUVE ERILEHT 2018 2 : SUVE ERILEHT 2018 JUHTKIRI SILLERDAV SUVI JA SÜÜTUNDE SURM Pidulike marsihelide saatel astus UFOst kivile Võlur ja teatas: „Mul on teile kõigile tähtis uudis – meie piirkonda on tabanud igavene suvi!” (Tõnu Trubetsky ja Juhan Habicht „Igavene suvi”, Vikerkaar 1/1990) Mõned head aastad tagasi esitles maestro Rein Veidemann oma sed söövad su ära. Selles sektoris raha liigub, Valdur Mikita olgu vast valminud raamatut „101 eesti kirjandusteost”. Esitlus koosnes õnnistatud, ja asi seegi. Eesti majandus peab suvele vastu. minu ja Reinu vestlusest ning muidugi tuli kõne alla autori töömee- tod, sest kuulajad tahavad ju väga teada, kuidas kirjanik kirjutab. SUVI KUI MEIE SAKURA Isand Veidemann rääkis talle omasel eksalteeritud moel, kuidas põhi- Sarnaselt iga teise aastaajaga on suvi ja selle tajumine personaalne, osa sellest raamatust valmis nõnda, et ta istus kaunil ja ülikuumal see tähendab, et suve olemuse määrab vaatleja. Kui vaatleja on vin- suvekuul oma kodukabinetis aluspesu väel ja muudkui kirjutas. Kõi- gus, on suvi vingus, kui vaatleja on õnnelik, on suvi õnnelik. Kahjuks gile esitlusel viibijatele tuli see pilt elavalt silme ette ja suvi kui sel- painab personaalsust nüüd line omandas uue värvingu, millest ei puudunud teatud kuumvalk- isegi suurem kollektiviseeri- SUVEJUHTKIRI jad alatoonid. mine kui kolhooside rajami- Suvi on idee kohaselt aasta kauneim aeg, aga idee ja praktika ei se aegu, mistap pole kerge käi alati kokku. „Suvi, sillerdav suvi, lõputult pikk on päev, kauaks jääda avalikult iseendaks ja nõnda nüüd jälle jääb. Suvi, vallatu suvi, laotuses väike naer, nüüd on oma isikliku suvetunde loo- rõõmudeks antud aeg,” laulis kunagi Jaak Joala ja me ju kõik teame, jaks.
[Show full text]
Richie Hawtin Has Always Been at the Leading Edge of Innovation in All Aspects of Electronic Music. Now More Than Ever, He's S
RICHIE HAWTIN WordsRichie Richie Hawtin and Thomas H Green Photos www.alexanderkoch.com 0123456789 Hawtin 0123456789 new horizons Richie Hawtin has always been at the leading edge of innovation in all aspects R e of electronic music. Now more than ever, he’s searching for fresh horizons and new MM joe pli worlds to conquer. Who better to launch the first ever Mixmag Live? [[1L]] MARCH 2012 RICHIE HAWTIN Plastikman @ Brixton Academy, London from his lively blue eyes. He’s in dance music’s warlock, derive from his family’s move on November premier league these days, an immediately 14 1979 from the Northamptonshire village of recognisable name atop bills at clubs, raves and Middleton Cheney to LaSalle, Ontario, Canada, festivals and someone who is these days recognised when he was nine years old. even in the least likely of places. “My main memory of Middleton Cheney is a R te “I took a vacation on the coast of Morocco with strong sense of extended family, cousins, aunts, S ee my girlfriend,” he says in his relaxed Canadian uncles, a very close-knit family, everyone getting M accent, “walking though streets without pavements, together regularly,” he says. “That’s why the Canadian eule so far away from our world – and someone was like, move was such a big change: becoming isolated, M ‘Are you Richie Hawtin? Can I get your autograph?’.” introverted. The ‘DJ Richie Hawtin’ aspect of me Ann De : He laughs – “But it’s alright, people who come up are reflects what I remember of myself before I went S long term fans, not ‘I know that guy’s face from a to Canada: having all these people around, being boot D 0123456789 n 0123456789 A magazine.’ It’s a nicer sort of fame.” in elementary school, the cool kid in class who CH As Richie Hawtin he is the DJ who brings techno everyone talked to.
[Show full text]
Tone Glow, June 2020
018: DeForrest Brown, Jr. toneglow.substack.com/p/018-deforrest-brown-jr An interview with DeForrest Brown, Jr. + an accompanying mix, album downloads, and our writers panel on Nídia's 'Não Fales Nela Que A Mentes' and Arca's 'KiCK i' Jun 17, 2020 DeForrest Brown, Jr. DeForrest Brown, Jr. is a New York-based theorist, journalist, curator, and artist. He’s created work under his own name and as Speaker Music, and is a representative of the Make Techno Black Again campaign. His writings have appeared in Tiny Mix Tapes, Afropunk, Artforum and Hyperallergic. His upcoming book, Assembling a Black Counter Culture, is out this year on Primary Information. Joshua Minsoo Kim talked with Brown, Jr. on May 28th about his new albums and book, COVID-19, George Floyd, techno, and empathy. Photos by Ting Ding. 1/21 Joshua Minsoo Kim: Hello, hello. DeForrest Brown, Jr.: Hey, how’s it going? Good, how are you? I’m all right… you know? Just all right? Yeah, it’s just one of those things… You know, the news. Hold on, I’m moving a big ass bean bag chair. (moves chair). I’ve been working on the book, but the book is kind of forming in my life right now, I guess. What do you mean by that? So my book, Assembling a Black Counter Culture, it starts at the gold rush and I’m trying to tell the history of America through techno and the Industrial Revolution, tying it all together. Between George Floyd and these protests and the economic collapse, it’s kind of a weird thing to see the end of the book.
[Show full text]
320+ Halloween Songs and Albums
320+ Halloween Songs and Albums Over 320 Songs for Halloween Theme Rides in Your Indoor Cycling Classes Compiled by Jennifer Sage, updated October 2014 Halloween presents a unique opportunity for some really fun musically themed classes—the variety is only limited by your imagination. Songs can include spooky, dark, or classic-but-cheesy Halloween tunes (such as Monster Mash). Or you can imagine the wide variety of costumes and use those themes. I’ve included a few common themes such as Sci-Fi and Spy Thriller in my list. Over the years I’ve gotten many of these song suggestions from various online forums, other instructors, and by simply searching online music sources for “Halloween”, “James Bond”, “Witch”, “Ghost” and other key words. This is my most comprehensive list to date. If you have more song ideas, please email them to me so I can continually update this list for future versions. [email protected]. This year’s playlist contains 50 new specific song suggestions and numerous new album suggestions. I’ve included a lot more from the “darkwave” and “gothic” genres. I’ve added “Sugar/Candy” as its own theme. Sources: It’s impossible to list multiple sources for every song but to speed the process up for you, we list at least one source so you don’t spend hours searching for these songs. As with music itself, you have your own preference for downloading sources, so you may want to check there first. Also, some countries may not have the same music available due to music rights.
[Show full text]
Allegories of Afrofuturism in Jeff Mills and Janelle Monaé
Vessels of Transfer: Allegories of Afrofuturism in Jeff Mills and Janelle Monáe Feature Article tobias c. van Veen McGill University Abstract The performances, music, and subjectivities of Detroit techno producer Jeff Mills—radio turntablist The Wizard, space-and-time traveller The Messenger, founding member of Detroit techno outfit Underground Resistance and head of Axis Records—and Janelle Monáe—android #57821, Cindi Mayweather, denizen and “cyber slavegirl” of Metropolis—are infused with the black Atlantic imaginary of Afrofuturism. We might understand Mills and Monáe as disseminating, in the words of Paul Gilroy, an Afrofuturist “cultural broadcast” that feeds “a new metaphysics of blackness” enacted “within the underground, alternative, public spaces constituted around an expressive culture . dominated by music” (Gilroy 1993: 83). Yet what precisely is meant by “blackness”—the black Atlantic of Gilroy’s Afrodiasporic cultural network—in a context that is Afrofuturist? At stake is the role of allegory and its infrastructure: does Afrofuturism, and its incarnates, “represent” blackness? Or does it tend toward an unhinging of allegory, in which the coordinates of blackness, but also those of linear temporality and terrestial subjectivity, are transformed through becoming? Keywords: Afrofuturism, Afrodiaspora, becoming, identity, representation, race, android, alien, Detroit techno, Janelle Monáe tobias c. van Veen is a writer, sound-artist, technology arts curator and turntablist. Since 1993 he has organised interventions, publications, gatherings, exhibitions and broadcasts around technoculture, working with MUTEK, STEIM, Eyebeam, the New Forms Festival, CiTR, Kunstradio and as Concept Engineer and founder of the UpgradeMTL at the Society for Arts and Technology (SAT). His writing has appeared in many publications.
[Show full text]
Tell Carl Craig Techno Isn't About Raw Fucking Attitude and He'll Tell You to Shut up and Listen
104 TELLdetroit CARLrising carl craig CRAIG TECHNO ISN’T ABOUT RAW FUCKING ATTITUDE AND HE’LL TELL YOU TO SHUT UP AND LISTEN. interview TEMPE NAKISKA The game-changing second generation Detroit producer is one the most influential names in techno and a fierce advocate for his city, from his essential role in founding the Detroit Electronic Music Festival to his latest project, Detroit Love, a touring DJ collective of some of the biggest talents in the field, old school to new. Craig grew up absorbing the odyssey of sounds that formed legendary UK. There he got acquainted with the industrial sonic experiments radio DJ The Electrifying Mojo’s show from 1977 to the mid-80s. of Throbbing Gristle and UK rave music’s singular take on the From Jimi Hendrix to floppy haired soft rocker Peter Frampton, breakbeat – a clinical, on-edge combustion that would heavily Depeche Mode synth pop to Talking Heads new wave, and ruthless influence Craig’s own sound. Returning to the US he started his dancefloor belters from Parliament, Prince and Funkadelic, Mojo own label, Planet E, and unleashed himself on the world. Drawing scratched out notions of genre or ‘black’ and ‘white’ music to serve from jazz, hip hop and world music, he violently shook up what his up pure soul. forebears had started. You want techno? Hear this. Attending his earliest gigs underage, Craig helped his cousin 2016 marks 25 years of Planet E, through which Craig has on lights. It was there, deep in Detroit’s 80s underground, that he cruised to the earth-ends of his influences, via aliases including first-hand witnessed the music of the Belleville Three.
[Show full text]
1 : Daniel Kandi & Martijn Stegerhoek
1 : Daniel Kandi & Martijn Stegerhoek - Australia (Original Mix) 2 : guy mearns - sunbeam (original mix) 3 : Close Horizon(Giuseppe Ottaviani Mix) - Thomas Bronzwaer 4 : Akira Kayos and Firestorm - Reflections (Original) 5 : Dave 202 pres. Powerface - Abyss 6 : Nitrous Oxide - Orient Express 7 : Never Alone(Onova Remix)-Sebastian Brandt P. Guised 8 : Salida del Sol (Alternative Mix) - N2O 9 : ehren stowers - a40 (six senses remix) 10 : thomas bronzwaer - look ahead (original mix) 11 : The Path (Neal Scarborough Remix) - Andy Tau 12 : Andy Blueman - Everlasting (Original Mix) 13 : Venus - Darren Tate 14 : Torrent - Dave 202 vs. Sean Tyas 15 : Temple One - Forever Searching (Original Mix) 16 : Spirits (Daniel Kandi Remix) - Alex morph 17 : Tallavs Tyas Heart To Heart - Sean Tyas 18 : Inspiration 19 : Sa ku Ra (Ace Closer Mix) - DJ TEN 20 : Konzert - Remo-con 21 : PROTOTYPE - Remo-con 22 : Team Face Anthem - Jeff Mills 23 : ? 24 : Giudecca (Remo-con Remix) 25 : Forerunner - Ishino Takkyu 26 : Yomanda & DJ Uto - Got The Chance 27 : CHICANE - Offshore (Kitch 'n Sync Global 2009 Mix) 28 : Avalon 69 - Another Chance (Petibonum Remix) 29 : Sophie Ellis Bextor - Take Me Home 30 : barthez - on the move 31 : HEY DJ (DJ NIKK HARDHOUSE MIX) 32 : Dj Silviu vs. Zalabany - Dearly Beloved 33 : chicane - offshore 34 : Alchemist Project - City of Angels (HardTrance Mix) 35 : Samara - Verano (Fast Distance Uplifting Mix) http://keephd.com/ http://www.video2mp3.net Halo 2 Soundtrack - Halo Theme Mjolnir Mix declub - i believe ////// wonderful Dinka (trance artist) DJ Tatana hard trance ffx2 - real emotion CHECK showtek - electronic stereophonic (feat. MC DV8) Euphoria Hard Dance Awards 2010 Check Gammer & Klubfiller - Ordinary World (Damzen's Classix Remix) Seal - Kiss From A Rose Alive - Josh Gabriel [HQ] Vincent De Moor - Fly Away (Vocal Mix) Vincent De Moor - Fly Away (Cosmic Gate Remix) Serge Devant feat.
[Show full text]